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Nikon AF-S FX NIKKOR 300mm f/2.8G ED Vibration Reduction II Fixed Zoom Lens with Auto Focus for Nikon DSLR Cameras

  • Based on 38 reviews
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Availability: Only 2 left in stock, order soon!
Fulfilled by Green's Camera World

Arrives Tuesday, Jul 21
Order within 4 hours and 27 minutes
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Features

  • Fast-aperture f/2.8 NIKKOR Super Telephoto. Wide aperture, professional telephoto performance
  • Nikon VR II (Vibration Reduction) Image Stabilization. Vibration Reduction is engineered specifically for each VR NIKKOR lens.
  • Exclusive Nano Crystal Coat. Further reduces ghosting and internal flare for even greater image clarity.
  • Three Extra-low Dispersion (ED) Elements. Offers superior sharpness and color correction by effectively minimizing chromatic aberration
  • Virtually eliminates coma and other aberrations, promoting image integrity

Description

Fast-aperture f/2.8 NIKKOR Super Telephoto Wide aperture, professional telephoto performance, optimized for edge-to-edge sharpness for both FX and DX-format Nikon D-SLRs?perfect for action and sports photojournalism, wildlife photography and more. Nikon VR II (Vibration Reduction) Image Stabilization Vibration Reduction is engineered specifically for each VR NIKKOR lens. VR II enables handheld shooting at up to 4 shutter speeds slower than would otherwise be possible, assuring dramatically sharper images. Exclusive Nano Crystal Coat Further reduces ghosting and internal flare for even greater image clarity. From the Manufacturer Enjoy fast- aperture f/2.8 Nikkor Super Telephoto performance, optimized for edge-to-edge sharpness for both FX and DX-format Nikon D-SLRs--perfect for action and sports photojournalism, wildlife photography and more. Lens Features & Highlights Nikon VR II (Vibration Reduction) Image Stabilization Vibration Reduction is engineered specifically for each VR Nikkor lens. VR II enables handheld shooting at up to 4 shutter speeds slower than would otherwise be possible, assuring dramatically sharper images. Exclusive Nano Crystal Coat Further reduces ghosting and internal flare for even greater image clarity. Three Extra-low Dispersion (ED) Elements Offers superior sharpness and color correction by effectively minimizing chromatic aberration, even at wide apertures. Aspherical Lens Element Virtually eliminates coma and other aberrations, promoting image integrity. Nikon Silent Wave Motor (SWM) Delivers fast, accurate and quiet autofocusing. Three Focus Modes A/M mode joins the familiar M/A and M modes, enhancing AF control versatility with fast, secure switching between auto and manual focus to accommodate personal shooting techniques. Nikon Super Integrated Coating (SIC) Enhances light transmission efficiency and offers superior color consistency and reduced flare. AF Memory Recall Allows instant return to a predetermined point of focus. Rugged Construction Featuring enhanced dust and moisture resistance, magnesium die- cast barrel construction and a protective meniscus front lens. Tripod Detection Mode Detects and compensates for the specific vibrations encountered when shooting on a tripod with VR on. Close Focusing to 7.2 feet Focus to 7.2 feet in manual focus or 7.5 feet in autofocus, enabling striking image perspectives. Rounded 9-Blade Diaphragm Renders more natural appearance of out-of-focus image areas.

Brand: Nikon


Focal Length Description: Fixed Prime 300 millimeters


Lens Type: Telephoto


Compatible Mountings: Nikon F (FX)


Camera Lens Description: 9


Focal Length Description: Fixed Prime 300 millimeters


Lens: Telephoto


Compatible Camera Mount: Nikon F (FX)


Maximum Focal Length: 300 Millimeters


Minimum Focal Length: 300 Millimeters


Lens Design: Zoom


Focus Type: Ultrasonic


Lens Fixed Focal Length: 300 Millimeters


Lens Coating Description: Nano Crystal Coating


Zoom Ratio: 11


Image stabilization: Vibration reduction (VR II) up to 4 stops


Minimum Aperture: 22


Number of Diaphragm Blades: 9


Compatible Camera Models: Fujifilm FinePix IS Pro, Fujifilm FinePix S2 Pro, Fujifilm Finepix S5 Pro


Photo Filter Size: 52 Millimeters


Lens Mount: Nikon F


Has Self-Timer: No


Exposure Control Type: Automatic, Manual


Water Resistance Level: Not Water Resistant


Media Type: ProductImage


Color: Black


Brand: Nikon


Camera Lens: 9


Model Name: 2186


UPC: 018208021864


Manufacturer Part Number: 2186


Global Trade Identification Number: 64


Unit Count: 1.0 Count


Model Number: 2186


Item Part Number: JAA339DA


Item Weight: 2900 Grams


Manufacturer: Nikon


Built-In Media: 52mm Dedicated Filter Holder, 52mm Screw-on C Filter, AF-S FX NIKKOR 300mm f/2.8G ED Vibration Reduction II Fixed Zoom Lens for Nikon DSLR Cameras, CL-L1 Ballistic Nylon Soft Lens Case, Front Lens Cover, HK-30 Slip-on Lens Hood, LF-4 Rear Lens Cap, LN-1 Lens Strap


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Tuesday, Jul 21

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews


  • It is a superb lens, So I will focus on my experience with it and it's features
Color: Black
This lens is top quality , Sharp, and durable. It is probably the best 300mm f2.8 lens money can buy today. I will not get in to the Technical discussion of this lens, since it would take a university's optical department to give you a meaningful assessment of the optical quality and sharpness. So the best I can do here is my experience with the lens and here it is. First of all the Quality, fit and fish and performance is first rate. This lens is lighter and smaller than the specs suggest. this was a very pleasant surprise to me. The VRII is very effective and much quieter than the 200-400mm f4. The Auto focus is very fast, and like other recent Nikon top of the line tele lenses it has its own Auto focus buttons that can be programed as, AF On, AF lock, or Focus distance Memory/recall. I am still finding new ways to use the recall button. very handy in places that has a lot of clutter that could distract the Auto focus system. The lens is compact compare to other Nikon exotic telephotos. I cary the lens attached to a full size DSLR in a 15 L small backpack along with TC 20 and TC14 and other accessories during back country shootings. Speaking of TC 20 and TC14, the lens was designed and lunched with TC 20 III and they are a perfect match for each other. I can can get a 600 f5.6 that I can cary at 10000 feet while hiking and looking for Mountain goats. I have tested both TC's with this lens and the results is much better than my expectation for such a setup. Do I lose sharpness? I am sure I do but I can not tell unless I pixel peep real hard. It can be hand held very effectively for a while (VRii is very helpful) but it wears on you eventually, my setup for this lens in the back country is a monopod and a ProMedia Gear Tomahawk directly attached to the monopod. I use a RRS BH 55 ball-head and a Tripod other wise. If you are debating between this lens and 200-400mm f4, I use both and in my opinion, you will be happier with 200-400mm f4, just my opinion, But based on the fact that you are debating it in your head it tells me you do not have a specific need for this lens and you just want a good quality lens in this range and if that is so, then you really want 200-400mm f4. It is about a $1000 more, but more versatile and well worth the additional investment, but the 200-400 is 4" longer and 1lb heavier. Some things to think about since it may cost you more money ( even though if you are going to buy this lens you already made arrangement for a second mortgage or you are a .com baby) The strap is the cheesy Nikon strap that comes with $500 cameras, so plan on buying a good one worthy of carrying a heavy and expensive lens. I use a Black Rapids sports2 strap attached via a Arca-Swiss style clamp to the RRS replacement foot, scary looking but functional. The supplied foot is of a high quality but a bit short and uncomfortable to use during hand carrying. If you are using Arca-Swiss style heads the best is to get a replacement foot that is longer and can be balanced on the head better specially if you go back and forth with different size cameras attached to the lens. I use RRS LCF-14 replacement foot, it is very comfortable when I cary the lens and camera together. This option is not much more expensive than buying a Arca-Swiss plate and is more elegant and lighter weight solution. I also got the Lenscoat for this lens for added protection and eventual help with the resale value. Lastly, The hood supplied with this lens is really more for packing and transporting than it is for every day use. it is too big and clumsy to get off and put on, I use the hoody from Lenscoat (XXL size) but others make similar ones. these hoods are very functional and practical to use. In conclusion, Sharp, high quality, expensive, and once you get over the price shock it is the most fun you will have with your camera, Hope this helps. ... show more
Reviewed in the United States on November 28, 2012 by Mike

  • Probably the best Nikon lens made. It is a Reference lens for many other lens companies.
Color: Black
I had this lens twice, and I loved it. I get clear and sharp pictures with whatever I use (all Nikon) because I know what I am doing. This is the sharpest lens I have ever used, and if I had to grade it vs the 80-400 or 150-500, both of which I also have, I would say it is an A+, versus an B+ for the 200-500, and an A- for the 80-400. Is it worth the difference for the 300? If you are a pro, probably. If you are not a pro, get the 200-500 or 80-400, especially for wildlife. I sent both of mine back because I have COPD, and the lens is heavy for me, and I am 68, look 55, and feel 90. I got the best pics I have ever taken with this lens, but literally can't carry it for more than 20 minutes, and I only use tripods for Sunsets and Sunrises. If I inherit more money, I will hire someone to carry it for me and immediately buy another one. Hope this helps someone. Good Luck. ... show more
Reviewed in the United States on July 23, 2018 by The Reader

  • Finally, I own a Nikon 300mm 2.8
Color: Black
I have been a Nikon professional camera user for over 20 years, starting with an F4s film camera I purchased in 1990. Over these years, I've had the pleasure of using many versions of Nikon's 300mm 2.8 lens. Finally, I own one and use it regularly with a Nikon D3S. If you're hesitating to spend the money, don't. You won't be disappointed. This lens is the latest example of the highest quality I've come to expect from my Nikon collection and I expect I will be using it twenty years from now, like many other Nikon lenses I own. This is a professional quality imaging tool that will reliably deliver high quality images day-in an day-out for decades. The 300mm 2.8 can be handheld for short stretches at high shutter speeds, but produces the best quality off of a monopod or tripod. I use a Gitzo carbon fiber monopod with a Manfrotto ball head out in the field and a variety of Manfrotto tripod/head combinations depending upon the situation. I also have the TC-20E III teleconverter to take the focal length out to 600mm. The combination works well and feels sturdy, though you lose some speed. With a modern high ISO digital, that isn't an issue. Again, if you are thinking about making the plunge, you won't be disappointed. ... show more
Reviewed in the United States on March 16, 2013 by Russell T.

  • Very pleased
Color: Black
Purchased the lens a couple of days ago and used it to photograph small birds and animals with the Nikon TC20E-III 2x teleconverter. The pictures are excellent and I am very impressed. Relative to the Nikon 300mm f4 lens this one offers the following advantages: 1) Much faster focusing that is always dead on. 2) VR which is very useful for handheld shots It is rumored that Nikon is developing a 300 mm f4 with VR to be released later in 2014. 3) On f-stop faster great for low-light and action photography. 4) With the TC-20EIII it makes for a relatively compact 600 mm f5.6. In daylight conditions the 300 mm f2.8 + TC20EIII focuses very quickly on D800. Performance with the TC20EIII is very good, but there is some loss in contrast and sharpness when pixel peeping. I took two pictures of a rabbit both at 300 mm f2.8 in DX crop mode (450 mm equivalent) and 300mm + TC20EII in FX mode (600 mm equivalent). I had both photos printed on 16 x20 Kodak Supra Lustre and honestly both look phenomenal. The bare lens photo is a bit more sharp, but I actually prefer the photo with the TC because the rabbit occupies more of the frame. Typically someone is going to view these photos 2-3 feet back and at that distance I can not perceive a difference in sharpness. To be fair the Nikon 300 mm f4 is a more portable solution and if I were to do an all day hike I would prefer to take the 300 mm f4. However, if I were do a more limited hike (1-2 hours) I would definitely take the 300 mm f2.8 for the faster glass. My wishes for future updates: 1) Nikon would produced an actual plastic lens cap that fits their exotic telephone lens. The lens sock is a pain to take on and off and a plastic lens cap would provide proper protection. I find it quit cumbersome to hold onto the lens while putting the lens sock on. Personally I don't like the current aftermarket lens caps and am looking into having a custom cap made. 2) Nikon makes an arca-swiss lens foot standard. No one spends almost 6K on a lens and screws it into a tripod. I am very glad that I spent the extra $95 on the RRS lens foot, but such a foot should be standard at this price point. ... show more
Reviewed in the United States on May 4, 2014 by John

  • Extremely happy with this lens
Color: Black
I lost my first Nikon 300mm f2.8 telephoto lens last summer when my truck and camper was destroyed in a fire. This replacement shows Nikon continues producing quality camera gear. I would highly recommend this lens for any serious nature photography.
Reviewed in the United States on August 4, 2025 by Charles R. Gant

  • Very Sharp and Surprisingly Light
Color: Black
I bought this lens as part of a switch from Canon to Nikon. It performs superbly - fast autofocus, exceptionally sharp images, and easy to handle. With the Canon system, I had a 400 mm f/2.8. While a great lens, it was too heavy to hand hold, so I always used it on a monopod or tripod. The Nikon 300 is much lighter. I can hand hold it for short periods. This makes it useful to me in shooting basketball at the far end of the court as well as grabbing shots of coaches and players off the court. I've also combined it with the 1.7X teleconverter to photograph birds. It is still quite sharp, even with the teleconverter. ... show more
Reviewed in the United States on March 1, 2012 by James M. Worthington

  • This may be the sharpest long-lens on the market!
Color: Black
Even though this lens is simply superb, optically, and focuses almost instantly with virtually no "hunting"...I have to rate it at only four stars because of it's remarkably awkward manual focus ring positioning. MANUAL adjustment overrides AUTO focus...and the manual focus ring is exactly where you need to place your hand for the best holding position. It's nearly impossible to shoot quickly while hand-holding without moving the manual focus ring at least slightly! I can't understand WHY Nikon would design ANY lens with this arrangement...certainly not one in this premium class! ... show more
Reviewed in the United States on November 23, 2012 by Mharveyww1

  • Excellent lens
Color: Black
I can't say enough GOOD things about this prime lens. So much crisper images than using my zoom. Just right magnification for my uses. For rare longer shots, the 2x tele does a decent job ...... although crispness suffers a little, but then there's Photoshop. It is heavy. Good exercise for the arms! VR does nice job for hand-held shots, even with minimal lighting. For really low lighting, use a tripod and self-timer on the camera to steady the image and dampen out vibrations. ... show more
Reviewed in the United States on February 3, 2013 by Pete V

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