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Canon

Canon EF 16-35mm f/2.8L ll USM Zoom Lens for Canon EF Cameras

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Availability: 17 left in stock
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Arrives Saturday, May 2
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Features

  • 16-35mm ultra-wide-angle zoom lens with f/2.8 maximum aperture
  • 3 high-precision aspherical lens elements produce superior image quality, Closest focusing distance: 0.92 feet
  • Circular aperture produces natural background blur at wider apertures, Ring-type USM for fast and quiet autofocusing; internal focusing
  • Measures 3.5 inches in diameter and 4.4 inches long; 1-year warranty

Description

From the Manufacturer Broaden your perspective with the Canon EF 16-35mm ultra-wide-angle zoom lens. Specifically designed for improved edge-to-edge image quality that meets the strict requirements of professional and high-end amateur photographers alike, the lens lets you bring more area into focus while providing greater depth of field. The lens features three high-precision aspherical lens elements--ground, replica, and GMo--that produce even better image quality than the original Canon EF 16-35mm USM lens. The circular aperture, meanwhile, produces a beautiful and natural background blur when shooting at wider apertures. Other details include internal focusing, a ring- type ultra-sonic monitor (USM), and new AF algorithms for fast and quiet autofocusing. The lens carries a one-year warranty. Focal length: 16-35mm Maximum aperture: f/2.8 Lens construction: 16 elements in 12 groups Diagonal angle of view: 108 degrees (at 10 feet) to 63 degrees Focus adjustment: AF with full-time manual Closest focusing distance: 0.92 feet Filter size: 82mm, P=0.75mm/1 filter Dimensions: 3.5 inches in diameter, 4.4 inches long Weight: 1.41 pounds The EF 16-35mm f/2.8L II USM is a high performance, water- resistant, and ultra wide-angle Canon L-series lens. It has been specifically designed for improved edge-to-edge image quality that will meet the strict requirements of professional and high-end amateur photographers. It features 3 high-precision aspherical lens elements, each of a different type: ground, replica and GMo for even better image quality than the original EF 16-35mm f/2.8L USM. The circular aperture produces a beautiful and natural background blur when shooting at wider apertures. Other features include internal focusing, a ring type USM (Ultra Sonic Monitor), and new AF algorithms for fast and quiet autofocusing. What’s in the box: Canon EF 16-35mm f/2.8L II USM Autofocus Lens, 82mm Lens Cap, Lens Dust Cap E (Rear), EW-88 Lens Hood for 16-35mm f/2.8L II USM, Lens Case LP1319 and 1-Year Warranty.

Brand: Canon


Focal Length Description: 16-35 lens


Lens Type: Wide Angle


Compatible Mountings: Canon EF


Camera Lens Description: Canon EF 16-35mm f/2.8L ll USM Zoom Lens for Canon EF Cameras


Focal Length Description: 16-35 lens


Lens: Wide Angle


Compatible Camera Mount: Canon EF


Maximum Focal Length: 35 Millimeters


Minimum Focal Length: 16 Millimeters


Lens Design: Zoom


Focus Type: Ring-type ultrasonic autofocus


Lens Fixed Focal Length: 35 Millimeters


Lens Coating Description: Nano Crystal Coating


Zoom Ratio: 16-35mm


Image stabilization: No image stabilization


Real Angle Of View: 108.1 Degrees


Maximum Aperture: 2.8 f


Minimum Aperture: 2.8 f


Number of Diaphragm Blades: 7


Lens Mount: Canon EF


Brand: Canon


Camera Lens: Canon EF 16-35mm f/2.8L ll USM Zoom Lens for Canon EF Cameras


Model Name: 1910B002


UPC: 373288277366 999469304050 013803078596 132017923246 666674263297 115970994836 163120553532 163121380991


Global Trade Identification Number: 96


Built-In Media: Lens


Manufacturer: Canon Cameras US


Item Weight: 635 Grams


Warranty Description: 1 year coverage for labor, 1 year coverage for parts


Exposure Control Type: Automatic, Manual


EU Spare Part Availability Duration: 5 Years


Color: Black


Media Type: ProductImage


Water Resistance Level: Water Resistant


Screen Size: 1 Inches


Compatible Devices: DSLR Camera


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Saturday, May 2

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Reviewed in the United States on February 26, 2014 by Nine Five Garage
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Allow me to fill in a little niche gap here. Obviously this is a great lens for still photographers, but for all of the DSLR filmmakers out there who are having trouble with lackluster and muddy video results, the problem lies not with your camera; you need to step up to the L-Series glass. The primary issue with the 7D, 5D Mark II, etc. is the chunky artifacting and pixellation that comes from the poor compression codec built into the processor, or so we all thought. However, the key is, primarily, the quality of the glass in front of the sensor. This lens seems to nullify nearly ALL of the drawbacks of the HD video processing in my 7D. I can expand frame grabs up to 4k resolution, and they still hold up! 2K and 3K looks fantastic. THE GLASS MAKES THE DIFFERENCE. It's borderline magical. This lens is nice and fat, just like a cinema lens, and therein lies much of its power. The bigger glass allows more light to enter into the sensor, giving the camera more "information" to pack into the frame, whereas with cheap, small lenses, the sensor has to essentially blow up and extract a muddy image from a tiny window. Drop the contrast, sharpness, and saturation settings to zero, add some L-Series glass, and your DSLR video can compete with Genesis, Viper, and can even hold its own against Red, at 1/10th of the cost. This lens is perfect for the 7D's APS-C sensor. With the 5D, vignetting is a bit of an issue wide open. The focal range is perfect for walk-around footage, steadicam shots, and wide-angle effects shots. Consider this an essential range. If you want professional-quality video, you need to have L-Lenses. I no longer care about the cost...I am immediately replacing my lens lineup with L-Series glass. I can't believe I've run a photo/video business for 6 years without L lenses! Besides, compared to other lens manufacturers, L-Series lenses are actually quite cheap. I've had the benefit of comparing this with Panavision lenses and I can assure you, there's no significant difference in the results. NONE. This is a gold mine for independent filmmakers. Shell out the cash. AND be sure to add a few hundred more to the cost of this lens, in the form of high-quality filters! Protect your glass! And do it properly...there is no point in spending $1k+ on a lens if you're going to ruin it and put a piece of plexi-glass in front of it...just because you want to save $50. Get a $100 multi-coated (MRC) UV filter from B+W and just think of it as an insurance policy on your lens. Put on the filter the moment you take out your lens and never take it off. Happy shooting! You will love this baby. ... show more
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