Nikon AF S NIKKOR 85mm f/1.8G Fixed Lens with Auto Focus for Nikon DSLR Cameras
Condition: Used - Very Good
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Availability:
Only 1 left in stock, order soon!
Arrives
Tuesday, Aug 19
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Style: Lens Only
Features
- Fast aperture medium telephoto lens
- Internal focus, focal length: 85 millimeter, minimum focus range: 0.80 meter
- Silent wave motor (SWM). Number of diaphragm blades: 7 (rounded diaphragm opening)
- M/a focus mode switch. Filter-attachment size is 67 millimeter (p=0.75 millimeter)
- Nikon super integrated coating (sic)
- 85 millimeter fixed lens, maximum reproduction ratio 0.12 x
Description
To focus using autofocus with manual override (M/A): Slide the lens focus-mode switch to M/A. If desired, autofocus can be over-ridden by rotating the lens focus ring while the shutter-release button is pressed halfway (or, if the camera is equipped with an AF-ON button, while the AF-ON button is pressed). To refocus using autofocus, press the shutter-release button halfway or press the AF-ON button again. The fast maximum aperture of f/1.8 performs brilliantly under any lighting conditions and delivers beautiful, natural background blur that brings out the best in any subject. Compatible Format(s) - FX, DX, FX in DX Crop Mode, 35mm Film.
Brand: Nikon
Focal Length Description: 85 mm
Lens Type: Telephoto
Compatible Mountings: Nikon F (FX)
Maximum Focal Length: 85 Millimeters
Product Dimensions: 2.87 x 3.15 x 3.15 inches
Item Weight: 12.3 ounces
Item model number: 2201
Batteries: 1 Lithium Ion batteries required.
Is Discontinued By Manufacturer: No
Date First Available: January 6, 2012
Manufacturer: Nikon
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If you place your order now, the estimated arrival date for this product is:
Tuesday, Aug 19
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
*: Black
In reviewing the Nikon 85mm 1.8 I was torn between a technical review versus a practical review. I will go out on a limb and provide a practical review for this lens since every technical aspect of this lens has been covered by specialty sites, other photographers, and technicians, far more advanced than me. As a part-time freelance professional, my lens selections are both critical and constantly shifting depending on my projects. I simply do not earn enough money part-time to justify spending thousands of dollars on a single prime lens or maintaining an inventory of lenses worth tens of thousands of dollars. Often, I will sell lenses I am not using so I can realign to my shifting needs. However, after using the Nikon 85mm 1.8g, this is one of two lenses (the other being the Nikkor 50mm 1.4g) I doubt will ever leave my bag. The Nikon 85mm 1.8g is one of the best bargains and best performing lenses for beginners, hobbyists, advanced hobbyists, and real part-time pros (those that earn some money from their work). It is a very significant upgrade from any kit lens, which I always recommend you stay away from anyway if you intend on going advanced (mom and dad sideline shooters are fine with nearly any of the kit lenses though). My two main prime lenses I will never get rid of are the Nikkor 50mm 1.4g and the 85mm 1.8g. They effectively serve as my main portrait lenses (on a DX) due to their tack sharpness, low light capability, and bokeh (ability to blur background). The Nikkor 85mm 1.8g lens is a quality build and provides 127 mm focal length on a DX sensor such as the D300s or D7100. Beginners should not get lost on the focal length "differences" between DX and FX sensors though. It is not as heavy as the Nikkor 85mm 1.4g (of course- the 1.4g is metal) but maintains a quality build by any measurement and many will appreciate the lighter weight and smaller size, especially on the smaller D600 body (compared to D800 or D4). Both come with a reversible lens hood whereas the 1.4d does not. The 1.4g does provide better low light performance, sharpness, flare resistance and richer color, but at 3x the cost. Regardless, the 1.8g comes in close second. Compared to the 85mm 1.4d, the 1.8g is both shorter and lighter while about as wide. The 1.8g also uses 67mm filters which are less expensive than the 77mm filter size of the 1.4d. Based on the small price difference between the 1.4d and g, I would definitely recommend the 1.8g. Compared to the 1.4g, I would still recommend the 1.8g due to cost savings. If money was not a factor, I would go with the 1.4g but to be honest, I am not at that level of shooting where I can leverage the performance differences consistently. However, it is these little performance differences between gear that add up and allow full time pro shooters to stand out from an every crowded field of aspiring professionals. If I was a full-time photographer, the 1.4g would definitely be in my kit. But, for far less, I believe the 1.8g provides about 95% of the performance that the 1.4g provides. The primary use of my 85mm 1.8g is traditional and environmental or lifestyle portrait work. The sharpness is clearly noticeable as is the low light performance. The lens is very sharp even at f1.8 and only gets sharper from there (check f2.2!). Colors are rich and vibrant and focused subjects almost pop out of the picture. I found myself relying on this lens even more than my 50mm 1.4. The auto focus speed of the 1.8g on both a D300s and a D800 is incredibly fast and the manual focusing ring is smooth as butter with manual over ride in auto. Little to no distortion visible. I did notice some CA at f4 but Lightroom easily fixed this. Note, the CA was not constant and was limited to situations involving direct sunlight. In short, unless you are Jeremy Cowart or someone similar making tens of thousands a shoot, the Nikkor 85mm 1.8g will serve you exceptionally well and most likely take your photography to a new level if you have the skills. Providing about 95% of the same performance (some say 99%) as the 1.4g, hands down, this is a winner of a lens and a new permanent fixture on my cameras.
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Reviewed in the United States on April 3, 2013 by ReconScout
*: Black
What a find! This is one of Nikon's best lenses and yet it is one of its cheapest--a remarkable bargain. In particular, it is an exceptionally sharp lens. It just might become the sharpest that you own. You have to try out this lens to appreciate just how excellent it is. And as you know, the better and larger your camera sensor’s size and resolution, the better performance you will get with the right lens & camera coupling. That is what DxOMark’s benchmark tests are based upon, pairings, and you can see on that site that this lens is very highly ranked. Basically it matches the performance ranking of this Nikkor 85 1.8G's heavier big brother that is $1,100 more expensive and equally highly regarded 85 mm f1.4 Nikon AF-S FX NIKKOR 85mm f/1.4G Lens with Auto Focus for Nikon DSLR Cameras. In my tests, although I love that lens too, I did not find what I needed in its performance wide open so why pay more? Some of my colleagues counter that it has better glass and a heavier build that is well worth the difference. It is a heftier lens, solidly built but just not the best choice available for my travel kit or budget. In a blind test I doubt I could distinguish which print came from which of these two Nikkor 85mm lenses. On the other end of the price scale, if you are on a tight budget you can still find deals on older 85D auto focus lenses like these ones presently starting around $300 on Amazon, Nikon 85mm f/1.8D Auto Focus Nikkor Lens for Nikon Digital SLR Cameras - Fixed. There is also a faster, well respected, more expensive model, the 85D 1.4 that still has many loyal fans, Nikon 85mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras. All of these Nikkor 85 mm lenses offer very good to excellent optical quality. In general, from what I have seen over the years I think most newer lenses have more contrast and better color saturation because of improved internal coatings but the optical quality of the older glass is still superb. The "D" models have advantages of distance scales for DoF and infinity hard stops. As a Nikon user you have a lot of 85mm lenses from which to choose. And if you do not need auto focus Nikon's even older lenses might interest you and come at a great price. As a general rule, the problem with manual focus today is that digital cameras do not usually offer view screens that are close to being the most appropriate for manual focus and that is compounded by modern lenses' barrels, except for Zeiss, that no longer make it easy to control critical focus by offering more distance to gradually move the barrel as needed. Yes, I can and do manual focus but it is not remotely as easy as it was to control focus as in the film camera days when cameras used specialized screens and lenses were designed exclusively for manual focus. Otherwise my recommendations would be a bit different. Do I have a list of Cons? Just two. The Nikkor 85G does not have image stabilization. Frankly, that would not be reasonably expected at this price, currently about $476. I have rarely, if ever, had image blur using this lens in the studio or outdoors. In part, that is also explained by using it most of the time between f4 and f5.6 at fast shutter speeds so motion is a less likely factor and the auto focus is dependable. Nonetheless, if you have any problems keeping your camera steady without a tripod, then the lack of VR would not be your best choice. Read on below for an 85 mm lens from Tamron that is also very sharp and it has image stabilization. One problem often reported for this Nikkor that I do see is CA on edges where there is quite high contrast. Thankfully, LR and other programs quickly and easily remove it. An lastly, although not really a con, this lens is not intended to be used for things like landscape photography. It performs best at or near wide open depending upon how much DoF you require. That doesn't mean you can't use it. It is still a good lens stopped down but there are simply better lens choices for things like landscape. You can still go ahead and use it in a pinch. Third party alternatives? There are lots. I would be remiss if I did not mention some of the highly regarded 85 mm lenses that other manufacturers offer including my favorites if budget no longer matters. Zeiss offers several, terrific 85 mm lenses both old and new. But for most folks their higher price and lack of auto focus could be deal breakers. Tamron offers a new, highly rated alternative with auto focus for $749 that is distinguished by being the first 85 mm lens with image stabilization (VC),Tamron AFF016N700 SP 85mm F/1.8 Di VC USD Lens (Black). I have not used it but but there are sufficient reviews that agree it is exceptionally sharp, that the VC is effective, but there are also some reports of consistent focus issues. In general, if the user is not at fault, there are two common kinds of trouble. Any manufacturer's lenses can suffer from focus shift but thankfully, unless the lens is damaged, that can be fine tuned in-camera to correct by the user. The other kind is more complicated and it only affects third party lenses' in their auto focus compatibility. It is a quite a different focussing issue. All third party lenses can have such problems with Nikon because it does not share its proprietary, secret handshake between camera and lens to ensure the highest level and consistency of auto focus compatibility. Companies have no recourse except to reverse engineer. But care must be taken in doing so to avoid patent infringement. In fact, Nikon successfully sued Sigma for a lot of money on that account c. 2011. Sigma makes my highest recommendation for an 85 mm lens, the recently released, 85 1.4 lens from its renowned Art series, Sigma 85mm f/1.4 DG HSM Art Lens for Nikon F (321955) which at this time sells for $1,200. What distinguishes Sigma from competitors so far is that it came up with a good, cheap solution that can correct focus shift and any compatibility problems (so far) with Nikon cameras, using its affordable $59 dock, Sigma USB Dock for Nikon. The dock does not work with every Sigma lens but it covers all of the Art series plus some others. I have had excellent results with these lenses. IMO, their 50 1.4 Art lens is the best lens I have ever used in terms of sharpness and resolution although there have been Leica and Zeiss lenses that are also stellar. This Art series is an especially great match for my Nikon D800e. At this moment, the Sigma 85 1.4 Art is the highest rated lens overall at DxOMark. And just like the Sigma 50 1.4 Art, this newly released Sigma 85 1.4 Art lens rivals the performance of the esteemed Zeiss Otus lenses at their respected focal lengths. The Zeiss Otus 85 mm 1.4 lens, Zeiss Otus 85mm f/1.4 Apo Planar ZF.2 Series Manual Focusing Lens for Nikon DSLR Cameras is outstanding, manual only, and at $4,400, is by far the most expensive 85mm lens you can buy that fits a Nikon. Zeiss offers other excellent performing 85 mm lenses for less with a Nikon F mount but they all are manual focus only and are still relatively expensive such as the Milvus 85 1.4, Zeiss Milvus 85mm f/1.4 ZF.2 Lens for Nikon F. Older, very good Zeiss 85 mm lenses will be less. I admit that I am a fan of Zeiss. Its lenses have always demonstrated a distinctive look with remarkably attractive color rendering and contrast. Just don't expect to see Zeiss lenses with auto focus for Nikon. Before you buy an 85 mm focal length lens which I will assume is for portraiture, what are the best alternatives? This is a subjective matter. First of all nothing I can recommend is going to be as fine a performer or nearly as inexpensive as this Nikkor 85G AND also be as small and light weight. And of course, if you do primarily want it for portraits, 85 mm has been a favorite focal length for generations. But don’t feel constrained by convention. For example, some people prefer 50mm for portraits. However, if your subject has any feature that is larger than average you might find a 50mm lens exacerbates that. The counter argument would be that knowledgable posing technique and post production can minimize such problems. You will also being working closer to your subject for better or for worse. But if you do prefer a "normal" lens and you especially love bokeh, the Nikkor 58 mm Nikon AF-S FX NIKKOR 58mm f/1.4G Fixed Zoom Lens with Auto Focus for Nikon DSLR Cameras is exceptional for portraits. Sometimes it gets a bad rap but I think it is easily misunderstood because of its intended purpose. It is a kind of speciality lens because of the impressive way it makes distinctive transitions moving between what is sharpest to areas that are out of focus. The bokeh is remarkable, as good or better as anything I have seen. But again, that is a subjective matter. I just do not consider it to be an all purpose normal lens although I know people who disagree although with a few caveats. Overall though, for portraiture, I recommend looking within the focal range of 85, 105, and to a lesser extent, 135 mm primes or else weigh the trade offs in using a relatively light weight zoom like the excellent Nikkor 70-200mm f/4 lens Nikon 70-200mm f/4G ED VR Nikkor Zoom Lens which costs about $1,400. I offer that range because there is never a single answer for all of us about what best suits our personal needs so keep your options open to begin with. If you like to work in low light obviously you will appreciate the fastest lens models at any focal length. But they will tend to be considerably larger, heavier and more expensive. No flying submarine exists although I come back to our little Nikkor 85G 1.8 lens that IMO just might come closest to offering a compelling case for being the best compromise. And you can't beat its quality for the price. Nonetheless, there are several alternatives I have mentioned here that deserve your consideration. If feasible, nothing beats a side by side comparison of lenses using tests that are appropriate in covering everything it is you like to do and that you do the most frequently. See how it feels in yours, the balance with your camera as well as its optics. Those are the keys. Cameras come and go but it is solid planning to buy the best lenses you can when you can. It is very old but wise advice. I wish you great success in your hunt.
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Reviewed in the United States on May 14, 2017 by John McPhee