TC-Helicon GoXLR Revolutionary Online Broadcaster Platform with 4-Channel Mixer, Motorized Faders, Sound Board and Vocal Effects, Officially Supported on Windows | TC-Helicon GO XLR Desk Stand
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Style: GoXLR + GoXLR Stand
Features
- Multi-channel mixer with motorized faders to control mic, game, music, chat, and more for the perfect Broadcast mix. Solid metal desk stand conveniently tilts GoXLR to suit placement needs.
- Studio quality MIDAS preamp to make XLR mic sound great with 48V phantom power, equalizer, compressor, limiter, de-esser, and Gate. Rubberized pads protect back and edges of GoXLR.
- Sampler to record samples on-the-fly or load audio files to engage community. Includes inline power switch adapter for easier power management.
- Voice FX to add reverb, echo, pitch shift and more to voice in real time.
- Windows app for advanced audio parameters, sample import, and voice FX preset library. App required for GoXLR functionality.
Description
TC-Helicon GO XLR Broadcast Production Studio Mixer GoXLR is an all-in-one audio solution for streamers and online broadcasters. What would take dozens of pieces of hardware and software can now be achieved by one sleek and intuitive package. Mix your audio in real time, change your voice, playback samples on-the-fly, and engage your audience like never before. TC-Helicon GO XLR Desk Stand GoXLR finds itself in such a wide variety of locations and setups that it would be impossible to fit every situation perfectly. So, we created the GoXLR Desk stand to assist you in getting the optimal viewing and operating angle for your specific needs. Made with all-metal construction, The stand will hold up to anything you can throw at it but don’t throw stuff at it. It has feelings too.
Brand: TC Helicon
Number of Channels: 4
Item Weight: 1.5 Pounds
Connectivity Technology: USB
Power Source: Corded Electric
Item Weight: 1.5 pounds
Date First Available: October 20, 2022
Top Material: Metal
Material Type: Metal
Power Source: Corded Electric
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Top Amazon Reviews
Style: GoXLR
I've been using this mixer for about a week now. There's a lot of good things (and a few oddities) I'd like to go over. Let's go over it all! [Note: I use a one-PC setup to broadcast all sorts of different things and it works just fine for that configuration. It doesn't seem overly complicated to use this for a 2-PC setup, but I don't have any direct input on that.] AMPLIFICATION: My primary concern when buying this was "Can this make my microphone audible? Will there be any noise?" I use a Rode Procaster, a very quiet dynamic mic that requires some help to be audible. In the past, cheaper mixers have let me down. I'm happy to report that this wasn't an issue at all with the GoXLR; I come in loud and clear with some room to spare. I don't hear any noise unless I really crank it all the way up. My former setup was an affordable preamp/mixer combo and I did have some noise issues then. Both of those are in the closet now. MIXER/FADERS: The mixer side of the GoXLR, without a complicated mess of cables, lets you independently fade music, game, system, mic and other channels. That's a new function for me. I've have had to use virtual audio cables in the past, because trying to physically separate those channels in the manner I required was not realistic on a physical mixer. This mixer simplified the routing and gave me a higher level of control over all of these volume levels. The mute buttons can be configured to do special things too rather than just globally mute; You can set it to only mute your mic in discord, or on stream. There's only the 4 faders on the GoXLR, so If you need more than 4, you'll have to work around the limitation. There have been a few hiccups too. For example, one reboot didn't open the software correctly and my system channel was muted until I reopened the software. VOICE EFFECTS: The effects are the largest section on the mixer, so they're obviously a huge selling point. I feel like this is where my priorities shifted a bit. Most of the effects on the GoXLR are things I've seen and used before. I like voice effects alright, but I won't be adjusting them on the fly ever, and that's the purpose of most of these knobs. I'm just going to design 6 presets, maybe adjust the reverb sometimes and go. You have more fine-tuned control in the software which you then save to a preset button anyway, so having knobs for things like Gender and Pitch feels like a wasted opportunity for other controls. There are some basic things missing on the device and it aggravates me a bit that the focus was placed here instead (Headphone volume has to be on a fader too? Mic playback volume knob?? Power switch???) The effects controls that I've seen often on other mixers seem like a more effective way to save on space, though a bit clunkier... (Choose a number for the effect, set the power of the effect and turn it on.) SAMPLER CREATOR/PLAYER: The sampler, on the other hand, is incredible. It works like a charm. I can record myself or my discord friends on the fly and that's something unique and powerfully fun. I actually wish this section were larger than it is because it is the most special and interesting part of the product for me! 12 Samples runs out real fast when you have lots of sound clips and new recordings being made! The software lets you randomize sound effects on buttons and create playlists of a sort. I love the features, and will probably design multiple profiles to help organize my sound bank. CUSTOMIZATION: The lighting is great. You don't have a ton of colors on it, but you can easily make a rainbow like in my attached image. Lots of interesting settings you can do to the fader volume bars and effects knobs. You can have gradients for volume or solid, lights above and below the level can all be colored on everything. The fader can be set to a monitor or just a solid bar on each source. You can also set the icons and text above each fader, and color those too! For added flare worth mentioning, the mechanized faders roll up and down when you hit mute or switch profiles. They sync up with the software and one will control the other. It's a real neat visual. PROS: +The built-in Pre-amp, compressor, de-esser, and equalization options are solid. This stuff alone makes the device worth around the price to me honestly, being that its all-in-one. I feel like this should be your biggest concern with an audio device, and everything else is fluff... The hardware is good and will do the job you need it to do! You probably won't need your old pre-amp any more. +Hoo boy, that sampler!!! +Has the means to solve digital mixing problems, which is often a complicated task to solve. +Effects are fairly configurable and come with enough presets to satisfy most people. +The mute buttons are configurable and easily accessible. +Nice, large cough button that does the job well. The BLEEP button is fun, though I try not to over-use it myself! +Configurable lightshow. Very attractive to look at. Easy to set up and profile the color schemes. The customization really makes it feel like a modern device. +Everything feels nice. I like the feel of the buttons and the faders. +In general, it's very easy to see what's on and off, and you can configure it to be even easier if you're concerned about that. You can set the on/off lights to anything you want, dimmed or off. +Size. It's not tiny, but it is almost half the size of my old mixer and I'm real happy about that. I'm also happy that I use just about everything on the mixer, for a change. CONS: -You only have one port for a mic. If you want a second mic, you're going to need... another mixer to plug into this mixer. -Only 4 faders. The software lets you control the volume of many more than 4 devices. You'll have to pick and choose what's important for you to fade and set the rest in software. -No headphone volume control knob means you'll either control your headphone volume elsewhere, or set it to a fader. Seems like an odd thing to skip out on. -No volume control for mic playback at all, even in the software. Again, this seems an odd thing to skip out on. There IS a way to shut off the mic playback in the software. -No power button anywhere? I enjoy the lights when I'm awake, but not when it's bedtime! So I find myself unplugging the device when I'm done for the day. But I make sure my computer is off too before I do that, or it causes hiccups. I hear they are implementing a sleep mode of some kind in the future, but it isn't here at the time of this review. -Because so much of the functionality is software-driven, it's likely to cause headaches down the road. As I said earlier, I've already encountered times where my system volume just isn't on at all, and I had to mess with rebooting the software to fix it. Ultimately, what we have here is a great mixer that will consolidate all your devices into one. The mixers I've had before have been enormous 12-channel beasts with me only using 10% of the board, for less control than this device provides... I use nearly everything on here, and I come out sounding great. I gotta give it an ace rating for that, even if I do think they could improve on it. I do think it is missing a few minor things, and I'm working around those. For example, I'm using my keyboard's volume control to control my headphone volume. I'm really happy that I stumbled upon this product, because there really isn't anything out there like it, and for this price.
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Reviewed in the United States 🇺🇸 on February 10, 2019 by Josh Josh
Style: GoXLR Mini
After a year of experience, I have edited my review to share my observations, and why I still would justify buying the GO XLR mini over the other options I tried (like Blue Yeti X with Logitech G-Hub or Voicemeeter or M-Audio or MOTU M2). -The preamp is loud and has a superior tone compared to other preamps I have used. I don’t have a great voice, and this makes me sound good on any mic, which says a lot. It’s full, warm, and balanced and retains a lot of coloration and character in my recordings. The noise is not loud at all. I've had quieter self noise on the MOTU M2, but it makes my voice sound a tad muffled. I find the GOXLR Midas preamps have the best balance and sound quality. -EQ, compressor, noise gate, and mix: The EQ, compressor, and noise gate is just minimum customization for pre-processing. It allows for just enough, but it felt limited. In a sense, it’s better that way because if I just customize minimally, I can avoid over-processing and sounding unnatural. It also means that it’s a little easy to over-process if settings are too high. -EQ works great. I found that my settings with different mics are fairly consistent with my surroundings and my voice. Was able to tame some of the annoying clicks, sibilance, room reverb, boom/rumble a tad while retaining the high/mids/lows I need. The GOXLR mini only has 6 frequencies to EQ, so it does feel a tad limited, but at least can do the minimum I require. The normal GOXLR has more options (but bigger and more expensive). -The compressor is so strong it’s too easy to screw it up. I had my attack too low and release too high with not enough make-up gain for the longest time that sometimes it produced a pumping noise. I found out that the attack and release has to be closer to the lower middle end, with a tad higher make-up gain for best results. For low compression, I found 2.5:1 works quite naturally. For higher compression, 4:1 works best overall. Just real sweet without distracting booms. -The noise gate settings are strong, but if slightly adjusted, works great without sounding distracting or taking away from my voice. It’s so strong in fact that I leave it in the minimum settings and it does a great job. Any higher will ruin the quality. -Mixing: Sometimes I have music streaming from my phone in the background. It’s cool to adjust once in awhile for effect. Usually keep it at 35%. -Live monitoring/Playback: The preamp hiss is so loud, I had to buy a 3.5mm filter to get more accurate live monitoring/playback. And it can get LOUD. If not careful, the live monitoring can get so loud it can create an echo or feedback on the mic, or worse yet, hurt my ears. Gotta keep it turned down. Gotta have the filter to cut down the hissing noise. Just to be clear, the hiss is not recorded. -Interface/Menu/Sliders: The software menu isn’t too confusing. It can be used to customize LED settings or save other mic profiles. Using the sliders is fairly straightforward. I find the soft buttons of the mute and bleep to be pleasing to the touch. The Go XLR menu interface is great because it’s not a resource hog, but rather a control center with minimum resource drain because the actual processing is done onboard the Go XLR mini itself, which also makes for smoother output. -Build: It feels sturdy but like all interfaces, it’s a bit clunky and can be awkward to place on a desk. The GOXLR mini is just slightly bigger than the other 2 audio interfaces I used. For $200, the GOXLR is a better deal than all other audio interface and processor combos. High quality audio and pre-processing all in one package. The ONLY issue some people may have with it that I can think of, is that there is only 1 mic XLR input. If you want to podcast with multiple people on one device, this would be a hard no. For my usage scenario: 10/10 - I do not need any other device.
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Reviewed in the United States 🇺🇸 on July 14, 2021 by BK
Style: GoXLR Stand
The TC-Helicon GO XLR Desk Stand is a fantastic addition to any streaming or podcasting setup. However, the price point may be a bit steep for those on a budget. While the quality is impressive, it may not be worth the investment for those who don't require such a stand.
Reviewed in the United States 🇺🇸 on April 8, 2023 by Daryl Pacific