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Sony SELP18105G E PZ 18-105mm F4 G OSS , Black

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Availability: Only 4 left in stock, order soon!
Fulfilled by Adorama

Arrives Tuesday, Sep 2
Order within 14 hours and 52 minutes
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Style: Camera Lens


Features

  • High performance E mount lens with excellent contrast; Minimum Aperture (F): 22
  • Minimum Focus Distance : 1.48 (Wide) 3.12 ft (Tele), Maximum Magnification ratio : 0.11x, Focal Length : 18 105 mm
  • Versatile 27 158mm (35mm equiv.) zoom range. Angle of view (APS C): 76 15. Number of aperture blades are 7
  • Constant F4 maximum aperture throughout the zoom range. Filter diameter (mm):72 mm
  • It is recommended that you use a lens hood to reduce flare and ensure maximum image quality.Focal Length (mm) 11/16 4 1/8 35 mm equivalent focal length (APS C) 1 1/16 6 3/16 inches

Description

True to its high-end G Lens heritage, the SELP18105G lens features two ED glass elements and three aspherical elements for high resolution and contrast throughout the entire zoom range. The first Sony G Lens created specifically for E-mount cameras is true to its heritage, achieving outstanding resolution and contrast throughout the zoom range thanks to an advanced optical design incorporating two ED glass elements and three aspherical elements. From wide angle to medium telephoto, this power zoom lens covers approximately a 6x zoom range with a constant F4 aperture. When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration. Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills. Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. 2013 Sony Electronics All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. All rights reserved. Sony, the Sony logo, Alpha, (a) and Super SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners. From the Manufacturer E PZ 18-105mm F4 G OSS Power Zoom LensThe first Sony G Lens created specifically for E-mount cameras is true to its heritage, achieving outstanding resolution and contrast throughout the zoom range thanks to an advanced optical design incorporating two ED glass elements and three aspherical elements. From wide angle to medium telephoto, this power zoom lens covers approximately a 6x zoom range with a constant F4 aperture.TechnologyCircular ApertureWhen changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.ED (Extra-low Dispersion) glassAs focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration.Aspherical lens elementsAspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality.Lens-based optical image stabilizationGyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills.Additional FeaturesInternal focusingOnly the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.2013 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. All rights reserved. Sony, the Sony logo, Alpha, (a) and Super SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners.

Brand: Sony


Focal Length Description: 18-105


Lens Type: Wide Angle, Telephoto


Compatible Mountings: Sony E


Camera Lens Description: 7


Product Dimensions: 4.33 x 3.07 x 3.07 inches


Item Weight: 15.1 ounces


Item model number: SELP18105G


Batteries: 1 Product Specific batteries required.


Is Discontinued By Manufacturer: No


Date First Available: August 26, 2013


Manufacturer: Sony


Language: English


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Tuesday, Sep 2

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Top Amazon Reviews


  • Great Zoom Lens for NEX Cameras
Style: Camera Lens
Photos taken at 105mm with NEX5T. They are cropped. Taken from about 40 feet away. UPDATE: updating to 5 stars. The more I use the lens the more I see how all of the benefits outweigh the bulk. Until a lens can offer the zoom capabilities of this lens while offering the high quality construction and pictures in a smaller package, I can't give this lens anything but 5 stars. This is going to be a brief initial impressions of this lens as I've only had it for a few hours. It came nicely packaged and despite knowing that it was going to be fairly big compared to the kit lens and the Sony 35f1.8, it was a little heavier than I expected Went onto my NEX 5T easy enough and then it was ready to go. The camera with the lens is much more bulky and heavy as expected but the lens has a good quality heft to it and seems well constructed. I took some test shots in moderate sunlight as well as mild indoor lighting. I did full 105mm and 18mm shots. My 35f1.8 takes noticeable crisper shots and the 1.8 aperture has outstanding background blur and bokeh, but I didn't buy this lens expecting it to rival that lens. I bought this lens as a versatile lens with good glass and good zoom and I believe I got it. I opted for this lens instead of more zoom with the 18200 and 55210 due to price and concerns with some criticisms from online reviewers. This lens has generally favorable reviews and didn't quite break the bank like other zoom lenses could do. The pictures I got were very clear and sharp throughout all the zooming. At full zoom the pictures remained surprisingly crisp and clear and I am very satisfied with the results so far. You're gonna want a good amount of light as the quality of pictures dropped significantly in poorer lighting situations but with a good amount of light you can expect fantastic quality shots. I knocked off a star because my personal preferences. The lens is big and bulky and while it is meant as a versatile travel lens, it is just nowhere near as travel friendly as my other lenses. However, the tradeoff is for high quality pictures with good zoom and I don't think you can get that without adding a significant amount of bulk and weight to your setup. I think this will be great for travel, outdoor landscape shots, shots of kids playing sports, wildlife, etc... The price seems justified so far and I am happy with my purchase over the other zoom lenses available for this line of cameras. As it stands, I can easily recommend this lens to others and will update my review after I have more experience taking it on a trip shortly. ... show more
Reviewed in the United States on August 19, 2015 by I Like Stuff I Like Stuff

  • This lens on my Nex-6 rivals my A7 with A Sony prime ...
Style: Camera Lens
I wanted to use my Nex-6 as a backup to my Sony A7 with a variety of Sony A-mount lenses used through the LA-EA4. I am very pleased with the IQ of the A7. I thought this 18-105mm f4 would be a good lens to put on the Nex-6 and have a fall back camera in my street photography. The shots I got when I received this lens simply amazed me ... and I am used to full frame and good glass. They were clear, crisp and the auto focus was fast. I was a little spooked to read certain forums and reviews about this lens having pillow distortion. It seems it is tru only on cameras that do not internally correct for the lens. I am happy to report my Nex-6 has virtually no such distortion. I was also hesitant due to some forum users reporting it was a video lens and somehow fell short in still photography. That it absolutely not true. I am also a videographer and have used Sony pro video cameras and lensing for years. These camcorders all had the Sony G lenses, and they are of remarkable optical quality in my experience. This 18-105mm f4 Sony G lens is probably at the top of the image quality ladder of all the lenses I have used in both still photography and videography. And that's exceptional because zooms usually do not have the IQ (image quality) that primes have. The zoom ring is smooth and predictable. The feel and build of the lens feels pro level to me. The sharpness and general color accuracy is good. I say generally because I did not take the time to look for things such as fringing on the edges, etc. I'm not trying to be superficial here, but I even like the way this thing looks on a small Nex-6. The lens barrel is relatively thin then progresses up in diameter as you go away from the camera. And on the business end of the lens is a wide, beautiful lens element. My years have taught me that, optical paths and other technological factors equal, there is no substitute for a large piece of glass for the main element. Bigger diameter glass gathers more light and resolves more detail. That's why even though this is an f4, it seems like a fairly bright lens when shooting. Simply put, his thing rocks. I'm going to try it on my E-mount Sony A7 and see if there are apertures where the vignetting (the 18-105mm is made for the smaller APS sensor) is reduced or nonexistent. I cannot imagine the image quality that combo would yield. Though the Nex-6 is a great camera, it simply cannot compete one on one with the A7 full frame and good glass ... Or so I thought. Now, unless I was going to blow up photos to large format afterward, I would equally trust this lens on the Nex-6 and the A7 with a prime. The full frame 100mm f2.8 Sony lens on the A7, on the other hand ... being an exceptional prime ... Might barely surpass this lens on the Nex-6. Overall this was a very good purchase. Very pleased. ... show more
Reviewed in the United States on January 30, 2014 by stephen

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