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Canon

Canon EF 100mm f/2.8L is USM Macro Lens for Canon Digital SLR Cameras, Lens Only, Black

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$1,449.00

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At a glance

Condition
New
Model
3554B002
Screen size
1 in
Weight
625 g
Color
Black
Lens Type
Telephoto
Compatible Mountings
Canon EF
Warranty
1 year coverage for labor, 1 year coverage for parts
Works with
Mirrorless Camera

Features 9

  • 100 millimeter focal length and 1:2.8 maximum aperture. The EF1.4X II; EF2X II extenders cannot be used with this lens. There are no compatible close-up lenses
  • Lens construction consists of 15 elements in 12 groups
  • 23.4-Degree diagonal angle of view
  • Inner focusing system with USM and full-time manual focus option. Closest focusing distance 0.99 feet; 0.3 meter (maximum close-up magnification: 1x)

Description

The Canon EF 100mm f/2.8L IS USM Macro Lens is the first mid-telephoto macro lens to include Canon's sophisticated Image Stabilization. With the highest quality optics available, combined with near-silent Ultrasonic focusing and life-size close-up capabilities without an adapter, the EF 100mm f/2.8L Macro IS USM is simply unrivaled. The Hybrid Image Stabilization Technology effectively compensates for both angular and shift camera shake during close- up shooting. The lens was developed to expand users' photographing range and allow a wider range of users to easily enjoy macro photography. Suitable for Nature/concert/potrait and close up/product photography. Filter size: 67 mm, Closest Focusing Distance: 0.99 feet.

Specs 43

Brand Canon
Focal Length Description 100mm fixed
Lens Type Telephoto
Compatible Mountings Canon EF
Camera Lens Description Canon EF 100mm f/2.8L IS USM Macro Lens for Canon Digital SLR Cameras, Lens Only
Lens Telephoto
Compatible Camera Mount Canon EF
Maximum Focal Length 100

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Top Amazon Reviews

A redesign worth the upgrade
Style: Lens Only
The Canon 100mm f/2.8 USM macro is a lovely lens already, and Canon would need to significantly improve on it to make any owner of this lens consider selling in order to upgrade to the new L version. The new Canon 100mm f/2.8 L USM macro lens with image stabilization fits the bill and this particular 100mm macro owner, at least, decided to upgrade. I rented this lens at first to try out the new features, as my older 100mm lens is one of my most-coveted, most-used lenses, and I didn't want to give up on it simply because there was a new kid on the block. After the instant rebates came around I was in a well-enough informed position to make the purchase, and at a good price. The aforementioned Image Stabilization is very effective in situations where you can't use the tripod, but want to maintain critical focus while working with shallow depth of field. The IS system in this lens, to boot, is an improvement on Canon's IS system found in other earlier lenses - Hybrid IS, a system which is particularly tuned to the demands of macro photography; I've tested this with the new lens and it's amazing what I can successfully capture handheld that previously absolutely necessitated a tripod. You can get the same results handheld now with approximately 3-4 less stops of light than you could previously. This perfectly suits my shooting style - I like to roam around, usually sans tripod, and take images in natural surroundings that may not always have the best available light. A relatively slow shutter speed to capture the scene in front of me usually meant I'd have to compensate by ratcheting up the ISO or go wider with the aperture, which are not always or often good compromises, for image quality reasons as well as for reasons of creative choice. The IS is a much welcome feature, and provides more leeway in variable lighting. Also sometimes people complain that the IS is too noisy when in operation; while that can certainly be true (I have a couple of other Canon lenses with IS), I have found that the new IS system in this latest lens is noticeably quieter - I'd call it pretty quiet, even with nothing else to compare it to. Out of focus highlights - the bokeh - is smooth, smoother than the older version. Images appear very crisp, I'm pleased with the sharpness. The new lens is about an ounce or so heavier than the older one, not so much that you'd really notice. Also the lens, while a L, does not have the same build appearance as other L lenses - it is not hefty and metallic, and cream-colored. That doesn't bother me so much, but others more invested in the distinctive look of Canon L lenses might care. The lens body itself is sleek (compared to the rather portly older model) and has a nice matte black finish which you can handle easily - I don't quite know how to describe it - it doesn't have the usual "slippery" metal feel to it, so you don't feel like you might drop it if you aren't careful. Because it's an L, it comes with a lens hood; I always get hoods for my lenses, so I love it when a lens has one included! One thing that is an interesting feature is that there are three settings for the Autofocus limiter (the older lens has two). It's basically there to help speed the AF in finding its optimal focus depending on which camera-to-subject distance you are shooting with - anywhere from strictly close up (.3 to .5 meter of distance) to full range. I'm still trying to figure out what real time difference it makes to choose between the .3m-to-infinity limiter and .5m-to-infinity limiter, but I assume it must make some difference for Canon to have included the additional option. Early days yet, I'll figure it out. All in all - not every lens redesign results in a lens worth ditching an old model for, especially when the upgrade entails a bit more cost. But the new 100mm macro L is very much worth the upgrade, and the IS is a welcome addition to Canon's most popular macro option. Now if they'll just put IS in the 180mm... I will also add that I made this particular purchase through the Marketplace seller J&R. I had no problems with them - delivery was swift and the item was well-packed. ... show more
Reviewed in the United States on July 19, 2010 by Comdet
A superb macro and portrait lens. Worth the extra over the non L/IS lens
Style: Lens Only
The canon EF 100mm f2.8L IS USM Macro lens is a bit of a monster to be honest. Like most other Canon L series lenses, this lens comes in a little bit heavier than standard EF or EF-S lenses. This is due in part to the excellent build quality (and weather sealing) and also in part to the inclusion of Image stabilization. Like many others, I spent a considerable amount of time trying to determine whether I should get this lens with image stabilization or whether to get the roughly $300 cheaper albeit non L series 100mm Macro lens. Generally the quality of the glass in a L series lens is higher than a standard EF series lens, so that would be a plus. The other big consideration was whether I wanted image stabilization. Now that I've had this lens for about a year I can say with full confidence that spending the extra for IS and the L series is definitely worth it. Controls on this lens are fairly standard across canon's series of lenses, you have a range selector switch, AF/MF switch and an image stabilization On/Off switch. Since this is a prime, there obviously isn't a zoom ring, just a focusing ring, which is nice and wide and has a very smooth motion to it. The Canon 100mm Macro lens is really a multi purpose lens. Although it's main use is for macro photography, you can very readily use this as a portrait lens on a full frame body (on a crop sensor this will be a 160mm lens which is a bit long for portrait photography) with excellent results. For the most part when shooting macro, you would want to shoot on a tripod with rail system and good lighting however since owning this lens I've found the amount of times that I've been out wandering around and happened across something that I wanted to shoot and didn't have my tripod with me to be a lot more than I expected. This is where the image stabilization on this lens comes into play. I've found that with the IS you get around a 2 stop advantage. It also makes taking macro shots by hand actually possible. Macro focusing is an art into itself. This lens allows you to stop all the way down to 2.8, with a beautifully creamy bokeh but a very narrow depth of field (for example, if shooting an insect, you may get the insects head in focus but the body will be out of focus) or go up the scale to allow more of your shot to be in focus. Of course, increasing your f-stop also means increasing your exposure time. Increasing your exposure time means the more likely there will be camera shake whilst taking the picture and as mentioned this is where the image stabilization kicks in for around 2 stops advantage. To get really close shots you can pair this lens with extension tubes. Extension tubes don't have any glass in them and simply create more of a distance from the back of your lens to the actual camera sensor. This effectively "zooms" you in further. Image quality from this lens is phenomenal. Very sharp images with wonderfully creamy boken produced by it's 15 elements. This lens creates the best bokeh I have seen form a lens, including the lenses I own that stop down to f1.4. If you are looking for possibly one of the best macro lenses on the market. you won't be disappointed with this lens. If you are looking for a great portrait lens, you won't be disappointed with this lens and if you are looking for a macro lens that you can use without the need of a tripod, then this is definitely lens you want. Overall the Canon EF 100mm f2.8L IS USM Macro lens is a winner. I'm so glad I paid the extra for the L series and image stabilization. Totally worth it. ... show more
Reviewed in the United States on April 14, 2015 by Colin Brown
Tack sharp, out-of-this world macros, extreme bokeh for portraits!
Style: Lens Only
This lens is the best "L" lens you can buy for the money because of the following reasons: 1. It's under $1000 (I got mine for $899) Money is important, and the more you can save, the better. Tell me a lens of this quality for the same price. 2. It's super sharp! This lens is tack sharp! Just look at the photos in Flickr and here in Amazon. They are amazing, crisp, and vivid. My experience with shooting with this lens is phenomenal. It has taken my photography to a higher level (coming from 24-105mm L). If you want proof look at my Flickr account: "markserrano" (I can't put the exact URL as Amazon might remove it automatically). 3. It's f/2.8L! Lower aperture means, less ISO noise. Wedding photographers often tout to shoot at f/2.8 or lower. Shooting at nights and dimmed lights was far better than my usual f4 24-105mm L lens. Better here means it's really sharp and less noise! I'm using 6D (so far the king of low lights). So the combination is really great. 4. You can do REAL macro. Hands-down this is the main feature of this camera! You can really examine the hairs and antenna eyes from little insects and plants as well. The texture of the micro world is alive! 5. You can do REAL portraits. This is a bonus of this camera. WIth extreme bokeh, you can not ask for more. You can easily isolate your subject from the background. Again look at Flickr to see the sample shots. I think the only downside is this thing is super sharp for portraits. You want something less sharp and softer (I think if you're creative you can make your shots less sharp). 6. Lighter than my 24-105mm L! Lighter is always better. 7. Sharper than my 24-105mm L at the same focal length (100mm)! I've performed some tests and I can confidently claim the 100mm is the clear winner. No doubt. 8. IS is great! I've got numerous, excellent macro shots handheld alone! There are numerous times where a tripod isn't feasible really. It's not an option. IS is a must for handheld shots, plus it's good for portrait shots. Cons: * Focuses slower than 24-105mm L. Don't expect to capture fast moving objects! * It can't zoom. Duh! * The build feels less sturdy (plasticky feeling?) than my 24-105mm L Final recommendation: This is the best of the best! Legendary and mythical! If you don't believe, go to my Flickr account. Look for "markserrano" and check my shots (note: I'm not a professional photographer but I don't think I have a bad taste when it comes to composition). ... show more
Reviewed in the United States on July 19, 2013 by Mark Serrano
Versatile Do it All Lens.
Style: Lens Only
Review Image by Isidro Lopez
Review Image by Isidro Lopez
Review Image by Isidro Lopez
Review Image by Isidro Lopez
I bought this lens a couple of years ago and it’s probably the lens I use the most for all of my work. I was hesitant at first to buy this lens because I already had a 50mm and an 85mm But I took the gamble and I’m glad I did. This lens is super versatile and could handle basically any type of job. The Pros Build Quality - this is not a cheap lens and because of it the build is nice and sturdy. Image Quality - the images that this lens produces are spectacular and you won't be disappointed. Portrait Monster - This is an amazing portrait lens once you start doing portraits with it you’ll fall in love. Macro - With this being a Macro lens you could really get close to your subject and get great detail. Image stabilization - if you’re manually focusing or shooting video you’ll love the image stabilization. I shoot with a cinema camera that doesn't have any sort of stabilization and when I turn off the image stabilization my videos look like they were taken during an earthquake. It really does make a big difference The Cons Because it’s a 100mm prime lens most of the time depending on what you’re shooting you’ll have to step away from your subject especially if you have a cropped sensor. It takes a little getting used too but to me it's no big deal. Not very good in tight places - To that point if you’re in a tight place and you need to get a whole subject and you can’t move back then you’ll definitely need to change lenses. Overall I love this lens. I would definitely recommend it to anyone. ... show more
Reviewed in the United States on September 14, 2022 by Isidro Lopez
A wonderful lens
Style: Lens Only
I bought this lens for use with a Canon 50D after testing out Canon 50mm and 100mm non-IS macro lenses loaned to me by friends. There's no comparison between this lens and the 50mm macro. This one is so much sharper and produces such beautiful backgrounds (that amazing bokeh others have written about) that it's worth the difference in cost. It would be nice to have a 50mm macro as well, but I like standing a little further back from insect subjects so that I don't bother them, and if I spot an interesting bird nearby while I'm shooting bugs it's nice to have the 100mm telephoto capability rather than 50mm, so if I had to choose one, I'd choose this one. My choice of this over Canon's non-IS 100mm macro was harder. For the price differential (about $400), I wasn't sure that this would be worth it. I could see the use of IS when using this lens for telephoto, but I really wanted it as a macro lens. The non-IS lens is still a fine product that produces pictures as beautiful as this one (at least in the hands of an amateur like me), and I'd read that the IS feature doesn't help much with macro subjects at large apertures because it's forward-backward motion that is the problem and there's no stabilization in that plane. And that's true, as far as it goes, but a friend told me that he found IS helpful because it helped more quickly to compose an image. I still dithered for a couple of months (and was rewarded with a hundred-dollar price drop), but he was absolutely right. When I compared the two side-by-side, I found it much easier to compose the frame with the IS feature. To paraphrase another reviewer, it "glues" the image in place. When the aperture is wide open, the depth of field is petal-thin. Literally. I shot a picture yesterday of a flower with an ant on it, got the petals in perfect focus and got the ant completely blurred. Forward-backward motion is a killer with that kind of DOF, so it's either a tripod (for the flattest of subjects) or F9 and above (for subjects with more depth variation) for me. The weight of this lens is no problem - my camera feels perfectly balanced and comfortable to hold. The auto-focus is smooth and fast (compared to the other macro lenses, anyway), and I like the manual focus. Best of all, a really good friend whose opinion I value and whose company I love looked like she was going to drop dead and wither away with envy when I showed it to her. What more can one ask? ... show more
Reviewed in the United States on March 8, 2010 by James W. Picht
Great macro, tack-sharp, and can double as a portrait lens
Style: Lens Only
Review Image by CalBear '01
Review Image by CalBear '01
Review Image by CalBear '01
I'm writing this review as a hobbyist rather than professional photographer (that is, that sells photographs for a living). In my opinion, I would say this lens deserves a spot in your kit if you're looking to jump into the world of macro, but would also like the lens to do double duty for other types of shooting you do. As a relatively new photographer, I have primarily shooting portraits at social get-togethers. I found the Canon 135mm f/2.0L to be the cream-of-the-crop, but had two slight drawbacks - it was a bit long indoors depending on location and without IS (image stabilization) it was tough to get focused shots at such a long focal length. The general rule of 1/focal length meant shooting at 1/160, which can be tough in low light to get a properly exposed picture. The 100mm nicely fit with a shorter focal length and Canon's new Hybrid-IS system. The IS system is audible in more quiet environments, but is by no means loud enough to get in the way of taking your pictures. The IS also enables you to handhold shots indoors, which was great for me to take pictures in the evening or night time where indoor lighting is poor. I found the 100mm to still be an excellent portrait lens - nice and sharp, although I would still choose my 135mm if I had enough room and enough light. Other reviews show the 100mm to be sharp even wide-open on a full-frame (and a drool-worthy MTF chart to go along with it). It's nice to know it's there when you need it, although I find that in most of my portrait shots, the corners are part of a blurred background. And for the bread-and-better of macro, I found the 100mm is a great focal length that allows you to get close to the tiny subjects you'd like to photograph. Although the IS does help with handholding shots, I found it's be less helpful on the macro end. As a new macro photographer, I also was surprised at how narrow the DOF was at the macro scale. Shooting at f/2.8 means part of an ant's head may be in-focus, but parts of its antennae might be out-of-focus. Shooting at more narrow apertures help expand the DOF, but that also means having to compensate with better lighting or a longer shutter. For the latter, the IS does help, but I'd imagine would be even better just to shoot with a tripod (which I've yet to purchase and try out). However, shooting slightly larger subjects, like flowers, is definitely in this lens' sweet spot even handheld. I've posted some examples in the sample images. Overall, a great lens to start experimenting with macro, and that also does double-duty as a great portrait lens with IS that helps with lower light conditions. If you don't need the IS or the L designation, the Canon EF 100mm f/2.8 Macro USM Lens for Canon SLR Cameras can be had for just similar image quality (from what I've read online) for about half the price, which may be a better starting point. ... show more
Reviewed in the United States on January 2, 2012 by CalBear '01
Glad I spent the money. One of Canon's best prime lenses.
Style: Lens Only
I'm an experienced amateur/prosumer with many years of 35mm and about 6 years of digital photography. I was going to buy Canon's new 5DMK2, but found it too heavy to hold, so bought the newly released T2i instead. I was consistently told by professionals that, on a limited budget, I should put my money into high-quality lenses. I did a lot of research between the apparently similar non "L" f/2.8 100mm macro - Canon's previous version of this lens. I really wasn't sure if I could justify spending nearly double the price. For the extra money, not only are you getting the "L" quality optics, but also Canon's new hybrid image stabilization, which is both horizontal and vertical. For macro photos, this essentially gives you the equivalent of another two stops. I decided to buy the lens and test it out for myself, thinking I could always return it if I wasn't satisfied. Quite honestly, my other other Canon lenses (NOT kit lenses) give exceptional quality, even up to large blow-ups. When I first look at the pictures from the 100mm, I wondered why I paid the extra money.... until I started blowing them up on my monitor - I kept on zooming in, and the image was, as Canon claims, 100% tack sharp. This was exactly what I wanted and had been looking for. As I said, I can't hold a heavy camera, so trying this lens on the T2i, my hands were a little shaky. The new IS system managed to compensate for that, even in low light - truly giving me extra stop equivalency. I actually bought this lens more of a portrait lens, which are often shot soft-focus, but that is not my preference. But I did want macro too, so it is good value in that respect as you are almost getting two-for-one. The USM motor is amazingly quick and silent, and is the same one as on the cheaper model. They say that once you shoot with an "L" lens, there's no turning back, and I now know why. I'm busy selling off old equipment to fund new purchases! I also know why you don't find used "L" lenses on ebay.. because they'll last you a lifetime. The lens comes with a very nice, felt lined hood (to limit reflection) and a soft case, which is only enough protection if you are putting the lens inside a padded camera case. I bought it during one of Canon's rebate promotions, which are quite frequent as long as you keep checking, so it was $200 less than list price. If you can get this lens for anything under or up to $1000, you'll be very happy that you did. ... show more
Reviewed in the United States on April 26, 2010 by Larushka
Amazing sharpness at macro, but problems focusing at infinity
Style: Lens Only
I bought this lens a week ago before spending several days hiking and camping on California's Big Sur coast. I own a Canon 7D and bought this for macro and telephoto purposes, and for the most part I am extremely impressed. Some of the macro shots that I got were unreal (I'll post some in the next few days). Amazing sharpness, detail, and beautiful bokeh. The only lens I've used that comes close is my 24-70 f/2.8L, which has a "macro" setting (but only .29X). The lens is large, but after using the 24-70L for the last three years as my primary "walk-around" lens, it feels light. The construction feels very solid, but keep in mind that it's made of hard plastic, not metal. Probably not as durable as some "L" lenses, but every bit as weather resistant and a lot lighter. And, now that Amazon has dropped its price (it started at around $1050 in November and is now down to about $884), I can say that its a great buy. Most "L" lenses cost well over $1000, and I don't begrudge paying a bit more for increased durability, image stabilization, and sharper optics. If you're not willing to shell out quite this much cash, Canon makes a "non-L" 100mm macro without the IS, and Amazon sells it right now for about $540. By the way, it looks like Canon is discontinuing that lens (its been recently removed from the Canon USA website), so act fast if you want that model. Also, the Image Stabilization seems to work well, but I can't comment too much on it because I've only used one other IS lens. It certainly helps but isn't a 100% cure-all - you will probably still want to use a tripod at times. The reason for the 4 star rating relates to some trouble I've had focusing on the telephoto end. I tried using the lens for some star photography and the pictures came out really blurry. I set the lens to manual focus, turned off the image stabilizer, and turned the focus ring to infinity before doing the time exposure and was pretty disappointed with the results. I then decided to try and see if the lens would focus on the stars, which (surprisingly) it actually did! I noticed that the focus ring was slightly before infinity. So, I tried the time exposure at that setting. Better, but still blurry. I know that its not my 7D because I then used my 24-70L and got amazing pictures. When I returned home yesterday I tested it again, and realized that the lens simply doesn't focus at infinity, but will focus on distant objects a little before the ' mark on the ring. Does anyone have any information about this? I'm wondering if I have a defective copy or if there's something about this lens that I don't know (I'd like to figure out if its defective before my 30 day amazon guarantee runs out). If I can figure this issue out, I'll update this review and change my rating to 5 starts instead of 4. ... show more
Reviewed in the United States on March 15, 2010 by Andrew Burnett
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