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Canon

Canon EF 16-35mm f/2.8L ll USM Zoom Lens for Canon EF Cameras

  • Based on 333 reviews
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Availability: Only 7 left in stock, order soon!
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Arrives Tuesday, Sep 30
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Features

  • 16-35mm ultra-wide-angle zoom lens with f/2.8 maximum aperture
  • 3 high-precision aspherical lens elements produce superior image quality, Closest focusing distance: 0.92 feet
  • Circular aperture produces natural background blur at wider apertures, Ring-type USM for fast and quiet autofocusing; internal focusing
  • Measures 3.5 inches in diameter and 4.4 inches long; 1-year warranty

Description

From the Manufacturer Broaden your perspective with the Canon EF 16-35mm ultra-wide-angle zoom lens. Specifically designed for improved edge-to-edge image quality that meets the strict requirements of professional and high-end amateur photographers alike, the lens lets you bring more area into focus while providing greater depth of field. The lens features three high-precision aspherical lens elements--ground, replica, and GMo--that produce even better image quality than the original Canon EF 16-35mm USM lens. The circular aperture, meanwhile, produces a beautiful and natural background blur when shooting at wider apertures. Other details include internal focusing, a ring- type ultra-sonic monitor (USM), and new AF algorithms for fast and quiet autofocusing. The lens carries a one-year warranty. Focal length: 16-35mm Maximum aperture: f/2.8 Lens construction: 16 elements in 12 groups Diagonal angle of view: 108 degrees (at 10 feet) to 63 degrees Focus adjustment: AF with full-time manual Closest focusing distance: 0.92 feet Filter size: 82mm, P=0.75mm/1 filter Dimensions: 3.5 inches in diameter, 4.4 inches long Weight: 1.41 pounds The EF 16-35mm f/2.8L II USM is a high performance, water- resistant, and ultra wide-angle Canon L-series lens. It has been specifically designed for improved edge-to-edge image quality that will meet the strict requirements of professional and high-end amateur photographers. It features 3 high-precision aspherical lens elements, each of a different type: ground, replica and GMo for even better image quality than the original EF 16-35mm f/2.8L USM. The circular aperture produces a beautiful and natural background blur when shooting at wider apertures. Other features include internal focusing, a ring type USM (Ultra Sonic Monitor), and new AF algorithms for fast and quiet autofocusing. What’s in the box: Canon EF 16-35mm f/2.8L II USM Autofocus Lens, 82mm Lens Cap, Lens Dust Cap E (Rear), EW-88 Lens Hood for 16-35mm f/2.8L II USM, Lens Case LP1319 and 1-Year Warranty.

Brand: Canon


Focal Length Description: 16-35 lens


Lens Type: Wide Angle


Compatible Mountings: Canon EF


Camera Lens Description: Canon EF 16-35mm f/2.8L ll USM Zoom Lens for Canon EF Cameras


Product Dimensions: 4.41 x 3.5 x 3.5 inches


Item Weight: 1.4 pounds


Item model number: 1910B002


Batteries: 1 Product Specific batteries required.


Is Discontinued By Manufacturer: No


Date First Available: April 2, 2007


Department: Digital Camera Lenses


Manufacturer: Canon Cameras US


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Tuesday, Sep 30

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

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Top Amazon Reviews

    • EASILY my new favorite lens
Product Packaging: Bulk Packaging
I've been transitioning all my equipment to full frame (from my 60D to my 5D). So I used and loved my 10-22mm lens the few years I had it. Certainly the cost is extremely higher on the full frame bodies and lenses, but man this lens is incredible. The focal length is almost 100% identical to the 10-22mm (focal length measurements adjusted for crop body, 10-22 = 16-35 on a full frame sensor), so if you've ever used that lens you know what to expect focal-range-wise. Unlike the 10-22mm which does not fit a full frame body, you *can* use this lens on any body, whether cropped or full-frame, but it is *definitely* not worth the price if you are just going to be using it on a cropped sensor camera (60D, 70D, T4i, T5i, etc), because you lose the extreme wide end which is what is so awesome about the lens. I've used the lens quite a bit for real estate photography for great wide shots of rooms that can get *all four walls* in the frame at its widest. Really any architecture or landscape shot will look incredibly awesome at 16mm due to the very interesting perspective achieved at ultra-wide. You'll want to dial back the aperture though since at 2.8 you won't get tack sharp focus at very much of the image. But if you have a particular subject you want to focus on rather than the entire scene, 2.8 is great as it allows for better shots in low light or better bokeh, depending on what you're going for (the 10-22mm's max aperture on the other hand is only 3.5-4.5). If you look at 100% crops near the corners of shots taken at either focal extreme, it's not perfect, but it can get pretty close to perfect when you get the lighting and depth of field just right. I am honestly very happy with the copy I got as far as overall sharpness goes. The majority of its use is in video, paired with my Glidecam, and those two pieces of equipment make an epic pair. In 1080p video the entire shot looks nearly perfect with minimal work, so the fact that 22 megapixel photos don't look perfect in every spot in every situation doesn't matter too much for me as I purchased it with a much higher priority on video quality. And videos with this lens are amazing. The included lens hood and pouch are just icing on the cake. The Canon-branded hood I bought for my 10-22mm was the most expensive hood I ever purchased, so I appreciate that the L-series lenses come with them bundled in. Autofocus is very quick and 100% accurate on my copy, another noticeable improvement from my old 10-22mm. There is no IS but at 16mm you would rarely need IS, so I am okay with that omission, especially considering how much extra weight and cost IS would add to the lens. The date code on mine showed it was manufactured in 2013 (purchased in Feb 2014), which is good because I always worry about dropping a ton of cash and somehow ending up with a really old copy. Mine is flawless and I am enthusiastically looking forward to many years of use on this lens. ... show more
Reviewed in the United States on February 26, 2014 by Nine Five Garage
    • Worth every penny...
Product Packaging: Bulk Packaging
Review Image by Paul M. Provencher Paul M. Provencher
Review Image by Paul M. Provencher Paul M. Provencher
I have been making images with some sort of camera since the early 1960's. In the mid-1970's I got my first SLR. It was some time before I was able to afford a wide angle lens, but when I got one, it opened up a whole world of imaging that was previously unknown to me. This lens has been reviewed by many people and has been criticized as well as lauded for it's properties of build quality, brightness, sharpness, and the quality of color it transmits to the sensor (or film). My concern about sharpness in the corners was based on some critical reviews. But like so many reviews of so many lenses over the years, they're not telling the whole story. Simply put, in practical application of this lens, it is incredibly sharp and produces incredible images. It's a very handy package, though the lens hood is challenging to get into a pocket when you just want to carry the lens in the pouch and walk around with little but a camera and a lens or two. I have no regrets about purchasing this lens. It's everything I hoped it would be. I had considered buying the 17-40mm because of the savings and because of the same-size filter (77mm) to other lenses in the line. I imagine paying twice as much for this lens and then piling the filter on top of of that is going to put some people off. I am glad I waited and raised the money - the extra speed of the lens and extra angle of view at 16mm was well worth an extra week of selling film cameras and old lenses on that popular auction site... If you're trying to decide to buy this lens, I will not give you any information that will discourage you - in terms of technical quality this lens is unbeatable. If you don't need the speed, or don't expect to use the lens much, the savings on the 17-40 might be worth it. For me, I'm guessing this lens is going to be on my camera a bunch! ... show more
Reviewed in the United States on March 15, 2010 by Paul M. Provencher Paul M. Provencher

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