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Availability:
Only 1 left in stock, order soon!
Arrives
Monday, May 19
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Style: Canon
Product Packaging: Standard Packaging
Features
- Ultra wide-angle 14mm lens with an approximately 90 angle of view using an APS-C camera, for dramatic effects
- Lens has a minimum focusing distance of 0.9' (28 cm) for enhanced close-up shots. Lens includes a built-in petal-type lens hood.Do not soak the lens in water, and avoid water splashing onto the lens
- Maximum Diameter: 3.4(87mm). Aperture Range: F2.8 to F22
- Focal Length: 14mm. Mounts : Canon: FE14M-C, Nikon AE: FE14AF-N. Pentax K: FE14M-P. Sony : FE14M-S, Fuji X: FE14M-FX, Samsung NX: FE14M-NX, Sony E: FE14M-E, Four Thirds: FE14M-O, Micro 4/3: FE14M-MFT, Canon AE : AE14M-C
Description
The Rokinon 14mm Ultra-Wide-Angle f/2.8 lens is designed to provide a dramatic 115.7° view on full frame cameras.and is perfect for astrophotography, landscapes and real estate imagery. It also works well with DSLR and Mirrorless cameras to provide approximately an angle of view of 94° with APS-C cameras, 90° with Canon APS-C cameras and 76° with Micro 4/3 cameras The advanced 14 element 10 group design focuses to a close 11" (0.28mm) to produce sharply defined images with a minimum of distortion and chromatic aberrations. It utilizes 2 ED elements, 1 Hybrid Aspherical element, 3 High Refractive Index elements, and one glass Aspherical element, for outstanding, sharply defined rectilinear images. This ultra-wide-angle Rokinon utilizes Ultra Multi Coating to reduce flare and ghost images, Includes a built-in petal-type lens hood and comes in mounts for: Canon EF, Nikon F, Sony E, MFT, Sony A, Pentax K and Fuji X.
Brand: Rokinon
Focal Length Description: 3.78” (96.1mm)
Lens Type: Wide Angle
Compatible Mountings: Canon EF
Camera Lens Description: 14 month
Product Dimensions: 3.78 x 3.43 x 3.43 inches
Item Weight: 1.22 pounds
Item model number: 134345789
Is Discontinued By Manufacturer: No
Date First Available: July 14, 2010
Department: Electronics
Manufacturer: Rokinon
Country of Origin: USA
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Monday, May 19
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
Style: Canon
Product Packaging: Standard Packaging
First off, let me state that I am not a "professional" in that I do not perform photography for my career. I suppose you could say I fall into that (seemingly) ever-growing "prosumer" market point. I love to have nice, quality items, but at the same time I do not like to break the bank. I have always (and always will be) a very money conscious person that always looks to get the most for what money I am willing to spend. This lens by 14mm Rokinon (Samyang) is a great value when it comes to the always important image quality to cost ratio. The sharpness and performance of this lens is great, and I am thoroughly impressed. Comparing this lens to my Canon 24-105L (which is roughly 2.5x the cost) as far as sharpness, clarity, and color reproduction is outstanding. The sharpness especially is just as good if not better than the Canon. . .but obviously all of this comes at a cost. What cost is that, you may ask? The cost of luxury. . .pure, plain, and simple. This lens does not have any auto-focus, any image stabilization, any electronics period. Now to someone like myself who thrives on the technical aspects of most anything out there (engineer for a reason I guess, haha), this lens answers a call of the minimalistic nature - one where you have to take the time and think about what you are shooting with respect the environment (lighting conditions, subject matter, etc) you find yourself in. If you do take your time, are willing to work through a fully manual lens to match your shooting environment, you will be fully rewarded with your results from this wonderful lens. A point of note, and something that I took into account and kept in the back of my mind before purchasing this lens. . .there is apparently somewhat of a quality issue with improperly focused (de-centered) lenses, i.e. soft focus on one side or the other of the lens. I will admit that my copy is ever so slightly (and I do mean a very small amount) softer on the bottom right of the frame. Is it enough for me to notice? Not really. . .and I am a very analytical individual when it comes to scrutinizing just about anything (especially my pictures). The ever so slight de-centering was only noticed when testing specially for this. In real world testing, the de-centering is non-existent. Overall though, just something to keep in mind. Also, this lens does have some distortion - all of which can be fixed very simply with a program/plugin such as PTLens or other various lens profiles floating around out there on the internet for programs such as Lightroom or Photoshop. Summary? I don't think you can get a better lens in the $400 or below range. If you are wanting a lens for a walk around/point and shoot type, well this is obviously not your choice. If you like to shoot landscapes, or put emphasis on a subject with a larger background in view, well then this lens is definitely worth a look. On a scale of 1-10 I would give this lens about a 9/10. The one knock to me is the lack of ability to use a standard filter (i.e. circular polarized filter for landscapes). I will definitely keep other Rokinon (Samyang) products in mind on (seemingly inevitable) future lens purchases! Side Notes: I am shooting with this lens on a crop sensor, not full frame. & Look for my images watermarked "Down Scope Photography" in the sample photos for examples. *Edit* After viewing lens on full frame body, more de-centering is evident in lens (not noticed really on my crop sensor body). Just re-ordered a new copy to come while I send this one back. If I wasn't so particular, it would not be an issue. I still leave this lens at 5 stars for the moment, pending on how the new lens looks.
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Reviewed in the United States on June 4, 2012 by Peedee Trickle Jr. III Peedee Trickle Jr. III
Style: Canon
Product Packaging: Standard Packaging
Okay look, this lens isn't quite the walk-on-water miracle that many people are making it out to be. However, it is a fantastic little lens that can make a great addition to your kit if you know how to use it. It could also be a dust-collecting monument to buyer's remorse. That's up to you. Using the lens to its fullest capability can be hard. I'm saying that not as a professional photographer, but as an amateur photographer that has had one SLR or another in his hands since 1992. So I've got the experience under my belt, just not the paid gigs. Or some might say, the talent. Still though, I know my way around a camera. And this lens still took me a while to get used to. Especially hard is any type of focus at or around f/2.8, given the all-manual nature of the lens. Live View, even at 10x magnification, on the 5D Mark III sometimes does not provide enough zoom to accurately gauge focus (luckily, it does help when the subject is close to the camera - a situation that is likely if you're shooting at f/2.8). And besides, I'm not a big fan of Live View anyway because it messes up your flow by pulling your eye away from the viewfinder, making you press buttons to zoom, etc. By then the moment may have passed. Where it really shines is in that f/5.6 to f/8 sweet spot, where you can dial in to the hyperfocal distance and just go nuts. I put a chart up a while back that shows for any given aperture, where to set the focus to reach the hyperfocal point, and what the minimum focus distance is at that point (for full-frame and for 1.6x crops). Googling the phrase "Jitterypixel Rokinon" should get you there. Once your aperture and focus is dialed in based on that chart, it will tell you how far away your subjects need to be. For this reason, hyperfocal shooting is a bit backwards from normal lens operation: instead of aiming at a subject and attempting to focus on it, you're setting the focus and then framing the subject accordingly. Until you get accustomed to operating like this, you may find that you have a lot of stuff that looks slightly out of focus when viewed at 100% on your computer, especially if you don't have much experience with fully manual lenses. It can take some practice. Corner sharpness (in full-frame) is not as unbelievably insanely amazing as some have touted, but it is definitely workable. Honestly, the distortion is so bad by the time you hit the corners, sharpness is the last thing you're thinking about. You're thinking that the old lady you accidentally caught in the corner of the frame is melting into the sidewalk. Center sharpness is pretty great, and the lens responds well to the judicious use of sharpening in post. Most of the distortion can be corrected (at the cost of a few pixels around the outer edges) for free using the lens profile available for both ACR and Lightroom (the page that I mentioned above also includes info for how to get that profile, and a couple of before-after photos). Gloss-over stuff that I won't spend too much time on because hundreds of reviews before me have already gone into great detail: The build quality seems excellent, especially considering the price point. The focus is smooth and well-damped, and you won't be able to use a screw-on filter because of the lens shape and the fact that it would have to be HUGE in order to not get in the way of the ridiculously wide angle of view. The solid lens cap attaches to the permanent petal hood, and protects the glass very well. Final word of caution: Do not under any circumstances position any female (ESPECIALLY wife or girlfriend) around the outside portion of the frame when shooting. Doing so will likely jeopardize your permission to ever photograph said female again in the future. Ever.
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Reviewed in the United States on February 18, 2014 by Jeff