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Availability:
In Stock.
Arrives
Sunday, Jul 13
Style: TQG Connector (Wireless)
Features
- This microphone is compatible with Shure wireless bodypacks (e.g. BLX1), and connects to the body pack via 4-pin TA4F (TQG) connector.
- Wireframe headset fits securely and comfortably for active performers and multi-instrumentalists
- Tight, unidirectional cardioid polar pattern rejects signal bleed and feedback for use on loud stages and behind floor monitors
- Flexible gooseneck design allows for optimized placement that further improves source isolation
- Lightweight and low-profile form enables comfortable, long-wearing use
- Locking snap-fit windscreens tame plosives, breath, and wind noise for clean and intelligible sound
- Tailored frequency response refined for clear, crisp vocal reproduction
- Legendary Shure precision engineering for durability and performance
- Also in the box: 2 - Windscreens, and 1 - Headset Clip
Description
The SM35 Performance Headset Condenser Microphone gives multi-instrumentalists the freedom to express themselves without sacrificing sound quality. A tight, unidirectional cardioid polar pattern provides excellent rejection of off-axis sound sources to prevent feedback and signal bleed onstage, whether in use in small clubs, large installations, or arena tours. From the Manufacturer People won't listen if you don't sound good, but you'll capture their attention and keep it when you use the Shure SM35 headset microphone. Whether you're singing, giving a presentation, or showing a product in a hands-on demonstration, the comfortable SM35 gives you crisp, clear vocal reproduction while reducing outside noises. The included windscreen cuts down on breath and wind noises, and the flexible gooseneck makes it effortless to put the mic right where you need it. When you need hands-free capability from your Shure wireless system, get the Shure SM35 headset microphone. IMPORTANT NOTE: - TQG version REQUIRES a Shure wireless body pack system or the RPM626 in-line amplified to work properly. - The TQG requires an in-line pre-amp (RPM626) or a Shure wireless system to achieve both power and gain. - The SM35-TQG is only compatible with Shure body packs or devices with a TA4F connector. The headset locks and does not comes in and out when used with a device with a TA4F connector.
Recommended Uses For Product: Singing
Brand: Shure
Model Name: SM35-TQG
Connectivity Technology: Wireless
Connector Type: Wireless
Special Feature: Lightweight
Compatible Devices: Shure wireless bodypacks
Color: Black
Included Components: TA4F Connector
Polar Pattern: Unidirectional
Audio Sensitivity: 35 dB
Item Weight: 6.4 ounces
Microphone Form Factor: Microphone Only
Item dimensions L x W x H: 3.2 x 7.6 x 6.4 inches
Power Source: PHANTOM POWER All condenser microphones require phantom power to operate. Please refer to the User Manual for more details on power requirements.
Material: Metal
Signal-to-Noise Ratio: 78 dB
Number of Channels: 1
Frequency Response: 20 KHz
Noise Level: 78 dB
Global Trade Identification Number: 20
Manufacturer: Shure
UPC: 042406325820
Product Dimensions: 3.2 x 7.6 x 6.4 inches
Country of Origin: Mexico
Item model number: SM35-TQG
Is Discontinued By Manufacturer: No
Date First Available: March 7, 2014
Color Name: Black
Material Type: Metal
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Sunday, Jul 13
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
Style: XLR Connector (Wired)
Some of the reviews had me a bit nervous about ordering this -- somebody didn't like the sound. But, really, I couldn't be happier with it. Its a phantom power microphone, but that is fine with me because I run it to my Peavey Mixer which has a Phantom Power Button (at first I thought I blew it up because when I first hit the phantom power button, the mic came on loud and then dead silence. Well, I just didn't push the Peavey button down far enough and it came right back up). Anyway, mics that run off of phantom power seem to have a great deal more gain than those that don't. So this SM35 has a lot of gain to play with. And the response was crystal clear. I don't know what that other reviewer was thinking of, unless he just had a muddy setup that he was running into. another thing I like about this SM35 is that you can wear it in several ways. I tried with the loop around my neck and that seems to work. But I now wear it on my head, along with my headphones... yes, it may be crowded up there on top of my head, but I have no problem wearing both. I use the SM35 in my Music Practice, which can go on for hours, and so, yes, the little adjustable pressure pad on the end of the head loop can begin to dig in and get uncomfortable, but then I found that I can cope simply by moving the placement of the SM35 off to the side or a bit up or down, and then one can compensate by repositioning the adjustable boom going to the microphone element (my usual First Position is to place the adjustable pad just above the top of my left ear and to position the right side of the Head Loop to the top of my cheek bone just in front of my right ear. When, after about an hour, I feel the adjustable pad on the left 'digging in' and causing some discomfort, then I lift it up in position by less than an inch while pulling the right side of the Boom just under my cheek bone -- very comfy! And that usually lasts me until I'm so popped that I drop). Oh, the little cord that comes off the head boom section from its side was tweaking my ear, and so I used a loop of string to fasten that little cord to the top middle of the boom from where it can fall down my back without bumping into my ear. Not enough of a problem to deduct a Star. Now, moving on ... As I said, the mic has a lot of gain to play with, and so you do not have to have it very close to your mouth. I position it off to the side to keep from picking up Nose Blast. Even with the Breeze Protector on the end covering the microphone element, if the breath exhalation coming from out of your nose is in line with that microphone element, it will come through loud and clear, like somebody 'blowing' into a microphone. But I have no problem bending the element out of the way of my Nose Snort and still being able to adjust the microphone element boom for good singing quality. Now, if you are wondering whether you should get a head boom microphone like this in the first place, but you are resisting because you fear not having enough dynamic control over the microphone for studio work or for sensitive stage performances, well, don't worry about it. When you need the kind of control that you would have with a hand held microphone, well, its easy enough to reach up and grab the flexible-adjustable boom and to work it like a hand microphone. I've done it. some songs require a full baritone (covering Leonard Cohen or Johnny Cash) and I am more like a tenor, and so I pull the microphone in real close and do a breathy baritone, and when I'm done, I just instantly twist it back to where it was before. No Problem. Oh, now that I think about it, there is something to get used to. whenever you decide to walk off your 'spot' you have to disconnect. I am already used to taking my Head Phones off, so it isn't much of a problem remembering about the head boom mic. With the SM35, you simply disconnect from the XLR connector. Everything else can stay in place. Oh, and there is the additional setup required for using the SM35 instead of just keeping a Microphone on a Stand somewhere. There is something of a procedure for putting it on. That involves putting the head boom on your head, and then running the light cord guide clip to the back of your shirt collar or wherever, and then plugging that light cord into the little but heavy preamp (bullet proof heavy -- that little thing weighs a lot. If you were to catch a cat fish half that heavy, you'd take a picture of it)that clips onto your belt or waistband (if you practice in your pajamas or underwear), and then finally you plug in your XLR Cable (not included) into that. It takes a bit more than a minute. Taking it all the way off, requires the reverse process. Now, I recommend disconnecting the little but heavy preamp from the cord and storing it separately, because, well if you decide to store the head boom section with its light cord by hanging it somewhere, well, that dangling preamp would be quite a pull on the little cord all the time. You know I was wondering why the little preamp is so heavy, and I decided to guess that the Engineers at Shure were getting Line Hum Noise from the earlier prototypes and just kept adding metal shielding until all the Electronic Noise Interference went away. They did a good job, because electronically, that SM35 is as silent as the grave, adding no additional noise to whatever is in your Sound System already. So, yes, going from regular Microphones to this head boom will require a few additional duties and require some small additional increments of time. But the upside of having a Head Boom Microphone is that, while performing, IT IS ALWAYS THERE and ready to go. Being a Musician with a regular mic on a mic stand, well, if you are playing an instrument, it is REALLY difficult to position for both your instrument AND the mic stand, or the microphone boom or whatever. With a regular microphone, you always have to watch it to make sure it doesn't creep away, or that you don't bump into it. And all while you are trying to play an instrument. So nothing is ever just right -- you are either somewhat ignoring your Instrument, or you are somewhat ignoring the microphone. But this head boom microphone is ALWAYS THERE and you can set it up for just the right gain and position for 98% of the singing you will do, and it is so unobtrusive that it is easy to forget you're wearing it. After working with it for a month now, I can't really understand why so many performing musicians still use those 'ordinary' microphones ... they have never worked with Head Boom microphones and simply take all of the aggravations of the ordinary microphones for granted. Oh, another thing! How many performing musicians have gone on break only to come back and find that their microphones have been stolen... even entire mic stands disappear! Well, let's see if anybody can steal a boom microphone right off the top of your head! anyway, no buyer's remorse here.
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Reviewed in the United States on January 7, 2015 by Leo Volont YouTube Messiah
Style: TQG Connector (Wireless)
For $100, these generally sound GREAT. - Much better than the $600 Countryman I bought. - although they are much larger and heavier. They do seem to have a bit of self-noise as the specs indicate. However, I am using these for all my guest speakers, and they work well enough. - especially for $100. They have a Cardioid pattern and reject feedback as well or better than anything else I have tried including the directional Countryman. Particularly, if you need feedback rejection, you might give them a try. I have not found any directional headset mics that sound as good - even with EQ. - I use no EQ on these. That makes it easy if I need to connect one to an open channel on my sound board. They are ready to go with no EQ.
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Reviewed in the United States on November 18, 2024 by Wilbur
Style: TQG Connector (Wireless)
I am a true believer in Shure products, especially its line of wireless headset mic systems. I feel regretful in having to return the Sure SM35 headset. Its sound quality, weight and comfort are outstanding. My unique problem is a mismatch between its ergonomics and my use of a Seydel Gecko Harmonica Holder in conjunction with the headset mic. My older Shure wireless headsets are the less-expensive PGA31 and the equally-priced SM31FH. They have worked fine in conjunction with the Harmonica Holder, with the length of the flexible boom and the mic tip working within the tight space between mic and harmonica holder. The SM31H cable, however, is a bit short for a waist-worn wireless belt pack. Moving to the SM35, its mic is a 1/4 inch larger in diameter than those of the other units, resulting in the SM35's mic rubbing or bumping into the harmonica rack. While an excellent product in its own right, its ergonomics are unsuitable for my performances. Therefore, I must remain with the PGA31 or SM31FH, with an extension cable applied to the latter.
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Reviewed in the United States on March 8, 2023 by LeStrayCat
Style: XLR Connector (Wired)
Very good voice reproduction. I have the hard wired version but will probably end up buying the wireless send and receive units so I'm not stepping on cords so much.
Reviewed in the United States on December 23, 2024 by Mike Lemay
Style: XLR Connector (Wired)
I bought this to wear while playing an instrument. I was concerned because I read some reviews on a little feedback, which is to be expected with any headset. Honestly, I haven't heard any feedback, noise distortion, interference, or anything of the sort. I play drums. They are loud! I can hear myself easily with absolutely no feedback. I've been using it for a couple of months or so and it is great. I have to clip the lower cord somewhere but it works out. I am satisfied with this product. This is a really good headset. I recommend it. I still want to try the cordless one to be completely free of cords,lol.
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Reviewed in the United States on June 20, 2023 by A Faithful Amazon Shopper
Style: XLR Connector (Wired)
it was sliding around alot. the sound quality is great and it fits my male friend's head perfectly.... i'd love to find one that's built for a woman.
Reviewed in the United States on December 3, 2021 by Zola
Style: XLR Connector (Wired)
I am a drummer and starting to sing with my group. I have issues with boom mic as I move around my kit a lot. I am pretty tiny, 5' 2" and play mostly rock so I utilize my floor toms from my high hats. I wanted a mic without the expense and problems of a wireless system. I had heard pretty good things about this, though used to using dynamic mics for vocals. When it arrived, I realized that it was set up really to be used as a wireless, and came with an adapter for an XLR cable, not truly built in as an XLR hook up. AAAAnd the adapter is pretty heavy. So, you clip it onto the back of your pants, like a pack in a wireless system. Just to be clear for anyone purchasing this. Otherwise, fits great, good reproduction (at least in my soprano 2 range), will need to purchase a foot switch for songs I don't sing on or between songs as everyone in the place doesn't need to hear me trying to catch my breath!! Took the one star off really for the lack of disclosure that it's truly not wired, just an adaptation of the wireless. Could be an advantage as I can convert it! I am editing this review for my own ignorance. The adapter enclosed is the preamp instead of using the wireless power pack. So five stars. If you ever decide to go wireless you can!!
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Reviewed in the United States on May 8, 2017 by S. Yost