Buy Now, Pay Later
As low as
$35.83
/ mo
Learn more
- – 6-month term
- – No impact on credit to apply
- – Instant approval decision
- – Secure and straightforward checkout
Ready to go? Add this product to your cart and select a plan during checkout.
Payment plans are offered through our trusted finance partners Klarna, Affirm, Afterpay, Apple Pay, and PayTomorrow. No-credit-needed leasing options through Acima may also be available at checkout.
Learn more about financing & leasing here.
Selected Option
Free shipping on this product
30-day returns
Learn more
This item is eligible for return within 30 days of receipt
To qualify for a full refund, items must be returned in their original, unused condition. If an item is returned in a used, damaged, or materially different state, you may be granted a partial refund.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
Availability:
Only 1 left in stock, order soon!
Arrives
Monday, Apr 20
Style: Canon Digital SLR Cameras
Features
- Large Aperature, standard prime lens, has superior peripheral brightness and corrects the sagittal coma fare
- Standard lens with large maximum aperture of F1.4.
- Creates sharp images with high contrast and ensures superior peripheral brightness
- Incorporates molded glass aspherical lens, perfectly correcting coma aberration and creating superior image quality.
- Super multi-layer lens coating reduces flare and ghosting.
Description
L9) 50MM F1.4EX F/CAN HG HSM LENS
Brand: Sigma
Focal Length Description: 50 mm
Lens Type: Standard
Compatible Mountings: Canon EF
Camera Lens Description: 50 month
Product Dimensions: 2.68 x 3.35 x 3.35 inches
Item Weight: 1.11 pounds
Item model number: 310101
Batteries: 1 9V batteries required.
Is Discontinued By Manufacturer: No
Date First Available: May 5, 2008
Manufacturer: Sigma Corporation of America
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Monday, Apr 20
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
- Klarna Financing
- Affirm Pay in 4
- Affirm Financing
- Afterpay Financing
- PayTomorrow Financing
- Financing through Apple Pay
Learn more about financing & leasing here.
Top Amazon Reviews
Despite all I've heard about the focusing issues with this Sigma 50mm f1.4 lens, my copy works perfectly. I don't doubt that issues exist. I use a camera all the time and get paid for it, been using them for 40 years. When I bought my Canon EOS 7D body, I thought it was a horrid decision, and I was ready to dump the piece of c&*p. Turns out part the problem was basically the factory settings. It has 19 focusing points, and I could not get correct focus with any of my 14 lenses, including "L" lenses. Without breaking some egos here, remembering my physics education that you cannot possibly focus on 19 points at the same time, I selected the center as the only point, and turned off focus hunting with one-shot AF. I haven't had a focus issue since. Yes as long as there is not much angle change when reframing the shot, it holds focus well. The good part is, if I had believed all the negativity, I would not own this superior lens. I'm a "Prime" lens lover, my style doesn't call for zooming. Can't get the amount of light and bokeh with zoom's, and love the drama in my shots. It isolates the subject, and gives a 3D feel. I hate busy backgrounds, as they detract from the shot. I do own the Canon 50mm f1.4 lens, and will be selling shortly (there is a noticeably visible difference from the Sigma). The Sigma is superior in bokeh and saturation. I've taken some dreamy shots wide open that the equivalent Canon cannot match. Although this lens is very, very sharp, it is not a match for the Canon "L" series 100mm Macro, 135mm or 200mm Series "L" glass. The latter lenses are even creamier on the bokeh wide open and dead sharp wide open. To make a long story short, in my opinion is the best 50mm option for Canon Cameras. I will not be buying the Canon f1.2 version, as there is no advantage to me paying at least one grand more for gaining 1/3 of a stop of light. I found what I was looking for, and thought it was a worthwhile purchase. The lens hood is sturdy, love that being included and not a separate purchase, and the lens cap is the Sigma center pinch design, you don't have to remove the hood to take off the cap. This is my second Sigma purchase, and I study carefully before buying. This is one big, impressively built lens, not a wimpy one.
...
show more
Reviewed in the United States on April 4, 2013 by Sandia Keith
(Images taken on a Canon Rebel T7i, with no or minimal editing. The Rebel series are some of the "lowest end" bodies this lens should be used for, since the Rebel series does not have microfocus adjustment. ie: a "worst-case scenario".) First, let me preface by saying that if you do not yet own an F/1.4-1.8 50mm lens, this is a phenomenal choice. Many choose the 50mm as their first lens invenstment, and this will certainly give you a clear understanding of the difference between good glass, and mediocre glass. (Fair warning: Once you get a taste, there's absolutely no going back...) If you are a professional, or already have another 50mm, such as the popular Canon F/1.8, you would be much better served by the Sigma 50mm F1.4 *ART* version. The features, AF, and clarity on the Art version are well worth it for someone willing to invest, but the quality difference between other popular "fast" 50mm's and this lens isn't great enough, in my opinion, to justify owning both. The Good: -The copy I received is quite well-calibrated, as shown in the first image -The sharpness of images in proper focus is astounding for the price point -The Bokeh at wider apertures is absolutely phenomenal -It is extremely well-suited to portrait photography. Easily capable of intermediate to pro-level portraits in the right hands -The autofocus is fast enough for standard applications -The look and feel are very premium -There is very little vignetting, even compared to some higher end lenses The Bad: -The chromatic abberation is noticable, especially evident in the calibration image. Lower quality, less-sharp lenses tend to hide it better, but the sharpness often makes it more apparent. Lenses of the same class appear to perform better in this area most of the time -The autofocus often has difficulty "locking in" at wider apertures, and can often feel a tad sluggish, with moving subjects. Naturally, this problem is less apparent at higher apertures. -The autofocus is also louder than expected when shooting video. At times, even appearing "rough",, or "jerky", with noises, to boot. I have heard some say that this problem goes away, with use, but time will tell -There is no way to calibrate the lens via software like you can with the Art version and a USB tether adapter. If your copy needs calibrating, and your camera body doesn't support AF microadjust, you may need to send it in for servicing. (luckily, this copy is just fine, but your mileage may vary, as the tolerances during manufacturing are extraordinarily tight, and even high-end lenses sometimes need an assist) Overall, the positives greatly outweigh the negatives for the majority of users, and I am quite satisfied with this lens, and I will definitely be purchasing the 17-35mm Art version, for wider angle shots, such as landscapes, or street photography. I would say it outperforms the vast majority of 50mm primes out there in most areas, and is a fantastic choice for the burgeoning freelancer looking to get serious, or advanced hobbyist looking for a worthy addition to their glass arsenal. As I mentioned earlier, if you're a professional, you really should opt for the Art version, as almost every negative mentioned has been addressed in that version (for a price). Happy shooting!
...
show more
Reviewed in the United States on December 29, 2021 by Kinder Kinder