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Availability:
Only 1 left in stock, order soon!
Arrives
Sunday, Nov 8
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Size: Canon
Features
- A new generation of full frame lenses
- Silent DC motor with GMR senor
- One-touch focus clutch
Description
AT-X 16-28 F2.8 PRO FX
Brand: Kenko
Focal Length Description: 16-28 millimeters
Lens Type: Wide Angle
Compatible Mountings: Canon EF
Camera Lens Description: Tokina at-X Pro FX 16-28mm f/2.8 for Canon
Focal Length Description: 16-28 millimeters
Lens: Wide Angle
Compatible Camera Mount: Canon EF
Maximum Focal Length: 28 millimeters
Minimum Focal Length: 16 millimeters
Lens Design: Zoom
Focus Type: Auto Focus
Lens Fixed Focal Length: 28 millimeters
Lens Coating Description: zoom
Zoom Ratio: 1.751
Image stabilization: no image stabilization
Real Angle Of View: 107 arc_minute
Maximum Aperture: 2.8 f_stop
Minimum Aperture: 22
Compatible Camera Models: Canon cameras
Lens Mount: Canon EF
Brand: Kenko
Camera Lens: Tokina at-X Pro FX 16-28mm f/2.8 for Canon
Model Name: ATXAF168FXC
UPC: 840129100126
Number of Items: 1
Manufacturer Part Number: 634301
Global Trade Identification Number: 54
Unit Count: 1 Count
Item Weight: 1 kg
Manufacturer: Tokina
Model Number: AT-X16
Exposure Control Type: Automatic
Media Type: ProductImage
Viewfinder Type: Optical viewfinder
Water Resistance Level: Not Water Resistant
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Sunday, Nov 8
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View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
Size: Canon
This is a fantastic lens. All the reviews that gave positive remarks regarding this lens is all true. I use this lens on my Canon 5D3,, and 1D4 and it is very sharp. I also love the barrel distortion that is it can render because it gives a nice creative look to some of my shots as if I were using a fisheye lens. Landscape shots will blow you away with all the detail and clarity that this lens produce. I will not do a long review because the pro's and other have already covered a multitude of information regarding this lens. Just know for those who are curious this lens is designed for Full Frame cameras so you won't get the heavy vignetting in the corners, and yes you can use it on your cropped camera body as well. That's a wrap folks so if you are looking for an ultra wide lens here it is. Don't hesitate, I highly recommend this lens.
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Reviewed in the United States on February 5, 2016 by Marty Mar
Size: Canon
I bought this lens to replace my Canon 17-40 L, which was stolen on a trip. I didn't use the 17-40 that much, so I didn't want to invest another $700 or more for an ultra-wide lens. I tried out my friend's copy of his Tokina 16-28, and I thought it would be a great replacement lens. The cost was less than $500, and it will suit my needs when I need the 16mm end for a landscape shot. _______________________________________________________________________________________________________________________ Some things I love about this lens are: -Build Quality - it is built like an absolute tank. It is an all metal barrel, and it is heavy for its size. It is not a bad thing. I also shoot with Sigma ART lenses, and they are also extremely heavy lenses for their size. I would much rather have a solid metal barrel, than the composite plastic crap that some of the Canon L glass comes with. -Lens Hood - it is built onto the lens, and you cannot remove it. That is a good thing because this lens has a large bulbous front element, and you can easily damage it if you have to remember to constantly add the hood. -Aperture - I mean, for paying less than $500, and I get a 2.8 at the max end of the aperture, that is a great value to me! -AF/MF Switching - You can toggle manual and auto focusing via just pushing and pulling on the front of the lens. I personally love that. It keeps it simple, and it's faster than having to find the little toggle switch that is on most other lenses. -Image Quality - The images are superb. Wide open, it does show some softness in the corners, but it is sharp throughout the frame when you stop down to the F/8 - F/10 range. Distortion - It's an ultra-wide lens, so it will have some distortion, but it is easily correctable in Photoshop with one click. ________________________________________________________________________________________________________________________ Some things that I am not a huge fan of: -Lens 'Cap' - the cap is a hood that goes over the glass and hood assembly. It clicks on, but I can see how it will eventually wear out. When that does happen, I will get a rubber lens cover, or some sort of neoprene cover that stretches over the element. -Chromatic Aberration - This lens has it, and in some situations, has it a lot. Is it a deal breaker? No...My Canon 17-40 had it a lot as well. It is also easily fixed with one click in Photoshop or Lightroom. -Flaring - I am impressed by it's flare control for a less than $500 piece of glass. Sure, shooting directly into the sun will cause some flares to appear, but it isn't as much as you will think. There are also these weird looking rainbow flares that are around bright lights if you shoot into a night scene at the right (or wrong) angle. Some people find it distracting, but it doesn't bother me. In my attached photos, you will see it on the photo of the Hoover Dam at night with the light trails. Only one of the street lights has it around it. Other night shots, I haven't seen it. It's a very situational item. -Auto Focus Speed - I just put it in the dislike column only because it's slower than my Canon L glass, and Sigma ART line. But keep in mind, those lenses, even the Sigmas, are all priced at $900 - $2,000. I would say the focus speed for this lens is around 90% of my Canon and Sigma glass. For what I use this lens for, it's still more than acceptable. I only use it for still objects, and my Canon 6D is a beast at finding stuff to focus on, even in the middle of the night. I have put this lens through some paces, and it still always finds its focus. _________________________________________________________________________________________________________________________ If you are not making money on your photography, or shooting for a publication where the best image quality is needed, then this may be the lens for you. It has its issues, but I am very happy with it. I have also compared this one to the latest Canon 16-35 F/2.8, and I think it holds up pretty well, considering the price difference of over $1,200. Don't be afraid to buy a third party lens. Over the past two years, I have sold four Canon L lenses and replaced them with Sigma, Tamron, and Tokina glass. I am a semi-pro shooter, who occasionally makes money with my photos. I still want the best glass for my needs, which is why the lenses I shoot with the most are still the best lenses in their class. But I won't hesitate to recommend this lens to anyone wanting to save some money, but still get incredible image quality.
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Reviewed in the United States on February 10, 2017 by Timothy LaBranche
Size: Canon
There are a lot of positive reviews on this lens so I won't elaborate here other than state I purchased the Canon 16 - 35 2.8 L lens initially but was disappointed with the distortion and edge resolution. At the price, the Canon should be much better than what it is. I took a chance with this Tokina based on the many positive reviews and validated that all those great reviews are true! Yes, the lens is heavy but so much better than the Canon optically. Mechanically the lens feels well made although I understand it isn't weather sealed as with the Canon. Factoring-in the price, this is a great value. My sample has excellent resolution wide-open with hardly any distortion. The lens cap has been improved and is now a pinch-type thick plastic cover that encloses the len's integrated lens hood. I use this with my Canon 5d MKII and also have a 24-105 L Lens.
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Reviewed in the United States on April 26, 2012 by AL
Size: Canon
I received this lens March 25th and had to send it back March 27th. Let me start off by saying the photos I did get looked excellent. Great color and contrast, pin sharp focus. I only got a couple dozen photos before it malfunctioned. The second photo I took with it produced an error message on my Canon 6D Mk II. I turned the camera off then on and the error cleared. It worked well until the next day when I got the error message again. This time I had to pull the battery out to clear the error. The next day it became completely unusable; I got nothing but error messages every time. Amazon approved the return quickly and I ordered another one. I'm hoping this one will be a keeper, as I really like this lens. I will update this review upon receipt of the new lens and further testing.
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Reviewed in the United States on March 27, 2020 by Mark A. Mascilli
Size: Canon
Even though it has an excellent optical quality, it's very heavy, the AF is NOT silent at all, and you can't get a filter on it due to it's rounded lens shape. I had it for a day and it stopped working, said there was an error when trying to connect with the camera, had to request my money back.
Reviewed in the United States on May 28, 2015 by Alejandro Barboza
Size: Canon
Ok. let me first start off by saying I dont hate this lens. Its a very sharp lens when shooting during the day. In fact I LOVED this lens when i used it during daylight hours. However after the sun goes down, this lens gets downright UGLY. Let me start with the daylight hours. when it was daytime, this lens is sharp and i mean sharp. the corners are slightly soft all the way open but its not like its really noticable unless youre peeping. hell most of the time the details in the corners dont even matter since its not directly related to your subject. but i digress. the auto focus when i first got it (will talk about this again later) wasnt the fastest but it wasnt a snails pace either. it was adequate. i never found myself saying why is this taking so long but it was noticably slower then most of my other lenses. if this lense performed like it does here, it would have been a 5 star. even with sun in the shot i didnt have a bad problem with flares or anything. that is till i used it a twilight and later. night shooting with this lens is utterly terrible. first off, autofocus wont focus at all. so youre going full manual focus. honestly that didnt bother me to much because i mostly use manual focus. i just like to test my cameras limits the first few times i use it to know what it can do. however the real main reason this lens sucks at night is the flare. oh my god the flare. any light around you thats brighter than xmas lights will cause flares, ghosts and or rainbows. its the first time ive gone out shooting at night and did not have 1 usable image. the last problem i had is that after a month, the auto focus just went screwy on me. when it would try to focus, it would focus and be nowhere in focus. not even close to it. it wasnt like that when i got it but went that way over the course of a few weeks. in all honesty, if the focus didnt go, id have probably kept the lens and use it only during the day. but i would never have used it at night. if you need this lens just for the day, go for it, it wont dissapoint (unless the autofocus goes) however if you need this for nights, go elsewhere. ive included some unprocessed night shots to see what i mean.
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Reviewed in the United States on June 4, 2017 by Anthony Howard
Size: Canon
This lens is simply fantastic for an ultra wide angle! i just love how low distortion the image is on the widest point Also it is really sharp. The edges may be a bit softened but that can be fixed by lowering the aperture. The only concern i have while shooting with it is considering the stretch on the edges. Things just look weird and unrealistic but it is also found in every ultra wide angle because thats the nature of the design i believe. @16mm - unnoticable distortion but there is some annoying edge stretch @20mm - looking perfect, i cant say anything bad about this! no distortion and low stretch on the edge @24mm - i prefer to shoot with this lens instead of my tamron 24-70 2.8vc! it is simply looking more natural :) @28mm - the perspective is kinda different but still wide and have no problems i usually find my self shooting at 16mm or 28mm because its either i want to go wider and wider or sometimes i feel the picture is not good with wide angle and 28mm is kind of natural looking. For landscape photography, it is like a dream! i love the wide perspective in landscapes!
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Reviewed in the United States on May 9, 2014 by Mohammad A.
Size: Canon
I have owned this lens for two years now and it is my least used and least liked lens! The lens flare is horrible! This lens cannot be used at night if any illuminated overhead lights are within the range of the lens. The lens hood cannot be removed, ruling out the use of a Cokin ND filter system and you cannot install screw on lens filters, ruling out the use of a variable ND filter. This was an expensive lens that cannot be used in sunlight and or with illuminated overhead lights! Update: Recently I purchased a dual threaded 95mm Desmond metal tele lens hood ($12.00). I cut the ends with the threads off, removed the center portion and soldered the two threaded ends back together. Next, I attached four small velcro pieces ($1.00) to the exterior of the lens hood attached to the Tokina lens. Next, I slipped the cut down dual threaded Desomond lens hood over the lens hood attached to the Tokina lens, PERFECT FIT no light leakage issues! Next, I purchased a Fotodiox pro 95mm threaded adaptor ring ($20.00). I screwed the Fotodiox adaptor ring into the Desmond hood. The other end of the Desmond hood is a 100mm filter holder. Next, I purchased a Lee basic filter holder foundation kit ($88.00 / no tax / no shipping costs) from another online vendor. Next, I soldered the 100mm filter holder portion of the Fotodiox to the back of the Lee basic filter holder foundation kit. Finally, I purchased a Lee 105mm lens adaptor ring ($64.00) and installed it to the front of the Lee basic filter holder foundation kit. So, for $185.00, I now have have a no light leakage lens hood/Lee 4x4 filter system on my Tokina lens. This set-up has solved all my problems with the Tokina lens. I currently am using this set-up with my Lee Big Stopper 4x4, Singh Ray Reverse GND 4x6, Lee GND 4x5 and my Sigma 105mm polarizer. I am now able to take photos of sunrises, sunsets, the "sun" and I can take pictures all day and night without anymore lens flare. As a bonus I can now use a polarizer on the lens as well. Now, my least used and least liked lens has become one of my most used and most liked lens that produces stunning photos that are "tack" sharp!
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Reviewed in the United States on January 25, 2014 by Daniel