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Sony Cyber-shot DSC-HX300/BC 20.4 MP Digital Camera with 50x Optical Zoom and 3-Inch Xtra Fine LCD (Black)

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Condition: Used - Good
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Arrives Jul 27 – Jul 28
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Features

  • Capture breathtaking images
  • Image stabilization reduces blur
  • Black

Description

Capture landscapes with one touch using Sweep Panorama, get that perfect portrait with Smile Shutter, snap wider scenes Input Output Terminals: Hi-Speed USB (USB 2.0), Micro HDMI, Multi USB From the Manufacturer A+ DSCHX300B <!-- .body2 { font: 100%/1.4 Arial, Helvetica, sans-serif; font-size: 12px; background: 42413C; margin: 0; padding: 0; color: 000; background-color: FFFFFF; } / ~~ this fixed width container surrounds all other elements ~~ / .container2 { width: 960px; margin: 0 auto; / the auto value on the sides, coupled with the width, centers the layout / } / ~~ This is the layout information. ~~ 1) Padding is only placed on the top and/or bottom of the div. The elements within this div have padding on their sides. This saves you from any "box model math". Keep in mind, if you add any side padding or border to the div itself, it will be added to the width you define to create the total width. You may also choose to remove the padding on the element in the div and place a second div within it with no width and the padding necessary for your design. / .content2 { padding: 10px 0; } / ~~ miscellaneous float/clear classes ~~ / .fltrt { / this class can be used to float an element right in your page. The floated element must precede the element it should be next to on the page. / float: right; margin-left: 0px; } .fltlft { / this class can be used to float an element left in your page. The floated element must precede the element it should be next to on the page. / float: left; margin-right: 0px; } .clearfloat { / this class can be placed on a <br /> or empty div as the final element following the last floated div (within the container) if the overflow:hidden on the .container is removed / clear:both; height:0; font-size: 1px; line-height: 0px; } --> See details you never knew existed with an astoundingly clear 50x zoom, making close-ups more interesting. Imagine tight shots of the lead singer in concert, or the expression on your favorite athlete’s face at the game. Best of all, the action stays clear and stable even when you’re fully zoomed. 50x optical zoom plus 100x Clear Image Digital Zoom Optical SteadyShot® image stabilization with 3-way active mode³ 20.4MP images and high speed AF even in low-light Technology Super 50x zoom Zoom in incredibly close for awesome sports, travel, and wildlife photos. The HX300 boasts 50x optical zoom plus 100x Clear Image Digital Zoom technology to bring you near enough to capture elated smiles on the sports field. A powerful processor reduces graininess for crisper, higher-quality close-ups. Say goodbye to blur Optical SteadyShot® image stabilization reduces shake and blur by countering camera movements in both horizontal and vertical directions.³ Active 3-Way stabilization adds digital rolling control that counters clockwise and anti-clockwise rotation, resulting in more stable videos even at long focal lengths. Pixel Power With a 20.4-megapixel Exmor® R CMOS sensor, capture high-resolution images that take full advantage of the camera's high quality Carl Zeiss® lens. Advanced processing technology reduces noise and graininess for incredibly crisp, clear images - even in challenging low-light conditions. Amazing HD movies Record crystal-clear movies at the highest resolution available with Full HD 1080/60p video capture1. Stunning, fast motion video with reduced distortion looks great when played back on your HDTV2. Notice a perfect photo opp while shooting video? With dual record of stills and movies, you can shoot both at the same time. Overhead of the crowd The tiltable 3" LCD makes it easy to reach above a crowd to take great shots with an interesting overhead perspective. Since you can angle the LCD so it's facing towards you, you'll be able to frame the shot exactly as you want. It's also convenient for shooting subjects situated at a low angle - snapping photos of children at their eye level. Never miss the moment Capture full 20.4 megapixel resolution images at up to 10 frames per second, helping to ensure that the decisive moment is captured such as the soccer ball flying into the goal. In addition, a mechanical shutter helps reduce distortion when continuously shooting moving subjects. Product description and full feature list Explore the full range of features and options below. Intelligent Sweep Panorama™ mode-up to 360° Intelligent Sweep Panorama mode takes our Sweep Panorama function to the next level with the addition of motion compensation. Even when subjects are moving in the foreground of your landscape, these cameras can detect faces and moving subjects, intelligently stitching different widths together to minimize distortion. Simply press the shutter button and sweep the camera in the desired direction and the camera continuously shoots at a high speed, then seamlessly stitches the images together with automatic position adjustment to create one stunning panoramic image. Available in wide and up to 360° full circle, the camera can take a variety of panoramic shots. Picture Effects Picture Effect adds a new level of expression to photos, making ordinary landscapes and portraits come to life by heightening mood and emphasizing certain attributes. There are nine different effects such as partial color to make your focal point stand out, or watercolor which looks like a painting. Enhanced Superior Auto Enhanced Superior Auto supports scenes with dynamic motion to provide beautiful results even in dark situations. The result is clearer images with less blur. Advanced Flash illuminates distant subjects for beautifully lit photos Advanced Flash allows you to shoot bright, beautifully lit photos even when zooming. The built in flash reaches farther resulting in brighter subjects in dimly lit rooms or outdoors in the evening. 1. Records in 29 minute segments2. Requires HDTV and HDMI cable sold separately3. Combined with electronic stabilization© 2013 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony, Cyber-shot, SteadyShot, Smile Shutter, Sweep Panorama, Exmor R and the Sony make.believe logo are trademarks of Sony. Microsoft, Windows, and Windows Vista are trademarks of Microsoft Corporation. Mac is a trademark of Apple, Inc. All other trademarks are trademarks of their respective owners. Features and specifications subject to change without notice.

Compatible Mountings: Sony A


Aspect Ratio: 169


Photo Sensor Technology: BSI CMOS


Supported File Format: JPEG


Image Stabilization: Optical


Maximum Focal Length: 1200 Millimeters


Optical Zoom: 5E+1 x


Maximum Aperture: 6.3 f


Expanded ISO Minimum: 80


Metering Description: Centre-weighted - Average Multi Pattern Spot


Brand: Sony


Model Name: DSCHX300/B


Age Range Description: Adult


Built-In Media: Shoulder strap, Micro USB cable, lens cap, instruction manual, AC adaptor, rechargeable battery


Are Batteries Included: Yes


Model Number: DSCHX300/B


Remote Included: No


Model Series: HS


Series Number: 300


Global Trade Identification Number: 28


UPC: 027242862128 017856003840


Item Height: 5.5 inches


Manufacturer: Sony


Warranty Description: //graphics.secondipity.com/gr/images/nw/Sony_warranty_insert_final.pdf target="_blank">90-day Limited Hardware Warranty,

Metering Methods: Centre-weighted - Average Multi Pattern Spot


Exposure Control: Shutter Priority


White Balance Settings: Auto


Self Timer: 10 seconds


Screen Size: 3 Inches


Display Type: LCD


Dots Per Screen: 182,692 dots per square inch


Display Fixture Type: Unknown


Touch Screen Type: Capacitive


Display Resolution Maximum: 921000


Has Color Screen: Yes


Flash Memory Type: MS Duo, SD, SDHC


Write Speed: 10MB/s


Flash Memory Speed Class: 10


Flash Memory UHS Speed Class: U1


Flash Memory Bus Interface Type: SD


Compatible Mountings: Sony A


Sensor Type: BSI CMOS


Image stabilization: Optical


Maximum Aperture: 6.3 f


Expanded ISO Minimum: 80


Photo Sensor Resolution: 20.4 MP


Photo Sensor Size: 1/2.3-inch


Maximum Shutter Speed: 30 seconds


Minimum Shutter Speed: 1/1600 seconds


Form Factor: SLR-like (bridge)


Special Feature: Travel


Color: Black


Item Weight: 2.1 Pounds


Video Resolution: FHD 1080p


Viewfinder: Electronic


Flash Modes: Panorama


Camera Flash: Built-In


Skill Level: Professional


Specific Uses For Product: Photography


Compatible Devices: Zeiss


Continuous Shooting: 10


Aperture modes: Auto, Spot, Center-weighted, Multi-pattern


Audio Input: Built-In Microphone (Stereo)


Video Capture Format: AVCHD


Expanded ISO Maximum: 3200


Battery Weight: 1 Grams


Delay between shots: 0.1 seconds


Audio Output Type: HDMI


Battery Cell Type: Lithium Ion


Battery Type: Lithium Ion


Aspect Ratio: 169


File Format: JPEG


Effective Still Resolution: 20.4


JPEG Quality Level: Basic, Fine, Normal


Supported Image Format: JPEG


Total Still Resolution: 20.4 MP


Maximum Focal Length: 1200 Millimeters


Optical Zoom: 5E+1 x


Lens Type: Zoom


Zoom: Digital Zoom, Optical Zoom


Camera Lens: The product features a 50x optical zoom lens (24-1200mm equivalent)


Minimum Focal Length: 24 Millimeters


Real Angle Of View: 30.9 Degrees


Focal Length Description: 24 to 1200 millimeters


Digital Zoom: 4 x


Number of Diaphragm Blades: 9


Lens Construction: [Predicted Multi-element]


Connectivity Technology: USB


Wireless Technology: None


Video Output: HDMI


Total USB 2.0 Ports: 1


Total USB 3.0 Ports: 1


Total USB Ports: 1


Total Video Out Ports: 1


Shooting Modes: Panorama


Digital Scene Transition: zoom


Digital-Still: No


Movie Mode: Yes


Image Capture Type: Stills


Night vision: No


Auto Focus Technology: Hybrid


Focus Features: Active


Autofocus Points: 9


Focus Type: Auto Focus


Focus Mode: Single-Servo AF (AF-S)


Autofocus: Yes


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Jul 27 – Jul 28

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Top Amazon Reviews


  • MindBoggling Reach; Glorious Pics
Summary: Only this camera empowers me to quickly tweak focus, freeze framing a duck on the other side of a large lake, or a Robin bathing in a neighbor's birdbath -- complete with the individual water droplets falling from that duck's bill as she drinks, or flying off that robin as she shakes herself dry. - - - - Concurring with the positive reviews, I write to highlight essential points. ::::: (1) Image Quality (IQ) ::::: Some blame "20 megapixels" for the poor IQ of their disappointing photos. Reality check: you can *choose* 20, 15, 10 or 5mp as the default. Some just generally declare "bad IQ" at the extreme zoom end; others love the IQ. The reason you're seeing such opposing opinions likely comes down to one fact: 50x zoom is new to us all. Some learn how to tame all that power; some don't. (More on this issue at #5&6 below.) Incidentally, Noise Reduction errs on the side of details (thankfully!), rather than smearing; configure as desired, in the Settings. ::::: (2) "Superior Auto" Modes ::::: There are two, one with a "Plus" designation. Plus adds a sort of *realistic* HDR, among other features; you'll hear machine-gun shutter snaps--- Sony uniquely blends them all into one final picture. Thus, you can not burst shoot while in SAP, but it is available in SA. Great surprise: each mode is pretty darn good! (Hanging out in auto mode when testing a new camera = cheat sheet to inherent firmware flaws. I've experienced no deal-breakers here.) It's even smart enough to apply a bokeh effect re zooms! (Still learning EXACTLY when I can expect that to kick in.) Scene modes are also quite helpful, and exploitable for more than the described purpose. ::::: (3) Lens, Zoom ::::: The lens is threaded for 55mm filters. (See #10) . . . . The headliner 50x optical zoom is complimented by at least 100x "ClearZoom." The latter delights *much* more frequently than disappoints. Toggle it on/off in the settings. There's a separate toggle for straight "digital zoom," which I keep off. ::::: (4) NeatOh! ::::: There's a customizable (limited) button on the top of the camera (oddly placed), & a *convenient* rotating push-in ribbed wheel that keeps, e.g. exposure compensation immediately accessible -- right hand for both. Optional always-present histogram & grid on screen; one tap to change/remove it on the fly (right hand, thumb). ::::: (5) Mechanics ::::: Zooming is reliably fast, as is auto tracking focus. Even at max zoom (50x & 100-140x), IF you adequately brace yourself. Think: you know 20x magnifies your slightest shake; whaddaya think 50x will do? Failing to respect that reality, and prepping yourself accordingly, results in eye-assaulting photos. Likewise, the complex nature of some scenes induces auto focus woes. Quickly curable, thanks to Sony's smart Plan B-- the zoom/focus ring, with a no-eyes-required ridiculously-easy-to-manipulate flip switch (auto/manual focus, left side). . . On the other hand, while snapping itself is fast, an irritating but tolerable wait-state materializes in burst mode's aftermath, per writing the shots to a Class 10 card. ::::: (6) Image Stabilization ::::: The system is golden. But expect no miracles when mimicking a modified version of a rapper within a mile of a microphone. Extreme zoom (50x/optical; 100--140x/ClearZoom) power is new to us all! Each additional mm of zoom necessitates additional care in bracing yourself. Approach the HX300 with related humility ("I don't know diddly 'bout handling a 50x+ camera, so I NEED to be super conscious of my body"), genuinely respect/ learn/ tame it, & you'll be a happy camper. Approach it in the same manner as a less-than-half(!!!) the zoom camera, and the predictable "ugh!" results will spark a bullet-speed return. Bottom-line: This NEW & INTENSE degree of zoom = doom, unless/until you develop bracing techniques (plural!) to harness all that power, AND study the options of *this* camera as well as *its* unique sweet spots. Don't misread me here -- experience via other cameras is helpful. But old-school kinda-braced ain't gonna cut it. Trial & error = my/your BFF. But I assure you, it IS doable! I own a tripod and monopod, which I've yet to use here. Was the learning curve frustrating? You betcha. Worth it? Oooo baby, you better believe it! ::::: (7) You Can D/L the PDF Manual, Now ::::: The full 240 page PDF user manual is linked at dpreview >> Forums >> Sony Cybershot >> search: hx300 PDF. While I rarely RTFM, the HX300's incredible reach alone inspired grabbing & studying that manual while awaiting delivery. Time well spent, as I have zero complaints about image quality, zooming or focusing. At the very least, play CliffNotes by studying the charts outlining what features are available per mode (starts around p80). ::::: (8) A Winning Review ::::: (March 30, 2013 - Amateur Photographer) For those who depend on formal reviewers for camera purchasing, FYI: This UK zine (Zinio on iPad, Web) reviews ultrazooms from Sony, Canon, Fuji & Nikon, awarding first place to the HX300. Reasons: ease of handling, image quality, reliable zoom, speedy autoFocus, "excellent" viewfinder. Having returned Canon's sx50 and Nikon's p510 long prior to snagging this camera, suffice to say that I agree (sluggish/unreliable zoom/focus, viewfinder from Hades, etc). ::::: (9) Suggestion (Images available for your review) ::::: Search Flickr ("hx300") to view FULL resolution 10/15/20mp photos. (Forums typically slice resolution.) You'll see birds, squirrels, ducks, the moon, cars, cityscapes, landscapes, indoors & other shots -- Superior Auto/Plus modes, 50x max optical zoom, 140x (!!) ClearZoom, handheld, no crop, no edit, low light, high ISO. FYI: where mine (pgBnax) look soft or lack focus, it's my bad, NOT the camera. Exception: max ClearZoom (100x to 140x) -- sometimes a wee bit soft IQ; not exactly earth-shattering news to those familiar with the foibles of any form of digital zoom. Even there, a couple of minutes of post-processing on my iPad (PhotoGene) cures whatever initially irked these retinas. Otherwise, I repeat: "grrr!" photos flow exclusively from *my* failure to PAF (pay attention, fool!) while lining up the shot. ::::: (10) Recommended Accessories ::::: ... Wasabi Power Battery (2 Pack) and Charger for Sony NP-BX1 and Sony Cyber-shot DSC-RX1, DSC-RX100, HDR-AS10, HDR-AS15. Under $20. Avoids otherwise required in-camera charging. Plus, having 2 spare batteries juiced & ready lets me focus on my beloved hobby, rather than the precise number of shots left before I'm jacked. ... Maximal Power CA LENCAP55 Snap-On Cap for Lens - 55mm Black Lens cap WITH a cord to attach to camera strap. (Really, Sony, couldn't cough up that little but vital cord?!?) $3 ... Maximal Power 55mm Lens Filter Kit Includes Circular Polarizer, UV and Star Lens Filter Kit for 55mm Camera Lens (Black) Under $10. Nice for getting your feet wet with filters. ... AmeriBag X-Small Microfiber Healthy Back Bag Tote Under $30. Stays flat against my back, with minimal punching, as I run multi-mile park trails. I did add a padded sleeve, pulled from one of my dSLR camera bags. Teflon coating conquers rain fears. Bonus: external water-bottle-friendly hugs-it pouch; room for phone, wallet, spare batteries in a change purse, small notebook and more. External & internal pockets are secure, some zipped, some with Velcro. Guys: Color is key re the metrosexual test. ::::: Finally, ("pure opinion" alert!) a few words about.... Pixel Peepers Professional reviewers invariably blow up photos 100-200%, scrutinizing ad nauseum for shortcomings. Once upon a time, I suffered resulting brain-kidnap syndrome. I was so far gone, that I wouldn't even touch xyz camera until favored reviewers presented their "in depth" positive commentary. While awaiting those reviews, I'd move among assorted forums, hungry for morsels about that xyz camera. At some point (Hallelujah!), a few free brain cells sprung back to life, and it finally registered: * I am not paid to pixel peep. * I do not routinely print poster-size photos. * I will not be wallpapering a room with a photo. * I do not carry a computer monitor to share pics with buddies. * I do not work for National Geographic. On the other hand, I am one picky sunnuvawitch as I review the day's shots. But I now approach each look-see as a realist, not a purist. I typically share via iOS-app arranged printed postcards, standard size snapshots, my phone or iPad4, or StreamZoo or Flickr (I left InstaSpam). In other words, to me, common sense = accept/reject photos based on how they will actually/habitually be used, not on the basis of some pie in the sky version of perfection. dSLR vs Point & Shoot (P&S) . . . . I do not confuse a car with a truck, a bike with a Harley, nor a P&S with a dSLR. I understand: purpose dictates which is better for whom at what time. I realize: camera manufacturers are capitalists. . . . . A dSLR-size sensor within a P&S, WITH extreme zoom, IF mechanically possible, would kill lucrative len$e$ lines, not to mention my bank account. Ain't gonna happen. Meanwhile, dSLRs and P&S both *offer* great pics, but neither *guarantees* it. No camera, nor camera genre, is perfect; each & every one involves/instigates one or more compromises. Not one functions within a vacuum; results are fully dependent upon the photographer. . . . . I appreciate my dSLRs, but they're heavy, cumbersome & downright inconvenient. I've created (!) more photos in the past 7 weeks than I have since early November, and that includes holiday periods. NOT because this camera is new to me, but because its usually with me, unlike a dSLR. **And** because I am finally well-armed to capture scenes which, until recently, were within my line of sight, but beyond the mechanical prowess of the camera then in hand. Read: limited reach. BottomLine, for Me . . . . My history includes purchasing an uber-expensive 500mm telephoto lens. I returned it within 48 hours. Felt like I was carrying a football player's thigh. No thank you! . . . . The HX300 will sing in some hands, flop in others, for reasons previously outlined. Fact: it permits capture of scenes even my dSLRs have futzed -- for years -- solely due to reach limitations. This bad boy is now with me when I step out my door, a good 90% of the time. My dSLRs are headed to eBay. I've been through many a P&S folks. This is the first time I knew, deep within, that I'm sacrificing nadda in reaching for the P&S instead. Super-sweet purchase, no question! ... show more
Reviewed in the United States on April 30, 2013 by P.G.

  • Review of The Sony HX300
Over the years as a serious amateur photographer I have owned and used extensively Nikon and Hasselblad film cameras and lenses and when digital cameras arrived I began with the Nikon Coolpix 900 and 950, then DSLR's including the Canon EOS 10D, and today I am using a Canon 5D Mark II equipped with L lenses (Canon's premium glass). The Sony HX300 is my first super zoom camera, and as such I spent several hours after receiving the camera from Amazon on March 14 thoroughly reading and studying both the Sony pdf manual and the Sony User's Guide in html format. This was time well spent as there are many useful features on the HX300 that are not found even on my much more expensive Canon 5D Mark II. During this study with both manuals, I tried each feature in the quiet of my living room making sure I understood exactly how the feature worked and what it did. Only then did I set out to explore the performance of the Sony HX300 under "real world" conditions and to compare it to the Canon 5D Mark II under controlled conditions. The two most import things about any camera are its image quality and its performance in actual shooting sessions. Image quality is, of course, a combination of many things including the camera's ability to resolve detail, to properly expose scenes shot under a variety of lighting conditions, color quality, absence of both chroma and luminance noise, etc. Performance is how responsive the camera is and includes such items as how quickly the camera is ready to take a picture after being turned on, the time delay between shots in single shot mode, the ability of the camera's autofocus to work quickly and accurately without "searching", and certainly in the case of a super zoom camera its ability to smoothly and rapidly zoom through its entire set of focal lengths. For a camera of its price and likely use, the Sony HX300 does a remarkably good job of providing high quality images and a very responsive camera. My first test of image quality was to simply walk around my yard and the neighborhood taking images of a variety of flowers that were in early bloom as well as taking pictures of birds coming to the bird feeder in our backyard from about 75 feet away using the Sony HX300 at full zoom. In virtually every single situation the HX300's autofocus was very quick and very accurate, and the powered zoom using the lever on the shutter release was highly responsive and quite fast. The images produced had exquisite detail with good highlight detail retention, perfect color rendition, very good exposures in auto modes, and under these cloudy but bright daylight circumstances with the camera working at low ISO's very low noise. These images straight out of the camera with no post-processing looked very good to excellent. Using very small amounts of post processing mainly to slightly sharpen the images, I was able to obtain excellent large prints (13 X 19 in.) using my Epson 3800 Pro large format printer. The shots of birds on the feeder at the maximum optical zoom (1200 mm) of the HX300 were all hand held, in focus, and showed good detail, albeit not equal to the ISO 80 shots previously described. With one exception (vide infra), I had absolutely no problem hand-holding and autofocusing these 1200 mm maximum zoom shots. The one exception is when I happen to line up a tree in the shot that was about 50 feet behind the bird feeder. In that case, the HX300 always wanted to focus on the texture of the tree trunk behind the feeder. The feeder is plastic without high contrast. I was able to solve the problem completely by switching the focus mode from multi-autofocus to center auto-focus and placing the center focus frame in the EVF on the edge of the bird feeder where there was sufficient contrast for the focusing system to work properly. This initial collection of maximum zoom shots brought home an important lesson about super zoom lenses including the Carl Zeiss lens on the HX300. Remember that the HX300's lens has a maximum aperture of 6.3 at 1200 mm and therefore the ISO will be set at higher values (400-800) to provide a sufficiently fast shutter speed to allow the camera to be hand-held at such a zoom setting. Of course, the higher the ISO, the higher the visible chroma and luma noise in the captured image. I found that these outdoor shots at 1200 mm zoom on a cloudy but not overcast day came in at ISO 800 and a shutter speed of 1/160 - 1/250 sec. The maximum zoom shots were reasonably sharp, but benefitted from noise removal in post-processing which, of course, is always a compromise between detail and noise reduction. Nonetheless, these images gave quite good prints and beautiful images up to 11 X 14 in. I believe with experience I can hand-hold maximum zoom shots at shutter speeds even below 1/160 second and manually set ISO to 200 and achieve even better maximum zoom shots. I think it will be difficult and perhaps impossible to get good maximum zoom images with excellent detail on very cloudy and overcast days or in other low light level situations. The HX300 in such conditions will require ISO's higher than 800 in such situations for maximum zoom images and the result will be more image noise than I would find acceptable. My next photo expedition with the Sony HX300 had the objective of comparing image quality under controlled conditions (tripod mounted camera with timed release of the shutter to avoid vibrations that would lower image detail) of the HX300 with my Canon 5D Mark II and the 24-70 Canon L zoom lens as well as with the Canon 100-400 L lens. I went to a nearby park which has a lake that affords a 1.5 mile unobstructed view to a wooden bridge and homes across the lake. Lots of trees surrounding the lake provided added detail. It was a sunny bright day with no clouds in the sky. I shot a series of shots with the Sony HX300 in IQ mode and in Scene Select Landscape Mode at focal lengths ranging from 24 mm (maximum wide angle) to 1200 mm (maximum optical zoom). I matched the shooting conditions and scene with my Canon 5D Mark II on a tripod using the two L lenses up to the maximum 400 mm of the Canon L zoom lens. Upon arriving home and comparing the images, I was truly amazed at how well the Sony HX300 had performed. In fact, until I got to 100% image size (pixel peeping!), I was very hard pressed to see any difference in the detail or overall quality of these two cameras. I found this to be very surprising since the Sony system is $500 and the Canon 5D Mark II with its L lenses is in the $3500-$4500 range! At 100% image size I was definitely able to see a difference in the quality of the images and it always favored the Canon 5D Mark II which, not surprisingly, showed greater detail and less image noise than the HX300 especially when comparing the 400mm shots made by the two cameras. With that said, the difference is best described as noticeable but not overwhelming as I might have expected. I have shown these comparison images to several photographic friends and all have expressed amazement at how well the Sony HX300 image quality holds up in comparison to the much more expensive Canon equipment. While at the lake I also had the opportunity to try out the Sony on some real "action" situations. A blue heron flew past and landed about 150 yards from me. I was able to get some terrific shots at full 1200 mm optical zoom (ISO 125) that I have printed at 16X20 size. I had the opportunity to try the burst mode of 10 images on a group of ducks in flight. I found that it was going to take some additional practice to master the art of zooming, tracking, and setting off the shutter for pictures of this type, but the camera did track and focus fairly well on this difficult scene. In another instance, a bird was circling high over the water and I was able to zoom to 1200 mm and get a nice detailed shot. While at the lake, I had the opportunity to try out the movie mode of the HX300. I found that it tracked focus on my subjects beautifully, allowed me to smoothly zoom during movie making, recorded the sound nicely, and performed in every way in movie mode as well as I could have desired to produce excellent 1080i AVCHD movies. Just a few final comments. Build quality on the Sony HX300 is quite good. Yes, it is made of composite (plastic), but it feels solid, has a nice textured grip that makes the camera easy to hand hold, and is so wonderfully light compared to my Canon 5D Mark II. I was using a 32 GB ultra high speed San Disk SDHC card, and I had no problem taking single images rapidly in virtually any mode, and even the burst of 10 shots previously described were recorded to the card in about 5-7 seconds which seems quite acceptable to me. The HX300 is not a perfect camera (nor have I yet found one that is!), and here are some things that I would like to see changed. A button press is required to switch between the EVF and the LCD. On the older HX200 there was a sensor which automatically went to the EVF upon sensing the eye. I wish Sony had not removed this feature. The button turning on the EVF is flush with the camera body and quite small making it difficult to find by touch. The same is true for the Focus button, although the latter is only required when changing focus modes. Of course I would like to see a larger aperture than 6.3 when at full optical zoom, but this would likely require a much much larger lens with all the weight and expense that would entail. My bottom line is that if you are in the market for a super zoom camera and you understand that under low light situations you may not find the 1200 mm zoomed images to be acceptable in their level of detail and sharpness, then I would highly recommend the Sony HX300. If you are printing huge images (larger than 16X20), this is probably not the camera for you. If you want a camera that will be great for vacation pictures, pictures of the family, bird photography, wildlife photography, etc. and you are willing to invest some time to learn to properly utilize the camera, then the HX300 may well be the perfect camera for you. Tom Note Added: I I have now posted the images referred to in the above review of the Sony HX300 including the comparison images with the Canon 5D Mark II on the dPreview.com Sony Cybershot Forum. The images, as per Forum requirements were posted at 1/2 the original image size. You can view the post at [...]. ... show more
Reviewed in the United States on March 21, 2013 by Thomas N. Wheeler

  • My last Sony after many years . . . UPDATE AND DOWNGRADE FROM 2 TO 1 STAR.
My last Sony after years of buying Sony. The products has all sorts of annoying traits, meaning they have lost their minds. No way to attached the lens cap so it is always lost. The flash is situated back on the camera so that if you take a close up it shadows. The color is fine and focused, but gads these constant reminders that pop up every time you change the camera mod, and I can't seem to turn off except by pushing the button! It made me resort to read the manual and still it is elusive! The controls are not very clear so that you set it for stills of filming and it reverts. Okay, Sony had a good run in our business but that time is over. UPDATE After having Sony's that lasted 3-6 years, this one lasted 16 months. It was a poorly designed camera and I am so sorry that Sony is now a camera company that I wont go back to -- especially as they KNOW they have the exact issue with the camera that went wrong and do not offer any resolution, and the cost of repairing is more than the camera. ... show more
Reviewed in the United States on August 19, 2015 by Cat Smiles

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