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Availability:
In Stock.
Arrives
Sunday, Nov 15
At a glance
- Condition
- New
- Style
- Camera Lens
- Model
- SELP18105G
- Screen size
- 11 cm
- Weight
- 427 g
- Color
- Black
- Lens Type
- Wide Angle, Telephoto
- Warranty
- 1 year coverage for labor, 1 year coverage for parts
- Works with
- cameras
Features 5
- High performance E mount lens with excellent contrast; Minimum Aperture (F): 22
- Minimum Focus Distance : 1.48 (Wide) 3.12 ft (Tele), Maximum Magnification ratio : 0.11x, Focal Length : 18 105 mm
- Versatile 27 158mm (35mm equiv.) zoom range. Angle of view (APS C): 76 15. Number of aperture blades are 7
- Constant F4 maximum aperture throughout the zoom range. Filter diameter (mm):72 mm
- It is recommended that you use a lens hood to reduce flare and ensure maximum image quality.Focal Length (mm) 11/16 4 1/8 35 mm equivalent focal length (APS C) 1 1/16 6 3/16 inches
Description
True to its high-end G Lens heritage, the SELP18105G lens features two ED glass elements and three aspherical elements for high resolution and contrast throughout the entire zoom range. The first Sony G Lens created specifically for E-mount cameras is true to its heritage, achieving outstanding resolution and contrast throughout the zoom range thanks to an advanced optical design incorporating two ED glass elements and three aspherical elements. From wide angle to medium telephoto, this power zoom lens covers approximately a 6x zoom range with a constant F4 aperture. When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration. Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills. Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. 2013 Sony Electronics All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. All rights reserved. Sony, the Sony logo, Alpha, (a) and Super SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners.
Specs 39
| Brand | Sony |
|---|---|
| Focal Length Description | 18-105 millimeters |
| Lens Type | Wide Angle, Telephoto |
| Compatible Mountings | Sony E |
| Camera Lens Description | Sony E (APS-C) |
| Lens | Wide Angle, Telephoto |
| Compatible Camera Mount | Sony E |
| Maximum Focal Length | 10.5 centimeters |
| Minimum Focal Length | 18 millimeters |
| Lens Design | Zoom |
| Focus Type | Auto Focus |
| Lens Fixed Focal Length | 18 millimeters |
| Lens Coating Description | Nano AR Coating |
| Zoom Ratio | 5.83:1 |
| Image stabilization | OSS (Optical Steady Shot) |
| Real Angle Of View | 76 degrees |
| Maximum Aperture | 4 millimeters |
| Minimum Aperture | 22 |
| Number of Diaphragm Blades | 7 |
| Compatible Camera Models | Sony E-mount cameras |
| Photo Filter Size | 7.2 centimeters |
| Lens Mount | Sony E |
| Aspect Ratio | Unknown |
| Screen Size | 11 centimeters |
| Color | Black |
| Exposure Control Type | Automatic, Manual |
| Media Type | ProductImage, EnhancedContent |
| Camera Lens | Sony E (APS-C) |
| Model Name | SELP18105G |
| Item Highlight | All-in-one zoom with f/4.0 aperture, optical stabilization and auto focus |
| Number of Items | 1 |
| Manufacturer Part Number | SELP18105G |
| Global Trade Identification Number | 82 |
| Unit Count | 1 Count |
| Built-In Media | Hood (ALC-SH128), Lens front cap, Lens rear cap, Sony SELP18105G E PZ 18-105mm F4 G OSS |
| Item Weight | 427 g |
| Manufacturer | Sony |
| Model Number | SELP18105G |
| Model Series | G |
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Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Sunday, Nov 15
Yes, absolutely! This item's return window has been extended for the holiday season: FREE refund/replacement until Jan 31, 2027.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
Great Zoom Lens for NEX Cameras
Style: Camera Lens
Photos taken at 105mm with NEX5T. They are cropped. Taken from about 40 feet away. UPDATE: updating to 5 stars. The more I use the lens the more I see how all of the benefits outweigh the bulk. Until a lens can offer the zoom capabilities of this lens while offering the high quality construction and pictures in a smaller package, I can't give this lens anything but 5 stars. This is going to be a brief initial impressions of this lens as I've only had it for a few hours. It came nicely packaged and despite knowing that it was going to be fairly big compared to the kit lens and the Sony 35f1.8, it was a little heavier than I expected Went onto my NEX 5T easy enough and then it was ready to go. The camera with the lens is much more bulky and heavy as expected but the lens has a good quality heft to it and seems well constructed. I took some test shots in moderate sunlight as well as mild indoor lighting. I did full 105mm and 18mm shots. My 35f1.8 takes noticeable crisper shots and the 1.8 aperture has outstanding background blur and bokeh, but I didn't buy this lens expecting it to rival that lens. I bought this lens as a versatile lens with good glass and good zoom and I believe I got it. I opted for this lens instead of more zoom with the 18200 and 55210 due to price and concerns with some criticisms from online reviewers. This lens has generally favorable reviews and didn't quite break the bank like other zoom lenses could do. The pictures I got were very clear and sharp throughout all the zooming. At full zoom the pictures remained surprisingly crisp and clear and I am very satisfied with the results so far. You're gonna want a good amount of light as the quality of pictures dropped significantly in poorer lighting situations but with a good amount of light you can expect fantastic quality shots. I knocked off a star because my personal preferences. The lens is big and bulky and while it is meant as a versatile travel lens, it is just nowhere near as travel friendly as my other lenses. However, the tradeoff is for high quality pictures with good zoom and I don't think you can get that without adding a significant amount of bulk and weight to your setup. I think this will be great for travel, outdoor landscape shots, shots of kids playing sports, wildlife, etc... The price seems justified so far and I am happy with my purchase over the other zoom lenses available for this line of cameras. As it stands, I can easily recommend this lens to others and will update my review after I have more experience taking it on a trip shortly.
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Reviewed in the United States on August 19, 2015 by I Like Stuff
This lens on my Nex-6 rivals my A7 with A Sony prime ...
Style: Camera Lens
I wanted to use my Nex-6 as a backup to my Sony A7 with a variety of Sony A-mount lenses used through the LA-EA4. I am very pleased with the IQ of the A7. I thought this 18-105mm f4 would be a good lens to put on the Nex-6 and have a fall back camera in my street photography. The shots I got when I received this lens simply amazed me ... and I am used to full frame and good glass. They were clear, crisp and the auto focus was fast. I was a little spooked to read certain forums and reviews about this lens having pillow distortion. It seems it is tru only on cameras that do not internally correct for the lens. I am happy to report my Nex-6 has virtually no such distortion. I was also hesitant due to some forum users reporting it was a video lens and somehow fell short in still photography. That it absolutely not true. I am also a videographer and have used Sony pro video cameras and lensing for years. These camcorders all had the Sony G lenses, and they are of remarkable optical quality in my experience. This 18-105mm f4 Sony G lens is probably at the top of the image quality ladder of all the lenses I have used in both still photography and videography. And that's exceptional because zooms usually do not have the IQ (image quality) that primes have. The zoom ring is smooth and predictable. The feel and build of the lens feels pro level to me. The sharpness and general color accuracy is good. I say generally because I did not take the time to look for things such as fringing on the edges, etc. I'm not trying to be superficial here, but I even like the way this thing looks on a small Nex-6. The lens barrel is relatively thin then progresses up in diameter as you go away from the camera. And on the business end of the lens is a wide, beautiful lens element. My years have taught me that, optical paths and other technological factors equal, there is no substitute for a large piece of glass for the main element. Bigger diameter glass gathers more light and resolves more detail. That's why even though this is an f4, it seems like a fairly bright lens when shooting. Simply put, his thing rocks. I'm going to try it on my E-mount Sony A7 and see if there are apertures where the vignetting (the 18-105mm is made for the smaller APS sensor) is reduced or nonexistent. I cannot imagine the image quality that combo would yield. Though the Nex-6 is a great camera, it simply cannot compete one on one with the A7 full frame and good glass ... Or so I thought. Now, unless I was going to blow up photos to large format afterward, I would equally trust this lens on the Nex-6 and the A7 with a prime. The full frame 100mm f2.8 Sony lens on the A7, on the other hand ... being an exceptional prime ... Might barely surpass this lens on the Nex-6. Overall this was a very good purchase. Very pleased.
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Reviewed in the United States on January 30, 2014 by stephen
Good value lens - comparison of Sony lenses
Style: Camera Lens
SELP18105G: This lens is a good value for the features and cost. For $600, the lens has f-4 max aperture, standard OSS optical stabilization, 6x zoom (27-157mm 35mm equivalent), internal focusing (lens length remains constant for easier handling), power zoom (smoother focusing for videos and can be controlled by the free PlayMemories app), and good weight of 15.1oz (< 1 lb). Yes, there is mild chromatic aberration and distortion, but both of these can be compensated. The chromatic aberration is not always noticeable (depends on the scenery), and is virtually gone by reducing the aperture to f-5.0. The distortion only shows up in RAW images, and any decent photo editing software can correct it with one click. SEL18200: This lens costs $250 more, but has 2x more zoom than the SELP18105G, but 1.3 higher f-stop at max zoom (smaller aperture, > 2x less light). Its about the same size as the SELP18105G, but weighs 18.5oz (3.4oz more). This lens does not have internal focusing or power zoom, but does have a relatively better stabilization that Sony dubbed Active OSS. SEL18200le: This lens has the same featues as the SEL18200 lens, but costs $100 less because it only has the regular OSS, not the Active OSS. Due to that fact, it weighs in at 16.3oz and is 1cm shorter and 1cm smaller diameter than the SELP18105G. The issue with this lens is that critics noted it's basically a rebranded Tamron 18-200mm lens, so you are paying a premium just for the Sony name. SELP18200: This lens is like combining the SELP18105 and SEL18200 lenses because it has the internal focusing and power zoom (indicated by the "P" in the model #), while providing 200mm zoom and Active OSS. See the above descriptions for benefits of these features. However, you are paying $1100 for this lens. SEL55210: If you have the kit lens (SEL1650 or SEL1855) and are on a budget, then this lens is the best option for you since it's only $300. However, you will have to swap lenses whenever you cross the 50mm zoom boundary, which may cause dust to settle on your image sensor. Also, it does not have internal focusing or power zoom, but does have regular OSS. SEL1670Z: This lens is Sony's premium lens with Carl Zeiss (indicated by the "Z" in the model #) AR-coated optics and f-4 max aperture, but costs $1000. But it has relatively weak zoom (24-105mm 35mm equivalent), and some reviews noted focusing issues. It has internal focusing and regular OSS, but no power zoom. For $1000, the lens should not have focusing problems, and the zoom needs to be stronger (at least 6x). Comparing Sony's E-mount APS-C lenses, this lens (SELP18105G) is the best value for the price. I tested this lens on my Sony NEX-6 camera.
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Reviewed in the United States on July 3, 2014 by tech_enthusiast
I wouldn't think this was a G class lens from the price or quality, but it's still a great value.
Style: Camera Lens
My only major complaint about the lens is its inability to hold a solid focus while I am doing zoom pulls. The whole reason I purchased this lens was to turn my a6400 into a camcorder with power zoom, and it did just that, however, if you want to pull zoom from a subject's face, even slowly, the camera will consistently do quick breathing for focus checking, which is extremely bothersome for professional video work. If it was just for home video and vacation footage, I'd have zero complains. Otherwise, you're getting an approximately 6x zoom with this lens which is the same zoom you would get from camcorders from the early 1990's, which is extremely adequate for most camcorder use cases. I mean, it is very rare that, in 4k, I will need to zoom beyond 105mm for what I want to capture. Sharpness: its average. Not at all what I would expect from a G class lens. My sigma 30mm lens is much sharper than this lens, however that is not an issue for me at all when I am shooting videos in the max of 4K resolution. You will not notice it in videos, you will notice it for photography. Optical stabilization: It is perfectly fine. About the same stabilization you'd expect in a $600 camcorder. Great for low light situations because f4 struggles at night. Autofocus when I am not doing a pull or push zoom? Awesome. It is extremely quick for photo taking or video shots where focus during the push or pull isn't a concern. Weight: shockingly lightweight. Durability is nice too. I accidentally dropped my camera out of my truck seat onto the concrete and only noticed a minor scuff that almost all came off. In conclusion: If you are thinking about purchasing this lens, keep in mind all that I just mentioned. I would highly recommend only using this for using your camera like a camcorder. It is lightweight and perfect for being the only lens you take while you go out. It is really a jack of all trades, and master of none. I find it to be the lens I keep on my camera most often. I got it used for around $379 and will have to say it is worth every penny. Ignore the G label on this lens because it isn't a high-class lens in any sense, but it is a great piece of glass for the price. The attached photo was taken with the lens at f4 and 27mm.
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Reviewed in the United States on June 28, 2024 by Tammy
20 hours of research paid off!
Style: Camera Lens
Background: Professional photographer shooting with Canon 5DMII, 17mm T/S, 24-70mm 2.8 L and 70-200mm F4 L. Those three lenses are at the top of the quality list and all highly rated. That should tell you how well I research and made choices. Most of the cameras/lenses I buy end up on the top 10 all-time favorite lists. Day 1 living with the lens: I received the delivery of the 18-105 F4 lens last night and today I had the opportunity to venture out on a sunny day, with snow on the ground in Central Oregon shooting with my Sony A6000 and 18-105mm F4 G zoom lens. I have the 10-18mm F4 lens as well that is very sharp and used for landscapes and architecture. I needed another lens but wanted a zoom to cover a range without having to carry a lot of lenses or bother to change lenses. After considering Zeis lenses (and cost), kit lenses and all others for the Sony, I decided on this one, which I could return if I had to. I should mention I had purchased the Fotodiox adapter to mount my canon lenses to the Sony A6000. However, I discovered that the weight ratio of the heavy Canon lenses to the light body weight of the Sony A6000 was uncomfortable and defeated the purpose of going to a mirrorless camera. I returned the adaptor, which by the way was way too slow to autofocus and will be selling my Canon lenses. Here is why: The 18-105mm zoom does not disappoint in the least. It is fast to focus, the contrast and color is good and the range of the zoom is great. The depth of field is deep and the lens is a sharp lens, not soft. I can't tell you whether the corners are soft or not, I don't go that far but I do tend to be a pixel peeper as it is my business as a photographer to pay attention to details. If you have spent hours of researching and the negative reviews throw you off just about the time you had made your decision, my advice would be to buy from a vendor that will accept returns. No risk to you other than possibly having to pay return shipping. Amazon is great for this. Here are some sample photos from today's shoot. Did I post process? Yes. But then I post process just about everything I shoot and I typically shoot in RAW. Did I take three exposures at 0, -2 and +2...yes and blended them to control the highlights and shadows. I make no apologies as if the photos can stand up to processing and not lose quality, then why not? BTW, the shot of the geese flying in the sky was taken from the ground and the geese were about 100-200 feet in the air, flying over my head. I aimed, the camera focused, I followed them as I tripped the shutter. That's easier than trying to use a high ISO to stop the action.
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Reviewed in the United States on January 2, 2016 by PapaRatzy
Well worth it
Style: Camera Lens
This lens is phenomenal. Like most of you, i was torn between this and the Zeiss. I already owned the 18-200mm so I was used to the size, however I was expecting this one to be slightly smaller. It's not. They're almost identical in size. That was surprising. this one is definitely sharper. I rarely go over 105mm anyways so this lens is a "better" lens for me and probably for most people. In fact, if you're one of the few who's torn between this and the 18-200mm, my recommendation is buy this lens and with the money you'll save, buy the 55-210mm for those rare moments. I also own that one and have been very impressed with the results out of a $300 lens. I have GAS. Gear Acquisition Syndrome. I found a great deal on that 55-210 so I jumped on it, especially after noticing a smudge on my 18-200 that I can't get to come off. It may be due for retirement. Something about this lens that I didn't know about until after I started using it, the zoom is as smooth as butter. Definitely helps with videos. I HATED using the 16-50mm kit lens for videos. The zoom was rough and shaky. However this one is so smooth, I love using the zoom. Definitely helps make videos look more professional. Especially since I can keep the F4 across the range. If you do a lot of video, I can't think of a better e-mount lens (under $2000). The lens feels strong and sturdy. Made of great quality, and these G lenses are highly rated. You can't go wrong with this one. For a point of reference, i'm using it on my a6300.
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Reviewed in the United States on November 14, 2016 by Stephen Galaso
PERFECT Walking-Around All-Purpose Lens on any of the Sony APS-C bodies
Style: Camera Lens
I’ve been wanting to update my review of this simply terrific, sterling lens. I’ve had it now for almost a year and it has become my absolute go-to lens. It is wire sharp at all focal lengths (equivalent 27 mm to 158 mm) plus holds f/4.0 throughout its range, making it the perfect walking-around lens for pretty much any purpose you can think of. It is a chunk, big and heavy owing to its impressive range plus f/4.0. It’s actually heavier than the APS-C bodies, but it is so superb in performance that it is THE lens I will have on if I go out with just a body, lens, and spare battery. I have a set of inexpensive but fully automatic extension tubes that couple with the zoom and allow it to be used as a zooming macro. I also have an E-mount Sony 30mm macro which is only marginally better than using the big zoom with extension tubes. I’ve added some new pictures to demonstrate. I would say that for most purposes, if you have only one lens, this one performs so well it replaces a bagful of primes. Yes, it is “only” f/4.0, but the APS-C sensor tolerates some stratospheric ISO. I have used my 18-105 to cover an indoor flag football game at ISO 12,800. Most of the noise was mitigated in Lightroom alone (shooting only raw), and only a few needed Topaz de-noise. I personally think it’s a myth that you must have fast lenses in low light, especially with mirrorless EVF that is bright no matter the speed of the lens.
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Reviewed in the United States on July 2, 2018 by Charles G. Haacker
Super sharp lens, but research first
Style: Camera Lens
First thing to be aware of with this lens, as I'm sure you have seen in other reviews, is the pin cushion effect that it can have on certain cameras. It seems to me that if your pictures are taken in JPEG you are fine while RAW it will be warped. I use it for video however. I have shot with it on a vg20, vg30, and a 50ea. All of these cameras record in the AVCHD format it it works great. If you are using a fs100 or fs700, I would be careful. I'm unsure if this due to a format difference or not, but be aware of that. The lens itself is has very good color and clarity. It's very nice being able to zoom in without having to jack up your gain. Something to be aware of is that it does not function like other lens when focusing on close object. With the kit emount lens (18-200mm) I can use the zoom to create a psuedo macro effect. Not as good, but still looks nice for ring shots. If you zoom in, the focal point can shift dramatically. You have to find a sweet spot with it, but if you have a lossless digital zoom, that should help you as well. This lens is also very light, but doesn't feel at all fragile. A nice little feature with the zoom is that there is no manual/servo switch. Both options are always available to you. This is very nice when you have a zoom lever on your camera. The zoom also is silky smooth. With the kit power zoom lens, if you let stop zooming, it does so immediately, which for video is a bit jarring. This slows down just and bit as if it glides right in position.
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Reviewed in the United States on May 26, 2014 by Casey Lemons