Panasonic LUMIX Professional 12-60mm Camera Lens, Leica DG Vario-ELMARIT, F2.8-4.0 ASPH, Dual I.S. 2.0 with Power O.I.S, Mirrorless Micro Four Thirds, H-ES12060 (Black)
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Saturday, Aug 30
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Features
- NANO SURFACE COATING: Professional, high quality LEICA DG VARIO ELMARIT camera lens optics with Panasonics Nano Surface Coating to reduce unwanted ghosting and flaring for crystal clear pictures (4 ASPH / 2 UED)
- HIGH SPEED AUTO FOCUSING: Upgraded faster focus tracking via a 240 fps linear motor performs smooth aperture changes so there are no sudden jumps in exposure for improved video performance
- ADVANCED OPTICAL IMAGE STABILIZATION: Panasonic POWER O.I.S. compatible with enhanced LUMIX Dual I.S. 2.0 LUMIX Mirrorless cameras immediately compensates even large camera shake and vibrations for sharp, blur free photos
- STANDARD ZOOM LENS: A 5X optical 24 to 120 millimeter (35 millimeter camera equivalent) focal length with F2.8 4.0 ASPH provides flexible framing from breathtaking landscapes to beautiful, mid telephoto 60 millimeter portraits
- RUGGED HIGH PERFORMANCE DESIGN: Durable metal body camera lens braves the elements in nearly any kind of weather or shooting location (Splashproof / Dustproof / Freezeproof); Minimum Aperture:F22. Extra Low Dispersion (ED) lenses correct chromatic aberration rendering sharp, high contrast images with clear colors from corner to corner
Description
Panasonic LUMIX Mirrorless Micro Four Thirds camera lenses deliver a no- compromise approach to optical performance for modern interchangeable camera enthusiasts and professionals. As an optical partner of legendary LEICA Lenses, Panasonic LUMIX Professional Camera Lens LEICA DG VARIO-ELMARIT H-ES12060 features Panasonic’s Nano Surface Coating to reduce bothersome reflections across the entire light spectrum for the highest standards of detail and sharpness. Built for the outdoors, this professional grade metal body lens features a splash / dustproof design when mounted on a compatible LUMIX G Mirrorless camera. Featuring Power O.I.S. optical image stabilization compatibility with 5-Axis Dual I.S. 2.0 (Image Stabilization), you'll shoot with unprecedented hand-held stability across both video and still. For added versatile high performance, this standard zoom lens offers a F2.8-4.0 ASPH and focal length of 12-60mm (35mm camera equivalent: 24-120mm) to render everything clearly, from corner to corner. What’s more, the stunning AF performance of this lens records excellent 4K video where precise focusing is essential. Make the switch from bulky DSLRs to the smaller, lighter, more compact Mirrorless Micro Four Thirds system cameras and lenses from Panasonic LUMIX.
Brand: Panasonic
Focal Length Description: 12-60 millimeters
Lens Type: Standard
Compatible Mountings: Olympus/Panasonic Standard 4/3, Four Thirds
Camera Lens Description: 60 month
Product Dimensions: 4.49 x 4.49 x 7.24 inches
Item Weight: 1 pounds
Item model number: H-ES12060
Is Discontinued By Manufacturer: No
Date First Available: January 4, 2017
Manufacturer: Panasonic
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Saturday, Aug 30
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
I began using 4/3 system cameras before the advent of micro 4/3. One of my favorite 4/3 lenses of that period was the Olympus Zuiko 12-60mm f2.8-4.0 SWD. The 24-120 (full frame equivalent) range is extremely useful, especially for traveling. Thus, I was intrigued in knowing if the new Panasonic-Leica 12-60 f2.8-4 would fill that gap again for me. I have also used the excellent Olympus 12-40 f2.8 as well as the Panasonic 12-35 f2.8. The Olympus 12-40 is a great lens, but sometimes it’s nice to have a little more reach. Although both Olympus and Panasonic have made cheaper lenses, whose ranges are useful (e.g., the Olympus 12-50 3.5-6.3 and Panasonic 12-60 f3.5-5.6), these lenses are slower and seem to be not up to the same quality standards as the Olympus pro lenses and the Panasonic-Leica lenses. In the first few weeks of use, I have been very impressed by the Panasonic-Leica 12-60 f2.8-4 image quality, sharpness, and color rendition. I have been using it on both the Panasonic GX 8 and the OMD EM1 Mark ii. It is nicely balanced on both cameras. Its image stabilization (IS) only works in sync with the newer Panasonic bodies, but not Olympus bodies. Nevertheless, the five-axis stabilization of the new Olympus OMD is outstanding, so I haven’t noticed any issues in using this lens on the Olympus body. The zoom is silky smooth, the lens is fast focusing, and its construction is very good and weather resistant, although it does not seem to have the more substantial build-quality feel of the Panasonic-Leica f42.5mm Nocticron lens, which is one of my favorites. The f2.8 is also nice to have at its 12 mm length, but it starts creeping up to 3.0 and ultimately 4.0 fairly rapidly when you begin to zoom in closer. In terms of size, it is nearly comparable to the Olympus 12-40 f2.8 (diameter 70 mm Oly vs. 68 mm Pan-Leica; length 84 mm Oly vs. 86 mm Pan-Leica). Both use a 62 mm filter thread. In terms of weight, the Pana-Leica is only 320 g compared to the Oly 12-40 at 382 g. When compared to the excellent new Olympus 12-100 f4.0 at 561 g, the Pan-Leica is considerable lighter, although without the tele-zoom reach. I considered the new Olympus 12-100 mm, but the Pan-Leica is about $300 cheaper and more compact, with a faster aperture at the wide range. The lens is also purported to be very good for video, although my primary purpose in using it is for stills. I intend to use this lens particularly for travel purposes and some street photography. Overall, I find it to be a nice compromise between the Olympus 12-40 f2.8 and the Olympus 12-100 f4.0 both in size, range, and price. You won’t regret have any of these lenses, but I am, thus far, pleased with my choice as I am also trying to reduce the total number of lenses I use.
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Reviewed in the United States on March 12, 2017 by Tempe
I bought this lens to do videography for my outdoors Youtube channel on my Panasonic Lumix G9. It fits this use-case excellently with a 12mm wide angle with an effective 5X optical zoom. If you utilize the Ex. Teleconv feature on recent Panasonic cameras you can get an effective 7X lossless zoom for free. If you shoot landscapes and mostly static subjects like I do, then a camera with a sensor shift hi-res mode can increase your range even further than that. Image quality at 12mm is very sharp in the center with some barrel distortion at the very far corners. At the wide end, don't expect perfectly sharp images across the entire scene - this is a trade-off to be expected in a wide to medium tele. I see a largely clean, distortion free image about 18-20mm and beyond. In the video world this is less of an issue than for photographers. The range you get for size make it worth it to me for the range that you get. Aperture reduces immediately to f/2.9 at 13mm and continues down from there until you hit f/4 at about 55mm. Since I am mostly shooting landscape in video in 4K, I rarely use f/2.8 - however this does come into play in vlogging shots. I find that f/2.8 is the sweet spot for walking & talking on camera in order to produce the ideal amount of background blur while avoiding focus breathing. I find the bokeh at f/2.8 to be pleasing with circular bokeh balls thanks to the 9 bladed aperture. Defocused backgrounds look smooth to me. I am usually at f/5.6 to f/7 when shooting landscape at 12mm and around f/8 to f/11 when closer to 60mm; you will notice diffraction kicking around f/11 but it's not so bad as to be unusable. Chromatic aberration is largely corrected for but you will see some green & magenta tinting with sun flares. This is better to me than having full-on sun flares in the shot. Another plus is the weather sealing. This lens does not see a ton of foul wet weather but living and shooting in the desert I enounter a lot The only major con I have come across is that (1) this lens is heavier than the cheaper plastic counterparts; though to me this is a pro adding durability. I am happy with the images this lens produces; I believe this lens is suitable for someone who normally would carry a wide lend and medium telephoto who wants to reduce weight and complexity of their setup. This is probably going to be as close as you'll get to a do-it-all lens on the M43 system.
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Reviewed in the United States on July 30, 2020 by Smella Smella
I bought this lens used. However, it looks new. It works as it should and captures very good photos. The autofocus is very quick. This will be my walkabout lens.
Reviewed in the United States on December 24, 2024 by Scot
Nice piece of glass. This is one very fine lens. Corner to corner sharpness, wonderful contrast and clarity. I'm using it on my Lumix GX85... a wonderful combo with great synergy. Smooth zoom and manual focus. Autofocus is quick and very tight. Good, solid build quality... and heft. First rate.
Reviewed in the United States on January 12, 2018 by R. Davis
Using it for stills on a G9. People pictures mostly. Also own the 14-140 which is also very good, perfect for travel. This 12-60 PL is smooth mechanically, fine stabilization, fine sharpness, based on several hundred shots over a month. The two switches on the lens are handy when I mount camera on tripod since I then need no stabilization and usually focus manually. This lens is 360 grams, versus 210 grams for the 12-60 f3.5-5.6, an excellent lens also, which came with my G85 four years ago. Love my G9 so decided to splurge on this lens - happy so far with smooth handling and photo results.
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Reviewed in the United States on December 27, 2021 by HS
A good well built all rounds lens.
Reviewed in the United States on August 3, 2018 by Amazon Customer
I bought this for a Lumix G-9 Mirrorless camera. This a great lens and has image stabilization build in and auto focus. does great pictures and video that i have tested so far. I will update the review later on and please see my review for the g-9 too.
Reviewed in the United States on January 1, 2020 by schlite60
Theres just something magical about this paired with my EM5 ii. This photo was taken with the 12-60, and I wouldn't have gotten it with my canon lenses. Why? Because by comparison they are so heavy I leave them at home 99.9% of the time. As someone with over..... yikes, 25 lenses and several primes, this is my holy grail lens. Just get it.
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Reviewed in the United States on March 11, 2024 by Tara R Tara R