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YAMAHA

Yamaha THR10C Mini Guitar Amplifier with Cubase AI Production Software

    • Based on 493 reviews
Condition: Used - Very Good
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Availability: Only 4 left in stock, order soon!
Fulfilled by WorldGiftShop
Arrives May 24 – Jun 10
Order within 14 hours and 11 minutes
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Style: Boutique


Features

  • Five classic amp models, plus bass, acoustic, and instrument modes.
  • Can run on AC power or batteries.
  • Effects processing driven by Yamaha's signature VCM technology
  • Includes Cubase AI recording software. Rated Output - 10W (5W + 5W)
  • High-fi Stereo and Recoding Interface

Brand: Yamaha


Color: Black


Compatible Devices: Guitar


Material: Ac


Output Wattage: 10 Watts


Item Weight: 6.16 pounds


Product Dimensions: 17.09 x 9.17 x 10.39 inches


Item model number: THR10C


Batteries: 8 AA batteries required.


Is Discontinued By Manufacturer: No


Date First Available: January 10, 2013


Color Name: Black


Compatible Devices: Guitar


Material Type: Ac


Output Wattage: 10 Watts


Size: Desktop Amplifier


Power Source: Battery Powered


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If you place your order now, the estimated arrival date for this product is: May 24 – Jun 10

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

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Top Amazon Reviews

    • A Swiss army knife of an amp, with excellent tone!
Style: Original THR
I picked this amp up hoping I could use it as a practice amp and a recording amp, especially given that the amp comes with a full version of Cubase AI. I'm already heavily invested in Ableton Live, and have a Scarlett 2i4 interface, but I thought it'd be cool to have the amp be recorded via USB.... ....Problem: I'm using a Windows computer (please Apple users, no snide comments), and this amp is registered as a audio interface as well. I had intended to record with this amp via USB but stream the audio out of my Scarlett into my JBL monitors. Nope. Once another audio interface is registered by Windows, you have to pick one of the two, you can't run both. I am not letting my JBL's sit unused. So thought OK, fine, I'll just record via line-out using the amp's headphone jack. But for some reason, there is noticeable latency in this setup. It's exclusive to this amp too. I've line-in recorded a handful of amps through my Scarlett and only had to set the latency compensation ONCE. Long story short, I got a Hughes and Kettner Tubemeister amp head for recording. But this amp works so well as a bedroom practice amp, I am keeping it. Thanks to it's ability to run on batteries, I can take this amp with me to any room and start playing immediately, no worry about warming up tubes and such. Yep, this isn't a tube amp. I'm a thorough Yamaha customer but I say shame on them for saying "authentic tube tone" for this amp. I propose an addendum: "Authentic tube tone, without the hassle of tubes". This amp sounds that good. I'm leery of modelling amps, particularly of the ones that get too specific. "This model is a '59 Bassman mic'd up slightly off center!" You think you'll get that tone from a practice amp with a eight inch speaker? No, you won't. Rather, this amp has Clean, Crunch, Lead, Brit Hi, Modern, Bass, Acoustic, and flat selections to choose from. Yeah, the clean is modelled off a Fender amp, but Yamaha doesn't claim it as a particular Fender amp, or even a Fender at all. Yeah, the Brit Hi is either from a Vox or Orange amp, but again, no names are specified. And the EQ, volume, and gain controls aren't digital. While this is an inconvenience if you like to jump between models and don't bother to dial in your settings beforehand, I think that just makes this amp more authentic. It doesn't matter what guitar I use or what tone I'm after, I can not only nail it with this amp, but it's at a pretty moderate volume, and although this amp has small speakers, they sound great. Did I pique your interest by mentioning acoustic, bass, and flat amp models? The acoustic seems to my ears to be a dedicated model for an acoustic guitar amplifier, not a hasty acoustic simulator pedal circuit. It sounds wonderful, though I do have a Yamaha acoustic guitar, so your mileage may vary with this model. The bass model is kinda "meh" to me. I only noodle around on bass guitar so I can't comment on this model's tone with the certainty that I can comment on the electric guitar models. But the bass model sounds fairly good. Not bad, but not great. The flat model is as it's name implies: No modelling circuitry is applied to this setting. Seems odd? I thought so, until my gaze settled on my Arturia Microbrute synthesizer, which produces it's tone stand-alone but has no integrated speakers. I haven't tried it yet but I think the Microbrute will sound awesome through this amp's flat amp setting. So yeah, this is a small, expensive amp. But I wish I had bought it years ago, I've gone through so many amps, and this is the Swiss army knife that I've always wanted for practice: Superb guitar tone at moderate volume levels, portability, and even capability to serve as a bass guitar amp. The flat and acoustic settings were extra icing on the cake for me. If you don't have any recording software on your PC, the included Cubase AI download will get your feet wet in the world of guitar recording. Bottom line: This amp is worth every penny in my opinion! ... show more
Reviewed in the United States on April 11, 2018 by Hawk eye
    • Great For Traveling
Style: Boutique
I'm a consultant and spend almost every week (Sunday - Thursday) out at client sites and living in hotels. I picked up a quite playable ChEaPiiphone Les Paul for dragging through airports, but didn't have a solution for an amp that could both be packed into luggage AND produce tolerable tone... until this. I got this amp about a month ago and it packs nicely inside a medium sized suitcase and there's still plenty of room for clothes. I did get the bag for it for additional protection since the airlines tend to abuse luggage and it's survived 3 trips so far. ...but being portable is only part of what makes it a great choice for travelers. For it's size, you would expect a transistor radio sound..Yamaha uses the space very creatively as it has a pretty nice bass component in the range of tones. The overdriven sound it produces is like a recording of a full size amp being whaled upon, played at a lower volume (well I keep it low as a favor to hotel neighbors). I have turned it up at home and it sounds equally good at the high end of it's volume range. The different boutique overdrives it produces are also key. I like the Class A setting with high gain for a ZZ Top Boogie blues sound. ...but can jump quickly to a Vernon Reid-ish Cult of Personality sound by dialing in Mini on the amp selector. The effects (as the modeled amps) do not sound cheap or gimmicky. I have a Fender Mustang II and all but a meager few of the amps are even half-way usable and all the effects sound cheap. I love everything about the Yamaha THR10C. I may even try one of the others since they did such a fine job with this one. ...as for the switch. It does look a little light-weight. I would simply replace it with a heavier duty one if it should ever break. It's just a switch and wiring that in can't be that much work. I definitely would not pay to have it done. HIGHLY recommend this amp for people like me, that travel a lot, and don't want to sacrifice tone for size. ... show more
Reviewed in the United States on March 11, 2014 by GT in Austin
    • The Yamaha THR10 Guitar Amp
Style: Original THR
The Yamaha THR10 is a solid state guitar amp with stereo sound, built in effects, stereo outs, runs on AC or batteries and is about the size of a boombox. When I pulled the thing out of the box and couldn't believe how small it was. It is even smaller than a boom box I bought back in the '80's. Started with the single coiled pickup equipped American made Fender Stratocaster, plugged it in and dialed up some sound. I immediately became blown away. I couldn't figure out where the sound was coming out from as there is no external speaker(s) Turns out the amp has 2 8cm (3.2") hi-fi speakers inside. The amp has the most authentic simulated tube sound I have ever heard. If I had been blindfolded and someone handed me my guitar already plugged into the thing, I would have sworn on a stack of six packs that it was a tube amp. The clean sounds are way cleaner and more tubelike than other solid state `tube simulation' based guitar amps I have played. The amp really brings out the tonal qualities of any guitar plugged into it, and is incredibly sensitive to tone control changes. I have played through some amps where switching pickups and tone settings are minimally effective. Not with this guy. It is also incredibly musical and as such is quite inspiring to play. It has a USB input for connecting to an iPhone for jamming with your favorite *.mp3's, a stereo headphone out (which can be run into mixer or computer DAW breakout inputs) an audio input for combining with other sound sources, and a built in tuner. The THR10 has great dynamics and is real punchy/spanky like a real tube amp. Add to that the fact it is basically noise free, truly hi-fi stereo, and with Master Volume, Gain, and Guitar inputs dimed out is pretty darned loud. It also is easy to get and control feedback too. The effects are crystal clear, quite nice sounding and also in stereo. It has multiple pre-set models including clean, several low to hi gain, simulated tube distortion settings. It also has a setting for playing acoustic and bass instruments. All in all this is the coolest little amp I have ever played or heard. ... show more
Reviewed in the United States on August 7, 2012 by stratamund

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