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Canon

Canon EF-S 10-22mm f/3.5-4.5 USM SLR Lens for EOS Digital SLRs

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Availability: In Stock.
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Arrives Monday, Apr 20
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Features

  • 10-22mm wide-angle zoom lens with f/3.5-4.5 maximum aperture for EOS digital SLR cameras
  • Superior AF performance and speed, with full-time manual focus with the turn of a ring
  • Close focusing to 9.5 inches; fills the frame with subjects as small as 3.6 x 5.4 inches
  • Circular aperture design produces natural highlights
  • 1-year warranty

Description

This exciting zoom lens provides ultra wide-angle coverage. Equivalent to a 16-35mm zoom, it offers excellent performance and optics designed from the ground-up for digital SLR use. Three Aspherical lens elements, plus a Super-UD element, assure image quality. Its ring-type USM means fast and silent AF along with full-time manual focus. It focuses as close as 9.5 inches. Compatible with EOS 7D Mark II, 7D, 80D, 77D, 70D, 60D, 60Da, 50D, 40D, 30D, 20D, 20Da, Rebel T6s, T7i, T6i, T5i, T4i, T3i, T2i, T1i, SL2, SL1, T7, T6, T5, T3, SXi, SX and all versions of EOS Digital Rebel only.

Brand: Canon


Focal Length Description: 10-22 lens


Lens Type: Wide Angle


Compatible Mountings: Canon EF


Camera Lens Description: Canon EF-S 10-22mm f/3.5-4.5 USM SLR Lens for EOS Digital SLRs


Focal Length Description: 10-22 lens


Lens: Wide Angle


Compatible Camera Mount: Canon EF


Maximum Focal Length: 22 Millimeters


Minimum Focal Length: 10 Millimeters


Lens Design: Zoom


Focus Type: Auto Focus


Lens Fixed Focal Length: 10 Millimeters


Lens Coating Description: Metal


Zoom Ratio: 2.21


Image stabilization: Digital


Real Angle Of View: 107.5 Degrees


Minimum Aperture: 4.5


Number of Diaphragm Blades: 6


Photo Filter Size: 77 Millimeters


Lens Mount: Canon EF


Brand: Canon


Camera Lens: Canon EF-S 10-22mm f/3.5-4.5 USM SLR Lens for EOS Digital SLRs


Model Name: 9518A002


UPC: 304609544713 013803043099


Global Trade Identification Number: 99


Built-In Media: EF-S 10-22mm f/3.5-4.5 USM Lens, Instruction Book, One Year Limited Warranty Card


Manufacturer: Canon Cameras US


Item Weight: 1 Pounds


Warranty Description: 1 year coverage for labor, 1 year coverage for parts


Exposure Control Type: Automatic, Manual


Color: Black


Media Type: ProductImage


Water Resistance Level: Not Water Resistant


Screen Size: 9.5 Inches


Compatible Devices: Canon Cameras, Canon Digital SLRs


Maximum Shutter Speed: 1/4000 seconds


Has Self-Timer: No


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Monday, Apr 20

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View our full returns policy here.

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Top Amazon Reviews

    • Impressive IQ for a wide zoom
The ultra wide zoom has been a mainstay of pros, especially photojournalists, since the early 1990s. Sweeping landscapes, operation in tight quarters and ease of hand holding are hallmarks of this range. The EF-s 10-22 3.5-4.5 USM is the first lens to bring this range to APS-C (1.6X crop) cameras like the 7D, 60D, 70D and Rebel. CONSTRUCTION: My initial impression was it's a little plasticy and zoom and focus rings are slightly coarse and stiff. After a year, it loosened up nicely but is still a notch below the smoothness of my EF-s 15-85 3.5-5.6 IS USM. However, it's light and petite: easy to slip in a coat pocket and ideal for travel or hiking. The metal mount and polycarbonate barrel make it durable yet lightweight. The front element moves slightly during operation so a UV filter is needed to seal the front from dust. AUTO FOCUS: Ring-type USM drives an internal lens group and, thus, AF blazes and is silent to human ears. The front element doesn't rotate during focus and zoom operations. It has FTM, allowing manual focus without switching out of AF mode. This AF design is optimized for stills and not ideal for video: the built-in mics on my 60D and 70D picked up a high pitched stutter from the motor and contrast focus is jerky during video recording. The workaround is to use an external mic and/or focus manually. If video is your main thing, buy the Canon EF-S 10-18mm f/4.5-5.6 IS STM instead as the STM drive is stepless and silent to the camera mic. OPTICAL PERFORMANCE: Basically, this lens features optical quality of an L series wide zoom in a prosumer barrel. Wide open, this zoom is sharp and contrasty in the middle of the frame with slight softening towards edges. The wide side is the sharpest with slight degradation as you zoom towards 22mm. Sharpness across the frame improves as you stop down. By F8 it is pin sharp from edge to edge. I'm going for increased depth of field for landscapes and cityscapes, so I leave this lens at F8 most of the time. I only shoot wide open for occasional low light snaps. Distortion is well corrected. There is a wee bit of barreling at the wide end and slight pincushion ate the long end. But less distortion than my EF-s 15-85 3.5-5.6 IS USM and a little better than the 17-40 4L USM. Like any wide angle optic, you need to compose carefully to avoid perspective distortion, e.g., noses appearing too large or buildings falling over. Chromatic aberration is a reality with zooms and this one is not exempt, with magenta fringing along high contrast edges. e.g., tree branches against a bright sky. However, it is mild and easy to remove in DPP, LR or Aperture. In normal light you will never notice magenta fringing. Flare is well controlled for a zoom: no problems with sunsets or streetlights. Nevertheless, a lens hood is recommended for protection and to shade the front element from glare. Speaking of hoods... HOOD NOT INCLUDED: The recommended EW-83E hood is bulky and (looks like a dish) and costs $32. Worse of all, it's so shallow it offers little protection. I have an EW-83H that came with an EF 24-105 4L IS USM. The bayonet mount is the same size as the EW-83E but the hood is longer and narrower, offering increased protection. I thought the longer length might vignette but, amazingly, it doesn't vignette at any focal length, has better protection from glare and less bulk than the EW-83E. If you're going to spend money on an expensive hood for the 10-22 3.5-4.5, get the EW-83H instead of the EW-83E. If you're on tight budget, check out the Vello EW-83H clone/knockoff. LAST BLURB: This zoom is a specially lens and a bit wide for casual use. After all, 10mm covers 107 degrees! Nevertheless, I reach for this lens to shoot cityscapes, landscapes or in tight quarters. It has ideal coverage for spacious cathedrals or mammoth train stations. If you need an ultra wide zoom on APS-C, this is among the best in terms of image quality: sharp, fast to focus and easy on the shoulder. ... show more
Reviewed in the United States on April 28, 2013 by P.K. Frary
    • A lens worth buying a digital slr for
I've been more or less addicted to wide angle photography for the last 20 years or thereabouts. Unfortunately, ultra wide angle shooters have been left out of reasonably accessible digital slr photography until very recently. Now there are several viable name brand options available, namely the Canon 10-22mm f3.5-4.5 reviewed here, the Nikon 12-24mm f4, and the Zuiko 7-14mm f4. Because of the 3 different crop factors involved, these lenses end up being pretty close in (35mm equivalent) effective range; 16-35 for the Canon, 18-36 for the Nikon, and 14-28 for the Olympus. Many will caution against purchasing these lenses since they cannot cover the full frame 24x36 format, and cannot even be mounted on a regular body. In the Olympus' case, it doesn't matter since the company has staked its fortunes on the smaller 4/3rds sensor format, and has opened it up to other manufacturers such as Fuji and Panasonic. With the Nikon and Canon, you are taking a leap of faith that the companies will continue to produce 1.5 and 1.6 crop factor sensors into the future so that you will be able to take your crop-only lenses to upgraded digital bodies down the line. To my mind, Olympus has already demonstrated the desirable technical characteristics of a smaller sensor format, so there is good reason to believe that smaller than full frame sensors are here to stay. By extending the glass beyond the mount and into the body, and/or covering a smaller circle, Canon and Nikon are providing those same technical benefits to users of their smaller sensor cameras, namely sharp, extra wide angle in a compact package. Besides which, I'm much more concerned with the photos I couldn't take if I stayed away from the product, than I am with its unknown future upgrade path. While the Olympus lens and 4/3rds system was intriguing, I felt that the 7-14mm wasn't worth more than double the price of the Canon for 2 extra mm at the wide end. It's also double the weight - making it impractical for use as an everyday lens, and negating the advantages of the E-1 body. So, I was pretty much down to the Canon or the Nikon (or the always available Waitsomemore). At this point, I should say I'm platform agnostic. In the 80's I happily used Minolta equipment. In the 90's I bought some Nikon gear to use their 15mm prime lens. Basically, if it suits my purposes, I don't care what the label is. Back to the lenses. The Nikon is more expensive and less wide, but it does have the continuous maximum apeture throughout the range. The Canon is wider, a tad lighter, and a tiny amount faster at the wide end. Both appear to be excellent choices, but I could not consider them independently of the cameras they would be mated to. Since I did not already own a digital body, it also came down to a decision between the Canon 20d & Nikon D70s. Here, the Canon wins for me on quality of sensor and a host of other details. In practice, the lens is a joy to use. It's sharp. The zoom allows it to be as wide as you need it, which is an improvement over my previous favorite Minolta 20mm 2.8, though it does lack the depth of field scales which the Minolta has. The zoom also allows for keeping the lens mounted without switching as often, and that's important for keeping out dust. It's a very solidly built, quality instrument. Focus is fast if you're into that sort of thing, and nearly silent with the ultrasonic motor. The lens does not extend in length for zooming or focusing, though the front elements do move slightly inside the barrel. Mated to the 20d it's a tool that exceeds my previous film cameras in just about every way imaginable. I'm finally free to make the ultrawide photos that I want to make in the digital domain and the initial results have been outstanding. If you're into ultrawide and want to go digital, the 20d with 10-22 is a fantastic setup. If you've already gone digital and want to try wide angle, (assuming your camera can use ef-s lenses) this is a true bargain - you get a 16mm, 20mm, 24mm, 28mm, and 35mm all rolled into one. It makes me positively giddy. Thank you, Canon! ... show more
Reviewed in the United States on September 2, 2005 by Todd Salerno

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