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Panasonic

Panasonic LUMIX S1R Full Frame Mirrorless Camera with 47.3MP MOS High Resolution Sensor, 24-105mm F4 L-Mount S Series Lens, 4K HDR Video and 3.2” LCD - DC-S1RMK Black

  • Based on 23 reviews
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Availability: Only 1 left in stock, order soon!
Fulfilled by Ace Photo
Arrives Tuesday, Sep 16
Order within 6 hours and 37 minutes
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Recently Viewed

Style: w/ 24-105mm


Set: Base


Features

  • Full frame sensor - 47.3-Megapixel full-frame MOS sensor that provides a wide dynamic Range and excellent performance at high sensitivity (is 25600 Max sensitivity)
  • Lumix S camera lens - easy-to-use 24-105mm standard focal macro zoom F4 l-mount for Lumix S Series full-frame L-mount digital Mirrorless cameras
  • 4K video - up to 4K 60P/50P recording plus 6K PHOTO functions and HLG photo.
  • 187MP high resolution mode - a sensor shift technology suitable for taking very high-resolution Landscapes and fine art photos via tripod with toggleable motion correction capabilities
  • Rugged Mirrorless camera design - dust/splash*/freeze-resistant design withstands heavy field use under harsh conditions for high mobility.Image File Format: JPEG, RAW

Description

The Panasonic LUMIX S1R Digital Single Lens Mirrorless (DSLM) camera incorporates a 47. 3 megapixel high resolution 35mm full-frame MOS sensor. The LUMIX S1R utilizes the new L-Mount standard, which boasts a well-balanced, large inner diameter and compact dimensions for a flange focus to realize optimum size and performance as a digital mirrorless camera system. The LUMIX S1R yields unprecedented image quality with high resolution, rich gradation and superior color reproduction. A high-speed, high-precision AF system based on advanced control technology over the lens, the sensor, and the new Venus Engine enable the user to capture the precise moment in the finest detail. The LUMIX S1R also boasts industry-leading video recording performance (4K 60p/50p), intuitive control, a rugged design for heavy field use, durability, and expandability. The LUMIX S1R is splash resistant and dust resistant but also operates down to -10 degrees Centigrade. The mirrorless cameras’ shutter unit is durable for approximately 400, 000 cycles. Camera performance, lightweight construction, and Dust/Splash/Freeze-Resistant Design are some of the features you’ll enjoy while shooting with the Panasonic LUMIX S Series Digital Mirrorless Cameras.

Compatible Mountings: L Mount


Aspect Ratio: 32


Photo Sensor Technology: CMOS


Supported File Format: JPEG


Image Stabilization: Sensor-shift, Digital


Maximum Focal Length: 105 Millimeters


Expanded ISO Minimum: 50


Metering Description: Center-Weighted Average, Highlight Weighted, Multiple, Spot


Brand: Panasonic


Model Name: LUMIX S1R Full-Frame Mirrorless Digital Camera


Brand: Panasonic


Model Name: LUMIX S1R Full-Frame Mirrorless Digital Camera


Built-In Media: Camera Body & Lens


Are Batteries Included: Yes


Model Number: DC-S1RMK


Model Series: LUMIX


Series Number: 1


Global Trade Identification Number: 79


UPC: 885170356979


Metering Methods: Center-Weighted Average, Highlight Weighted, Multiple, Spot


Exposure Control: aperture-priority, shutter-speed-priority, Manual


White Balance Settings: Auto, Daylight, Cloudy, Flash torch


Screen Size: 3.2 Inches


Display Type: OLED


Dots Per Screen: 2,100,000 dots


Display Fixture Type: Fixed


Touch Screen Type: Capacitive


Display Resolution Maximum: 1080p


Has Color Screen: Yes


Flash Memory Type: SD UHS-II, XQD


Memory Slots Available: 2


Recording Capacity: 6E+1 minutes


Flash Memory UHS Speed Class: UHS-II


Flash Memory Video Speed Class: V60


Flash Memory Bus Interface Type: PCIe


Compatible Mountings: L Mount


Sensor Type: CMOS


Image stabilization: Sensor-shift, Digital


Expanded ISO Minimum: 50


Photo Sensor Resolution: 47.3 MP


Photo Sensor Size: Full Frame (35mm)


Minimum Shutter Speed: 1/8000 seconds


Form Factor: Mirrorless


Special Feature: image-stabilization


Color: Black


Video Resolution: 4K UHD 2160p


Viewfinder: Electronic


Flash Modes: Fill Flash, Automatic


Camera Flash: F4.0


Skill Level: Professional


Specific Uses For Product: Photography, Videography


Continuous Shooting: 9


Aperture modes: F4.0


Viewfinder Magnification: Approximately 0.74x to 0.78x


Audio Input: Built-in microphone (stereo)


Flash Sync Speed: 1/200 or higher


Video Capture Format: 4k


Expanded ISO Maximum: 25600


Battery Weight: 1 Grams


Battery Cell Type: Lithium Ion


Guide Number: 50


Battery Type: Panasonic DMW-BLJ31


Processor Description: venus engine


Water Resistance Level: Water Resistant


Mount Type: Lens mount


Aspect Ratio: 32


File Format: JPEG


Effective Still Resolution: 47.3 MP


JPEG Quality Level: Normal


Supported Image Format: JPEG


Total Still Resolution: 47.3 MP


Maximum Focal Length: 105 Millimeters


Lens Type: Telephoto


Zoom: Optical Zoom


Camera Lens: 24-105mm


Minimum Focal Length: 105 Millimeters


Lens Correction Type: [Multiple]


Focal Length Description: 105 millimeters


Lens Construction: zoom


Connectivity Technology: Bluetooth, HDMI


Wireless Technology: BuiltIn; 802.11ac + Bluetooth


Video Output: HDMI


Total USB 3.0 Ports: 1


Total USB Ports: 1


Number of Component Outputs: 1


Shooting Modes: Multiple


Digital Scene Transition: zoom


Digital-Still: Yes


Movie Mode: Yes


Image Capture Type: Stills & Video


Night vision: No


Auto Focus Technology: Contrast Detection


Focus Features: Autofocus


Focus Type: manual-and-auto


Focus Mode: Continuous-Servo AF (AF-C)


Autofocus: Yes


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Tuesday, Sep 16

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews

    • I am a fan
Style: w/ 24-105mm Set: Base
I wanted a full frame mirrorless that enabled 4K video as well. This does it. With 47 megapixels and up to 4K video at 60 frames per second, I am able to video basketball and volleyball games, and also follow high speed sprints on the track. I have a lengthy review on my blog.
Reviewed in the United States on January 10, 2023 by Lord
    • Amazing picture quality, superb kit lens, autofocus is very fast.
Style: w/ 24-105mm Set: Base
Review Image by AlexR AlexR
Review Image by AlexR AlexR
Review Image by AlexR AlexR
Granted, motorsports can be easy, since you're panning the camera. still, no issues, handheld from the stands, pictures from the 105mm end are cropped like 8x still look sharp enough. I also used with a couple of Canon lenses, a 50mm 1.8 and a Tokina 16-28mm with the MC-21 adapter. Camera recognizes the Canon and the Zoom mm on the Tokina, so in body stabilization works. But Autofocus on the Canon hunts like hell, real fast on the Tokina for some reason. Happy. ... show more
Reviewed in the United States on August 17, 2019 by AlexR AlexR
    • A wonderful camera.
Style: Body Only Set: Base
A wonderful camera. Did everything I expected of it. Focusing was a little inconsistent but that could be either user unfamiliarity or something that can be addressed with firmware. All in all I found it to be a return to what a real camera should perform and feel like. I ended up not keeping it but that was nothing to do with the camera. ... show more
Reviewed in the United States on June 20, 2019 by Mr Leumas
    • The lense is demaged.
Style: w/ 24-105mm Set: Base
The lense was demaged. I think, I was'nt the first who open the box.
Reviewed in the United States on April 21, 2019 by Zufriedener Kunde
    • autofocus sucks
Style: Body Only Set: Base
they must be kidding still charging this much. I purchased it about 2 years ago and returned it the autofocus was atrocious.
Reviewed in the United States on April 12, 2021 by Amazon Customer
    • A camera for the critical user who wants the best image quality
Style: Body Only Set: Base
The Panasonic S1r is a mirrorless camera with a 47-megapixel sensor. As such, it provides highly detailed pictures which can be enlarged to wall size prints. With all these pixels, one can crop the image for the perfect composition. The camera is about the size and weight of the digital SLR, and it is ideal for the meticulous worker who takes time to compose his photographs. Its autofocus system works best when dealing with static subjects. For landscape and portraiture photography, this is fine. For recording sporting events with fast action, the continuous focus is not as reliable as those found on cameras such as the Sony a7 III, the Nikon F-series, or the Canon EOS cameras. For those who wish to use manual focusing, this camera is almost perfect. With its kit lens, there are several focusing aids. A portion of the image can be enlarged to see the most delicate details for focusing, and a color fringe can be projected on edges when they are in focus. I was impressed with the viewfinder. It shows the distance of the subject and the depth-of-field for a given aperture. For old-timers, this allows them to set the hyperfocal distance on a lens. This setting is invaluable when the goal is to maximize the depth of field. This camera is ideal for scientific work. It can be made to operate in a vibration-free mode. With such a stable platform, this ensures the sharpest obtainable pictures when the camera is mounted on either a telescope or a microscope. For the meticulous worker who wishes to maximize his/her image quality, this is the perfect working tool. ... show more
Reviewed in the United States on July 26, 2019 by Brian Matsumoto
    • 📸
Style: w/ 24-105mm Set: Base
Professional Photography Camera !
Reviewed in the United States on April 2, 2020 by David
    • Stunning All-rounder! Best Sensor I've Ever Owned. Focus Clutch—Did I Mention the Focus Clutch?
Style: Body Only Set: Base
Last year I bought my first two full-frame digital cameras: the S1R, and a Canon. Before that, my only digital cameras were Micro Four Thirds. (For the thirty years before that, I shot everything on Mamiya M645 film cameras.) A year of use isn't always enough to get a really clear picture of a camera. But I've been professionally shooting with the S1R and Canon three to five times a week, and making my living from them . . . so, I feel like I can talk a little bit about them. I can already tell, for instance, that the S1R is going age very gracefully. The controls are where you want them. (And if for the ones that aren't you can customize them to where you want.) The viewfinder is quite lovely, and the best non-mirror experience I've had to date. I expect to use this camera for a very long time. And the Lumix S Pro 24-70mm f2.8 lens is quickly becoming one of my favorite go to lenses (I own the Lumix S Pro 16-35mm f4 also, but I use that almost exclusively for architectural work. Panasonic, if you're listening, please release a TS prime in the 18 to 24mm range, like yesterday. Preferably a TS 24mm. And primes, I need more primes in general.) It's big and heavy. And, the reason I've stayed away from digital full-frames all this time is this: they're big and heavy and they don't deliver the goods—so why bother. Well . . . at 47MP, it's not as bad a poke in the eye with a sharp stick. (I did buy a Spider hip holster to get the weight off my neck for those longer walks—best money ever spent.) The high resolution mode, at 187MP, does not disappoint (that's the Mamiya that runs through my veins speaking). Is is as good as shooting on medium format film? No, of course not. I think, having done some napkin calculations before digital cameras were even made—and I still stand by this calculation all these years later—that it'll take a bare minimum of 250MP (and several more stops of dynamic range, and better sensor detection of blue) to reach what I got from medium format film. But I will say this. I think I picked the right time to step into the full-frame market. This camera feels like the future in my hands. And the Lumix glass I've purchased so far will see me through it. As much as I love the Lumix S Pro 24-70mm f2.8, it hasn't stopped me from shooting with all my vintage Mamiya glass. (I went with C7adapters to get my M645 lenses in play. Very nice craftsmanship.) I'm happy with how well that has worked out. Why not Canon, Nikon, Sony, or Fujifilm, etc? None of those are bad systems. I'm not going to tell you that any one of them is so much better that you should only be shooting with one of them. The truth is that—for the vast majority of people—choosing one system over another often comes down to either personal idiosyncrasies, or it's because you bought into one of them and it's what you know. Canon, for example, is happy to sell you extremely well-priced lenses that over-perform like nobody's business. For me it comes down to Panasonic doing everything extremely well. (Cons: I'd complain more about grabbing focus if not for the manual focus clutch. Now, I'm completely addicted to manual focus clutches. So much so that I now find myself looking at exceptional—EXCEPTIONAL—glass and all I find myself thinking is: does it come with a manual focus clutch? ... show more
Reviewed in the United States on March 26, 2021 by Elizabeth Prouty, Richard Due

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