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The Mirror & the Light: A Novel

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"The many listeners enthralled by the earlier two volumes in Hilary Mantel's Wolf Hall trilogy will find all their expectations met in this final installment... Here is a narrative achievement of the highest order." — AudioFile Magazine, Earphones Award winner This program is read by Ben Miles, who played Thomas Cromwell in the Royal Shakespeare Company adaptation of Wolf Hall and Bring Up the Bodies This program includes a bonus conversation between Ben Miles and Hilary Mantel “If you cannot speak truth at a beheading, when can you speak it?” With The Mirror & the Light, Hilary Mantel brings to a triumphant close the trilogy she began with her peerless, Booker Prize-winning novels, Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage. The story begins in May 1536: Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell, a man with only his wits to rely on, has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to the breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. All of England lies at his feet, ripe for innovation and religious reform. But as fortune’s wheel turns, Cromwell’s enemies are gathering in the shadows. The inevitable question remains: how long can anyone survive under Henry’s cruel and capricious gaze? Eagerly awaited and eight years in the making, The Mirror & the Light completes Cromwell’s journey from self-made man to one of the most feared, influential figures of his time. Portrayed by Mantel with pathos and terrific energy, Cromwell is as complex as he is unforgettable: a politician and a fixer, a husband and a father, a man who both defied and defined his age. A Macmillan Audio production from Henry Holt and Company "Miles’ familiarity with Mantel’s portrayal of Cromwell pervades his performance of The Mirror & the Light, which traces Cromwell’s fall from greatness, beginning with the aftermath of Anne Boleyn’s beheading and ending with his own.Miles’ voice carries the power-hungry statesman’s monumental final act with ease and a delicate nuance, as only someone with a deep understanding of the story could." - BookPage "Ben Miles — Group Captain Peter Townsend in “The Crown” — has, in addition to narrating this final volume, taken on the massive task of delivering “Wolf Hall” and “Bring up the Bodies,” as well. He also played Cromwell in the Royal Shakespeare Company’s production of “Wolf Hall Parts One & Two,” and captures again the man’s voice, its taint of baseness, its ups and downs and quiet ruthlessness." -- Washington Post Read more

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Top Amazon Reviews


  • Last book in a masterfully-written trilogy about Thomas Cromwell, advisor to King Henry VIII
Format: Hardcover
This book concludes Hilary Mantel’s trilogy about Thomas Cromwell. Mantel artfully places the reader in the room as Cromwell, a lowly-born blacksmith’s son, becomes Henry VIII’s proxy to further the King’s interests, whether they be financial, marital, theological, or emotional. Unfortunately for him, he, Cromwell, the Lord Privy Seal is also subject to his master’s mercurial nature. In this last book, the tables finally turn, and his enemies, Stephen Gardiner, Bishop of Winchester, and Thomas Howard, Duke of Norfolk, get the upper hand and turn Henry against him. As the book opens, Anne Boleyn has just been beheaded, and Cromwell uses his political schemes to improve both his own family’s fortune as well as the King’s. He continues to garnish abbeys and Catholic real estate and divide the riches among the nobility. Henry marries Jane Seymour, from a noble English family, which brings marital happiness but does little to secure England’s increasingly fractious position against France and Spain. Upon Seymour’s death after childbirth, the stage is set for Henry to start looking for another wife, this time to consolidate an alliance with Germany. He chooses Anne of Cleves, a choice Cromwell is wary of, and this ill-conceived match begins Cromwell’s downfall. This historical fiction novel puts flesh on a figure known for his dizzying rise from poverty to become King Henry’s most trusted confidante and advisor, Thomas Cromwell, Lord Privy Seal. Mantel writes sharp, witty dialogue that reveals her characters’ strengths and weaknesses. Cromwell, as she portrays him, is visited by his past in dreams and in waking, seeing the ghosts of friends, family, and even Bishop Wolsey, whom he once served. He is a crafty maneuverer, an ambitious schemer, and a skilled reader of the King’s whims and moods. Until the day comes that he falls out of Henry’s favor. I wouldn’t recommend reading this book before reading the first two in the series. It takes some effort to retain the names of all the courtiers, politicians, clergy, and principal players in the Cromwell drama, but Mantel has provided a helpful guide. That said, this is an outstanding conclusion to the trilogy. I recommend the series to anyone who appreciates masterful writing and has an interest in English history. ... show more
Reviewed in the United States on May 12, 2020 by Katherine Y

  • Excellently presented conclusion to the trilogy
Format: Kindle
764 pages 5 stars This is both a remarkable and entertaining book. The third book in a trilogy about the life and times of Thomas Cromwell. Raised up from his blacksmith/brewer's son beginnings, through his travels in Italy and elsewhere on the continent to the very heights of King Henry VIII's court. Protege of and successor to Cardinal Wolsey. Lord Privy Seal. Second only to the king - Vicegerent. Member of the prestigious Order of the Garter open to only twenty-five men in the realm. Earl of Essex, made so shortly before his death. The book begins with the aftermath of Queen Anne's death and flashes back to previous time to fill in Cromwell’s life and quarrels with Anne, his friends and his awful home life as a child. The book talks about Walter, Cromwell’s father and the terrible temper he had and how he was very mean to his children. It discusses his now deceased wife and daughters, his nephew Richard and his adoption of Rafe and his relationship with his son Gregory. His relationships with women – great and common. The Pilgrimage of Grace is covered. Next is the marriage of the king to Jane Seymour, the subsequent birth of a son and the tragic death of Queen Jane. The book continues to cover the disastrous liaison with Anna of Cleves which was instigated by Thomas. Thomas must walk a fine line between those who would destroy him (for they are mostly jealous), and the all powerful mercurial temperament of the king. Thomas had a vision of the future that was far beyond the understanding of those around him. Ms. Mantel paints a very real, colorful and comprehensive picture of the 16th Century court of Henry VIII. The reader is stalking the palaces and the streets along with the characters in the book. While he certainly looked out for himself, he was also compassionate. He “saved” people from the king's displeasure or even certain death. These actions turned out to be to his detriment later in his life when those who were jealous and the king being tired of him took against him. It still surprises and confounds me (although it shouldn't, having read as much about Henry VIII as I have), how quickly the king would turn against a person. Was it his knock on the head during his jousting accident, or his bad leg that tormented him so much that he acted so unpredictably? We'll never know. “I should only ever tell the king what he ought to do, not what he could do. For if a lion knows his own strength, no man could control him.” – Thomas More ... show more
Reviewed in the United States on June 15, 2020 by Tripower53

  • Mantel does it again!
Format: Kindle
While not quite as compelling as her second of this trilogy, The Mirror & the Light is a masterful achievement, both as a credible work of historical fiction (with the emphasis here on “historical”) and as a work of artistic merit. Her phrasing and diction are often raw and unexpected, which is both a blessing and a curse. On the one hand, you want to slow down and savor certain sentences, but then you remember that this is a 759-page book, so you’d better get on with it. Thinking back to Wolf Hall, I remember struggling with her ambiguous use of the pronoun “he,” which was confusing in scenes filled with talking men. Then I saw an interview with her, and in response to a question about the issue, she admitted it was an experimental technique and was meant to suggest that in a roomful of powerful men, they are nearly interchangeable. (I hope I am paraphrasing her accurately. It’s been a couple of years.). Happily, she addressed and mastered the problem with Bring Up the Bodies, but then takes it to a different extreme in this last of the trilogy. Oh, yes, the pronoun referent is very clear, and quite often, she will follow a “he” with the name of the speaker or actor. No problem there. But the story in The Mirror & Light seemed much more intimately Cromwell’s, including memories of boyhood abuses and sins as well as detailed reveries that took him out of the present moment. He is a fascinating man, and her imaginative rendering of his mental architecture is, in itself, a feat of writerly bravado that left me convinced I was seeing into the workings of the actual man. But so well has she entered into the mind of this man that the use of third-person began to seem labored, even awkward at times. From about the midway point, I kept wondering why she didn’t go ahead and cast this novel in the first person, which seemed much better suited to her actual understanding of this principal character. Even the telling of the final scene (spoiler alert) of his execution, we never leave the confines of his consciousness. Of course, I see that this is a relatively minor point in the larger scheme of her work. What an invaluable addition to the Tudor line of historical fiction, and I feel sure it will hold preeminence for many years to come. ... show more
Reviewed in the United States on April 26, 2020 by Amazon Customer

  • Great read
Format: Kindle
I read the trilogy and throughly enjoyed every minute. Well written and researched. If you like historical fiction, this imagines the details based on fact in a pleasantly readable book.
Reviewed in the United States on May 12, 2026 by OnLakeOntarioNY

  • Writing quality superb; book quality slap dash
Format: Hardcover
OK, I have to give it five stars for sheer quality of writing. It moves more slowly than Wolf Hall and Bring Up the Bodies, and at times I had to stop and reread lines or a paragraph to figure out who was speaking or thinking. There are a lot of ghostly scenes as Cromwell, and sometimes Henry, reflect on the things they've done and the blood stains on their hands and souls. You can feel Cromwell's alliances and support systems slipping away from him as everyone tries to survive and not alienate Henry, and the author really develops the sense of foreboding. Henry is old, sick, and the sex is bad, and Cromwell is about to pay the bill. The execution of Cromwell (no spoiler, everyone the least familiar with Tudor history knows Cromwell is offed) is out of body, terrifying, and I kept thinking, how did she think that out, and commit it to paper? I usually need to read Mantel's books twice to get the full depth, and I will this one too. So, Mantel does not disappoint, but the quality of the printing/binding does. I don't mind thin pages, but this book will not stand up to much wear, and I found myself turning the pages very carefully so as not to tear them. They are unevenly cut. Fortunately for me, the whole book appeared to be there. I am hoping there will be better printings, as this one clearly was thrown together. Read it anyway if you love this trilogy. ... show more
Reviewed in the United States on March 23, 2020 by Patricia AB

  • Karma
Format: Hardcover
I am not well read enough to say Hilary Mantel is the best author of our time, but the Mirror and the Light is a masterpiece. The pace, the inuring drum beat towards a brutal end, the attention to detail, vivid insights into Life in the sixteenth century makes for a book I hoped would never end. An immaculate testament to the genius that is Hilary Mantel. I am not sure what the drive is behind the over the top criticism of the quality of the publishing. I hate poor quality editions, and am happy to pay a lot more for better. Either for myself or in gifts. This is not the case here. The paper is very thin yet opaque. More than acceptable, and probably very appropriate. This is a substantial tome. It’s untrimmed. I don’t know why this is acceptable in the USA, but it is. The first time I came across this after moving from the UK I was surprised. My book shelves heave with similar, whether it’s Bernard Cornwell or Harry Potter. Untrimmed aside it is a quality book. I always thought it fitting that the Cromwell family returned the favor to the monarchy With Thomas’s great, great , great, great, great (approx) nephew Oliver, signing Charles I death warrant. Karma. ... show more
Reviewed in the United States on April 23, 2020 by Gloatbridge

  • Too much fluff. Disappointing final installment
Format: Paperback
Mantel started this third and final installment of her historical fiction treatise on the life of Thomas Cromwell right where she ended in Bring Up the Bodies. Anne Boleyn had just been executed and Henry VIII was wed to Jane Seymour. Mantel's writing was not as succinct in this novel as in the past two. It meanders through a lot of the past, with scenes that did not add to the overall story. Cromwell also began having memories of his past crop up. This may have been a writing technique to demonstrate the stress Cromwell was experiencing but it added pages of unnecessary information to move the story forward. Unnecessary fluff. Additionally, the fictional daughter of Cromwell added pages of completely superfluous drama. Very disappointing final installment to the larger than the realm life of Thomas Cromwell. Mantel would have done better if she had fleshed out Cromwell's plans for social, political and religious reform. Cromwell's forward thinking was far ahead of the times and instead of using those ideas to help explain the mind of the man she focused on inconsequential things like the furnishings of a chamber. She completely missed the mark. The final days of Cromwell's life were hastily thrown onto the page, as were the final glory days of Henry VIII's reign. In all, for it's 754 pages The Mirror and The Light, could have been enough at 400 pages. Favorite Quote: "Those who think a heart cannot break have led blessed and sheltered lives." Thomas Cromwell ... show more
Reviewed in the United States on January 15, 2026 by Haly

  • Pages resemble onion skin
Format: Hardcover
I must agree with other reviewers. The quality of the pages is downright shabby. After reading and enjoying both previous books, I very much looked forward to this one. Two previous won Booker Prize! Gave it five stars in anticipation of what surely will be an excellent read. BUT...after reading the first 100+ pages, I find myself distracted unnecessarily. My clip on bookmark has damaged several pages. Possibly this was done to mitigate the size/weight of this very large book. Or publisher's cost savings? I would've preferred dealing with a larger edition and more substantial pages. Other books in the series are not like this. Will soldier on and update a content review when I complete the read which, I am certain, will outweigh the annoyance. And now an update...I slogged through to the end because I'd grown to love Cremuel in the first two books. He was transformed into a compelling and almost heroic hero. Certainly not the villain as he's been portrayed in history. Mantel paints vivid pictures of Cromwell's life and his myriad duties. We get detailed pictures of Cromwell and Henry VIII. While it cannot be denied that Mantel's writing is extraordinary, this is a huge 912 page read! The length was, of course, justified by the number of events it covers. At times, it was overly dense with detail and I found myself trudging along and hoping there'd be places where I could dare to scan through some pages. But it spite of it all, every volume is a fantastic work of literary fiction. Worth the read but not nearly as easy a read as the books' two predecessors. Knowing how the protagonist will meet his inevitable end did not doom the enjoyment of the story of Tudor intrigues for me. A life well lived. Crowell never knew what would come next even though the reader does. ... show more
Reviewed in the United States on March 20, 2020 by MinniesMom

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