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Availability:
Only 8 left in stock, order soon!
Arrives
Monday, Jul 13
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Features
- 16-35mm ultra-wide-angle zoom lens with f/2.8 maximum aperture
- 3 high-precision aspherical lens elements produce superior image quality, Closest focusing distance: 0.92 feet
- Circular aperture produces natural background blur at wider apertures, Ring-type USM for fast and quiet autofocusing; internal focusing
- Measures 3.5 inches in diameter and 4.4 inches long; 1-year warranty
Description
From the Manufacturer Broaden your perspective with the Canon EF 16-35mm ultra-wide-angle zoom lens. Specifically designed for improved edge-to-edge image quality that meets the strict requirements of professional and high-end amateur photographers alike, the lens lets you bring more area into focus while providing greater depth of field. The lens features three high-precision aspherical lens elements--ground, replica, and GMo--that produce even better image quality than the original Canon EF 16-35mm USM lens. The circular aperture, meanwhile, produces a beautiful and natural background blur when shooting at wider apertures. Other details include internal focusing, a ring- type ultra-sonic monitor (USM), and new AF algorithms for fast and quiet autofocusing. The lens carries a one-year warranty. Focal length: 16-35mm Maximum aperture: f/2.8 Lens construction: 16 elements in 12 groups Diagonal angle of view: 108 degrees (at 10 feet) to 63 degrees Focus adjustment: AF with full-time manual Closest focusing distance: 0.92 feet Filter size: 82mm, P=0.75mm/1 filter Dimensions: 3.5 inches in diameter, 4.4 inches long Weight: 1.41 pounds The EF 16-35mm f/2.8L II USM is a high performance, water- resistant, and ultra wide-angle Canon L-series lens. It has been specifically designed for improved edge-to-edge image quality that will meet the strict requirements of professional and high-end amateur photographers. It features 3 high-precision aspherical lens elements, each of a different type: ground, replica and GMo for even better image quality than the original EF 16-35mm f/2.8L USM. The circular aperture produces a beautiful and natural background blur when shooting at wider apertures. Other features include internal focusing, a ring type USM (Ultra Sonic Monitor), and new AF algorithms for fast and quiet autofocusing. What’s in the box: Canon EF 16-35mm f/2.8L II USM Autofocus Lens, 82mm Lens Cap, Lens Dust Cap E (Rear), EW-88 Lens Hood for 16-35mm f/2.8L II USM, Lens Case LP1319 and 1-Year Warranty.
Brand: Canon
Focal Length Description: 16-35 lens
Lens Type: Wide Angle
Compatible Mountings: Canon EF
Camera Lens Description: Canon EF 16-35mm f/2.8L ll USM Zoom Lens for Canon EF Cameras
Focal Length Description: 16-35 lens
Lens: Wide Angle
Compatible Camera Mount: Canon EF
Maximum Focal Length: 35 Millimeters
Minimum Focal Length: 16 Millimeters
Lens Design: Zoom
Focus Type: Ring-type ultrasonic autofocus
Lens Fixed Focal Length: 35 Millimeters
Lens Coating Description: Nano Crystal Coating
Zoom Ratio: 16-35mm
Image stabilization: No image stabilization
Real Angle Of View: 108.1 Degrees
Maximum Aperture: 2.8 f
Minimum Aperture: 2.8 f
Number of Diaphragm Blades: 7
Lens Mount: Canon EF
Brand: Canon
Camera Lens: Canon EF 16-35mm f/2.8L ll USM Zoom Lens for Canon EF Cameras
Model Name: 1910B002
UPC: 373288277366 999469304050 013803078596 132017923246 666674263297 115970994836 163120553532 163121380991
Manufacturer Part Number: 1910B002
Global Trade Identification Number: 96
Model Number: 1910B002
Item Weight: 635 Grams
Manufacturer: Canon Cameras US
Built-In Media: Lens
Warranty Description: 1 year coverage for labor, 1 year coverage for parts
EU Spare Part Availability Duration: 5 Years
Compatible Devices: DSLR Camera
Exposure Control Type: Automatic, Manual
Water Resistance Level: Water Resistant
Media Type: ProductImage
Color: Black
Screen Size: 1 Inches
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Monday, Jul 13
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Allow me to fill in a little niche gap here. Obviously this is a great lens for still photographers, but for all of the DSLR filmmakers out there who are having trouble with lackluster and muddy video results, the problem lies not with your camera; you need to step up to the L-Series glass. The primary issue with the 7D, 5D Mark II, etc. is the chunky artifacting and pixellation that comes from the poor compression codec built into the processor, or so we all thought. However, the key is, primarily, the quality of the glass in front of the sensor. This lens seems to nullify nearly ALL of the drawbacks of the HD video processing in my 7D. I can expand frame grabs up to 4k resolution, and they still hold up! 2K and 3K looks fantastic. THE GLASS MAKES THE DIFFERENCE. It's borderline magical. This lens is nice and fat, just like a cinema lens, and therein lies much of its power. The bigger glass allows more light to enter into the sensor, giving the camera more "information" to pack into the frame, whereas with cheap, small lenses, the sensor has to essentially blow up and extract a muddy image from a tiny window. Drop the contrast, sharpness, and saturation settings to zero, add some L-Series glass, and your DSLR video can compete with Genesis, Viper, and can even hold its own against Red, at 1/10th of the cost. This lens is perfect for the 7D's APS-C sensor. With the 5D, vignetting is a bit of an issue wide open. The focal range is perfect for walk-around footage, steadicam shots, and wide-angle effects shots. Consider this an essential range. If you want professional-quality video, you need to have L-Lenses. I no longer care about the cost...I am immediately replacing my lens lineup with L-Series glass. I can't believe I've run a photo/video business for 6 years without L lenses! Besides, compared to other lens manufacturers, L-Series lenses are actually quite cheap. I've had the benefit of comparing this with Panavision lenses and I can assure you, there's no significant difference in the results. NONE. This is a gold mine for independent filmmakers. Shell out the cash. AND be sure to add a few hundred more to the cost of this lens, in the form of high-quality filters! Protect your glass! And do it properly...there is no point in spending $1k+ on a lens if you're going to ruin it and put a piece of plexi-glass in front of it...just because you want to save $50. Get a $100 multi-coated (MRC) UV filter from B+W and just think of it as an insurance policy on your lens. Put on the filter the moment you take out your lens and never take it off. Happy shooting! You will love this baby.
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I've been using this lens for almost 3 years now and is my tried and true walk-around lens. For an ultra wide zoom, I never thought I'd come to love the bokeh it renders when using at 35mm, close focus distances, wide open. The lens also makes incredible 14 point sunstars when you're going for that effect, it's absolutely fantastic! I happen to use this indoors and outdoors for both landscape and street photography. I've found the extra stop of light extremely valuable, to the point where some shots just would not have been possible (e.g. indoor cathedral, candle light @ 16mm, hand held, 1/4sec). I don't have any experience using the mkI, but I have traded my 16-35 II with a co-workers 17-40 for a few weeks and made the the following observations (on full frame): 1) wide open, noticeably better performance in the corners on the 16-35 (all focal lengths), just a hair sharper in the center. 2) sunstars are far more pleasant on the 16-35, and not as clearly defined on the 17-40 (even at f16). I'm a big fan of landscape photography and creating sunstars 3) obviously, a stop faster, allowing for shots at night or indoors that otherwise would be impossible handheld 4) 1mm on the wide spectrum is far more useful than 5mm on the long end. That said, it's highly arguable if it's worth paying twice as much for a very similar lens. For my needs, there was no question which lens belonged in my kit, but sometimes regret paying so much for it. The 17-40 is a much better value for the $, unless you absolutely need the widest, fastest, zoom lens in canon's lineup (as of march 2011). As much praise as I have for this lens, there are two things that fall short for me: 1) Chromatic Aberation. My biggest dissapointment with this lens is the mild to moderate chromatic aberation (some situations worse than others) in the corners at nearly all apertures, something I was hoping all the numerous UD and aspheric elements would have corrected for. Thinking this was a defect, I returned my first copy to have a second copy exhibit the same CA. I sent it into Canon who reported nothing wrong with the lens/camera combo. I can deal with the softer corners (others have complained of) wide open since those are the areas I usually want out of focus when shooting @ 2.8, but it's annoying to have to correct for CA, due to how often I shoot with this lens. Not a deal breaker for me since I can correct in post, but it's annoying and something important to note. 2) Softer center at 35mm @ 2.8. This zoom is tack sharp in the center from 16-28 wide open. The center resolution @ 35mm falls off more than I would have liked. If Canon ever released an answer to Nikon's 14-24 2.8, I would not trade this lens. An extra 2mm on the wide end would be fantastic, but losing 24-35mm would kill the versatility of the lens for me as a day-in-day-out, do-everything lens!
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Ok, here it is fast and dirty and I wish other people would explain whats in the box! First, the lens! 16-35mm of pure luxury mojo! Its big and beautiful all the girls will Envy you! I'm talking big! 82mm! Second, the standard rear lens cap. Third, a very nice leathery pouch with draw strings. The bottom is rounded and has a thicker leather part to better to protect your beast! Fourth, a lens cap that can choke a horse and yes its my first expensive lens so of course its lot bigger than my starter lens. That is only 58mm a huge difference! and last the Canon EW-88 Hood. It has a USA warranty card and with Amazon Prime shipping you'll get it nextday for sure for just 3.99. Its like 80 bucks a year to be a member and I piss that away just breathing lol. Anything order from Amazon as the seller is pretty much guaranteed overnight if you order it that way. All others beware of 1-5 day processing times even if you order it nextday it will take days! I learned my lesson hopefully you too! I was not sure how this was going to turn out but I'm really happy with it! PIC EXAMPLE. If your sitting at your computer right now and you take a picture of your computer screen from about 8 inches away, you'll get the whole screen! Thats how wide of an angle it is! and I got a 24" computer screen how crazy is that from 8 inches? Now try this with your camera at home using a starter lens like the Canon EF 28-105mm 1:4-5.6 USM and see what happens, not even close! So again buying this here was the best price and its the same apples to apples if you where buying somewhere else! So now you know
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Product Packaging: Bulk Packaging
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I bought this Lens having quickly grown out of Kit Lenses on my 5D Mk2. My Pictures were cropped by the limited lens size and I found it frustrating. My shots were unsatisfactory every time. I ponied up the nice chunk of change as my camera teacher advised to make the investment. Having read the reviews it was safe to assume I wasn't making a mistake. I decided on the version without IS as I mainly do landscape and nighttime photography and am not one for big action shots. This Lens arrived and I immediately felt the difference. The 5D full frame goodness on 16mm is funny when you are asking people who are standing beside you to move back. They respond as quite confused usually. I can safely say this is the most fun lens I own and usually my first preference for sightseeing or day trips. The 35mm gives me good magnification for normal shots but the 16mm grabs the spectacular image my eyes see it if not a little more. Quality is great and as a self professed amateur learning photographer I cant get too much into detail because I am learning so much courtesy of this great lens. I wish I had picked this lens earlier on. Night shots with the massive 2.8L aperture are simply spectacular and I am looking forward to going into the boonies to test it on the stars without the city light noise. All in all, If you can afford this or stretch to afford it I strongly suggest it for the landscape / traveler photographer.
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