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Canon

Canon EF 50mm f/1.2L USM Ultra-Fast Standard AutoFocus Lens - International Version (No Warranty)

  • Based on 5,238 reviews
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Availability: Only 1 left in stock, order soon!
Fulfilled by Jerry's Photo
Arrives Thursday, Apr 30
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Style: EF 50mm f/1.2L USM


Pattern: Single


Features

  • Lens hood and pouch included in the box
  • Latest Ultrasonic Motor (USM) for fast and near silent auto focus
  • Full-time manual focus override / Minimum focus distance 45cm
  • Super Spectra coatings and optimised lens element shaping to suppress flare and ghosting
  • Distance information passed back to the new E-TTL II flash algorithm of all current model digital EOS cameras

Description

FeaturesL-series construction and opticsLarge f/1.2 apertureFast, quiet USM auto focusSuper Spectra CoatingsCircular aperture for high background bokehProvides distance information for the E-TTL II flash systemSoft case and lens hoodL-series QualityThe EF 50 mm f/1.2L USM incorporates Canon's high standards of precision optics. The L-series is Canon's flagship professional lens range, combining high image performance and optimum operability with dust and moisture resistant construction.Large f/1.2 ApertureA large maximum aperture of f/1.2 provides high speed for shooting in low light conditions, without the need for flash. The large aperture also provides fine control over depth of field.High Background BokehA circular barrel aperture helps to create background bokeh, suitable for isolating subjects at large apertures and for compelling portrait photography.Fast, Quiet Auto FocusA Ring-type USM (Ultrasonic motor) uses ultrasonic frequency vibrations to drive rapid auto focus with near-silent operation. A high-speed CPU and improved AF algorithm contribute further to AF speed. The holding torque stops the focusing lens group without overshoot. Full time electronic manual focus override is available without having to switch out of AF.Super Spectra coatingsSuper Spectra lens coatings and lens element shaping suppress flare and ghosting - more prone to occur with digital cameras due to reflection off the image sensor. Coatings also help achieve true colour balance and increase contrast for vivid hi-fidelity images.Passes Distance Information to E-TTL IIThe lens passes distance information back to the E-TTL II flash system of compatible EOS cameras to ensure optimal flash metering.AccessoriesThe EF 50 mm f/1.2L USM lens comes supplied with a cylindrical lens hood and a soft case.Other Characteristics:Closest Focusing Distance: 0.45 m Colour of Product: Black Compatible Products: Canon EOS Component For: SLR Diameter: 8.54 cm Filter Size: 7.2 cm Fixed Focal Length: 1.2 mm Focus Adjustment: Auto/Manual Length: 6.55 cm Lens Mount Interface: Canon EF Lens Structure (Elements/Groups): 8/6 Maximum Aperture Number: 50 Ultrasonic Motor (USM): Yes Weight: 545 g

Brand: Canon


Focal Length Description: 50 millimeters


Lens Type: Standard


Compatible Mountings: Canon EF


Camera Lens Description: Canon EF 50mm f/1.2L USM Ultra-Fast Standard AutoFocus Lens - International Version (No Warranty)


Item Weight: 1.28 pounds


Item model number: 1257B005AA


Is Discontinued By Manufacturer: No


Date First Available: September 14, 2004


Department: Default Category


Manufacturer: Canon


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Thursday, Apr 30

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

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Top Amazon Reviews

    • Undeniable Results
Style: Lens Only Pattern: Single
At this point, this lens has such a strong backing that I'm just another voice in the wind. *If you want this lens, GET IT. You will NOT regret it if you want a fast, sharp, well-built investment in glass.* Keep in mind that when shooting with APS-C cameras (7D, 4/5/60D, T1/2/3/4/5i, SLi) this is a wonderful PORTRAIT lens, that gives you a head-and-shoulders frame at five feet, while on a full-frame camera (5D1/2/3, 6D, 1D3/4/5/X/C) it is a stunning STANDARD lens, with a full-body frame at five feet. It is well-built: the body is made up of a solid plastic that has survived a few bangs and falls already. I have it insured, so I have the peace of mind of not worrying about little things, but remember to put a cheap UV filter on it. *A scratched filter costs a LOT less to replace than a scratched lens. Buy a filter with this lens!* It is FAST: The USM is quick and snappy. It is the older version of Canon's USM, so it will 'hunt' in low light if you place a single AF point onto a black background or surface. Get around that by focusing on a lit subject and then recomposing, using either single shot AF or AF-lock. It is BRIGHT: or 'fast', but I didn't want to get confused between AF and aperture. If you are upgrading from a zoom lens, whether it's your kit 18-55 or your professional 24-70 F/2.8, you will INSTANTLY notice how bright and clean 1.4 is. It GOBBLES light at nighttime and indoors, and coupled with the high-ISO performance of almost every Canon DSLR right now, you can get stunning shots with this lens in the toughest of conditions without a flash. And, because of how fast it is, the depth of field (amount of your subject in focus) is razor-thin. You will find that someone's nose pores will be visible while their eyes will be blurry, which might ruin a shot for you: always confirm that what you want to be in focus, is. This is a VERY powerful tool for creative or portrait photography. It is SHARP: focus, movement, light, camera shake, and shutter speed all can alter the sharpness of your photo, which is the most important facet, but the fact is that this lens will not hold you back if you're looking for the sharpest photo possible. It is RAZOR sharp when stopped down, and center sharpness is stunning all the way to F/1.4. Anything from F/2 and up will be sharp all around, at at F/5.6 the entire frame is sharper than a lot of L lenses. The only reason people pay five times as much for the Canon 50mm F/1.2L is because they either need the build quality, aperture speed, or consistent sharpness. You can easily get equally stunning results from this lens, at 1/5th the price of its niche L brother. And, for creative photos and especially video, it creates wonderful creamy BOKEH. If you're looking at this lens you probably know what 'bokeh' means: all it references is the quality of the out-of-focus areas of your photo. Your subject, whether a face or a sign or a car or a person, will be sharp and in focus, while at F/1.4 the area from a few inches in front of and behind the subject become a wonderfully pleasing blur. Now, as far as competition goes, this lens competes with the Sigma 50mm F/1.4 and Canon's own 50mm F/1.8. The Canon 50mm macro lens doesn't count as a 'fast fifty', as at F/2.5 it is an entire stop slower than the other 50's. The Sigma is a better and newer lens than the Canon 50mm F/1.4, with better sharpness wide open and barely better bokeh. However, it costs slightly more, and it doesn't have the support of Canon software, hardware, and editing plugins. Their results are nearly identical, and bokeh is a personal preference. You will be perfectly content with either lens, though Canon's autofocus has been reported as being superior to Sigma's, with quality control issues and failing AF on early models of Sigma's 50mm's. The 50mm F/1.8 is well-known for its optical quality and fantastic value. However, it is also made up of plastic, and as such, it WILL break. The focus ring is also miserably bad for video. So, if you have the extra $200 to spend, GET THE 1.4. The build quality, USM focusing, and proper focus ring will last you years, wheras the 'nifty fifty' will last you until you drop it, or the cheap AF dies. Now, always remember that your lens is a creative tool: this one is a fantastic and versatile tool, but you still can't expect it to do anything it's not built to do. For example, while F/1.4 is a wonderful tool, you will find yourself missing focus at times. Stop down to F/2.8 not only for more accurate DOF and focus, but better sharpness. And, if you want stunning detail, or you're in bright sunlight, stop down to F/5.6 for nearly perfect sharpness for when you have a lot of light, a flash, or are set up to do portraits. And, when you need stunning bokeh or fast shutter speeds, crank it open. So, in conclusion: this is a wonderful lens that is sharp, fast, well built, and has excellent optical qualities when used right. If you think you want it, get it, and you won't be disappointed. ... show more
Reviewed in the United States on July 13, 2013 by Marcus Okun
    • Artsy shallow depth of field: CHECK!
Style: Lens Only Pattern: Single
Review Image by Drapetomania Drapetomania
Review Image by Drapetomania Drapetomania
Review Image by Drapetomania Drapetomania
Review Image by Drapetomania Drapetomania
Review Image by Drapetomania Drapetomania
Review Image by Drapetomania Drapetomania
I'm a new dad and wanted a camera so that I could take better shots of my baby than what is available on my phone, despite it being a great phone (use it for 4K video). I'm a noobie without the slightest clue about photography at all. Didn't even read the manual on my camera OR the lens. My sister in law has a canon and a canon lens with great shallow depth of field (something I can do in Adobe but it is time consuming and not as natural looking). She let me use her Canon t2i camera when we were in the hospital, and that's why I got my camera. When I realized I couldn't get my much more expensive t6i camera to do what hers did, I realized I needed a better lens than the kit lenses I had. People said in order get that bokeh look, (shallow depth of field), look for a low f-stop and 50mm. Okay. I don't know what that means, but I know it was how to get that artsy look I wanted for my daughter. So I got this lens. It doesn't zoom, it just does bokeh and does it well. Sharp enough for my general purpose. Got this with a clear circular polarized lens filter at 58mm diameter. Again, don't know what that means. Don't care. I know what it does. It's a picture gooderizer. It gives me much more natural contrast without being harsh. I notice it especially in my custom black and white settings. If you're a sound guy, it's like adding air to a mix with a clariphonic or Maag eq. That's how I took the picture below. I'm now mad that I didn't do this years ago. I love taking pictures but I always used point and shoot cameras. Good ones, but there is no comparison. You can spend more, but if you are a noob with an ASC sensor camera like the canon t series, this is your lane. If you are a pro, it's not a bad lens to have. Not too big or small, well built, and not so expensive you're scared to use if out doors or leave it on your camera around your neck. There's a smaller one, but splurge a little. Expect to become addicted to buying lenses and filters and budget accordingly. ... show more
Reviewed in the United States on February 14, 2016 by Drapetomania Drapetomania

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