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Olympus

OM System OLYMPUS M.Zuiko Digital ED 300mm F4.0 IS PRO For Micro Four Thirds System Camera Powerful Telephoto Prime lens Weather Sealed Design MF Clutch

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Availability: Only 3 left in stock, order soon!
Fulfilled by Green's Camera World
Arrives May 13 – May 18
Order within 3 hours and 49 minutes
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Features

  • World's most powerful 6 steps of compensation synchronized in lens and in body Image Stabilization
  • Closest focus of 1.4 meters gives a 0.48X (35mm equivalent) telemacro photography, Focal Length : 300mm
  • Splash, Dust, and Freeze proof design
  • Manual focus clutch & Lfn button to instantly switch shooting styles
  • Compatible with the MC 14 tele converter

Description

World's most compact, lightweight 300mm (600mm equivalent) f4.0 super telephoto lens makes super-telephoto hand-held photography possible.

Brand: Olympus


Focal Length Description: 300 mm


Lens Type: Telephoto


Compatible Mountings: Micro Four Thirds


Camera Lens Description: 300 month


Product Dimensions: 8.94 x 3.64 x 3.64 inches


Item Weight: 2.8 pounds


Item model number: V311070BU000


Is Discontinued By Manufacturer: No


Date First Available: January 6, 2016


Manufacturer: Olympus


Country of Origin: Japan


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: May 13 – May 18

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews

    • Simply the best telephoto I've ever used
Style: Base
This lens is unbelievably good. You can look at the reviews which will tell you it's good, but if you buy it you'll be blown away by the quality. Not is this lens sharp but the detail is amazing. You can literally count the feathers on a hummingbird! I've used Canon L lenses with various 1D cameras, but when I sent the first shots taken with this lens to friends they all commented on how fantastic the images were. I don't think Canon has a lens this good at anything approaching its price point. If you can afford it, and have a need for a lens with this reach, buy it. The other advantage is the stabilization. It usually takes me a little practice to get used to a lens and to learn how to minimize errors. There is always a learning period during which you make bonehead mistakes. This happened with this lens. The second time I took it out with my E-M1 I ended up taking some shots of a pygmy owl in its hole. After I finished shooting I realized I had taken the shots at 1/13th of a second. I was totally bummed since this lens is the equivalent of a 600mm. Shooting unsupported upwards I assumed there was no way there wouldn't be some serious shake. But when I looked at the images to my surprise they were sharp. At 1/13th of a second. Are you serious? Obviously a higher shutter would be preferred but it's a huge plus that you can shoot at these speeds and have the images be sharp. As a final observation, while I have the 1.4TC I've found the images are better if I skip the TC and just crop. With the TC the images are still good but some of the detail gets lost. YMMV. ... show more
Reviewed in the United States on June 30, 2016 by DonC
    • Outstanding addition to the Olympus line up.
Style: Base
Stunning addition to the Olympus line up. Most of the time I use Nikon professionally and the new D5 and D500 are outstanding cameras and are capable of 99.9% of the work I do which is primarily Theatre photography. However a few years ago I bought the OMD EM5 and then a EM1 to use in live Theatre situations where bulk and noise were inappropriate. The OMD EM1 in particular has had good use and the ability to use the 40-150 with a teleconverter invaluable. The upgrade to the EM1 Mk 2 and the addition of this lens has been phenomenal. The image stabilisation in lens and in body apparently results in 6 stops handheld, using it I can believe this is correct. There are certain productions I photograph from the very back of a theatre and 600mm (35mm equivalent) is not too long, however handholding a full size 600mm Nikon lens would be impossible as well as very tiring. However the sheer fun of using a lens of this focal length in general photography is great and would be a real boon for any street photographer. Like all Olympus Pro lenses the optic is pin sharp and with the new Mk 2 body Olympus have a genuine Pro offering. In my younger days I photographed Formula One, how I wish I had this combination at my fingertips. ... show more
Reviewed in the United States on February 5, 2017 by David M.
    • Amazing long lens
Style: Base
Review Image by Robert Bieber Robert Bieber
Review Image by Robert Bieber Robert Bieber
Review Image by Robert Bieber Robert Bieber
Review Image by Robert Bieber Robert Bieber
Review Image by Robert Bieber Robert Bieber
Review Image by Robert Bieber Robert Bieber
I haven't gotten a chance to take this thing outside yet (I'll try to update when I've done some real photos with it), but based on what I can see so far this thing is amazing. First the highlights: - The length and size are great. While it's somewhat big and heavy in absolute terms, for the field of view it gives me it's actually a very small lens. - The IS when used in combination with an E-M1 is simply astonishing. I'm attaching a test photo I snapped from clear across my apartment, indoors, with the teleconverter attached (which gave me a field-of-view equivalent to 840mm on a full-frame body), at 1/50 of a second. Completely handheld. - The tripod foot has an arca swiss plate built into it, which is simply brilliant. I'm trying to come up with downsides, but it's hard--this really is a stellar lens. The best I can come up with is the size, but that's really not bad at all when you consider its capabilities. The only thing that annoys me a tiny bit is that the integrated lens hood isn't _quite_ as slick as the one on the 40-150/2.8. This one you have to twist a bit to secure it in place when it's extended, instead of just popping into place when you pull it out. Super nitpicky, I know, but that's probably the single worst thing about the whole package. UPDATE: Alright, I finally got a chance to take this thing out in the wild. I'm attaching a couple of sample photos, all taken with the E-M1 and the 1.4x teleconverter. A few more possibly interesting points I've noticed: - The hardest part of using this thing in practice is aiming a long prime lens. That's not really the lens' fault, but it's something you'll need to keep in mind if you're going to use it. You can't zoom out to find your target, and if the focus is way off you could point the lens right at it and not see it in the viewfinder. You've got to be careful about aiming, and it wouldn't hurt to get a dot sight if you're consistently having trouble with it. - The autofocus isn't as lightning fast as I'd like to see. I'm guessing that's more the camera's fault than the lens', as the focus motors seem to move quickly and smoothly, but the camera can take as much as a second or two if there's not much contrast between the subject and surrounding area to lock focus. - The weight isn't bad, but it _is_ enough that I (a 5'11", 170-lb guy in pretty good shape) found it moderately uncomfortable to walk around for about three hours today with this lens, a 1.4x TC, an E-M1 and battery grip on a strap over my shoulder today. It's definitely still a feasible lens to carry around a lot, but I'm seriously considering switching to a hip holster for it. ... show more
Reviewed in the United States on June 10, 2016 by Robert Bieber Robert Bieber

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