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Fujifilm

Fujifilm X100 12.3 MP APS-C CMOS EXR Digital Camera with 23mm Fujinon Lens and 2.8-Inch LCD

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Color: Silver


Features

  • 12.3-megapixel APS-C CMOS sensor
  • Newly-developed lens offers a focal length of 23mm (135 equivalent: 35mm) and a widest aperture of F2. Made from molded glass, the lens contains 8 elements in 6 groups
  • Hybrid Viewfinder combines the window-type "bright frame" optical viewfinder, and the electronic viewfinder system
  • HD Movie Mode; capture 720p video

Description

The Fujifilm FinePix X100 is a high-precision digital compact camera that combines modern technology with a traditional camera design to deliver the ultimate in image quality.Featuring an APS-C CMOS sensor (12.3 megapixel), a Fujinon 23mm Single Focal Length Fixed F2 lens, a 2.8-inch LCD with 460K pixel, and the world's first Hybrid Viewfinder, the FinePix X100 captures exceptionally high quality images.What's in the box: Fujifilm FinePix X100 Digital Camera, Li-ion Battery (NP-95), Battery Charger (BC-65N), Shoulder Strap, USB Cable, Lens Cap, Metal Strap Clip, Protective Cover, Clip Attaching Tool, CD-ROM, Owner's Manual and 1-Year Limited Warranty. From the Manufacturer The Fujifilm FinePix X100 is a high-precision digital compact camera that combines modern technology with a traditional camera design to deliver the ultimate in image quality. Featuring an APS-C CMOS sensor (12.3 megapixel), a Fujinon 23mm Single Focal Length Fixed F2 lens, a 2.8-inch LCD with 460K pixel, and the world's first Hybrid Viewfinder, the FinePix X100 captures exceptionally high quality images. Fujifilm FinePix X100 Highlights Custom 12.3-megapixel APS-C CMOS sensor The FinePix X100 features a custom 12.3-megapixel APS-C CMOS high-performance sensor, internally optimized and developed exclusively for this model. Optimization of the angle-of-incidence in conjunction with the specially developed lens maximizes light gathering efficiency extending to the perimeter of the sensor for a sharper image with exceptional clarity. When shooting HD movies, the combination of the large- sized sensor and the large aperture F2 lens, lets users create a soft out-of- focus image--a capability not available in conventional compact cameras. The ideal combination of a fixed focal length lens, high-sensitivity sensor (approximately 10 times the sensitivity of a conventional compact) and a high-performance image processor captures extremely high quality images from low sensitivity to high sensitivity. In standard form, the planned ISO range is from 200 to 6400, but this can be expanded to include 100 and 12800. The newly developed EXR Processor takes EXR processing to new heights. Combined with the high-sensitivity sensor, the EXR Processor achieves the highest resolution, sensitivity and dynamic range ever produced by a FinePix digital camera for the ultimate in image quality. The high-speed CMOS sensor read-out and the EXR Processor's enhanced focusing system contribute to the high-speed AF performance, while the combination of the optical viewfinder and extremely low shutter lag time enhance the image capture experience. High-performance 23mm F2 Fujinon lens The FinePix X100 comes with a new Fujinon non-collapsible lens structure that expands the realm of photographic expression with sharper resolution from the center to the corners. It has a 23mm (135 equivalent: 35mm) F2 lens, with eight elements in six groups. One aspherical glass molded lens. The adoption of the non-collapsible lens structure with minimized lens length not only contributes to the compact size, but also eliminates telescoping of the lens when the power is on. It's ready to start taking photos the moment the user turns it on. In addition, the lens features not only the large F2 aperture value, but also an optical architecture that maintains a high degree of resolution even when closed by 1 to 2 stops. The adoption of a 9-blade aperture diaphragm combined with the large F2 aperture and high-quality optics lets users take photos with a beautiful circular soft out-of-focus (bokeh) effect. With macro shooting capability as close as four inches, users can explore the fun and fascination of close-up photography. The built-in ND filter (equivalent f-stop reduction of three) can be switched ON/OFF via simple in-camera settings. World's first Hybrid Viewfinder The true enjoyment of photography begins with the thrill of seeing the world through a viewfinder. The new Hybrid Viewfinder has been developed to reintroduce users to this essential camera experience. It combines the window-type "bright frame" optical viewfinder found in rangefinder-type film cameras such as the classic 135-size or medium-format cameras, with the electronic viewfinder system incorporated in most compact or mirrorless digital cameras. By integrating a prism for the 1,440,000 dot LCD panel image on the viewing screen in the reverse-Galilean optical finder, the Hybrid Viewfinder can show both the shooting frame and a variety of electronic shooting data. It can also be used as a high-quality electronic viewfinder to compose or playback shots. With this ability to instantly switch between optical and electronic viewfinder modes using the simple "one touch" control, the new Hybrid Viewfinder offers users expanded freedom in the composition and enjoyment of photography in a wide range of challenging shooting conditions. The reverse Galilean optical finder with a 0.5x magnification features all-glass elements made from high-refractive index glass and demonstrates low chromatic aberration and distortion. In optical viewfinder (OVF) mode, the brightness of both the "bright frame" and text data is automatically adjusted according to the brightness of scene area, ensuring that shooting information is always easily and clearly viewable. Also, the displayed shooting data is constantly updated according to changes in shutter speed, exposure, sensitivity and other settings, so that the user's eye never has to leave the viewfinder. In electronic viewfinder (EVF) mode, the photographer can preview the picture or playback the result with the "through the sensor" image review and high- resolution 1,440,000-dot quality. With a flick of the one-touch lever, the user can switch to EVF to preview and confirm exposure settings, depth-of- field, and white balance--an especially useful capability when shooting macro shots and other scenes that are hard to confirm with only an optical viewfinder. Stunning retro design The FinePix X100 features a beautiful, high- quality design inspired by the classic look and feel of traditional film cameras. The top cover of the upper control deck and the bottom surface have been die-cast from magnesium alloy (semi-solid metal casting), contributing to a high-precision camera body. All dials and rings are precision milled from metal. The ergonomics of the design offer the perfect balance between compact convenience and user-friendly functionality. Traditional 'manual' dials lets the user confirm the position of the settings without turning on the power. The camera's controls have been carefully thought out to give the photographer simple and speedy access to aperture, shutter speed, exposure compensation, etc, allowing maximum creative expression with minimum hassle and enabling the user to view settings--even when the power of the camera is turned off. Custom modes can also be accessed with a one-touch settings change. The chassis has been finished with high-quality leather-like accents and is both a delight to use and a pleasure to hold. RAW quality for image enhancement functions Capturing the scene in RAW format is easy with just a press of the readily accessible RAW Button on the back of the camera. Photographers can use the built-in RAW Development function to process the RAW data in-camera using the camera's image quality settings. In addition to Fujifilm's original Film Simulation Modes that give photos the distinctive look of Velvia, PROVIA and ASTIA color reversal film emulsions, X100 expands the scope of photo expression with Monochrome Mode that can be fine-tuned with R/Ye/G filter settings. Separate adjustment of shadow tones and highlight tones lets users reproduce the rich tonality of high-contrast subjects. Additional FeaturesEVF/OVF Focus Area: The FinePix X100 offers users the choice between the 49-point auto EVF focus area or the 25-point OVF auto focus area as well as the selection of 5 different focus area sizes in EVF mode. Depending on the needs of each scene, the FinePix X100 offers easy focusing by design. HD Movie mode: Lets users capture the action in 720p high-definition detail. Just like taking still photos, users can capture movies with aperture-priority AE and enjoy a soft, defocused background effect. In addition, the built-in HDMI Mini connector allows users to easily and directly connect the FinePix X100 to high-definition TVs for showing stills and movies with plug-and-play ease. Motion Panorama: With the built-in Motion Panorama function, it is easy to capture 180° and 120° panoramic photos. Later users can print the results as pin-sharp A3-size (11.7" X 16.5") enlargements and share the enjoyment of high-quality panoramic photography. Multi-Bracketing Functions: The FinePix X100 has four types of bracketing functions: AE, ISO, Dynamic Range and Film Simulation. One click of the shutter captures 3 bracketed images of the scene so the photographer knows he's captured the moment. Star Quality--Premium Accessory Lineup

Compatible Mountings: Fujifilm X


Aspect Ratio: 32


Photo Sensor Technology: CMOS


Supported File Format: JPEG (Exif 2.3), RAW, RAW+JPEG, MOV


Image Stabilization: Digital, Hybrid, Optical


Maximum Focal Length: 35 Millimeters


Optical Zoom: 4 x


Maximum Aperture: 2 f


Expanded ISO Minimum: 200


Metering Description: Multi, Average, Spot


Product Dimensions: 4.98 x 2.12 x 2.93 inches


Item Weight: 15.7 ounces


Item model number: X100


Batteries: 1 Lithium Ion batteries required. (included)


Is Discontinued By Manufacturer: No


Date First Available: September 20, 2010


Manufacturer: Fujifilm


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Top Amazon Reviews

    • Almost Famous
Color: Silver
Instead of an all out review I will try to list my top pro/con experiences with this camera. I wasn't expecting The X100 to be perfect, but some things on this camera are hard to get right. I think that this is mostly just because of the firmware/software, which is still at a very early version right now. So below I am first covering some of the negatives mostly because I want to finish with the positives. The negatives covered here were observed while using the camera instead of from the feature/specifications list. ==FOCUSING== I understand that contrast based auto-focus would be slow and I have no problems accepting that and living with it, but the focusing still suffers from the following 2 class of issues which I think should not be hard to rectify: 1) OVF focusing: OVF focusing could have been "PERFECT" if the camera always displayed the OVF frame-lines for the current (or last) focus distance when in MF mode. But it does not. You only get the correct frame-lines on shutter half press and then they move back to the default position as soon as you release the button. Whats worse is that the focus point doesn't move with the frame lines, so I'm never really confident of the object under focus. In other words, in situations where the parallax matters you can forget about one click auto-focus with the X100. You will have to use the EVF zoom focus check for important shots. In dynamic shooting situation you will sometimes have to trade-off sharp focus for just getting the shot. This overall is not a terrible thing, but its just something that could be fixed in software. 2) Manual focusing: As expected low light auto-focusing is not one of the strengths of this camera, especially when you have the auto-focus assist light turned off for stealth. So the manual focus ring along with the distance display is a great idea for such situations. But the FREAKIN focus ring is so slow that it takes ages to pre-focus the camera to a particular distance. I can understand the need for smaller steps when in the macro focus range but for non-macro use this is just unacceptable. The user should be allowed to pick how much rotation (with the option of setting it to less than 1 turn for the full range) covers the non-macro focus. An extra treat would to zoom into the distance scale for macro focus. Again I expect this to be something that can be fixed in software. ==INTERFACE== 1) Auto Manual ISO toggle: There is no way to quickly toggle between auto and manual ISO. Again this would be something fixable in software. 2) Dedicated controls for second level features: I like the dedicated controls for aperture, shutter and shutter compensation. But allowing users to quickly modify the second level exposure control depends on the shooting situation is also important and sadly somewhat lacking in this camera. Adding this kind of flexibility to the interface allows different people with different usage patterns to quickly adjust the interface to match their needs. The RAW button really should mean giving more RAW control over the camera. I know I'm not being very specific because I haven't completely thought through the possible list of suggestions here. 3) Slowness: Pretty much any kind of mode change takes around 1 second (or maybe a little less than a second). Some of these are acceptable and other arent. And I'm pretty sure that not all of the interface slowness is necessary, and some of it might be fixable in software. Closing the viewfinder curtain in some situations doesn't really seem necessary. I think taking another pass at fixing some of this slowness will be useful. ==JAPAN== I am amazed at how quickly Fuji delivered the camera pre-orders even after the massive natural disaster in JAPAN. The resilience of the people behind this effort is unbelievable. ==HAPPY THINGS== An amazing amount of engineering and planning went into bringing this camera to life, especially being the first entry product by Fuji in a segment completely new to them. So I want to briefly mention some of the things about this camera that make me happy: 0. I am able to achieve better results with long-exposures when hand holding the X100 compared to a DSLR 1. I am very happy with the sharpness and color rendition of the photos & the low light high ISO performance 2. I am delighted with the super awesome ultra quiet operation and the compact size 3. I am happy with the OVF and EVF. I was expect 0.5x magnification to be somewhat dismal but it feels pretty good to me. 4. It fits my hands well and most of the buttons are easy to get to The camera is still at firmware 1.01 and with some more software changes Fuji can make this a 5 star product (at least for me). Please FUJI. Its only a few more steps to the top. ... show more
Reviewed in the United States on May 13, 2011 by ZeroCool
    • A review of the X100 by a Nikon dSLR and m4/3 owner
Color: Silver
I am writing this review from the perspective of someone who owns a Nikon full-frame dSLR (Nikon D700+MB-D10), two Nikon crop dSLR (Nikon D7000+MB-D11 and Nikon D3100) and an m4/3 camera (Panasonic GH2). I receive the Fujifilm X100 about 5 days ago and since then, I have been slowly learning the features and capabilities of this camera. I will be steadily adding to this review in the coming days but I thought I'd share here my initial impressions of the X100 to help those wondering whether to get this camera make their decision. Though I tried my hand at using small cameras that can shot RAW and provide full manual controls on aperture, shutter speed, ISO and White Balance (the Panasonic LX-3 and the Canon S90 being among these), I was never happy with the marginal photos that I could take with these cameras. This is mainly due to the small-sized camera sensor. Yet part of my dis-satisfaction with these cameras is also due to the shooting position where one extends one's arms to view and compose with the rear LCD screen rather than the viewfinder to the eye position when using a dSLR. After trying my hand with these cameras, I sold them but knew that my next small and light camera must have a large sensor and a proper viewfinder. My initial attempt to finally address this issue on poor image quality and sub-optimal shooting stance yet have a small and compact camera was my purchase of the Nikon D3100 which I paired with a Nikkor 35mm f/1.8G DX lens. Equipped with a good-sized sensor, a real optical view finder (OVF) and a very capable lens, this setup provided me with a compact, light, inexpensive and very capable camera setup. I was very happy with the setup and it provided me some relief from using the D700+MB-D10 or D7000+MB-D11 combo. Though I did install and use my other Nikkor lenses on the D3100, it was the Nikkor 35mm f/1.8G DX that was mounted on the D3100 easily 50% of the time. For the other times, it was mainly the Nikkor 24mm f/1.4G at 40% of the time and the Nikkor 17-55mm f/2.8 or the Tokina 11-16mm f/2.8 for the remaining 10%. I would have used the Nikkor 24mm f/1.4G far more often with the D3100 than the Nikkor 35mm f/1.8G DX but the large size and heavy weight of the Nikkor 24mm f/1.4G lens does not make for a light and well-balanced combo with the D3100. So as much as I would have preferred matching the D3100 with a 24mm focal length prime lens, the lighter weight and smaller size of the 35mm f/1.8G DX made it the default lens for the D3100. I also acquired a Panasonic GH2. Though equipped with a smaller m4/3 sensor, the GH2 acquits itself very well for video work and the 14-140mm lens provided good results when shooting outdoors or in good lighting conditions. But for still-photography, the GH2 with the 14-140mm lens is simply awful. For a while, I had the impression that the GH2 was very bad for still photos until I decided to buy an adapter and mounted my Nikkor prime lenses on the GH2. Wow .. what a difference mounting good lenses made on the quality of photos the GH2 can take. I found myself using the GH2 more and more often for still-photos even though I had to manually focus my Nikkor lenses. The GH2 was my first exposure to an electronic viewfinder (EVF) and despite its real limitations when working in sub-optimally lighted conditions, I appreciated the ability of the EVF of the GH2 to display information that an OVF could not display. I decided to add a Panasonic 20mm f/1.7 and 14mm f/2.5 lens and was happy with the resulting setup which was even more compact and lighter than my Nikon D3100 and 35mm f/1.8G DX lens. While the image quality of the Nikon D3100 was still better than the GH2, the smaller lighter size of the GH2 and its excellent video capabilities made it my choice for many situations. Then came the Fujifilm X100. Combining the small compact size of the GH2 and its compact prime lenses plus incorporating the advantages of both the optical viewfinder of the D3100 and the electronic viewfinder of the GH2, I became seriously interested in the X100. The fact that the lens was not interchangeable was not an issue for me as the X100 lens is a 23mm f/2.0 - the perfect focal length as far as I was concerned. The 35mm equivalent of 35mm would have been my favorite focal length with the D3100 and the GH2 but neither Nikon nor Panasonic makes a compact and light prime lens that has a fast 35mm in 35mm equivalent (Olympus makes a m4/3 17mm but it is just f/2.8). That the X100 lens was also a fast f/2.0 lens was definitely an ace in favor of the X100. While cleaning the sensor of my D700, I realized another reason why the non-interchangeable lens nature of the X100 was a non-issue. With a non-removable lens, the X100 will likely not need any sensor cleaning at all, I happily realized. Yes! Viewed sideways, the X100 was considerably smaller and thinner than the D3100 with the 35mm f/1.8GDX lens and still substantially thinner than the GH2 with the 20mm f/1.7 lens. The X100 wins against the two others on this point. Based on my initial test, the image quality of the X100 is excellent and can easily hold its own against the Nikkor D3100 with the 35mm f/1.8G DX lens. This is quite an achievement as the Nikon-Nikkor combo is superb. While the X100 is a bit soft when shot wide-open at f/2.0 compared with the Nikkor D3100 shooting the 35mm f/1.8G DX at f/2.0, I like the way the X100 renders the image which is very pleasing and of a different character than the clinical images I could take with the Nikon D3100 and the 35mm f/1.8G DX lens. Testing both at f/2.8, f/4.0, f/5.6 and f/8.0 yielded even better results with the X100 while the Nikkor D3100 with the 35mm f/1.8G DX stayed very good as well (it was really good wide-open to begin with anyway). In terms of image quality, I would rank these two at about equal. What for me tilts the balance in favor of the X100 is the focal length of its lens - 23mm vs the 35mm of the Nikkor. So while the image quality for both are neck-to-neck, I much prefer the X100 because of its lens' focal length. The GH2 ranks lower than the X100 and D3100 in image quality and with the X100 being thinner and having both OVF and EVF and with my preferred focal length lens, the X100 is now my first choice for a small and light compact camera. CONTINUATION - April 12, 2011 In many respects, while there are similarities among the D3100, GH2 and the Fujifilm X100, each is unique and each serves a specific purpose better than the other. The primary advantage of the D3100 is that it packs a lot of capabilities and flexibility for its size. These advantages however are lost when one installs a zoom lens on the D3100 as the resulting bulk and weight no longer qualifies it as a light and compact camera. Until such time that Nikon releases several compact and light prime AF-S lenses that will auto-focus on the D3100, the D3100 steps out of the light-and-compact auto-focusing camera competition when equipped with other than the Nikkor 35mm f/1.8G DX. For video work, the GH2 remains the best tool for the job, with the D3100 and the X100 a far second and third. In addition to a far superior video capabilities, the GH2 has a electronic zoom that essentially gives the user a 2nd lens when using the pancake prime lens. Very impressively, this electronic zoom (or "ETC" in Panasonic parlance) can be used without any significant or visible degradation in the captured video and provides the GH2 a flexibility that other manufacturers would do well to emulate. The availability of several good light and very compact interchangeable pancake prime lenses adds further to the attraction of the GH2 as a video camera - as well as a still photography camera. This makes the GH2 a better tool for those who want to capture still photos and videos at the same time. The only disadvantage that I see to the GH2 is its low-light performance which is best described as adequate but not exceptional. This is partly due to its smaller sensor and higher pixel density. While using fast primes such as the 20mm f/1.7 can often delay the onset of having have to use higher ISO, the GH2 would truly be exceptional if it had better low-light performance and will likely be the toughest hombre to beat among the three. The Fujifilm X100 as a still camera is excellent for a select group of photographers who are not limited by the fixed-lens as its performance as a still camera is nothing short of excellent. In terms of low-light performance, the Fujifilm X100 outclasses the D3100 when shooting at ISO 3200 and even more so at ISO 6400 where the X100 still yields very good images. Combine with the f/2.0 lens, the X100 users will likely have minimal need of bringing an external flash. For a narrower select group of photographers who are not hobbled by the fixed lens, the Fujifilm X100 is one of the most exciting camera in the market. CONTINUATION April 15, 2011 Fujifilm's decision to equip the X100 with a fixed non-interchangeable lens has allowed it to make the camera and lens smaller, and to add several features unique to the X100. This setup dispense with the need to use a focal plane shutter so unlike a dSLR where the shutter is found in the body, the shutter of the X100 is found in its lens. The combination of a quiet leaf shutter on the lens and the absence of a mirror-slapping noise means that it is possible for me to shoot the X100 very discretely even in a quiet room. Even continuous shooting with the X100 generates little noise. The shutter sound of the X100 shooting continuously is unobtrusive unlike the loud staccato clatter of the dSLR. Another feature the fixed lens arrangement allowed is for Fujifilm to install a built-in 3-stops neutral density filter in the X100. I wished this was button activated but its fairly easy to access it from the menu. Once activated, I have a choice of either using a slower shutter speed or to shoot with the aperture wide-open. The X100 can simulate several colored, B&W and sepia films. The colored setting are named after the Fuji Films. The standard setting is Provia. For landscape (and sometimes even for people), I like using the Velvia for its rich saturated look. Though one can choose the Vivid on the Nikon D3100, I find the Velvia look on the X100 more pleasing, specially when viewed on the computer. The Astia is intended for use with soft-tone palette and yields a less-saturated look. So I took several solo and group shots in the diffused light in the late afternoon with everyone wearing light pastel and earthy colors. The Astia setting yielded a dreamy old film look which I find very pleasing. The shutter is adjusted using a dedicated top knob beside the shutter release button while the aperture is adjusted using the aperture ring on the lens. The controls work very well though the adjustment is always in increments of one stop. This is one area where the dSLR may provide greater flexibility in that it allows the easy adjustment in increment of 1/3 of 1/2 stop. It is possible to adjust the aperture and shutter speed of the X100 in 1/3 increments but it takes a whole lot longer to do this with the X100. It is by far faster to just adjust the exposure compensation when one is shooting in aperture priority mode. Because of the greater effort, I simply adopted and made my exposure adjustment (shutter speed and aperture) in one-stop increment adjustments. CONTINUATION April 17, 2011 As someone who cleans his camera after every use upon getting home, one of the things I appreciate about the X100 was that it was designed for photographers who have a nose. =) As a right-eyed focusing photographer, I can avoid the noise hitting and smearing the rear LCD screen of the X100 whenever I bring it to the eye to look through the viewfinder. Instead of my nose hitting the rear LCD screen whenever I do this, I am doubly pleased that this no longer happens and that cleaning the camera before putting it away is a bit easier and faster at the end of the day. While video is limited to 720p, it is nonetheless quite good. The advantage of the X100 having an electronic viewfinder (EVF) becomes evident when one uses it for video. With the EVF, one can take video while keeping the X100 to one's eye and this makes for a more natural and steady shooting position just like with still photography. This is similar to the Panasonic GH2 which also has an EVF but in contrast to the Nikon D3100 where the arms would be outstretched in a point and shoot position while using the rear LCD screen take the video. The Fujifilm X100 can autofocus on video and its pretty fast. The Panasonic GH2 autofocuses on video faster still but the X100 is much faster than the Nikon D3100 on video. Some have complained about power-up lag. First off, the type of SD card you use will make a substantial impact on power-up. A slow SD card can slow down the X100 from power-up to ready-to-use state. Using a fast SD card will help. Assuming that one is using an SD card, power up lag will depend on which viewfinder you are using. If you are using the electronic viewfinder, power lag is about 2 seconds. If you are using the optical viewfinder, the power lag is just a little bit above 1 second. In both instances, unless you have the viewfinder to your eyes and ready to shoot, the power lag does not make much of a difference as you still need to bring the camera up to your eyes upon power up, then need some time to compose, check exposure then shoot. While a dSLR like the D70 is almost instantaneous and is faster, it really will not make much of a difference for 99% of the time. UPDATE: June 12, 2011 After taking hundreds of photos with this camera, I fully appreciate the solid and sturdy feel this camera imparts whenever one uses it. As such, it imparts a certain sense of confidence and satisfaction in being able to take good photos in a measured and deliberate manner. Never designed for sports speed shooting nor for the urgency of events or wedding photographers, the X100 is best used when one can take his time to frame and compose before taking the photo. I can also categorically say that in terms of image quality, the X100 camera can hold its own against some of the best APS-C-sized sensored dSLRs in the market such as the Nikon D7000 for the type of shooting that the X100 was designed for. The black and white setting of the X100 can be quite intoxicating. The 3 "film" settings of the X100 (Astia, Provia and Velvia) is superb. What has also become clear is the value of the silent shutter of the X100. Several times, I have had to take photos inside a very quiet church. The few shots I took with the Nikon FX D700 sounded like gunshots inside a very quiet church and even the considerably softer and quieter Nikon DX D7000 still sounded loud. I could not continue without causing a major disturbance. The X100 came to the rescue and allowed me to continue taking photos quietly and unobtrusively. What has also become of great help is the ability to see the aperture, shutter and exposure compensation settings of the X100 in one glance without needing to view these through the viewfinder. This has been helpful when shooting from the hip again to avoid disturbing the very quiet and solemn atmosphere in a church. Going on to regular shooting, the electronic viewfinder (EVF) of the X100 allows me to shoot a photo and to review it immediately in the same EVF without need to put down the camera to view the image I just took through the rear LCD screen. I do not know of any camera that can do this ... not even the GH2 which also has an EVF. The EVF makes eye-on-camera video shooting very easy. While limited to 720p with very limited control on the settings, the X100 nonetheless can take very good video even in low light due to its clean images at high ISO. On the other hand, using the optical viewfinder (OVF) of this rangefinder-type camera, I can see a greater area than what the lens cover and this gives me the advantage of better and greater situational awareness that allows me to better compose or anticipate the different elements that I would like to converge in my photos. With the dSLR, I have to keep both eyes open to do this but it is neither easy nor convenient. The OVF of the X100 make it a cinch to do this. I should however mention 2 negatives both of which do not go directly into the performance of the X100. The first is the plastic adapter that comes with the battery charger. The battery charger is designed for another battery and an adapter is needed to charge the battery used with the X100. Though this adapter is also supplied with the charger, it is easily dislodged and as a result, could easily be lost making recharging a real challenge. The second negative is how Fuji has chosen not to design the lens so it can take on a filter (49mm) and also failed to include a hood with the camera. One needs to buy an expensive adapter that would allow the mounting of a filter on the X100. Considering that the lens is fixed, scratching the lens can quickly ruin anybody's day. Still on this, Fuji has also chosen not to include a hood with the lens. Like the filter adapter, this is again an expensive accessory. The hood is essential when shooting outdoors in bright sunlit conditions as well as indoors in harsh lighting conditions. Fuji may make a handsome profit when an X100 owner buys these but it leaves a bad taste in the mouth when one has to pay so much for something that should not cost much for Fuji to make and which it should have included with the camera as these are essential items. While at it, there are a couple of nitpicks that one can make against the X100 (e.g., difficulty and tediousness of taking multiple shots using a timer) so some of the complaints made against the X100 firmware is justified. Fuji has already released a firmware upgrade and is expected to release a 2nd sometime soon. This gives me confidence that many of the nitpicks will eventually be addressed. And as these minor irritants does not detract from the X100 being a good camera for what is was designed for, I have decided to keep the 5-stars rating for this camera. Finally, I can understand the frustration expressed by some who have reviewed the X100 when they treat and use the X100 as a substitute for their dSLRs. Having read this review this far, you will perhaps better understand their missives against the X100. The X100 has been designed for use in a specific niche and it excels within this specialized area. Outside this area, there are far better camera models out there that would surpass the X100 in size, weight, price, performance, flexibility, or the various combination of these. A better understanding of the capabilities and design of the X100 will help in avoiding the pitfalls that some have fallen into when they use the X100 as a dSLR substitute. I own an X100 but use my dSLR when I need a dSLR. ... show more
Reviewed in the United States on April 9, 2011 by LGO

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