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Sony SELP18105G E PZ 18-105mm F4 G OSS , Black

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Arrives Monday, Jun 30
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Style: Camera Lens


Features

  • High performance E mount lens with excellent contrast; Minimum Aperture (F): 22
  • Minimum Focus Distance : 1.48 (Wide) 3.12 ft (Tele), Maximum Magnification ratio : 0.11x, Focal Length : 18 105 mm
  • Versatile 27 158mm (35mm equiv.) zoom range. Angle of view (APS C): 76 15. Number of aperture blades are 7
  • Constant F4 maximum aperture throughout the zoom range. Filter diameter (mm):72 mm
  • It is recommended that you use a lens hood to reduce flare and ensure maximum image quality.Focal Length (mm) 11/16 4 1/8 35 mm equivalent focal length (APS C) 1 1/16 6 3/16 inches

Description

True to its high-end G Lens heritage, the SELP18105G lens features two ED glass elements and three aspherical elements for high resolution and contrast throughout the entire zoom range. The first Sony G Lens created specifically for E-mount cameras is true to its heritage, achieving outstanding resolution and contrast throughout the zoom range thanks to an advanced optical design incorporating two ED glass elements and three aspherical elements. From wide angle to medium telephoto, this power zoom lens covers approximately a 6x zoom range with a constant F4 aperture. When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration. Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills. Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. 2013 Sony Electronics All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. All rights reserved. Sony, the Sony logo, Alpha, (a) and Super SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners. From the Manufacturer E PZ 18-105mm F4 G OSS Power Zoom LensThe first Sony G Lens created specifically for E-mount cameras is true to its heritage, achieving outstanding resolution and contrast throughout the zoom range thanks to an advanced optical design incorporating two ED glass elements and three aspherical elements. From wide angle to medium telephoto, this power zoom lens covers approximately a 6x zoom range with a constant F4 aperture.TechnologyCircular ApertureWhen changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.ED (Extra-low Dispersion) glassAs focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration.Aspherical lens elementsAspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality.Lens-based optical image stabilizationGyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills.Additional FeaturesInternal focusingOnly the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.2013 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. All rights reserved. Sony, the Sony logo, Alpha, (a) and Super SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners.

Brand: Sony


Focal Length Description: 105 Millimeters


Lens Type: Wide Angle, Telephoto


Compatible Mountings: Sony E


Camera Lens Description: 7


Product Dimensions: 4.33 x 3.07 x 3.07 inches


Item Weight: 15.1 ounces


Item model number: SELP18105G


Batteries: 1 Product Specific batteries required.


Is Discontinued By Manufacturer: No


Date First Available: August 26, 2013


Manufacturer: Sony


Language: English


Country of Origin: China


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Monday, Jun 30

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews


  • Absolute piss missle
Style: Camera Lens
The most versatile lens, it’s sharp, autofocus is fast, and f4 ain’t really that bad. Its budget friendly, not too heavy, and is just a great lens for the price.
Reviewed in the United States on May 1, 2025 by Huntee

  • Great Zoom Lens for NEX Cameras
Style: Camera Lens
Photos taken at 105mm with NEX5T. They are cropped. Taken from about 40 feet away. UPDATE: updating to 5 stars. The more I use the lens the more I see how all of the benefits outweigh the bulk. Until a lens can offer the zoom capabilities of this lens while offering the high quality construction and pictures in a smaller package, I can't give this lens anything but 5 stars. This is going to be a brief initial impressions of this lens as I've only had it for a few hours. It came nicely packaged and despite knowing that it was going to be fairly big compared to the kit lens and the Sony 35f1.8, it was a little heavier than I expected Went onto my NEX 5T easy enough and then it was ready to go. The camera with the lens is much more bulky and heavy as expected but the lens has a good quality heft to it and seems well constructed. I took some test shots in moderate sunlight as well as mild indoor lighting. I did full 105mm and 18mm shots. My 35f1.8 takes noticeable crisper shots and the 1.8 aperture has outstanding background blur and bokeh, but I didn't buy this lens expecting it to rival that lens. I bought this lens as a versatile lens with good glass and good zoom and I believe I got it. I opted for this lens instead of more zoom with the 18200 and 55210 due to price and concerns with some criticisms from online reviewers. This lens has generally favorable reviews and didn't quite break the bank like other zoom lenses could do. The pictures I got were very clear and sharp throughout all the zooming. At full zoom the pictures remained surprisingly crisp and clear and I am very satisfied with the results so far. You're gonna want a good amount of light as the quality of pictures dropped significantly in poorer lighting situations but with a good amount of light you can expect fantastic quality shots. I knocked off a star because my personal preferences. The lens is big and bulky and while it is meant as a versatile travel lens, it is just nowhere near as travel friendly as my other lenses. However, the tradeoff is for high quality pictures with good zoom and I don't think you can get that without adding a significant amount of bulk and weight to your setup. I think this will be great for travel, outdoor landscape shots, shots of kids playing sports, wildlife, etc... The price seems justified so far and I am happy with my purchase over the other zoom lenses available for this line of cameras. As it stands, I can easily recommend this lens to others and will update my review after I have more experience taking it on a trip shortly. ... show more
Reviewed in the United States on August 19, 2015 by I Like Stuff I Like Stuff

  • 20 hours of research paid off!
Style: Camera Lens
Background: Professional photographer shooting with Canon 5DMII, 17mm T/S, 24-70mm 2.8 L and 70-200mm F4 L. Those three lenses are at the top of the quality list and all highly rated. That should tell you how well I research and made choices. Most of the cameras/lenses I buy end up on the top 10 all-time favorite lists. Day 1 living with the lens: I received the delivery of the 18-105 F4 lens last night and today I had the opportunity to venture out on a sunny day, with snow on the ground in Central Oregon shooting with my Sony A6000 and 18-105mm F4 G zoom lens. I have the 10-18mm F4 lens as well that is very sharp and used for landscapes and architecture. I needed another lens but wanted a zoom to cover a range without having to carry a lot of lenses or bother to change lenses. After considering Zeis lenses (and cost), kit lenses and all others for the Sony, I decided on this one, which I could return if I had to. I should mention I had purchased the Fotodiox adapter to mount my canon lenses to the Sony A6000. However, I discovered that the weight ratio of the heavy Canon lenses to the light body weight of the Sony A6000 was uncomfortable and defeated the purpose of going to a mirrorless camera. I returned the adaptor, which by the way was way too slow to autofocus and will be selling my Canon lenses. Here is why: The 18-105mm zoom does not disappoint in the least. It is fast to focus, the contrast and color is good and the range of the zoom is great. The depth of field is deep and the lens is a sharp lens, not soft. I can't tell you whether the corners are soft or not, I don't go that far but I do tend to be a pixel peeper as it is my business as a photographer to pay attention to details. If you have spent hours of researching and the negative reviews throw you off just about the time you had made your decision, my advice would be to buy from a vendor that will accept returns. No risk to you other than possibly having to pay return shipping. Amazon is great for this. Here are some sample photos from today's shoot. Did I post process? Yes. But then I post process just about everything I shoot and I typically shoot in RAW. Did I take three exposures at 0, -2 and +2...yes and blended them to control the highlights and shadows. I make no apologies as if the photos can stand up to processing and not lose quality, then why not? BTW, the shot of the geese flying in the sky was taken from the ground and the geese were about 100-200 feet in the air, flying over my head. I aimed, the camera focused, I followed them as I tripped the shutter. That's easier than trying to use a high ISO to stop the action. ... show more
Reviewed in the United States on January 2, 2016 by PapaRatzy PapaRatzy

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