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Sigma 18-250mm f3.5-6.3 DC MACRO OS HSM for Nikon Digital SLR Cameras

  • Based on 2,691 reviews
Condition: Used - Very Good
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Availability: Only 1 left in stock, order soon!
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Arrives Monday, Sep 8
Order within 11 hours and 21 minutes
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Style: Nikon SLR Mount


Features

  • 18-250mm focal length, only compatible with APS-C DSLRs
  • 27-375mm equivalent focal length on APS-C cameras, 28.8-400mm equivalent focal length on Canon APS-C cameras
  • Micromotor-type AF motor with full-time manual focusing
  • Image stabilization, Up to 4 stops claimed
  • 62mm filters
  • Available in Canon EF, Nikon F (DX), Pentax KAF3, Sony Alpha, Sigma SA mounts
  • equipped with Super Multi-Layer Coating to reduce flare and ghosting
  • Hyper Sonic Motor (HSM) to ensure fast and quiet auto-focusing
  • The lens features a brass-made bayonet mount applied on the surface to reinforce strength for long-term use and enable high accuracy and solidity.
  • For use with smaller chip APS-c cameras only

Description

18-250mm f3.5-6.3 DC MACRO OS HSM From the Manufacturer High Performance, Compact, High Zoom Ratio Lens designed exclusively for digital SLR camerasBy revolutionizing the optical and structural design of the Sigma 18-250mm F3.5-6.3 DC OS HSM, this new lens achieves a compact size and a minimum focusing distance of 13.8". New material, Thermally Stable Composite (TSC) maintains its structure and has little contractility especially in varying temperatures, is incorporated into the lens barrel. It is convenient when you wish to keep your equipment to a minimum and yet still be prepared for all opportunities and situations, such as travels.A wide range of photography is possible in one lensCovering wide angle 18mm to telephoto 250mm, this versatile lens designed exclusively for digital SLR cameras, is suitable for all-purpose photography including landscape, sport, and macro photography. It is convenient when you wish to keep your equipment to a minimum and yet still be prepared for all opportunities and situations, such as travels.Excellent for macro photographyClose-up capability is improved with the minimum focusing distance of 13.8" throughout the entire zoom range, and maximum magnification ratio of 1:2.9. In APS-C size equivalent, macro photography with approximately 1:2 magnification ratio is possible. In addition, with this lens, the size and flaming of subjects can be adjusted by rotating a zoom ring, making macro photography easier than using fixed focal macro lens. For further convenience, the maximum magnification ratio at each focusing distance appears on the side of the lens barrel. New design. Compact size. Revolutionizing the design foundation results in compact sizeOptimization of the power arrangement by such things as incorporating double-sided aspherical lenses, and reexamination of design, the filter diameter size is reduced. This compact size lens has the approximately 13x high zoom ratio with the filter size of diameter 62mm, and dimensions of diameter 2.9" x Length 3.5". It ensures portability and overall ease of use, making it perfect for travel and leisure photography.New material TSC (Thermally Stable Composite) Thermally Stable Composite The new material "TSC (Thermally Stable Composite)", which has little contractility especially in temperature changes, as well as maintaining firmness, is incorporated into the lens barrel. Compared to Polycarbonate which is generally used, TSC has higher elasticity by approximately 25%. Since thermal shrinkage is low, it has high affinity to metal parts which contributes to high quality product manufacturing. It also contributes to the parts such as the zoom ring and scaling to be slimmerLens ConstructionIn a conventional lens, focusing requires an extension of the entire lens or the front lens group. However, to better accommodate autofocusing mechanisms and closeup photography, a need has arisen for lenses that do not change their length during focusing or suffer from focus-dependent variation in aberration. Therefore, Sigma has developed focusing systems that only move elements within the lens barrel. These incorporate smaller and lighter moving lens elements which help improve auto- focus speed. With their unchanging barrel length and small variation in the center of gravity, these lenses also enhance balance and stability for the photographer. Furthermore, since the front of the lens does not rotate, polarizing filters can be used with extra convenience.MTF ChartView Larger ImageMTF (Modular Transfer Function) is one of the measurements that evaluates a lens' performance, and it contrasts sensitivity at different spacial frequencies. The horizontal axis is in millimeters and shows the distance from the center of the image toward the edges, and contrast value (highest value is 1) is shown in the vertical axis.The readings at 10 lines per millimeter measure the lens' contrast ability (red lines), repeating fine parallel lines spaced at 30 lines per millimeter measure the lens' sharpness ability (green lines), when the aperture is wide open. Fine repeating line sets are created parallel to a diagonal line running from corner to corner of the frame, are called Sagittal lines (S) and sets of repeating lines vertical to these lines are drawn, called Meridional (M) line sets.DistortionView Larger Imageeffective distortion: When you take a picture of a lattice pattern, it will appear as the blue dotted line shows. the red line illustrates how the lattice pattern will appear in the actual picture when any lens distortion is taken into account.relative distortion: In this chart, the horizontal axis shows the ideal image height (the distance from the center to the edge of the image [mm]). The vertical axis shows the extent of distortion. The extent of the distortion is represented by how much Y, which is the actual image height, grows (or shrinks) against Y0 which is the ideal image height.Extent of distortion: D[%]=(Y-Y0/Y0)x100When you take the picture of a square object, if the distortion amount show a minus value, the image will be seen as expanded (Barrel distortion). If the distortion amount is a plus value, it will be seen as a recessed (pincushi on distortion). When the distortion value is close to 0, the appearance of distortion is very minimal.VignettingView Larger ImageThe horizontal axis shows the image height (the distance from the center to the edge of the image [mm]). The vertical axis shows the amount of light in the image (based on the amount of light in the image center being 100%). If the peripheral amount of light is lower than the center, the four corners of the image will be darker (vignetting).Specifications Lens Construction 16 Elements in 13 Groups Angle of View (for SD1) 76.5 - 6.5 degrees Number of Diaphragm Blades 7 Blades (Rounded diaphragm) Minimum Aperture F22 Minimum Focusing Distance 35cm / 13.8in. Maximum Magnification 1:2.9 Filter Size Diameter 62mm Dimensions Diameter 73.5mm x Length 88.6mm / 2.9in. x 3.5in. Weight 470g / 16.6oz.

Brand: Sigma


Focal Length Description: 18-250 millimeters


Lens Type: Macro


Compatible Mountings: Nikon F (DX)


Camera Lens Description: 7


Product Dimensions: 3.5 x 2.91 x 2.91 inches


Item Weight: 1.04 pounds


Item model number: 883306


Is Discontinued By Manufacturer: No


Date First Available: June 20, 2012


Manufacturer: Sigma Corporation of America


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Monday, Sep 8

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

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Top Amazon Reviews


  • Excellent General Purpose Lens
Style: Canon SLR Mount
I purchased my first DSLR (a Canon T3i) and I immediately purchased a CANON EF 75-300 III F4-5.6 to go with the 18-50mm kit lens. After a few months I grew tired of constantly swapping lenses and I started looking into a general purpose lens that I could keep on the camera most of the time. I borrowed a Sigma 18-250mm f/3.5-6.3 DC OS HSM IF Lens for Canon AF Digital SLR Cameras from a friend before I went on a trip to Disney World and I was impressed by the convenience it and started looking to get one for my self. As I was looking at the Sigma website I ran into this newer version of the 18-250 and decided to give it a chance. After receiving it I was very impressed by the weight and size difference. The older Sigma 18-250mm has a 72mm filter size and this version has a 62mm filter size and this lens weighs about 200 grams or .4 lb less than its predecessor. Image quality is very good for the class of lens. It doesn't hod up to a good prime or "L" lens but its price is not in the same ballpark either. I do notice some barrel distortion on the short end but that is easily fixed with Lightroom or Photoshop. OS (optical stabilization) works well allowing for hand holding some shots that would otherwise require better support. Autofocus is quick and rarely struggles to focus. It may just be me imagining things but I think it is a bit louder that the other lenses I have worked with but it is not really distracting in any way. As with other reviewers I have found the zoom to be stiff at the beginning of the zoom range but it loosens up after about 50mm. My copy does have zoom creep from about 28mm through 110mm but the lens has to be pointed nearly straight down for that to happen. I have had to learn the habit of using the zoom lock switch when I am finished shooting and am moving around but I consider that a good habit to get into anyway. I do appreciate that Sigma includes a petal type lens hood with the lens. The hood is sturdy and connects very firmly to the bayonet mount on the lens. I love shooting with this lens and I feel it is worth every penny I paid for it. In comparison with the Sigma 18-250mm f/3.5-6.3 DC OS HSM IF Lens for Canon AF Digital SLR Cameras I feel that the smaller size, lighter weight, and faster autofocus easily justifies its extra cost. ... show more
Reviewed in the United States on October 30, 2012 by Jeremy S

  • Excellent lens - especially for the price!
Style: Canon SLR Mount
Background - Besides image quality and affordability, I must consider two factors to suit my personal needs: 1) Since I can no longer carry around 35 pounds of photo equipment like I used to, and since I get an intense neck and/or backache from too much weight hanging there, weight is a significant factor for me. 2) I dislike changing lenses for multiple reasons: potential dropping, dirt entering the camera body, the need to carry a second and even third lens. In short, I wanted a DECENT lens with a significant zoom range. The two "kit lenses that came with my Canon T3i were GOOD, but that meant carrying a second lens and changing them. NOTE: I do have a 90mm Tamron full frame format macro lens that I do use for special purposes. So I DO still switch lenses occasionally. But I do NOT travel with this lens. Given those requirements, I did a lot of research before buying this lens from Amazon.com (more about incidental benefits to buying from them at the end of the review). I read professional reviews and I read the comments of other consumers such as myself. Ultimately, my decision came down to either this lens or the Tamron 18-270. The professional reviews appeared to favor this lens SLIGHTLY. The fact that the Sigma lens is a few ounces lighter was a benefit for my needs. The 20mm extra length in the telephoto range that I was losing, was not such a big deal to me. I had NO qualms about buying either Sigma or Tamron. Both have been around for decades and both make excellent "after market" products. In the month that I've had the lens, I've shot perhaps 2-300 images of a wide variety of subjects and under a wide variety of lighting conditions. I have been uniformly pleased with the results. Even at extreme magnification, I have not seen the color fringing mentioned in professional reviews. I HAVE observed the pincushion and barrel distortions. My test subject to examine these image defects was my garage door with rectangular raised panels, the horizontal siding of my house, and a set of steps. YES, the distortion IS present. BUT, it is my understanding that NO extreme range zoom lens will be completely free of such distortion. It is the optical price you pay for the flexibility of keeping a single lens on your camera and being able to go from a full frame (or 35mm) equivalent of about 28 to 400mm with just one lens. I also found that the distortion is readily correctable using Photoshop Elements 11. This distortion is only noticeable to MY eyes in photos presenting subjects with parallel lines or geometric patterns. I find the contrast, color saturation and representation to be fairly accurate with this lens. Other than cropping, the images have required little or no "post" correction in Photoshop Elements. This is likely at least partially due to the abilities and software of my Canon T3i, but also to the lens and its color correction, optical design and coatings. Please see my review of the camera. Notably, I used the camera and lens combination to shoot four images of the Montgomery Village Lake from the boat dock. Photoshop Elements stitched these together beautifully into a crisp panoramic image! While the lens is light in weight, it feels solidly built. The camera mount is metal. I have not observed "lens creep," although the OP/TECH USA Bino/Cam Harness - Webbing (available from Amazon) that I use to take the weight off my neck generally keeps the lens pointing ahead and not down. The image stabilization appears to work very well. I cannot tell if it affords a 3 or 4 stop advantage. Advertising for the lens says 4 stops; professional reviews say 3 stops. As noted in professional reviews, the controls for manual versus automatic focus, image stabilization on or off and zoom lock are all very conveniently located, Finally, a word about buying from Amazon.com. At the time of my purchase, the MSRP of the lens was $550 with a $150 "instant Summer Rebate." I paid $400 for the lens. SO FAR, shopping with Amazon is tax free. Congress may change that! Had I purchased the lens in a local store, I would have had to pay the 6% sales tax on the FULL MSRP. In addition, the extended warranty that I purchased, which is basically an insurance policy, would ALSO have been based on the FULL MSRP. Buying the IDENTICAL lens at a local store would have cost me approximately $75 MORE than buying through Amazon, who - of course - shipped for free straight to my door, costing me no gasoline! The savings approximately paid for the extended SquareTrade Warranty. There was ANOTHER, unexpected, benefit to buying through Amazon with respect to the warranty. Had I bought the warranty directly from SquareTrade, I would have been limited to a total of three years coverage from the date of purchase. Amazon offers a SPECIAL that is NOT available directly from SquareTrade: FOUR years of coverage from the date of purchase for only a few dollars more than the three year direct plan! UNFORTUNATELY, Amazon does NOT offer the optional "ADH" ( I will call it human factors coverage: the acronym stands for "Accidental Damage from Handling"). I wish they did. While all photographers care lovingly for their equipment, stuff happens! If you are looking for a wonderful, virtually all purpose, walk around or travel lens, I can recommend this one to you! ... show more
Reviewed in the United States on September 8, 2013 by aky13

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