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Availability:
Only 1 left in stock, order soon!
Arrives
Jul 8 – Jul 12
Style: Canon
Set: US Version
Features
- F1.8 maximum aperture
- F16 minimum
- Ring-type ultrasonic-type AF motor with full-time manual focusing, 72mm filter size
- Minimum focusing distance 28 cm/ 11.0 in. USB Dock compatible, MC-11 compatible.
- Available in Canon EF (EF-S), Sony Alpha (dot), Nikon f (DX) mounts
- 0.23 optical Zoom
Description
First wide-angle to standard zoom lens to achieve a large aperture of 1.8 Due to the very shallow depth of field (DOF) of fast glass and focus variation between the cameras, users may experience focus shift and inconsistent AF. This can be fixed by using the AF fine tune ( For Nikon System) or AF Micro Adjustment( For Canon System) in the camera’s Menu to calibrate the lens to specific cameras. Also shooting at smaller aperture values will increase the DOF which reduces “focus issues” as the result of the variations and decreases the amount of fall of (Vignetting).
Brand: Sigma
Focal Length Description: 18 to 35mm (35mm Equivalent 28.8 to 56mm)
Lens Type: Wide Angle
Compatible Mountings: Canon EF-S
Camera Lens Description: 35 millimetres
Focal Length Description: 18 to 35mm (35mm Equivalent 28.8 to 56mm)
Lens: Wide Angle
Compatible Camera Mount: Canon EF-S
Maximum Focal Length: 35 Millimeters
Minimum Focal Length: 18 Millimeters
Lens Design: Zoom
Focus Type: Ring-type ultrasonic
Lens Fixed Focal Length: 1 Millimeters
Lens Coating Description: Aero Bright Coating
Zoom Ratio: 1.941
Image stabilization: Optical
Real Angle Of View: 76.5 Degrees
Minimum Aperture: 16
Number of Diaphragm Blades: 9
Compatible Camera Models: Canon cameras
Photo Filter Size: 72 Millimeters
Lens Mount: Canon EF
Has Self-Timer: No
Video Capture Resolution: 1920 x 1080
Compatible Devices: DSLR Camera
Maximum Shutter Speed: 1/2000 seconds
Exposure Control Type: Automatic, Manual
Water Resistance Level: Not Water Resistant
Media Type: ProductImage
Battery Average Life: 1 days
Color: Black
Screen Size: 3 Inches
Brand: Sigma
Camera Lens: 35 millimetres
Model Name: 210101
UPC: 085126210540 841434153746 085126929510 017441102521
Manufacturer Part Number: 210101
Global Trade Identification Number: 40
Unit Count: 1.0 Count
Model Number: 210101
Item Weight: 810 Grams
Item Type Name: Digital-slr-camera-lenses.
Manufacturer: Sigma Corporation of America
Built-In Media: Lens
Warranty Description: 1 year coverage for labor, 1 year coverage for parts
Frequently asked questions
This particular model is specifically designed for Canon mounts. However, Sigma 18-35mm F1.8 lenses are also available for other mounts like Nikon, Sony, and Pentax.
Yes, with its wide aperture of F1.8, the Sigma 18-35mm lens performs exceptionally well in low light conditions. It allows more light to reach the sensor, hence providing bright and clear images.
HSM stands for Hyper Sonic Motor, which is Sigma's term for a type of autofocus motor. It allows for a quieter and faster autofocus operation.
Art is a line of Sigma lenses that are designed to prioritize image quality over all other considerations. They are known for their excellent build and image quality.
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🚀 Abunda's Overview
This is our summary and key points to consider based on customer reviews.
After analyzing the reviews, it's clear that the Sigma 18-35mm F1.8 Art DC HSM Lens for Canon is highly regarded by its users. The product shines in its ability to capture crystal clear images with vibrant colours, its solid build quality, and its affordability compared to similar lenses. Its wide focal length and fast aperture make it versatile for different shooting scenarios, even in low light conditions.
Pros
- 📸 Exceptional image quality with minimal chromatic aberration
- 💡 Fantastic low-light performance thanks to fast F1.8 aperture
- 🎯 Versatile focal range of 18-35mm suitable for various shooting situations
- 🏋️ Solid build and stylish design
- 💰 Excellent value for money
- 🔄 Smooth autofocusing and superior image stabilization
- 🎥 Ideal for both photography and videography
Cons
- 🧐 Slight vignetting observed at 18mm
- ⚖️ A bit heavy due to quality glass components
- 😕 Lack of Image Stabilization (IS) can affect videography
- 🦺 Not weather sealed
Should I Buy It?
If you are a professional or a hobbyist photographer looking for a versatile lens that delivers high-quality images and adds a professional touch to your portraits, then the Sigma 18-35mm F1.8 Art DC HSM Lens for Canon is definitely worth considering. While the product has minor cons such as slight vignetting and lack of weather sealing, its high-quality build, excellent image quality, and versatility for both photography and videography vastly outweigh the negatives.
Style: Canon
Set: US Version
As a photographer, finding the right lens is essential to capturing stunning visuals, and I've found that the Sigma 18-35mm F1.8 Art DC HSM Lens for Canon truly stands out in this regard. Here's why I believe this lens should be the first purchase for anyone looking to elevate their photography: Exceptional Quality: The Sigma 18-35mm F1.8 lens provides crystal clear images with minimal chromatic aberration. The colors are vibrant, and the sharpness is top-notch. Whether you're a professional or a hobbyist, this lens will help you take your images to the next level. Fast Aperture: With an aperture of F1.8, this lens allows for fantastic low-light performance. It's great for creating beautiful bokeh, giving you that professional touch to your portraits and other creative works. Versatile Focal Range: Covering a wide focal length of 18-35mm, this lens is adaptable to various shooting scenarios. Whether you're capturing landscapes, group shots, or intimate portraits, it offers flexibility without the need to switch lenses constantly. Build and Design: The build quality is solid, and the Art series design is both stylish and ergonomic. It feels comfortable in the hand and inspires confidence when shooting. Affordable Price: Compared to other lenses with similar features, the Sigma 18-35mm F1.8 offers excellent value for money. It performs at a level that you'd expect from a far more expensive lens. Compatibility: Specifically designed for Canon cameras, it integrates seamlessly, providing smooth autofocusing and excellent image stabilization. Perfect for Video: Many videographers swear by this lens too. Its smooth focusing and constant aperture across the zoom range make it an excellent choice for video work. Summary: The Sigma 18-35mm F1.8 Art DC HSM Lens for Canon has earned a spot in my essential photography toolkit. Its combination of quality, versatility, and affordability makes it a compelling choice for photographers of all levels. Whether you're just starting out or looking to upgrade your current lens, this one is hard to beat. It's a lens that truly lives up to the "Art" in its name, enabling creativity and delivering exceptional results. If you're considering a new lens, don't hesitate to give this one a try. It might just become your favorite too!
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Reviewed in the United States on July 30, 2023 by Chad Gilbert
Style: Canon
Set: US Version
I'm an amateur photographer, and as such, I appreciate the versatility that this lens gives me. First, the wide aperture at a wide angle, something that is hard to find even on primes, and second, the fact that is not a prime lens and allows you a certain degree on zooming, albeit not much. but who would ask for more of this. Ok, but if you're on this page you already know what's the appeal of this lens, you just want to know if it's worth it. My verdict is: it is worth it. The build quality is great, as is its visual appearance. It's a professional-looking lens. And the feel in your hands is amazing. The zoom and focus rings are smooth to handle, and with a very nice grip thanks to the rubberized surface. The image quality is very nice, comparable to prime lenses they say. I don't have enough experience to say it myself, but I can say the image quality is superb. It's sharp, and the bokeh at f1.8 is really nice. That was one of the reasons I wanted a wide aperture lens, the other being shooting in low light conditions, which I already did and was amazing. A friend saw my pictures and thought I had taken a tripod with me to achieve the level of exposure I got from a night landscape. My only reservation when buying it was the fact that there are some worrying reviews out there of people that has had the bad luck to get a copy of this lens that presents some issues with auto-focus. Fortunately that was not my case, but I certainly wouldn't dismiss those concerns. If you can, buy this at store where you can try the exact lens you'll be taking home. In any case, this issue appears to be uncommon. Finally, only buy this lens (or any lens for that matter) if you know it provides the features you look for the most in your photography endeavors. If you shoot mostly at a wide angle setting, and you're craving for more aperture, this lens is for you. Even more so if you're a crop-sensor person (this lens is crop-sensor specific) and you're not planning to go full-frame anytime soon. Also consider some possible inconveniences of the lens before purchasing it, like the fact that is not small, and is not lightweight.
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Reviewed in the United States on September 14, 2016 by Ernesto García
Style: Canon
Set: US Version
Recently bought this Sigma 18-35 F1.8 Art lens (Canon Mount) for my Lumix GH4 and connecting the two with my Metabones Speed Booster. I film a lot of weddings here in Cape Town, South Africa and I needed a lens that was good for "run and gun" shooting. After testing it out quite a bit and shooting a wedding with it, I was pleasantly surprised with just how sharp this lens is! Like.. WOW! I've been a big believer for a long time that zoom lenses just aren't the way to go, because you just don't get the image quality or the sharpness that you do with a prime lens. But this lens might be sharper than some primes that I've been using for a few years now! It is a rather heavy lens though, and coming from a place of using small film camera prime lenses like the Nikkor 50mm F1.8, It took awhile to get used to. But I can't fault the camera on its weight at all because with such a solid casing and that amount of glass elements inside, its so worth the extra weight for the image quality you get! Truly what makes this camera trump any other lens in its class is that beautiful F1.8. I mean for a zoom lens, this lens is FAST! This was a major sell point for me because the GH4's ISO performance is not the greatest at all with that tiny Micro Four Thirds sensor. This lens paired with my Speed Booster has made this lens a lowlight monster, with the ability to shoot more establishing wides at 18mm and beautiful cinematic close-ups at 35mm. I truly can't fault this lens at all after using it for quite a few jobs, and with such a reasonable price tag I can't think of any lens I'd rather want. So if you're looking for a lens that covers the basic focal lengths for a scene, great in lowlight, well built and reasonably priced, then look no further!
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Reviewed in the United States on December 24, 2016 by Steven Thistle
Style: Canon
Set: US Version
The 18-35 has a history of being a really unique lens for it’s time, with prime like quality in a fast zoom. I still think after all these years it’s still in it’s class of being a very good lens for the APS-C format. Image is sharp all around, though at 18mm you have a little vignetting. Very fast and combined with a speedbooster you end up having an extra stop of light to work with. The classic GH4/18-35 combo makes it viable in most lowlight situations, though I do think a full frame or modern crop camera even better. Focus throws are nice and smooth and the build quality is robust. I have dropped it several times from standing height and have had no discernible performance issues. It is not weather sealed, but seems robust otherwise. Because of the internal zoom and robustness, it is heavy. It’s not a easily walk around lens because of all the quality glass it carries, but the image quality will pay dividends. Just something to consider, quality over convenience. There is no IS, which for me personally makes it somewhat unfun to use. It would help a lot with the video side of things and I opt a lot of the times for the Canon 24-105 since it does have IS. It’s not a crazy terrible compromise in photography, but for video as nice as the quality is, you have to be steady or have a gimbal if you don’t have IS on your camera. I’ve moved on from crop sensor to full frame cameras, so it’s usage for me is a lot less frequent now. I’ve had a good time with it for concerts, portraits and product photography. If you’re on the APS-C format though, you really can’t go wrong with this lens. It won’t let you down. Just buy it used instead of new. You’ll save some money that way.
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Reviewed in the United States on June 7, 2023 by henry
Style: Canon
Set: US Version
Mounted this on a blackmagic cine 6k pro, and I have never been so satisfied with the performance of a lens more than this. Follow focus ring, mounted clean, no problem placing a Matt box. Smooth installation across the board. Quick and accurate point to focus when triggering focus assist. I’ve already used for some wildlife scenes and wildlife management area videos, anyone interested in scenic cinematography should seriously look at this lens.
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Reviewed in the United States on April 17, 2026 by J Lane
Style: Canon
Set: US Version
Great lense nice quality pics for sure I just didn’t get a lense hood but that maybe cause I bought the used lense instead of brand new
Reviewed in the United States on April 17, 2026 by I'm enjoying this game very much
Style: Canon
Set: US Version
The Pros: This is an excellent lens with really good picutre and video quality. I took a few pictures and asked a few of my friends to guess the camera setup and nobody imagined it to be a crop sensor. The wide f1.8 aperture is awesome for bokeh and low light performance. Also the focal length basically covers 3 prime lenses! The zoom and focus rings are sleek with an overall build quality of a boss. This is the closest you'll get to full frame on a crop sensor body. It's crazy sharp! Now for the drawbacks. This lens is very heavy considering. I have the Canon 200d and 77d, and the lens almost feels heavier than both the cameras together. Make sure you have the correct tripod or Gorillapod if you plan to mount it. At times I'm even afraid to not hand cradle the lens as it just doesn't feel right with my hands on the camera body alone. Second is the focus motor, it's not the quietest and a tad slower than the canon stm lenses. In fact, its so loud that I can hear it even with my on camera Rode mic in auto focus. Just something to consider if you shooting an interview or a video where you require auto focus. Shoot in manual focus instead. Thirdly, lack of IS. Yep, no IS. Ultimately it's wide-ish focal length makes it acceptable. Lastly, this lens only works on crop sensor cameras. So for the price, many believe it to be a bit limiting. So weigh your options and decide if you willing to stick to crop sensor bodies. Conclusion: If you willing to deal with the drawbacks like I was, then it's an excellent lens. It's fast aperture with a versatile focal length makes it's almost impossible to pass up if you have a crop sensor camera.
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Reviewed in the United States on December 15, 2018 by Maruwaan
Style: Canon
Set: US Version
This is a review I expect to update as I continue to use my brand new Sigma 18-35mm F1.8 lens. I am not a super-technical pixel-peeper kind of guy but I am a pretty experienced photographer and I'm writing this with a similar audience in mind. I bought this lens because I do a lot of event photography, especially dance (doing volunteer work for a ballet company) and while I've done pretty well with my trusty Canon 24-70mm F2.8 lens, I've felt a bit (sometimes more than a bit) limited when I photograph fast moving dance sequences in the low-light environments stage and dance very often are. That's because the 24-70mm F2.8 simply doesn't do as well on an EOS 7D with its 1.6x (APS-C) crop that it does on a full-frame like my EOS 5D Mark III. That's what's one of the very nice things about this lens. You get the same performance on the crop body with it that you get with the 24-70mm on the full-frame. And that's important because my crop body with its 8 frame per second burst capability is the best camera for catching action (as opposed to the significantly smaller burst capability of the 5D Mark III). 07/17/2013: So let's start with the first impressions: 1. The price on this lens is great. If it had been Canon or Nikon, I would have expected paying far more than what Sigma is charging for a game-changer lens. 2. The build quality is very nice. Holding the lens in my hands, it feels solid and well-constructed. 3. Although the lens is not a macro, I was impressed by how close it could focus...I actually was able to get good, sharp images of my parrot's face when I focused in below the ten inches that the specifications say it can do. 4. The lens focuses very quickly and the small number of images I've captured with it appear good and sharp. When I open it up, the bokeh appears very nice as well. 5. The lens is very quiet...I could hardly hear it while it moved to focus. 6. I also think that the lens is fairly low-profile...one wonders if Canon had made it whether they would have made it white which could draw unwelcome attention when doing street photography. As far as negatives go, nothing leaped out at me. Some might not like the fact that you can only stop it down to F16 but who is going to use a lens like this for landscapes? *** 07/28/2013 I'm writing to update this review now that I've been out with my Sigma 18-35mm F1.8 on an EOS 7D body to two events I photographed. My subjects were both the same...the "Nat Pack" entertainers that give t-shirts away and dance on the dugout roof during breaks in the game. I can't figure out how to upload photographs to the review site here (I'd welcome any help on that). In the meantime, you can see the photos from one game that I took on my flickr account photostream. Just go to that website and add after the .com suffix "maskirovka77/sets/72157634795619485/" to see the shots. Frankly, I'm delighted with the lens. Even shooting with it opened all the way up, it was easy to get nice sharp, vivid pictures of the Nat Pack with good bokeh. The lens focused rapidly and I didn't wind up with very many blurry shots at all. I won't even call this a drawback of the lens, since I'm sure that it's a result of optics and mechanical limitations, but the focal length range of the lens is not as good as the 24-70mm F2.8 lens but that's life. One other thing I've realized is that I can pretty much put my old 50mm F1.4 on the market because the Sigma gives me so much more flexibility with its zoom.
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Reviewed in the United States on July 18, 2013 by maskirovka