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Natasha Carbon Fiber Acoustic Guitar 41-inch Steel-string Guitarra Durable 6-string Guitar

Based on 15 reviews
Condition: New
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$499.99

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Arrives Saturday, Oct 31
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At a glance

Condition
New
Dimensions
40.55 x 15.94 x 4.72 in
Color
Black
Top Material Type
3K Carbon Fiber
Neck Material Type
Mahogany
String Material Type
Phosphor Bronze
Hand Orientation
Right
Warranty
1 year warranty.

Features 5

  • Perhaps many people have heard of carbon fiber guitars but hesitate to try them. Why do many users praise the reliability and innovation of carbon fiber guitars? Because they possess modern tonal characteristics: bright and clear sound with strong penetration. And they are extremely durable
  • More suitable for modern fingerstyle:the seamless integration of a 3K carbon fiber body with solid wood X-bracing retains the bright, crisp high-frequency response of carbon fiber while enhancing mid-to-low frequency harmonic blending, resulting in a more balanced and warmer overall tonal character
  • The combination of a 3K carbon fiber body and solid wood X-bracing creates a more stable structure, resulting in cohesive, full-bodied, and transparent tonal transmission. This delivers sound characteristics closer to the warmth of traditional wooden guitars
  • It can effortlessly adapt to various environmental changes. Whether it's fluctuations in temperature or humidity, it maintains optimal performance and requires minimal maintenance

Description

Our logo, a lowercase “n” gracefully entwined with a vibrant leaf, symbolizes the wood’s rebirth, divorced from the soil, and harmonizing uniquely with music, as we aspire to contribute our distinctive touch to the global guitar industry. Natasha is a company that is keen on innovating and developing new ways around guitars. Whether it’s material sustainability, or instrument playability, we welcome you to try our guitars for a great surprise. Sustainability Jam Responsibly – Green Guitars, Happy Planet. High Quality Guitars of Distinction – Uncompromising Quality. Perhaps many people have heard of carbon fiber guitars but hesitate to try them. Why do many users praise the reliability and innovation of carbon fiber guitars? Because they possess modern tonal characteristics: bright and clear sound with strong projection. And they are extremely durable. The seamless integration of a 3K carbon fiber body with solid wood X-bracing retains the bright, crisp high-frequency response of carbon fiber while enhancing mid-to-low frequency harmonic blending, resulting in a more balanced and warmer overall tonal character The combination of a 3K carbon fiber body and solid wood X-bracing creates a more stable structure, resulting in cohesive, full-bodied, and transparent tonal transmission. This delivers sound characteristics closer to the warmth of traditional wooden guitars It can effortlessly adapt to various environmental changes. Whether it's fluctuations in temperature or humidity, it maintains optimal performance and requires minimal maintenance Making the fret markers easier to identify Abalone shell inlays by hand Enhancing the high visibility of the fretboard It comes with a gig bag. Take this carbon fiber acoustic guitar to the beach, to grassy fields, to parties, and wherever you want to go - play to your heart's content! Carbon Fiber Guitar Carbon Fiber Guitar Carbon Fiber Guitar Carbon Fiber Guitar Carbon Fiber Guitar Carbon Fiber Guitar Carbon Fiber Ukulele

Specs 27

Brand NataSha
Color Black
Top Material Type 3K Carbon Fiber
Body Material 3K Carbon Fiber
Back Material Type 3K Carbon Fiber
Neck Material Type Mahogany
Fretboard Material Type HPL Ebony
Guitar Pickup Configuration No

Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Saturday, Oct 31

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

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View our full returns policy here.

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Top Amazon Reviews


Dated Enya, married Natasha
TL&DR Version: If you want a carbon fiber, full-sized acoustic that plays, looks, and sounds good (or at least good-enough for the price), this Natasha X Carbon should be on your list. It is in some ways the opposite of the similarly-priced Enya guitars I’ve tried. It is feather-light as it has no electronics, pickups, or effects. (Versions of this Natasha with built in pick-ups are available on the company’s web store.) Amazon’s generous return policies make this easy to audition, and the price is low, making it a stress-free guitar to take most anywhere. Full Review: I have no affiliation with Natasha (save for the fact I sent their support an email with some questions and haven’t received a response). I paid for this guitar, as well as the other mentioned comparison guitars, with my own money. I’ve played acoustic guitars for over 20 years in a variety of genres. I have two excellent solid wood Furch guitars that I paid around $2k and $3k respectively. These are gems, but very much require vigilant minding whenever they are out of the house. I live in Michigan, so keeping a wood guitar in my vehicle over the winter is “a bad idea.” So I’ve long been interested in finding a guitar that sounds and plays well (or well-enough for the money) while not requiring constant attention and care. I think this X Carbon is impressive, and a keeper for me. My wish list for this instrument is as follows: --Relatively inexpensive (around US$500, maybe a bit higher) --Able to withstand some very cold winter overnights in my vehicle parked outside --Can travel well, including on airplanes, being both damage-resistant and light weight to carry --Can work for both finger-style and strumming --Normal-sized, as I’ve yet to find a small “travel-sized acoustic guitar” that has the balanced sound (including low end) I prefer --Bonus points if I can acquire and return the guitar easily if it falls short of my goals I am also an engineer that tends to overthink or over-analyze purchase decisions. (It feels good to say that out loud.) In the past few years, I have become aware of several relatively low-cost carbon fiber (CF), or CF-adjacent, guitars available on Amazon. I’ve tried three Enya guitars, including the X3 and X3 mini, the NEXG 2 (which I kept, read on). I’ll compare each to the Natasha X Carbon, the guitar I finally chose and I’m reviewing here. The Natasha Carbon X is a full-sized (Jumbo with cutout) acoustic guitar. It appears (and claims in its literature) to use Carbon Fiber on the top, back and sides, and all of those surfaces appear to have the same CF weave. This is true for the guitar interior as well, which I confirmed looking around the inside with a tiny camera. It uses wood for its internal bracing as well as its neck (Mahogany), and bone for its nut and bridge. There is no pick-guard. I chose one without electronics or pickup, although this guitar can be ordered with a couple of pickup options directly from the manufacturer’s web store (although those instruments ship from China, so likely to take longer to arrive). It comes with white plastic string pins, which I swapped with (inexpensive, from Amazon) a set of black wood, primarily for cosmetic preferences. Its tuners are probably the weakest part of the experience, feeling rather generic but adequate. I found that these can be “tightened up” (i.e. felt better and stayed better in tune) with a small screwdriver and 10mm wrench. This guitar hits all six of my wish list criteria. It is surprisingly light, a big advantage over the Enyas I tried. (My intuition is this is due to the use of CF on back and sides, unlike the “CF-Adjacent” material used by Enya, and the lack of electronics). It was acceptably well set up on arrival, but it improved after I did my own DIY setup. It sounds and feels surprisingly good, certainly good enough to play in public (as I did last week at an acoustic Irish music session). I’ve yet to put the XCarbon through a Michigan winter, but expect it should be fine. My feeling is that by forgoing electronics, and using CF on back and sides, the guitar put its money on the things I most wanted improved over the Enyas. I am also including some videos of me playing the X Carbon, and for comparison, my $2k+ Furch Dreadnought (more than 4x the X Carbon price). Here are the timecodes of the various sections of the attached video: 0:00 Natasha X Carbon Fingerstyle 1:42 Furch Vintage 2 Fingerstyle 3:25 Natasha X Carbon Strumming 4:00 Furch Vintage 2 Strumming Let me briefly compare the X Carbon to the three Enyas previously mentioned. The Enya X3 Pro was the closest competitor. I didn’t really have need for the built-in effects, but being able to tweak EQ (in the Enya app) was a nice bonus. It however weighed considerably more than the X Carbon. I did like the X3 Pro, and moved on from it only after (absentmindedly) leaving and losing it at a gig. I hope that someone is enjoying it somewhere. I had a lot of hope for the Enya X3 Mini, thinking that I could compensate for its smaller size via EQ. But efforts to make the Mini sound similar to the full sized X3 were unsuccessful. My efforts of electronically emphasizing the lower frequencies via EQ led to very noticeable feedback. And like its larger variant, it was pretty heavy. The Enya NEXG2 is in many ways the antithesis of the Natasha X Carbon, but serves a particular use case, and does it well. Similar to other “silent guitar” designs, the NEXG has no body to generate sound or volume, only an electric pickup. But unlike most silent guitars, it puts essentially a full, self-contained, battery-operated PA (including inputs and speakers) on the guitar, so requires no extra amplification in live settings. At first, I thought of this as a silent guitar with its own amplification, but after a while, thought of it more as a self-contained, no setup, low-power PA with a guitar attached. You can even add a microphone that plugs into the NEXG2 which also will be amplified through the guitar speaker. As such, it is a killer for playing smaller venues or busking. Its biggest downside (for me) is the added weight and potential fragility of the electronics; amps and speakers are much heavier than a thin-sided box filled with air. I don’t expect to take it through airports and on airplanes. It gets much less playing time than my X Carbon, but works well in situations when an unamplified acoustic would be hard to hear. One clear advantage of the Enyas over the X Carbon is in the included case/bag. Enya cases and gig bags are really impressive. The included Natasha gig bag is adequate, but I have other cases and gig bags that work with the X Carbon. I’d love to put side-by-side my Natasha X Carbon and Natasha’s all-bamboo guitar, which I also expect to sound good and be difficult to damage. Maybe someday. But regardless, for $500, I have nothing but praise for this impressive X Carbon! The affordable, low-worry, feather-light, full-sized, take-anywhere carbon fiber guitar has arrived, and her name is Natasha. ... show more
Reviewed in the United States on July 3, 2026 by klaberte

Looks Great, Plays Great after Setup
I got around to doing a setup today. First off I've got to say this guitar was way off, so much so I wasn't sure if I'd keep it. The action was so high that there was no volume coming out of the box. The neck was so bowed forward I wasn't sure if the neck angle was good or not. So I started by adjusting the relief a quarter turn at a time. Six quarter turns later it settled in to where I like it. At this time I checked the neck angle with my long straight edge and it landed right on the top of the bridge. If it were off I would have sent this guitar back before adjusting the saddle. I brought the saddle down about 1/8 which still gave plenty of saddle left for future use. This gave me 2 dimes at the low E and 1 dime at the high E at the 12th fret. I strung up the strings and tuned it up. It became a completely different animal. The guitar was screaming out loud and so was I. If you intend to buy one, be ready to do a complete setup, you won't be sorry about your purchase. UPDATE I have had this Carbon X for about a month now and it reminds me of the Rainsong Smokey Hybrid I had for several years. It has a warm voice for a carbon fiber guitar. It can take hard strumming, and finger picking sounds clear. For the cost of this full size carbon fiber guitar it's a no brainer. The fit and finish is well done, So if ya got a spare 499 to spare this would be the perfect gift to yourself. Cheers ... show more
Reviewed in the United States on August 28, 2026 by Radman

Unbeatable value/sound/quality!
These guitars are beautifully built and sound great. Mine needed a little tweak on the action, but after that it plays great as well. You cant beat the price. I am installing a Schatten HFN active under bridge pickup into mine - total cost for guitar/pickup is under 700$.
Reviewed in the United States on December 24, 2025 by Rod

Nice guitar with some design flaws.
I’m an experienced luthier who likes the idea of carbon fiber guitars. The Daniel Padim video, and others, really sold me on the Carbon X. Despite Padim’s opinion about it sounding like a wood guitar, it really doesn’t. It sounds like a light weight carbon fiber guitar. At first, I didn’t like the sound, from behind as a player, or even from in front as a listener. Now that I’ve had it for a couple weeks, it’s sounding a lot better. Probably, because the brand new phosphor bronze strings have settled down, and possibly, because it’s been in my humidified music room (I know the carbon fiber top/back/sides aren’t affected by humidity very much, but the spruce braces and neck are). I really wanted to like this guitar. For the most part I do. I like the design which uses wood braces, kerfing and neck, but I don’t like the fact that neither the nut, or the frets, extend the full width of the fretboard. The X-Carbon supposedly has a neck width of 1 11/16”. It’s actual 1/32” skinnier or 1 21/32” wide. With the inset nut (see photo), which is 1 19/32” wide (no luthier or other guitar factory that I know of insets the nut like this), the string spacing (from E to E) is compressed to 1 13/32”. The string spacing on one of my favorite wooden guitars (last photo), with an actual neck width of 1 11/16”, is 1 17/32”. That’s a 1/8” loss in string spacing. Luckily I have a Taylor 214ce with 1 13/32” string spacing, so I think I can deal with it. However, I would definitely prefer the wider 1 17/32” string spacing that I was expecting.
 I thought about just making a new nut for the guitar that extends the full width of the fretboard, with wider string spacing, but it’s a brand new guitar and I would have to cut away the inset pieces of binding, or fretboard, or whatever it is, next to the nut. The shortened frets (see photo) make that idea a bad one, since they also don’t extend to the edge of the fretboard. Round end frets are somewhat of a gimmick, which I don’t ever do when fretting a guitar. They really aren’t necessary, and are an added cost when done by hand. I’m sure these are done by a CNC machine, which can cut and round then cheaply. I wish they extended the full width of the fretboard. I’ve decided to keep the guitar. For $500 it’s a really nice guitar, despite the design issues detailed above. ... show more
Reviewed in the United States on January 7, 2026 by NRH

Almost a winner.
I was looking forward to this guitar. I returned it. It arrived damaged with the carbon fiber top partially unglued from the sides on the lower bout. Bummer. If it can’t withstand shipping cushioned in a box, how can it be a travel guitar? It should come in a gig bag at the very least. Hopefully Natasha will use better glue because even broken it had a rich, deep sound. I may try it again in the future. ... show more
Reviewed in the United States on February 6, 2026 by Leigh A. Limon

Awesome product
This is a beautifully built and great sounding carbon fiber guitar from Natasha. I liked it so much that I bought another of their carbon fiber guitars as well but a different model.
Reviewed in the United States on September 27, 2025 by David Dwayne Schermerhorn

Awesome Guitar!
This Guitar plays beautifully and you don't have to worry about humidity levels. Great guitar for the money. It also looks amazing.
Reviewed in the United States on January 5, 2026 by Jason

Decent
Just got this thing a couple days ago and am overall pleased, for the price. As other reviewers have noted it sounds more like a lightweight stiff-carbon instrument than wooden (which makes perfect sense of course), but still OK. As someone also noted, mine arrived with a minor disbond at the corner between the lower bow and back, about five inches long. Doesn't look like it happened in shipping, more like initial fabrication didn't quite close, or perhaps fill, the gap with adhesive. It's otherwise cool and I'm keeping it anyway. ... show more
Reviewed in the United States on February 13, 2026 by JA
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