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Rokinon

Rokinon FE14M-E 14mm F2.8 Ultra Wide Lens for Sony E-mount and Fixed Lens for Other Cameras

Based on 371 reviews
Condition: New
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$299.00

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Arrives Monday, Nov 2
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At a glance

Condition
New
Style
Sony FE
Product Packaging
Standard Packaging
Model
FE14M-E
Screen size
14 mm
Weight
552 g
Color
Black
Warranty
1 Year

Features 6

  • ADVANCED OPTICAL PERFORMANCE: Features 14 elements in 10 groups, including ED, and high-refractive glass to minimize distortion and chromatic aberration while producing clear, true-to-life images.
  • ULTRA-WIDE FIELD FOR DYNAMIC SCENES: Achieve a dramatic 115.7 angle of view on full frame cameras, ideal for landscapes, astrophotography, and real estate with stunning depth and sharp edge-to-edge clarity.
  • BUILT-IN HOOD & UMC COATING: Integrated petal-style lens hood helps prevent unwanted flare. Ultra Multi-Coating (UMC) reduces ghosting and enhances light transmission for crisp, high-contrast results even in strong lighting.
  • CLOSE FOCUSING CAPABILITY: With a minimum focusing distance of just 11 inches (0.28m), this lens excels in unique close-up compositions, adding versatility to your wide-angle shooting

Description

The Rokinon 14mm F2.8 Ultra Wide-Angle Lens for Sony FE delivers a sweeping 115.7° angle of view on full-frame DSLRs, making it a top choice for photographers who demand edge-to-edge clarity and bold visual impact. Whether you're capturing vast landscapes, architectural marvels, or the starry night sky, this lens provides exceptional optical quality and minimal distortion. This high-performance manual focus lens is built with a sophisticated 14-element, 10-group design, including two ED (Extra-low Dispersion) elements, three High Refractive Index lenses, one Hybrid Aspherical element, and one glass Aspherical element. This configuration ensures outstanding image sharpness and dramatically reduces chromatic aberrations and barrel distortion. Its bright F2.8 aperture enables confident shooting in low-light conditions while maintaining control over depth of field. The Ultra Multi- Coating (UMC) helps deliver improved contrast and color accuracy, while suppressing flare and ghosting when shooting against bright light sources. Photographers will appreciate the built-in petal-type lens hood, which is integrated to reduce flare and protect the front glass from scratches and impact. The robust construction and smooth manual focus ring provide a professional feel, ideal for both photo and video work. Compatible with Sony FE mount full-frame and APS-C DSLR cameras, this lens offers versatility across multiple shooting styles. On APS-C sensors, it still delivers a wide ~90° view, maintaining its usefulness for interiors and tight spaces. Perfect for landscape photographers, real estate professionals, astrophotographers, and creatives looking for a cinematic look, the Rokinon 14mm F2.8 lens offers an unbeatable combination of image quality, wide perspective, and price-to- performance value.

Specs 36

Brand Rokinon
Focal Length Description 14 mm
Lens Type Wide Angle
Compatible Mountings Sony E
Camera Lens Description Rokinon 14mm f/2.8 Lens for Sony E
Lens Wide Angle
Compatible Camera Mount Sony E
Maximum Focal Length 14 millimeters

Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Monday, Nov 2

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Similar Products

Top Amazon Reviews

Great affordable super wide angle (full frame compatible)!
Style: Sony FE Product Packaging: Standard Packaging
Pros: Very nice image quality. Built as a tank, great materials, very affordable. It amazing the super wide range when taking pictures. I just bought it, so Im beginning to experiment with it. The other night I took some pictures of the space and its amazing (ill share the image with this post). Cons: Heavy, the focusing ring has a very long range and its hard to tell when to stop (although the sony a7 helps you with focusing assistance when the lens is not Sony, andit shows you with color what part of the image is focused), You cannot put any filter on the top of the lens because it has a huge "bulby" cristal, buy that is not a big problem for me. The lens take great pictures but when talking about architecture, it work great because it lets you see a lot, but it generates a distortion , son the linear get a little curve, but dont worry you can correct this in lightroom and it looks amazing. ... show more
Reviewed in the United States on March 19, 2016 by Alex
It's great. Buy it.
Style: Sony FE Product Packaging: Standard Packaging
Great lens. I'm using it on a Sony A7 mark II. I bought the native E mount after trying to decide whether to get the EF mount one and adapt it, or just go native. I considered the EF because I thought it would probably have better resale value with all the Canon cameras out there. Since this is the first time I've bought such an off-brand lens (ie: not Tamron, Sigma, Tokina, etc.) I wanted to make sure any issues were the lens itself and not because it was adapted. Especially since adapters can have a problem hitting infinity focus with super wide lenses. It's nice and sharp and a great lens to shoot with. I normally use Canon FD lenses adapted to the A7, so manual focus is not a big deal to me. Neither is manual aperture control. If you just want a mount and forget lens though, with auto everything, this is for sure not the lens for you. If you want a quality lens and aren't afraid to go manual, buy this now. The only issue is the weird distortion it has which shows up in some shots, depending on the subject. You can use the Samyang lens profile for a Canon camera in Adobe Camera Raw to get rid of it though. Kind of a pain, but not needed for most shots. All in all a really good lens. It's much sharper on the edges and corners than my FD17mm f4.0 that I paid a little more for. So what are you waiting for. It's super wide, nice and sharp, and cheap. Go ahead. Buy it. ... show more
Reviewed in the United States on June 20, 2015 by Amazon Customer
Nice lens, but distortion can be tricky.
Style: Sony FE Product Packaging: Standard Packaging
Review Image by Aaron_MT
Review Image by Aaron_MT
Review Image by Aaron_MT
Review Image by Aaron_MT
Paired this with my [full-frame] A7S as an affordable astrophotography option. This baby lets me get the full 30" exposure out of the sensor without resorting to Bulb mode, resulting in a ton of light/stars without trailing setting in! Between that and a roughly 110* field of view on a full frame, this is a great landscape lens for run-n-gun photography, or for small-club concerts. The focus ring does make the manual-only aspect a little tricky though. It turns more than 180* around the barrel, and due to the nature of wide angles in general, it can be very hard to tell precisely where your focus point is - even with focus peaking on. Best bet is to use the zoom magnification. [Without the magnifier] I had some trouble getting my whole scene in focus due to not knowing exactly where my sharpest point was - even at F11 to get the sun points a tree about 6' away was blurry. Even though that tree was also not to the extreme side of the frame it still had quite a bit of distortion. That's the other weak point of this lens - the corner distortion and lack of detail. With the right lens correction it's definitely better, but it still makes the entire frame difficult to use in most applications. Adobe Bridge has Rokinon lens profiles, some of which help get rid of the mild fish-eye effect in the center of the frame, while some de-skew the corners and bring them back to a usable status. I have yet to find the magic cure-all for both. I think the Rokinon 12mm/16mm and a few longer-lens Canon profiles had the best middle-ground of both. Now don't get me wrong, as much as I painted a negative tone for this wide of an angled lens, it does still manage to give some really cool shots! One of my first real compositions [as opposed to just shooting for the novelty of the wide angle] with this lens came out fantastic and gave a lot of cloud movement to the scene. I'll try to find the picture and post it as example. But with the right angle and the right subject matter this is still a very handy lens that can get some fantastic images! If you're looking for a natural-feeling scene that needs a lot of area covered, shooting from eye-level or slightly higher is your best bet for the least amount of distortion. A good rule is also to have your foreground subject be at least 6' [if not 8'] away to avoid too much distortion that you may or may not be able to recover. In the end, despite all my cons listed above, this is still a really good lens that can let you capture some great composure's - it's all just based on how you use it! :) ... show more
Reviewed in the United States on May 11, 2016 by Aaron_MT
Excellent except for some nagging distortion but overall an incredible bargain for the price. Sharp, good contrast!
Style: Sony FE Product Packaging: Standard Packaging
Better sharpness than you'd expect from an inexpensive 14mm - Rokinon-Samyang is definitely making some great stuff, lately. 2.8 aperture is a bit smeary in the very corners but still usable - F4 and smaller aperture produces very nice results. I've done a fair bit of night sky star photography with this and the results are excellent. Good color and 'pop', too! Not the best for architecture with some mustache distortion -- be sure to find the best correction profile online for use with Lightroom and you minimize that considerably. Just be sure you get a good sample, there's some variation out there. Compare left and right off-center and edge clarity at all apertures to be sure yours isn't a dud. I've been fortunate, both of the ones I've owned have been very solid. ... show more
Reviewed in the United States on February 1, 2017 by Billzilla
Good, cheap lens but BEWARE OF DE-CENTERING!!!
Style: Sony FE Product Packaging: Standard Packaging
Review Image by Y. Wang
Review Image by Y. Wang
Great lens, super great value at a price you can't beat. It's sharp IF you can get a good copy. However, as many on the web have already said, the lens has a lot of issues with inconsistency and de-centering. I've heard of this issue before from many people online but figured if it was even reasonably consistent then I wouldn't mind keeping a lens that is sub $300 and is so specialized that I would only use it sparsely anyways. Instead I got a lens that was essentially unusable. From my tests, the lens has good center sharpness and great light gathering ability due to the large aperture. However the entire right side of the lens is UTTER RUBBISH and blurry. It is simply unusable as the right side of the lens is so poor that I wouldn't hope to capture anything on the right side and expect it to be clear. The following photo was taken at f2.8 on an A7rii and not sharpened, only added additional exposure and not cropped. As you can tell, the right side is TERRIBLE. Even when stopped down there is minimal improvement but the comparison between the left and right is palatable. This is due to de-centering, or certain elements in the lens that are off-center, tilted, or uneven. I have some other samples and they all show the same conclusion. LensRentals did a review and Samyang/Rokinon/Bower lenses and they are all the same company sold under different names. LensRental's conclusion is that they are great value but the quality control and materials used are awful. While most lenses use metal, screws, and heavy calibration, Rokinon lenses make extensive use of plastics and GLUE! The result is copy variation is VERY INCONSISTENT and a lot of internal elements that move around, break, or move out of position and alignment. LensRentals says that Rokinon/Samyangs are the most frequently repaired lenses they have. With these lenses, you are essentially getting the luck of the draw with the lens lottery. You might get a superb copy with outstanding sharpness, or you might end up like me with a potato. MAKE SURE YOU TEST EXTENSIVELY before you decide to keep!!!! ... show more
Reviewed in the United States on June 8, 2017 by Y. Wang
A Beginner's Point of View
Style: Sony FE Product Packaging: Standard Packaging
Review Image by Nick Fish
Review Image by Nick Fish
Review Image by Nick Fish
Review Image by Nick Fish
First of all, I'm not a professional by any means - this is my first lens. I've always had dreams of taking amazing photos of the stars, so I got a Sony A7, and this lens based on the recommendation of lonelyspeck.com. I've been reading up a lot on technique, and I have to say that as a beginner, I'm VERY happy with this lens. The only other lens I have is the kit lens, and at F2.8 this thing can bring in SO much light, hands down way easier than the kit lens. At night when there is any light present from the moon, or even light pollution, it makes it easy to get landscape photos. It would be nice to have the electronics to communicate the settings with the camera, but for me it's not necessary, and probably doesn't happen at this price. Manual focus is easy, it would be hard to focus on anything in motion manually, as it would with other lenses. It requires what I feel to be a lot of rotation to get through the entire range. It seems to be a solid lens and I plan to take many more photos with it! My only advice is to buy one and go out and shoot! ... show more
Reviewed in the United States on November 26, 2015 by Nick Fish
Good lens for Sony E Mount Full Frame cameras, with just a few quibbles
Style: Sony FE Product Packaging: Standard Packaging
Review Image by Roger McEvilly
Review Image by Roger McEvilly
Review Image by Roger McEvilly
Review Image by Roger McEvilly
Review Image by Roger McEvilly
Review Image by Roger McEvilly
UPDATE: the lens seems to degrade a bit over time, with softness in the corners getting more pronounced. Changed my score to 3 stars. The good. -Widest Sony E mount full frame (for alpha series cameras) lens available that is NOT a fish eye as at Jan 2016. 14mm is ultra wide and is more than enough for most people. -Sharp under good lighting conditions. ('Only' F2.8, which becomes more of a factor under poorer light) -Made for Sony, so runs well with Sony's alpha series cameras, (but no autofocus) -Relatively cheap, compared to say, Sony's 16-35mm FF lens. (Around $US1100). -One can play around with a relatively inexpensive, ultra wide angle lens, such as for specialised landscape/architecture and astrophotography, for not too high a price. -not a fish eye lens, which isn't everyone's taste. The Bad -No autofocus (which doens't matter much unless you shoot closer up, which is not what this lens is for) -Only F2.8, not great, but not too bad either. -Some moderate mustache style distortion (i.e. mid level horizontal lines aren't completely straight, but it's only recognizable on some styles of photography) -Large and difficult to clean the lens -Relatively heavy and bulky -Not as sharp as some other E mount full frame fixed focus lenses (becomes noticeable compared to, say, Sony's 55mm/1.8 lens, especially in lower light). -A little lower pixel resolutions than other full frame lenses. All in all, not too bad at all for the price, at around $US300. The images you generally get are not QUITE (but pretty close) the same high sharpness and quality as some of the other Sony E mount full frame fixed focus lenses, and which also have lower F stops (such as the Sony 35mm/1.4 and the Sony 55mm/1.8), but for what it's worth, it does pretty well, and it stacks up well against other similar ultra wide angle lenses of other camera brands (e.g. Nikon, Canon) which exhibit similar slight limitations. ... show more
Reviewed in the United States on February 5, 2016 by Roger McEvilly
... and compose your shot I believe you will be happy with this lens
Style: Sony FE Product Packaging: Standard Packaging
Review Image by Jaryd W Hoar
Review Image by Jaryd W Hoar
Review Image by Jaryd W Hoar
If you are able to take your time and compose your shot I believe you will be happy with this lens. I have been really pleased with the photos that it produces. I take most of my photos in RAW and run them through software like Photoshop and DXO optics pro. With this lens however is not supported in DXO at this point in time. Photoshop can correct distortion. I have used this lens on my Sony A7II and my Sony A6000. I have my Sony A6000 converted to IR (Super color) and will post a photo on how it turned out. I found out, while in Italy, that it is a nice lens for the narrow streets. The black and white photo is an IR that I took at a local park. Overall I think the price and performance for this wide angle is very good ... show more
Reviewed in the United States on June 16, 2017 by Jaryd W Hoar
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