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Canon

Canon EF 50mm f/1.2L USM Ultra-Fast Standard AutoFocus Lens - International Version (No Warranty)

  • Based on 5,212 reviews
Condition: New
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Availability: Only 3 left in stock, order soon!
Fulfilled by BH 52 Innovations
Arrives Saturday, Jul 26
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Style: EF 50mm f/1.2L USM


Pattern: Single


Features

  • Lens hood and pouch included in the box
  • Latest Ultrasonic Motor (USM) for fast and near silent auto focus
  • Full-time manual focus override / Minimum focus distance 45cm
  • Super Spectra coatings and optimised lens element shaping to suppress flare and ghosting
  • Distance information passed back to the new E-TTL II flash algorithm of all current model digital EOS cameras

Description

FeaturesL-series construction and opticsLarge f/1.2 apertureFast, quiet USM auto focusSuper Spectra CoatingsCircular aperture for high background bokehProvides distance information for the E-TTL II flash systemSoft case and lens hoodL-series QualityThe EF 50 mm f/1.2L USM incorporates Canon's high standards of precision optics. The L-series is Canon's flagship professional lens range, combining high image performance and optimum operability with dust and moisture resistant construction.Large f/1.2 ApertureA large maximum aperture of f/1.2 provides high speed for shooting in low light conditions, without the need for flash. The large aperture also provides fine control over depth of field.High Background BokehA circular barrel aperture helps to create background bokeh, suitable for isolating subjects at large apertures and for compelling portrait photography.Fast, Quiet Auto FocusA Ring-type USM (Ultrasonic motor) uses ultrasonic frequency vibrations to drive rapid auto focus with near-silent operation. A high-speed CPU and improved AF algorithm contribute further to AF speed. The holding torque stops the focusing lens group without overshoot. Full time electronic manual focus override is available without having to switch out of AF.Super Spectra coatingsSuper Spectra lens coatings and lens element shaping suppress flare and ghosting - more prone to occur with digital cameras due to reflection off the image sensor. Coatings also help achieve true colour balance and increase contrast for vivid hi-fidelity images.Passes Distance Information to E-TTL IIThe lens passes distance information back to the E-TTL II flash system of compatible EOS cameras to ensure optimal flash metering.AccessoriesThe EF 50 mm f/1.2L USM lens comes supplied with a cylindrical lens hood and a soft case.Other Characteristics:Closest Focusing Distance: 0.45 m Colour of Product: Black Compatible Products: Canon EOS Component For: SLR Diameter: 8.54 cm Filter Size: 7.2 cm Fixed Focal Length: 1.2 mm Focus Adjustment: Auto/Manual Length: 6.55 cm Lens Mount Interface: Canon EF Lens Structure (Elements/Groups): 8/6 Maximum Aperture Number: 50 Ultrasonic Motor (USM): Yes Weight: 545 g

Brand: Canon


Focal Length Description: 50 millimeters


Lens Type: Standard


Compatible Mountings: Canon EF


Camera Lens Description: 8


Item Weight: 1.28 pounds


Item model number: 1257B005AA


Is Discontinued By Manufacturer: No


Date First Available: September 14, 2004


Department: Default Category


Manufacturer: Canon


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Saturday, Jul 26

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Top Amazon Reviews

    • Dreamy Bokeh
Style: Lens Only Pattern: Single
I have been using this lens for more than a decade now. Its the lens that makes you feel like a professional photographer, even if your subjects are just your cat and a houseplant. This lens has a superpower: it turns blurry backgrounds into creamy, dreamy bokeh that would make a Renaissance painter jealous. Shooting at f/1.4 is like opening a portal to another dimension where everything is soft, smooth, and magical. Just be warned: the focus area is so thin, you might accidentally make only one of your subject's eyelashes sharp. But that's part of the charm, right? The autofocus is swift and silent, like a ninja, ensuring you capture those fleeting moments of beauty... or your cat's sudden nap. This lens is a must-have for any photographer who wants to add a touch of artistry to their work. Highly recommended, but practice your focusing skills, or you might end up with a portfolio of blurry noses. ... show more
Reviewed in the United States on May 12, 2025 by Amity Bee
    • First lens replacing the plastic kit lens
Style: Lens Only Pattern: Single
I hope I can add something meaningful...I am by no means a professional or even advanced amateur (bought my first DSLR a few months ago). Pros: Solid Quiet Fast Auto Focus Full Time Manual Focus Beautiful Bokeh Amazing colors Sharp Cons: More expensive than 1.8 (how much does full-time manual focusing, construction, quiet auto-focus matter to you?) Lacks IS (I know it is not a huge deal but I think it could be helpful) Should include a free lens hood This is my first lens besides the kits lens that comes with the T2i so I hope this review might be helpful to those deciding to branch out beyond the kit lens. The lens is amazing just not perfect... maybe I had too high of expectations (or more likely I am just an ignorant novice photographer). Nevertheless, as soon as I took this thing out of the box I told my wife, "I am never using the kits lens again". (I have had this lens for a couple of months and did put the kit lens on once to take an indoor group picture because there just wasn't enough room at 50mm... however as soon as the picture was taken this lens was back on my camera.) First off this lens is amazingly solid (makes the plastic kit lens feel like a toy). I swear it doubles the weight of my camera (not in a bad way)... I now understand the reviews which said that the T2i feels cheap. I don't do a ton of videography but like taking an occasional video and was hoping the quiet auto-focus would eliminate the annoying sound picked up by the internal mic when focusing... it doesn't (it might be slightly less but still just as annoying). Nevertheless the silent auto-focus is very nice and makes the kit lens sound like a semi (that might be too drastic but you get the point). Before this lens I was still familiarizing myself with the camera and only shot in the basic modes. If you have no intention of branching out beyond the basic modes you may want to hold off on purchasing this lens since most of the benefits come with learning the manual modes and using a low aperture. Expect a little bit of frustration as you try to learn the advanced modes and get non blurry photos that are completely in focus. It can be frustrating but well worth the learning curve. When this thing hits the photos are beautiful the bokeh is awesome, the colors pop, and everything is perfectly sharp. I thought the full time manual mode would be incredible no longer having to flip a switch on/off. I was wrong... maybe I am stupid but searching the web I found other people would try to manually focus in AI Servo. Don't be an idiot like me and others. AI Servo focuses continually so you have to change modes to manually focus (unless you want to grind against the gears). Maybe it is just me but it would be nice if the camera could tell you were manually focusing and disable the auto-focus regardless of what mode you are in. Don't get me wrong the manual focus is nice just not as perfect as I thought it might/could be. The low aperture although very helpful will not do miracles... I find myself desperately longing for a flash (I hate the on board flash) in some lighting conditions. The low aperture helps a lot but is only one piece of the puzzle. The low aperture does more for bokeh than it does in eliminating the need for light. If your primary concern is crappy lighting ... get a flash. If your primary concern is crappy quality (sharpness, bokeh, color) get this lens. Or get both (which I plan to do shortly). Some people state they no longer need a flash with this lens which may be true for some but I find in my horrible lit apartment it is almost impossible to get decent pictures without using one even when the lens is stopped down to 1.4. Part of me really wished this lens had IS (except for the increase in price that would go along with it) it really would make this great lens incredible. The kits lens although having far worse image quality and color is a little more forgiving with the IS. I think this may be why some people complain about non sharp photos. I have found the camera can take amazingly sharp photos even when wide open at 1.4 but it requires a lot more skill (steady hands or a tripod and spot on auto focus). A random tip I found helpful when taking pictures of my daughter was to use AI Servo but to track her movement for a second or two before taking a picture. It gives the auto-focus time to properly track her constant movement and results in a ton more sharp pictures than taking a picture immediately after focusing. I also purchased a filter (included for free with purchase) and a lens hood. The filter is close to a waste of money and I could only see myself using it if I was in a harsh environment and seriously worried about particles getting into the lens since it destroyed image quality. The lens hood is amazing (I bought one of the non name brand hoods)... I could be wrong but I think it helps the lens auto-focus quicker in some lighting conditions. Additionally, it looks good and provides a decent level of protection without loss of photo quality (pick one up). Purchase Price: $346.00 Brand New ... show more
Reviewed in the United States on December 22, 2010 by Benjamin
    • Undeniable Results
Style: Lens Only Pattern: Single
At this point, this lens has such a strong backing that I'm just another voice in the wind. *If you want this lens, GET IT. You will NOT regret it if you want a fast, sharp, well-built investment in glass.* Keep in mind that when shooting with APS-C cameras (7D, 4/5/60D, T1/2/3/4/5i, SLi) this is a wonderful PORTRAIT lens, that gives you a head-and-shoulders frame at five feet, while on a full-frame camera (5D1/2/3, 6D, 1D3/4/5/X/C) it is a stunning STANDARD lens, with a full-body frame at five feet. It is well-built: the body is made up of a solid plastic that has survived a few bangs and falls already. I have it insured, so I have the peace of mind of not worrying about little things, but remember to put a cheap UV filter on it. *A scratched filter costs a LOT less to replace than a scratched lens. Buy a filter with this lens!* It is FAST: The USM is quick and snappy. It is the older version of Canon's USM, so it will 'hunt' in low light if you place a single AF point onto a black background or surface. Get around that by focusing on a lit subject and then recomposing, using either single shot AF or AF-lock. It is BRIGHT: or 'fast', but I didn't want to get confused between AF and aperture. If you are upgrading from a zoom lens, whether it's your kit 18-55 or your professional 24-70 F/2.8, you will INSTANTLY notice how bright and clean 1.4 is. It GOBBLES light at nighttime and indoors, and coupled with the high-ISO performance of almost every Canon DSLR right now, you can get stunning shots with this lens in the toughest of conditions without a flash. And, because of how fast it is, the depth of field (amount of your subject in focus) is razor-thin. You will find that someone's nose pores will be visible while their eyes will be blurry, which might ruin a shot for you: always confirm that what you want to be in focus, is. This is a VERY powerful tool for creative or portrait photography. It is SHARP: focus, movement, light, camera shake, and shutter speed all can alter the sharpness of your photo, which is the most important facet, but the fact is that this lens will not hold you back if you're looking for the sharpest photo possible. It is RAZOR sharp when stopped down, and center sharpness is stunning all the way to F/1.4. Anything from F/2 and up will be sharp all around, at at F/5.6 the entire frame is sharper than a lot of L lenses. The only reason people pay five times as much for the Canon 50mm F/1.2L is because they either need the build quality, aperture speed, or consistent sharpness. You can easily get equally stunning results from this lens, at 1/5th the price of its niche L brother. And, for creative photos and especially video, it creates wonderful creamy BOKEH. If you're looking at this lens you probably know what 'bokeh' means: all it references is the quality of the out-of-focus areas of your photo. Your subject, whether a face or a sign or a car or a person, will be sharp and in focus, while at F/1.4 the area from a few inches in front of and behind the subject become a wonderfully pleasing blur. Now, as far as competition goes, this lens competes with the Sigma 50mm F/1.4 and Canon's own 50mm F/1.8. The Canon 50mm macro lens doesn't count as a 'fast fifty', as at F/2.5 it is an entire stop slower than the other 50's. The Sigma is a better and newer lens than the Canon 50mm F/1.4, with better sharpness wide open and barely better bokeh. However, it costs slightly more, and it doesn't have the support of Canon software, hardware, and editing plugins. Their results are nearly identical, and bokeh is a personal preference. You will be perfectly content with either lens, though Canon's autofocus has been reported as being superior to Sigma's, with quality control issues and failing AF on early models of Sigma's 50mm's. The 50mm F/1.8 is well-known for its optical quality and fantastic value. However, it is also made up of plastic, and as such, it WILL break. The focus ring is also miserably bad for video. So, if you have the extra $200 to spend, GET THE 1.4. The build quality, USM focusing, and proper focus ring will last you years, wheras the 'nifty fifty' will last you until you drop it, or the cheap AF dies. Now, always remember that your lens is a creative tool: this one is a fantastic and versatile tool, but you still can't expect it to do anything it's not built to do. For example, while F/1.4 is a wonderful tool, you will find yourself missing focus at times. Stop down to F/2.8 not only for more accurate DOF and focus, but better sharpness. And, if you want stunning detail, or you're in bright sunlight, stop down to F/5.6 for nearly perfect sharpness for when you have a lot of light, a flash, or are set up to do portraits. And, when you need stunning bokeh or fast shutter speeds, crank it open. So, in conclusion: this is a wonderful lens that is sharp, fast, well built, and has excellent optical qualities when used right. If you think you want it, get it, and you won't be disappointed. ... show more
Reviewed in the United States on July 13, 2013 by Marcus Okun

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