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Panasonic

Panasonic LUMIX G7 4K Digital Camera, with LUMIX G VARIO 14-42mm Mega O.I.S. Lens, 16 Megapixel Mirrorless Camera, 3-Inch LCD, DMC-G7KK (Black)

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Availability: 15 left in stock
Fulfilled by Adorama
Arrives Saturday, Jul 5
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Style: 14-42mm


Color: Black


Features

  • Professional photo and video: Performance: 16 megapixel micro four thirds sensor with no low pass filter to confidently capture sharp images with a high dynamic range and artifact free performance; Wi-Fi: IEEE 802.11b/g/n, 2412 MHz, 2462 MHz (1 11 ch), Wi Fi / WPA / WPA2, Infrastructure mode
  • 4K video Capture: 4K QFHD video recording (3840 x 2160) with 3 unique 4K ultra HD video pause and save 4K photo modes extracts individual high resolution Photos from 4K ultra HD video filmed at 30 frames per second to capture split second moments
  • Intuitive Controls: Easily control aperture and shutter settings with the front and rear dials while making White balance and ISO adjustments on the fly; Assign favorite settings to any of the six function buttons (six on body, five on menu)
  • High Resolution Viewfinder and LCD Display: High resolution (2,360K dot) OLED live view finder and rear touch Enabled 3 inch tilt/swivel LCD display (1,040 dot) are clear even in bright sunlight. Diagonal Angle of View: 75(W)29(T)
  • Connectivity and Ports: 3.5 millimeter external mic port, 2.5 millimeter remote port, USB 2.0 and micro HDMI Type D; Compatible with newer BUS Class UHS I/UHS II SDXC/SDHC SD cards capable of storing high resolution 4K videos

Description

The professional grade Panasonic Lumix 4K Digital Camera DMC G7KK accepts over 24 compact lens options built on the next generation interchangeable lens camera (ILC) standard (Micro Four Thirds) pioneered by Panasonic. Its “mirrorless” design enables a lighter, more compact camera body while also offering cutting edge video, audio, creative controls, wireless, intelligent focusing and exposure technologies not possible with traditional DSLRs. With the exclusive Lumix 4K PHOTO (~8MP, 30/60 fps), simply pause that perfect moment from video to produce printable high resolution photos. A high resolution 17.5mm, 0.7x OLED eye viewfinder (2,360K dot) matches up to exactly how you intended to see the image even under direct sunlight. For connectivity convenience, the G7 includes 3.5mm and 2.5mm microphone & remote ports, USB 2.0 and a micro HDMI (Type D) terminal. The G7 can be combined with the DMW FL580L External Flash, the DMW MS2 Stereo/Shotgun Microphone and many other accessories. It’s also compatible with newer BUS Class UHS I/UHS II SDXC/SDHC SD cards capable of storing high resolution 4K videos and meeting the demands of 4K Photo and Raw mode burst shooting.

Compatible Mountings: Micro Four Thirds


Aspect Ratio: 169, 11, 32, 43


Photo Sensor Technology: CMOS


Supported File Format: RAW, RAW + Fine, RAW + Standard, JPEG Fine, JPEG Standard, MPO + Fine, MPO + Standard (with 3D lens in Micro Four Thirds System standard) See more


Image Stabilization: Not Available


Maximum Focal Length: 84 Millimeters


Optical Zoom: 3 x


Maximum Aperture: 5.6 f


Expanded ISO Minimum: 100


Metering Description: Multi, Center-weighted, Spot


Brand: Panasonic


Model Name: Panasonic Lumix G7


Age Range Description: Adult


Built-In Media: Camera Body & Lens


Are Batteries Included: Yes


Model Number: DMC-G7KK


Remote Included: No


Model Series: LUMIX


Global Trade Identification Number: 10


UPC: 885170250710 841434102355


Item Height: 3.39 inches


Manufacturer: Panasonic


Warranty Description: 1 year manufacturer


Metering Methods: Multi, Center-weighted, Spot


Exposure Control: Program, Manual, Aperture Priority, Shutter Priority


White Balance Settings: Auto, Incandescent, Daylight, Color Temperature, Cloudy, Shade, Flash torch


Self Timer: 10 seconds


Connectivity Technology: USB, HDMI


Wireless Technology: BuiltIn


Data Transfer Rate: 4.8E+2 Megabits Per Second


Video Output: Micro-HDMI


Total USB 2.0 Ports: 1


Total USB Ports: 1


Total Video Out Ports: 1


Shooting Modes: Silent Shooting


Digital-Still: Yes


Movie Mode: No


Image Capture Type: Stills


Night vision: No


Auto Focus Technology: Selective single-point, Face Detection, Tracking, Multi-area, Single, Continuous, Live View, Contrast Detection, Touch


Focus Features: Contrast Detection


Autofocus Points: 49


Focus Type: Manual Focus


Focus Mode: Manual Focus (MF), Continuous-Servo AF (AF-C), Single-Servo AF (AF-S)


Autofocus: Yes


Aspect Ratio: 169, 11, 32, 43


File Format: RAW, RAW + Fine, RAW + Standard, JPEG Fine, JPEG Standard, MPO + Fine, MPO + Standard (with 3D lens in Micro Four Thirds System standard)


Effective Still Resolution: 16 MP


JPEG Quality Level: Basic, Fine, Normal


Supported Image Format: JPEG, MPO, Raw


Maximum Image Size: 0.35 Inches


Bit Depth: 12 Bit


Total Still Resolution: 16 MP


Maximum Focal Length: 84 Millimeters


Optical Zoom: 3 x


Lens Type: mirror-lens


Zoom: Digital zoom


Camera Lens: 14-42mm


Minimum Focal Length: 14 Millimeters


Real Angle Of View: 75 Degrees


Focal Length Description: 14 to 42mm (35mm Equivalent Focal Length 28 to 84mm)


Digital Zoom: 2


Number of Diaphragm Blades: 7


Photo Filter Thread Size: 46 Millimeters


Lens Construction: 9 Elements in 8 Groups


Photo Filter Size: 46 Millimeters


Screen Size: 3 Inches


Display Type: LCD


Dots Per Screen: 2360000


Display Fixture Type: Articulating


Touch Screen Type: Yes


Display Resolution Maximum: 1040000


Has Color Screen: Yes


Flash Memory Type: SD/SDHC/SDXC


Memory Slots Available: 1


Recording Capacity: 30 minutes


Flash Memory Speed Class: UHS-I (U1, U3), UHS-II


Flash Memory UHS Speed Class: UHS-I U1, UHS-I U3, UHS-II


Flash Memory Video Speed Class: UHS Class 3 (U3)


Flash Memory Bus Interface Type: UHS-II


Compatible Mountings: Micro Four Thirds


Sensor Type: CMOS


Image stabilization: Not Available


Maximum Aperture: 5.6 f


Expanded ISO Minimum: 100


Photo Sensor Resolution: 16 MP


Photo Sensor Size: Four Thirds


Maximum Shutter Speed: 1/16000 seconds


Minimum Shutter Speed: 60 seconds


Form Factor: Mirrorless


Special Feature: Free-angle TFT-LCD with 920K dots, wide-viewing angle and 7 brightness, contrast and saturation, red-tint and blue-tint levels


Color: Black


Item Weight: 0.9 Pounds


Video Resolution: 4K UHD 2160p


Viewfinder: Electronic


Flash Modes: Slow Shutter, Automatic


Camera Flash: Hotshoe


Skill Level: Professional


Compatible Devices: Micro Four Thirds compatible cameras or lenses


Continuous Shooting: 7 fps


Aperture modes: F2.2-F5.6


Viewfinder Magnification: 1.4x


Audio Input: Microphone


Flash Sync Speed: 1/160 sec


Video Capture Format: MPEG-4, AVCHD


Expanded ISO Maximum: 25600


Battery Weight: 3.2 Ounces


Delay between shots: 0.14 seconds


Battery Cell Type: Lithium Ion


Guide Number: 20.34' / 6.2 m at ISO 100 (24 mm Position)


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Saturday, Jul 5

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews

    • The G7 is one HECK of a nice camera!
Style: 14-42mm Color: Black
Review Image by David Ruether David Ruether
Review Image by David Ruether David Ruether
Review Image by David Ruether David Ruether
EDITED 8/17/2015: I recently received a Panasonic G7 from Amazon, and I have already shot over 20,000 frames with it during the seven weeks I've had it (with many different lenses, and with mostly using the electronic shutter), plus a few video tests. Since I already own the Panasonic G5, and GH4 (and I also had the G6), and have shot over 125,000(!) photos with these MFT cameras, I was familiar with Panasonic cameras, and also with the menu settings changes I generally make to get what I want in the images. The G7 fits “neatly” between the very small and light G5/6 bodies and the considerably larger and heavier GH4 (although that one is still relatively compact compared with most dSLRs, and its MFT lenses are also generally very compact and light – and this gear is FUN to carry and use!). I value the GH4 for its excellent EVF, great grip (it is easy and secure to use one-handed), its excellent set of useful external controls, its wide range of useful options in its easily-used menus, the excellence of its stills-quality (with selected type and sample of lenses, and with customized menu settings), and its great video capabilities. I value the G5 for its sharp EVF (the one on the G6 has better color and contrast, but it is not as sharp), its miniscule size and weight, its very good external controls and menus, and the excellence of its stills and video (although the G5, unlike the G6, has no external mic input, and it is without focus-peaking). The G7 is a nice combination of the good qualities of both the G5/6 and the GH4, at a lower price in size, weight, and cost compared with the GH4 - although it is without weather-sealing and high data-rate and slow-motion 1080 video options (but it does have 100Mbps 4K-24/30P video plus “4K-Photo” options). The excellent EVF is similar to the one in the GH4, the grip is almost as good, the external controls (both buttons and knobs) are unusually numerous and useful, and the menus are similar to, and consistent with, those of the other models in the line. A few items have been added to what the G5 had: 4K-Photo/Video, the tone-curve adjustment shared with the GX7/8 and GH4 (I find this very useful!), “Diffraction Compensation” (I briefly tried this and decided to leave it “Off” – it progressively sharpens the image as the lens is stopped down to its smallest stops to offset the softening normally resulting from diffraction, but this can result in excessive noise even in good light - and this sharpening can be done better during editing), and an external mic input similar to the one on the G6 (but missing on the G5 and GX7). Using the G7's electronic shutter, leaving the EVF and camera always-on during shooting sessions, and using no flash, I get well over 600 JPG highest-quality frames per battery charge. As for color and other photo characteristics, I appreciate having the ability to adjust EVERYTHING on these Panasonic MFT cameras (color balance and saturation, contrast, color-curves, sharpening and noise-reduction levels, etc.) - and I also appreciate being able to match surprisingly well the EVF's characteristics with those of my reference computer monitor so that I get very useful and accurate previewing while using the EVF (with a floppy wide-brimmed hat worn while outdoors to shade the EVF). These cameras are a "tweaker's" (read, "perfectionist's"...;-) dream come true...! Overall, I have no real complaints with the G7, although a few things bothered me very slightly at first. As with the GH4, the rear “dial” (which on the G7 is a circle of buttons as with the G5, rather than a wheel as with the GH4) gets somewhat “hidden” below the rear surface of the camera toward the “dial’s” upper right – but this is to keep it from being unintentionally pressed/moved by the right hand gripping the camera. It took me a bit of time to remember the new way to access exposure bias adjustment (I generally use A-Priority, setting the aperture for best lens performance with each lens and/or for best DOF for what I want in the image – and I often adjust exposure-bias as I shoot, using the excellent EVF as a guide), and it required a button-push to access this on the G7 (the G5/6 and GH4 can be left with the rear thumb-wheel needing only to be moved in order to adjust exposure bias). But, I discovered that with going into "Dial Set" in the menus, I was able to enable exposure biasing with a simple turn of the rear wheel (no button press required!;-). Also, the image resolution is very slightly smaller than that of the other Panasonic cameras I've used, but this is of little practical consequence. And, as others have noticed, the G7's (and also my GH4's) serial number tends to "evaporate" - and with my G7, there is now no trace remaining of that number. Panasonic has recognized this issue, and if both the box label with the serial number and the purchase invoice are retained, and if the camera is registered with Panasonic, the warranty will be honored. Bottom line: this is one HECK of a nice camera, at a very decent price! Highly recommended! (A few photos taken with the G7 are attached...) --DR ... show more
Reviewed in the United States on June 30, 2015 by David Ruether David Ruether
    • Still a great camera in 2024
Style: 14-42mm Color: Black
Review Image by Valentin Valentin
Review Image by Valentin Valentin
Review Image by Valentin Valentin
Review Image by Valentin Valentin
Review Image by Valentin Valentin
Review Image by Valentin Valentin
Review Image by Valentin Valentin
Review Image by Valentin Valentin
Review Image by Valentin Valentin
Review Image by Valentin Valentin
With prices of today's cameras so high, the G7 can be found for around $250 used and it is plenty of camera for most people. I highly recommend it. I've had the camera since 2017 and it is my only m43 camera. I use it with the 14-140ii, 9-18mm, 25mm/1.7 and 43/1.8 primes. It has been a great reliable camera through the years taken to hikes in the mountains, vacations and family gatherings - always delivering good pictures and videos. I think that the shutter shock issue was a little overblown. It has never been an issue for me even keeping the camera in mechanical only shutter. Not saying it does not exist but it is not something that had bothered me. I used the G7 to record my daughter's soccer games for a couple of years and it performed well there as well managing to keep up focus with the action. I used only FHD 60fps so cannot comment on the 4K video. The microphone port made a huge difference in recording good sound. The body is very light at only 400g which keeps the package easy to carry for extended periods of time. With the 14-140 lens the combo weights almost the same as my Sony A57 DSLR alone. The newer upgrades G85 and G95 have gotten bulkier and heavier. Adding image stabilization is probably the main reason for that. With the 14-140 having IOS and the prime lenses being fast I have not missed the in-body image stabilization of the newer models, hence never upgraded. The ergonomics are great with two control dials and plenty of customizable buttons. I love the well placed quick focus mode selector switch and the touchscreen focus select area while looking through the viewfinder. I like the power slider next to the mode dial on the right side of the camera allowing one hand operation when needed. The power switch being on the left side of the camera is what I did not like on all Olympus bodies when I was deciding which brand to go with. I have a small Meike tilt and swivel TTL flash that works really great with the G7. It makes for a light combo at family gatherings for high quality bounced flash pictures. I use only RAW so cannot comment on the JPEG engine. The RAW files allow lots of latitude during processing. Lifting shadows and lowering highlights works very well. ISO up to 3200/6400 is perfectly usable when processed properly. ... show more
Reviewed in the United States on November 1, 2024 by Valentin Valentin
    • Cheat code
Style: 14-42mm & 45-150mm Color: Black
looks great, shoots 4k and cheap cant lose with this one
Reviewed in the United States on May 22, 2025 by C Rich
    • My favorite camera so far. Good for starters!
Style: 14-42mm Color: Silver
I love this camera and still use it to this day. The settings are quite numerous in options and rhw quality turns out really really good for the price. The manual comes with tips for certain photo styles, firmware upgrades, serial number finding, accessories, etc. Covers about every topic out there. Haven't had any issues with it as of late. Always liked how the camera was designed, gives rhe nice retro vibes I was looking for in a camera. I'm using the kit lens kit that is available with it. Heard a lot of debate over image stabilization being iffy but at least for me, it's not bad per say as I haven't reallt delved into motion photos/videos. ... show more
Reviewed in the United States on March 25, 2025 by Kitorashi

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