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Tamron SP 17-50mm F/2.8 XR Di-II VC LD Aspherical for Nikon APS-C Digital SLR Cameras (6 Year Tamron Limited USA Warranty)

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Availability: Only 1 left in stock, order soon!
Fulfilled by Michigan Camera

Arrives Sunday, Sep 7
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Style: Nikon


Features

  • Compact Fast Zoom with VC (Vibration Compensation).
  • Fast Constant F/2.8 Aperture.
  • For use on APS-C size DSLR cameras.
  • 11.4-Inch minimum focusing distance / 1: 4.8 Maximum magnification ratio.
  • Internal Focusing.

Description

From the Manufacturer A masterpiece of innovative optical design, this compact, lightweight, high performance standard zoom (26-78mm equivalent) delivers a fast F/2.8 aperture over its entire focal-length range for maximum creative flexibility. To maintain critical sharpness when shooting handheld it includes VC (Vibration Compensation), Tamron’s state-of-the-art, tri-axial image stabilization system. Three compound aspheric elements, special LD glass, and BBAR coatings ensure superb correction, color fidelity, and freedom from flare. A minimum focus distance of 0.29m (11.4 inches ) offers exciting close-up opportunities. Compact & lightweight the AF 17-50mm is ideal for shooting on-the-go SP AF17-50mm F/2.8 XR Di II VC Highlights Di II Lenses are designed for exclusive use on digital cameras with smaller-size imagers and inherit all of the benefits of our Di products. These lenses are not designed for conventional cameras and digital cameras with image sensors larger than 24mm x 16mm. Vibration Compensation (VC) Handheld camera shake is the leading cause of blurry and unsharp pictures. Several leading companies now make lenses with built-in optical image-stabilization systems that sense the amplitude and direction of the shake and compensate by moving optical groups within the lens. Tamron’s exclusive new Vibration Compensation (VC) system that’s built into the Tamron AF28-300mm F/3.5-6.3 XR Di VC LD Aspherical (IF) Macro and the Tamron AF18-270mm F/3.5-6.3 Di-II VC LD Aspherical (IF) Macro lenses performs a similar function, but it executes it much more effectively due to its innovative breakthrough design VC delivers blur free - handheld images for incredible results VC mechanism employs a three-coil system Lens element compensates for vibration using 3-steel balls (making movement quiet & smooth) Exceptional images at slower shutter speeds – reduces the need for a tripod Bring out contrast to motion & stillness Eliminate the need to shoot with a Flash VC Off - VC On Aspherical Elements (ASL) Provide the Ultimate in Image Quality and Compactness) Tamron uses several hybrid aspherical lens elements in many lenses bearing the Aspherical designation. These innovative optics allow us to achieve the ultimate in image quality, and at the same time produce lenses that offer remarkable zoom ranges in extraordinarily compact packages. By perfecting theses cutting-edge advances for series production, Tamron has advanced the state of optical design, and virtually eliminated spherical aberration and image distortion from the high-power-zoom series.Through the effective application of Hybrid Aspherical Technology, one lens elemen tcan take the place of multiple elements without compromising performance. This is what allows us to produce remarkably compact long-range lenses that deliver a uniformly high level of image quality at all focal lengths and apertures. Achieve the ultimate in image quality with Asperical (ASL) lenses Extra Refractive Index Glass (XR) Extra Refractive Index (XR) glass can bend light rays at steeper angles, thereby decreasing the physical length of the lens while enhancing imaging performance by minimizing optical aberrations. This has allowed Tamron to develop a line of shorter, smaller- diameter, lighter lenses without sacrificing lens speed, and actually upgrading image quality compared to older designs. XR glass is costlier than conventional glass but it yields enhanced optical power distribution, making possible many of the outstanding and innovative lens designs that bear the XR designation. XR glass, with its superior light-bending power, makes it possible to design a short-barrel lens with the same light-gathering ability (aperture value) as a long-barrel lens—even with a smaller lens diameter. By using this principle Tamron has been able to shorten the length of the entire optical system and produce lighter, more compact lenses of the same speed, and also to provide greater zoom ranges in lenses that are much more convenient to carry by hand. Special glass for better performance and more compact lens designs Super Performance (SP) for Discriminating Shooters Tamron SP (Super Performance) series is a line of ultra-high-performance lenses designed and manufactured to the exacting specifications demanded by professionals and others who require the highest possible image quality. In creating SP lenses Tamron’s optical designers put their foremost priority on achieving superior performance parameters—they are all designed to a higher standard with little regard for cost constraints. As a result, Tamron lenses bearing the SP designation feature impressive and innovative designs that have established an enviable reputation for excellence among those knowledgeable photographers that demand the very best. Low Dispersion (LD) Low dispersion (LD) glass elements in a lens help reduce chromatic aberration; the tendency of light of different colors to come to different points of focus at the image plane. Chromatic aberration reduces the sharpness of an image, but glass with an extremely lowdispersion index, has less of a tendency to separate (defract) a ray of light into a rainbow of colors. This characteristic allows the lens designer to effectively compensate for chromatic aberration at the center of the field (on axis), a particular problem at long focal lengths (the telephoto end of the zoom range), and for lateral chromatic aberration (towards the edges of the field) that often occurs at short focal lengths (the wide-angle end of the zoom range.) Low Dispersion (LD) Glass for Greater Lens Sharpness Internal Focus (IF) Internal focusing (IF) provides numerous practical benefits to photographers including a non-rotating front filter ring that facilitates the positioning of polarizing and graduated filters, and more predictable handling because the lens length does not change during focusing. Even more important, Tamron’s Internal Focusing (IF) system provides a much closer minimum focusing distance (MFD) throughout its entire focusing range. In addition, IF improves optical performance by minimizing illumination loss at the corners of the image field, and helps to suppress other aberrations that become more troublesome at different focusing positions Zoom Lock (ZL) Another original Tamron mechanical engineering concept is the Zoom Lock (ZL), a simple convenience feature that prevents undesired extension of the lens barrel when carrying the camera/lens unit on a neck strap..

Brand: Tamron


Focal Length Description: 17-50 mm


Lens Type: Telephoto


Compatible Mountings: Nikon F


Camera Lens Description: Tamron SP 17-50mm F/2.8 XR Di-II VC LD Aspherical for Nikon APS-C Digital SLR Cameras (6 Year Tamron Limited USA Warranty) See more


Product Dimensions: 3.74 x 3.15 x 3.15 inches


Item Weight: 1.26 pounds


Manufacturer: Tamron


Item model number: AFB005NII-700


Is Discontinued By Manufacturer: No


Date First Available: September 1, 2009


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Sunday, Sep 7

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews


  • From Amazon Warehouse Deals
Style: Nikon
Got this puppy from Amazon Warehouse Deals, listed as "Used - Very Good"....and have to say the lens is good, but needed a good cleaning before going on the camera, the front element, the barrel, the lens hood and pretty much every part of the lens was covered in dust, luckily enough the rear element was the only thing not coated. A little disappointed that a company like Amazon does not check what is being retuned to them before putting it up for sale. Also the item was listed for a $100 rebate but the barcodes from the top and bottom of the box were cut off, another disappointment. But enough reviewing the poor quality control of Amazon "open boxes" and on to the lens itself. Tell you the truth I was a bit worried when I saw the condition in which arrived, dirty, poorly packed inside the original box with the front cap and hood that fell off as I removed it from the inner cardboard cradle....and also the packaging used for shipping was a bit worrisome, only one piece of foam to protect it, not exactly reassuring. But I am digressing again. So after a thorough cleaning session I mounted the Tamron 17-50 onto the D90 and cross the fingers.....everything worked as it should, no problem or resistance on the zoom, the focusing ring is smooth (but could be a bit better) and the VC works. The focusing speed is not as bad as some people tend to make it look like, focus fast and accurate albeit making a wee bit more noise than some other lenses I own, the VC is noisy but nothing outrageous that will get you kicked out from any kind of event shooting, and like others have said there is a slight jump in the viewfinder when the VC kicks in but agin is nothing to be worried about, it won't take more than a few shot to stop noticing it. As far as image quality goes this lens is sharp, I mean really sharp even wide open at 2.8, the VC does a great deal of a job in term of F-stop gained, more so than the Nikon 18-105 that came with the Nikon D90 (I know, is a kit lens, but is the only one I have with VC), and does not affect the sharpness. Took a few shots outside and the color rendition is pretty accurate and well balanced as far as contrast and saturation goes. For the indoor test I used only available light to see how the VC performed and "paparazzoed" my cat...which he wasn't to thrill about....and the result was a bit short of spectacular, the lens managed to capture the detail in the eyes second only to the NIkon 105 micro, and that means a lot for a zoom lens. I was able to pull a 250% crop of just the two eyes and there was only a marginal loss of resolution, no detail lost and a slight hint of pixelation in the out of focus area, but in all was a more than usable picture. The VC allowed me to successfully shoot at 1/6 2.8 ISO 400 indoor (your mileage may vary based on how many coffee you drink a day) which is pretty darn good with only available light. Build quality is standard for Tamron, good plastic, not too heavy but still gives you a good impression of a solidly built lens, sure is not all metal like the gold ring Nikon, but the price do reflect that, can't have it both. It has a metal mont but no ass gasket, so it could susceptible of dust sneaking in at the mount. Overall this is a great lens for the money, got it open box for $426 which i a couple hundred bucks off the normal price, compared to the NIkon counterpart which comes at $1356 (the 17-55) and has got no Vc that is a bargain if you ask me. Ideal for the amateur, hobbyist and the pro on a budget. ... show more
Reviewed in the United States on September 25, 2010 by Niter

  • Good quality for a good price
Style: Nikon
Love this lens. Very happy with the quality. Thank you so much. Can't wait to test it out more.
Reviewed in the United States on May 23, 2025 by Jessica Lubecki

  • TOO LOUD!
Style: Nikon
I bought this because i have a wedding next month that i really need faster lens for shooting. As soon as i pulled it out of the box and mounted it on my camera I was concerned. THIS THING IS VERY LOUD!!!! I had also purchased a nikon micro 40mm, and that wasn't that loud. I tested several other lenses that i have to see if it was my camera that was causing the sound. Nope. The motor in this lens is extremely loud. So it goes back. I've already put in an order for the sigma version of this lens, which although more expensive, will not have me making a scene at the wedding i will be shooting at. I seriously can't believe how loud this thing is. The lock on the lens is a great idea, i wish other companies used that idea, but when i am shooting pictures, i don't want to be out there disturbing my subject, i want to be photographing it. when my cat glares at me across the room because of it that's enough. This takes AMAZING photos. Very sharp and clear. I'm very impressed by that. If it hadn't been so loud, i would have kept it. The noise is what killed this review. I wanted to love it. I really really did. I sat here a bit thinking if i could, would i keep it and learn to deal, or should i send it back. I put it back on my camera again, after listening to my other lenses on here, and i can't justify the amount of embarrassment this thing would cause me with it's sounds. the sounds make me think the motor in this would go faster than i want it to. Sorry, Tamron. I wanted to love your products, but Sigma is quieter. ... show more
Reviewed in the United States on April 23, 2014 by LeeLee A

  • A very good lens with some shortcomings that you may be able to live with.
Style: Nikon
The title of my review pretty much sums it up. The two major features of this lens are its constant aperture of f2.8 at all focal lengths, and the new VC (anti-shake) feature. The previous version of this lens was superb, but lacked stabilization, so the VC is a welcome feature. Design/Build It's a very well built lens with a metal mount. Its not pro-quality, but definitely better than any kit lens I've owned. I'd give it a solid 4 out of 5 stars for build quality and design. It's quite a bit thicker than the previous version, but not much heavier. It looks huge on my D80, but its not too heavy so it works well and balances perfect on a D300. VC The vibration compensation works very well. It works just as effective as any Nikon VR lens I've owned. No complaints on the effectiveness of the VC system. Some people reported it as loud when the VC motor kicks in, but I found it to be acceptable. Not as quiet as the Nikon VR2 system, but definitely not "loud" either. Others have reported that the VC doesnt kick in as fast as Nikon VR2, and its true (very very slightly) but again, not a problem. You'll be taking your time to take a picture whenever your using VC anyhow, so it really doesn't affect real-world performance. Optical Quality The lens is very good. It's not quite as good as the previous version wide open at f2.8, but the previous version was so good that you can lose a bit of sharpness and still get fantastic results. With that said, wide open at f2.8 I find it very good for my type of pictures, which are generally of people. If you're into photographing brick walls or textbooks, you may be disappointed. If you're concerned more with getting great pictures, you will be pleased. From f4 on, there isn't much to complain about except the outer most part of the picture. You have to be at f5.6 or f8 to get good sharpness throughout the frame including the corners. If you need sharpness in corners as well as the center, like when photographing architecture or landscapes, you'll typically be at smaller apertures anyhow, so it may not be an issue for some. Distortion is definitely there at 17mm, but not any more than most other zoom lenses and you'll notice only on certain subject. Focus Speed/Accuracy This is likely where most people will find the lens a bit disappointing. I find the focus speed to be quite good. Better than the previous version. It doesn't hunt as much. The noise is about the same, not intrusive but definitely noticeable (to the photographer). The focus accuracy is what I would like to see improved the most. I've gotten occasional unsharp photos and what I realized is that if i take 2 or 3 frames of the same shot, one may come out sharper than the other. Many people will mistake this inconsistent focus for the lens being soft, especially wide open. It's not that bad and its only occasional, but it does happen more often than with my Nikons, which almost never mis-focus. You have the option to send it in to Tamron and they can calibrate and possibly improve it (which I'm going to do), but many people may not want to go through that. The reason I'm willing to do that is because I know this lens can be spectacular with just a bit of improvement. You can't get an f2.8 zoom from Nikon for less than $1200. Sample Variation (a.k.a "bad copy) There is a chance you could receive a "bad copy". Tamrons and 3rd party lenses in general are infamously known (online forums) to be hit or miss. It's a chance many people may not want to take but they do carry a 6 year warranty and customer service is very good about "calibrating" the lens if you think yours front or back focuses. Again, not everyone will want to deal with that, but I have to tell you that its a small inconvenience when you compare it to the years of great pictures you'll make. If you're really into photography, I think you can live through it. Summary For those who know the benefit of a constant f2.8 lens, you know how valuable that is. Sure you can get slightly better picture quality from other, more expensive lenses, but the attraction here is constant f2.8 at this price point. It's relatively cheap when compared to Nikon offerings. Also, most of us dont view pictures at 100% magnification, which is the only way to see the lens' shortcomings. You may never see the flaws in a 4x6 or 8x10 print. Most casual to enthusiast level photographers will never know the difference between this and a pro equivalent. I also own the nikon 16-85 VR lens (not a pro lens but exceptionally good) and I would say it favors very well against it. Although, the Nikon is a bit better at any setting, you cant get the shallow depth of field and creamy background blur with the Nikon that you can with the f2.8 Tamron. Also, once you stop down the Tamron to f5.6 or f8, the difference between the two is hardly noticeable. For me it's not all about sharpness, especially when photographing people. You don't want to highlight wrinkles and skin imperfections so I typically soften them up anyhow. Plus, when I want really sharp photos it's also up to the challenge. I've taken some exceptional images with this lens and that is the bottom line. There are trade-offs and you need to know your type of photography to know what lens will suit you best. With Amazon's awesome return policy, you've got nothing to lose. Pixel-peepers and lens-snobs need not apply. ... show more
Reviewed in the United States on February 16, 2010 by Alex Navarro

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