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Extended holiday returns
FREE refund/replacement until Jan 31, 2027 Learn more
FREE refund/replacement until Jan 31, 2027 Learn more
This item's return window has been extended for the holiday season: FREE refund/replacement until Jan 31, 2027
To qualify for a full refund, items must be returned in their original, unused condition. If an item is returned in a used, damaged, or materially different state, you may be granted a partial refund.
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Availability:
In Stock.
Arrives
Sunday, Nov 15
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At a glance
- Condition
- New
- Style
- SONY E
- Weight
- 14.3 oz
- Color
- Black
- Lens Type
- Wide Angle
- Maximum Focal Length
- 16 mm
- Lens Design
- Prime
- Warranty
- 4 Years
- Works with
- Sony E mount cameras
Features 5
- Compatible with Sony E mount cameras
- Perfect for nature & event photography
- Large f/1.4 aperture for superb lowlight performance
- Compact size makes it very portable
- Fully accommodates Fast Hybrid AF
Description
Compatible with Sony E mount cameras perfect for nature & event photography large f/1.4 aperture for superb lowlight performance compact size makes it very portable fully accommodates fast Hybrid AF stepping motor for smooth AF during video shooting dust- and splash-proof design 16 elements in 13 groups 9.8-Inch minimum focusing distance.Bright prime functionality to experience photography at its best
Specs 45
| Brand | Sigma |
|---|---|
| Focal Length Description | 16mm F1.4 |
| Lens Type | Wide Angle |
| Compatible Mountings | Sony E |
| Camera Lens Description | 16 millimetres |
| Lens | Wide Angle |
| Compatible Camera Mount | Sony E |
| Maximum Focal Length | 16 millimeters |
| Minimum Focal Length | 16 millimeters |
| Lens Design | Prime |
| Focus Type | Auto Focus |
| Lens Fixed Focal Length | 16 millimeters |
| Lens Coating Description | Multicoated |
| Zoom Ratio | 1:1 |
| Image stabilization | Optical |
| Real Angle Of View | 83.2 degrees |
| Maximum Aperture | 1.4 millimeters |
| Minimum Aperture | 16 millimeters |
| Number of Diaphragm Blades | 4 |
| Compatible Camera Models | Sony E-mount mirrorless cameras |
| Photo Filter Size | 6.7 centimeters |
| Lens Mount | Sony E |
| Color | Black |
| Exposure Control Type | Automatic, Manual |
| Iso Range | 100-32000 |
| Light Sensitivity | 100-32000 |
| Maximum Shutter Speed | 1/4000 seconds |
| Media Type | ProductImage |
| Shooting Modes | Auto, Program, Aperture Priority, Shutter Priority, Manual |
| Viewfinder Type | Electronic viewfinder |
| Water Resistance Level | Water Resistant |
| Camera Lens | 16 millimetres |
| Model Name | 402965 |
| Item Highlight | (402965) |
| UPC | 085126402655 |
| Number of Items | 1 |
| Manufacturer Part Number | 402965 |
| Global Trade Identification Number | 55 |
| Unit Count | 1 Count |
| Built-In Media | Front and rear caps, Lens Hood |
| Item Weight | 14.3 ounces |
| Item Type Name | Digital-slr-camera-lenses. |
| Manufacturer | SIGMA |
| Model Number | 402965 |
| Model Series | Contemporary |
No specs match.
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Sunday, Nov 15
Yes, absolutely! This item's return window has been extended for the holiday season: FREE refund/replacement until Jan 31, 2027.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
Fantastic lens for the price
Style: SONY E
Bottomline up front: This is a great, "wide angle" lens for a really nice price To be up front, I'm no professional photographer or videographer, so I may not be as critical as the professionals. But, I do know that with this lens, my Sony FX30 takes great video, and even pictures--at least to my eye. Since I have it on an APC-C sensor camera, I understand it's like having a 24mm full frame, but it's still "wide angle." It mounts perfectly and works well with my FX30. I use it primarily for talking head and POV tutorial videos, and it works great for these purposes. It is a bit "big" relative to some other lenses of similar focal lengths, and for my use cases, that's not an issue. The build looks and feels quality as well--it's a good looking lens! I'd definitely recommend if you're looking for a wide angle, fast lens from a known, reliable brand...for a very reasonable price!! Pros: - Works great with camera (Sony FX30 in my case) - Clear, sharp images - Fast aperture - Nice bokeh - Solid feel and build Cons: - Can feel a bit "big" compared to other similar lenses
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Reviewed in the United States on May 24, 2024 by E. Castro
Superb quality for price. Great Nighttime photography too.
Style: SONY E
This is a very good lens no doubt. More so for the price. I'm a photography enthusiast and all those pictures were taken with this lens on the Sony ZVE-10 within less than a month of my getting into photography. One big thing about this lens is that is unexpectedly very good in low light. Clearly, its very low aperture of f1.8 makes it collect much light and consequently have better nighttime performance but still, the images that this lens outputs at night are simply shockingly stunning. The only major challenge you can have with this at night is the dynamic range of your camera. I'm very big on bokeh and this lens does perform - albeit not well enough for me. The bokeh is quite decent if the object in focus is close enough (although for portraits, your subject can feel invaded because of the proximity that will be required to get the best bokeh). From my use, I found that it has very unnoticeable to no chromatic aberration in almost all situations & it has a fair bit of distortion but it's nothing that can't be easily fixed in post-production if you are shooting raw. The fact that it is a wide-angle lens means it's able to capture a lot at once as you can see in some of those nighttime pictures in a performance. That said, this is a very capable and fairly flexible lens. It can handle both wide-angle shots & night-time photography well with good results (although not the best) when taking portraits. Because I'm big on portraits and would be primarily using it with my camera to record a human subject, I decided to return this go for its other sibling - the Sigma 30mm. I can expect better bokeh and portrait shots from that with similar night performance although poorer chromatic aberration overall. Nonetheless, even with the shortcomings of this lens, it is still a very good one and most definitely a great value for its price.
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Reviewed in the United States on November 27, 2022 by Elijah
Excellent budget-friendly lens
Style: SONY E
The Sigma 16mm f/1.4 DC DN Contemporary Lens has been a fantastic addition to my Sony setup. It fits perfectly and delivers beautiful, sharp images with rich color and great depth of field. For a lens at this price point, the photo quality is truly impressive. It performs like something much more expensive. It is a bit on the bulky and heavier side compared to other lenses in this range that I own, but that’s a small trade-off for the clarity and low-light performance it offers. Whether for everyday photography or creative shots, it’s a solid, budget-friendly investment that consistently produces professional-looking results. Definitely worth the buy.
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Reviewed in the United States on October 12, 2025 by Prima
Flawless "Used" Condition - The Ultimate Webcam Upgrade
Style: SONY E
I purchased this Sigma 16mm f/1.4 DC DN Contemporary from Co-Yuzu-SHOP listed as "Used - Very Good." I was slightly concerned about the lack of original packaging, but the seller did an incredible job. The lens arrived encased in multiple layers of thick bubble wrap and was perfectly secure. Upon inspection, I honestly could not tell that this lens had ever been used. There were zero scratches on the glass or body, and the internals were completely free of dust. It looks and functions exactly like a brand-new unit. Performance for Streaming/Webcam Use: I am using this primarily as a high-end webcam for my home studio. It is connected via Micro-HDMI to a dedicated video capture card, and the results are stunning. Image Quality: The clarity is exceptional. It provides a level of detail and professional background blur (bokeh) that no standard webcam can replicate. Color Accuracy: The colors are natural and "on point" right out of the box. Autofocus: The focus is extremely fast and reliable. It tracks movement instantly, ensuring I stay sharp even if I move around during a stream. If you are looking to elevate your video production or streaming quality, this lens is a complete "webcam killer." Huge thanks to the seller for the honest grading and excellent packing.
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Reviewed in the United States on January 4, 2026 by William
Fantastic 16mm Prime for a6500
Style: SONY E
This was my third lens after the Sony 16-50mm f/3.5-5.6 kit lens and the Sony 35mm f/1.8. Wow, what an upgrade. This is a solid and incredibly flexible lens. It's pretty bulky compared to the a6500, but it still handles pretty well and isn't too heavy. My only real complaint is that the focus ring which, while buttery smooth and responsive, is almost too large. It takes up way too much space on the lens barrel and is very easily bumped. I have to hold the camera a little differently than I'm used to when I'm wearing this lens so I'm not constantly messing up my focus. Maybe this is just a me problem, but it's worth keeping in mind. I stick to manual focus for the most part, but I can confirm that AF works on this lens, and it works well. Very fast, and very accurate. I can't tell a difference between it and my Sony lenses. It's not stabilized, obviously, but between the wide angle and the 6500'a IBIS, camera shake is not something you need to worry about with this combo. I did a lot of research before buying this and it's my opinion that there is no better wide angle lens for emount. Sony's offerings are cheaper, but you get what you pay for. There are pricier options, but they're not worth the extra cost. This lens is a perfect balance and I don't see myself ever outgrowing it. 2020-11-30 EDIT: Wow I love this lens so much. This and my Zeiss 24mm f/1.8 are the only lenses I use anymore. If I even suspect that I'll be shooting in less-than-ideal lighting conditions, I reach for the Sigma 16. Between the wide-angle and the huge aperture, this thing handles so well in low light it blows my mind. I do a lot of urban exploration and I'm always taking this lens in dark dusty places and so it has plenty of scuffs and scratches by this point (I put a big scratch on the front lens element this summer, sad, but you can't even tell unless I stop down to f/11) but it still works perfectly. I love that it's a weather-sealed lens, because I inevitably end up getting it covered in dust and sprayed with water, but it's such a trooper I've never had a problem. Brought it into some deep dank caves this weekend, and it was right at home.
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Reviewed in the United States on November 6, 2019 by Catatonic27
Kinda heavy but nice
Style: SONY E
beautifulll
Reviewed in the United States on August 1, 2026 by Julia Mullen
Solid
Style: SONY E
I use this lens for my Sony zve10 and it’s pretty dang nice. I was seeing more noise in my videos than I liked, and I figured that a lower aperture would fix it (based on what EVERY SINGLE tips video said), but what no one told me is that the zve10 is just pretty noisy when not recording in 4K. If you’re having the same problem, I’d try switching it to 4K, because even though this lens is nice if you need a nice blur, or genuine low light performance, it’s not gonna make your picture much clearer than your kit lens (simply because of how solid the kit lens is). I’ve also found that recording more than one person at lower apertures will often cause one to be out of focus. Especially when one subject is closer to the camera, which is obvious for anyone who’s experienced, but wasn’t initially for me. Lens length makes a huge difference for background separation, and this lens is probably the most balanced you can get at the price point. It’s not long enough to where your camera is constantly off balance on a tripod, but still gives great separation. All in all it’s a nice lens, but imo most people won’t need it as much as they think, and I would definitely recommend trying to find a used one.
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Reviewed in the United States on June 27, 2024 by Brady
I Am Now Open to Investing in Sigma Optics
Style: SONY E
The Sigma 16mm f/1.4 DC DN Contemporary Lens for Sony E Mount is the best apsc lens I have ever mounted on my A6500--even better than my Sony Zeiss 24mm f/1.8, which cost over twice as much money. The Sigma lens is sharper than the Sony Zeiss 24mm f/1.8, and possesses the same macro capability of the Sony Zeiss 24mm f/1.8. However, the 24mm is completely silent, and has a more compact form factor. The Sony is a 35mm equivalent on a full frame, while the Sigma 16mm is 24mm on a full frame. For street photography and landscapes, I would definitely go with the Sigma. If you're looking for a focal length you can use for portraits, street, and landscapes, you may consider the Sony Zeiss 24mm f/1.8. But if I could do it all over again, I would go with the Sigma 16mm instead of the Sony 24mm. It is a better lens. This lens resolves on par at 24mm with the Sony full frame 16-35 GM I own, which cost me $2000; and it is able to let in more light, while doing so. This lens is SHARP ACROSS the FRAME. I don't own the Batis 25 f/2, but was thinking about buying it for video work. Not anymore, with my purchase of this lens. I own the Sony 10-18, and will continue to use that for video on a V2 Crane gimbal for ultra-wide angles. But will definitely use this lens for all other video work on that gimbal, if I don't need the ultra-wide angle. The Sigma 16mm is not completely silent, but almost. I would say the sound is negligible. The build quality of the lens is excellent. The focus ring is buttery smooth. It mounts beautifully on my A6500, and will stay there most of the time. I gave the lens 4 stars for two reasons: There seems to be an issue with dust in the front lens element. I returned one copy due to this issue but was undeterred in my commitment to owning the lens. The second factor in deducting a point is the negligible sound of the focus system. Were it not for the dust and the negligible sound of the focus system, this lens would truly be superb. Moving forward, I will look seriously at Sigma optics alongside Zeiss and Sony. Be sure to buys from an approved Sigma vendor: https://www.sigmaphoto.com/where-to-buy-sigma I highly recommend the Sigma 16mm f/1.4 DC DN for Sony
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Reviewed in the United States on May 13, 2018 by TheOwl360