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Sony

Sony Alpha a6500 Mirrorless Digital Camera w/ 2.95" LCD (Body Only)

  • Based on 290 reviews
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Availability: Only 3 left in stock, order soon!
Fulfilled by Willoughby's Established 1898
Arrives Oct 22 – Oct 25
Order within 19 hours and 53 minutes
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Style: Body Only


Set: Base


Features

  • 24.2MP APS-C Exmor sensor w/ advanced processing up to ISO 51.200
  • Wide 425 phase detection AF points, Fast 0.05 sec. AF acquisition
  • 5-axis in-body image stabilization steadies every lens. Silent Shooting. Noise Reduction :Long exposure NR: On/Off, available at shutter speeds longer than 1 sec., High ISO NR: Normal/Low/Off
  • 11fps continuous shooting to 269 frames at 24.2MP w/ AE/AF tracking
  • 4K movie w/ 2.4x oversampling4, full pixel readout, no pixel binning

Description

24.2 MP Exmor CMOS sensor with world’s fastest AF speed (0.05 sec.) and highest number of phase detection AF points (425). In-camera 5-axis optical image stabilization for every lens and enhanced AF features including intuitive and immediate touchscreen AF operation. 4K movie recording and pro video features including 2.4x oversampling with full pixel readout and no pixel binning, S-Log3/S-Log2, S-Gamut and gamma assist and more. Flash control - Built-in flash

Compatible Mountings: E-mount


Aspect Ratio: Unknown


Photo Sensor Technology: CMOS


Supported File Format: JPEG; RAW


Image Stabilization: Sensor-shift


Optical Zoom: 1 x


Maximum Aperture: 5.6 f


Metering Description: Center-Weighted Average, Multi-Zone, Spot


Brand: Sony


Model Name: Sony Alpha A6500


Brand: Sony


Model Name: Sony Alpha A6500


Age Range Description: Adult


Built-In Media: Shoulder Strap, Micro USB Cable, Eyepiece Cup, Body Cap, Accessory Shoe Cap, Battery NP-FW50, AC Adaptor


Are Batteries Included: Yes


Model Number: ILCE-6500/B


Remote Included: No


Series Number: 6500


Global Trade Identification Number: 06


UPC: 027242895706


Item Height: 2.13 inches


Manufacturer: SOAB9


Warranty Description: 1


Connectivity Technology: USB, HDMI, NFC


Wireless Technology: Wi-Fi, NFC


Video Output: HDMI


Total USB 2.0 Ports: 1


Total USB 3.0 Ports: 1


Total USB Ports: 1


Total Video Out Ports: 1


Shooting Modes: Single shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracketing (Cont., Single, White Balance, DRO)


Digital-Still: No


Movie Mode: Yes


Image Capture Type: Stills


Night vision: No


Auto Focus Technology: Hybrid


Focus Features: Hybrid


Autofocus Points: 425


Focus Type: Auto Focus


Focus Mode: Single-Servo AF (AF-S)


Autofocus: Yes


Aspect Ratio: Unknown


File Format: JPEG; RAW


Effective Still Resolution: 24.2 MP


JPEG Quality Level: Basic, Fine, Normal


Supported Image Format: JPEG


Bit Depth: 14 Bit


Total Still Resolution: 25 MP


Optical Zoom: 1 x


Lens Type: Zoom


Zoom: Automatic


Digital Zoom: 4 x


Lens Construction: Multiple


Metering Methods: Center-Weighted Average, Multi-Zone, Spot


Exposure Control: AUTO (iAuto/Superior Auto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie / Sl&Q Motion (Programmed AE (P) / Aperture priority (A) /Shutter-speed priority (S) / Manual (M) ), Sweep Panorama, Scene Selection


White Balance Settings: Auto, Flash torch


Self Timer: 10 seconds


Screen Size: 2.95 Inches


Display Type: LCD


Dots Per Screen: 2359296


Display Fixture Type: Tilting


Touch Screen Type: Capacitive


Display Resolution Maximum: 921600


Has Color Screen: No


Flash Memory Type: Memory Stick;SDXC;Micro SD;


Memory Slots Available: 1


Flash Memory Speed Class: UHS-I or higher


Flash Memory UHS Speed Class: U3


Compatible Mountings: E-mount


Sensor Type: CMOS


Image stabilization: Sensor-shift


Maximum Aperture: 5.6 f


Photo Sensor Resolution: 24.2 MP


Photo Sensor Size: APS-C


Minimum Shutter Speed: 1/16000 seconds


Form Factor: Compact


Special Feature: Face Detection


Color: Black


Item Weight: 14.56 ounces


Video Resolution: 4K UHD 2160p


Viewfinder: Electronic


Flash Modes: Fill-in, High-speed sync, Off, Rear curtain sync, Red-eye reduction, Slow sync


Camera Flash: Hotshoe


Skill Level: Professional


Specific Uses For Product: Vlogging


Compatible Devices: [E-mount]


Continuous Shooting: 11 fps


Aperture modes: Aperture Control Modes


Viewfinder Magnification: 0.70x


Flash Sync Speed: 1/160 Second


Video Capture Format: 4k


Expanded ISO Maximum: 51200


Battery Weight: 42 Grams


Delay between shots: 0.09 seconds


Audio Output Type: Internal or HDMI


Battery Cell Type: Lithium Ion


Guide Number: 6 meters


Battery Type: NP-FW50


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Oct 22 – Oct 25

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

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Top Amazon Reviews

    • So Far The Ultimate Travel Camera
Style: Body Only Set: Base
Review Image by Mikee Catacutan Mikee Catacutan
Review Image by Mikee Catacutan Mikee Catacutan
Review Image by Mikee Catacutan Mikee Catacutan
Review Image by Mikee Catacutan Mikee Catacutan
Review Image by Mikee Catacutan Mikee Catacutan
Review Image by Mikee Catacutan Mikee Catacutan
Review Image by Mikee Catacutan Mikee Catacutan
Review Image by Mikee Catacutan Mikee Catacutan
Review Image by Mikee Catacutan Mikee Catacutan
Review Image by Mikee Catacutan Mikee Catacutan
You can view my review on my blog for higher quality photos: journal.hellomikee.com/sony-a6500-review While the a6500 is very much similar in all aspects of the a6300, there are some subtle as well as not so subtle differences that make this camera worth a higher price point. Does it replace the a6300? For some photographers like myself, yes it does because I have specific needs for a camera like this, while for others, the a6300 is more than enough camera for them. For me, this is an almost perfect APS-C camera that I could rely on not only for work assignments, but also as an ultimate travel camera for picture perfect landscapes, portraits and stabilized video clips. Build and Camera Controls: The build quality on the a6500 has some subtle differences, the first being a slightly larger grip. With the addition of IBIS, it makes sense that the camera needed a little more surface area, which also resulted in a slightly heavier camera overall. The added size of the grip actually feels awesome and I prefer it over the previous series. While still small and compact, the a6500 feels more durable. The dials also feel more robust and secure. The on and off switch is much more stiff, which I like as the a6300 and a6000 would sometimes accidentally switch on when being placed in a bag. The top dials also have a little more firmness to them. My favorite update is to the back dial. I was constantly accidentally changing settings on my previous cameras because the dial was so flimsy. On the a6500, it’s much more firm and you actually have to apply a bit of pressure to start turning, which is nice. I also noticed that the mount feels much more secure and tight. The click between the mount and lens feels so much more solid now. It’s subtle updates that really lend itself to this camera feeling more premium and well-crafted. Image Quality: At the time of writing this, Adobe has yet to release a camera raw update so I’m unable to work on raw files, but I’m still amazed at how much detail I can pull out of a jpeg from this camera. Sony sensors are the best and this is no exception. It has the same sensor as the a6300 so files from either are probably indistinguishable. My favorite aspect about the quality of images this camera produces deals with the amount of dynamic range available in post process. You can push and pull so much out of the shadows and highlights of these raw files without loosing any quality or producing and sort of banding or weird artifacts. This and the a6300 are the first APC-S cameras that I feel can stand up to FF cameras. In fact, when editing alongside a7R II files, it’s hard to tell which file I’m working on. The only time I can really see a difference is when I’m shooting a prime wide open and really getting that FF shallow depth of field or when I’m pushing the ISOs really hard. Even then, I sometimes guess wrong. Video Quality: I can’t speak too much about video quality because all I really know how to do is hit the red record button, so this is coming from a super novice, but the video quality I’m getting during my travels look awesome. What I love most about taking video is the continuous focus works really good. It’s probably the best I’ve used on a ICL camera. I also like that you can shoot in .mp4 format now with this which I couldn’t with the a6000 (.mp4 was only for 720p). This makes it easier for me to grab videos off the SD card and edit via iMovie (see, total video amateur). As far as rolling shutter goes, it seems to exhibit the same characteristics as the a6300 so I don’t see any improvements there. User Interface: Another change, which I’m assuming will be passed down to previous models via firmware update, deals with the User Interface and the reordering and redesigning of the tabs in the camera menus. Like I’ve said before, I never really had issues with Sony menus. With all the customization they offer within their custom buttons and the function menu, I rarely have to dive into the menu structure itself. I’m much more concerned with the speed of these menus and the overall speed of navigating around the camera and that’s where the a6500 excels. It’s quick and does what it needs to do. IBIS: The main reason I upgraded to this camera is for IBIS. Personally, I feel it’s an absolute must for a travel camera. Aside from the photo benefits of having a stabilized camera, which means every lens you have will be stabilized allowing you to shoot at slower shutter speeds, all my video clips will also have some form of stabilization. This is so important for my travel videos. And the fact I have it in such a small compact body is quite amazing. Most lenses will have 5-axis image stabilization while manual lenses will only benefit from 3-axis. If your lens currently has IS, it will use a combination of both resulting in 5-axis. Touch Focus: IBIS was already enough for me to upgrade but then I didn’t realize how cool touch to focus is. This is a feature that really took me by surprise. I love that I could just tap anywhere on the screen to change my focal point. There’s also a little “x” icon on the screen that if you press it, it brings the focus back to center. This is super helpful as I found it annoying trying to get the focus point perfectly back to center on my own. Another annoyance, which many have already mentioned, is that there is a lag when you are dragging your finger across the screen. For me, I don’t see a need to do that while looking at the LCD screen. It’s all about tap and go. But it is annoying considering this is a premium product. How much more would it have cost to get a really good touch screen on this camera? With all the technology we have with smart screens, there’s just no excuse to put outdated tech into this camera. With that said, where I do see dragging useful (and the only option) is when looking through the EVF, you’re able to use your thumb to drag around the focus point (when looking through the EVF, tap to focus won’t work). I love this feature. While there is still a slight lag, it’s not nearly as annoying as seeing the focus point follow your finger. Instead, it feels more like a track pad for your thumb. You can also set this to work on the full screen or half the screen (it’s set to the right half by default). I’ve only been playing with this for a few hours so I’ll need to test it out in the field to really get a grasp of touch focus and if it’s better than a dedicated joystick or not, but so far, it’s already a much welcomed option/addition. But that’s as far as it goes with the touch screen. Tap and drag to focus is all we get. No zooming or swiping. Another cop out in my opinion. I’ve applied a screen protector and it does not seem to affect touch focus. New Metering Modes: There are two new metering modes available on the a6500. The first is Highlight, where exposure metering is focused on the brightest area of the frame. The second is Entire Screen Average. This maintains an average metering for the entire image. I’ll need to do more testing on these. I’m wondering if Highlight would work well when shooting a white wedding dress. As far as Entire Screen Average, I’m wondering really what the main difference is with that mode vs Evaluative Metering. Wish List: There has not been any updates to the LCD screen resolution. I think the EVF is one of the best out there but I was hoping that the LCD screen would get a higher resolution. It’s not bad but it’s not great. It doesn’t bother me so much because I use the EVF about 90% of the time, even when checking focus and playback. It’s so good, bright and clear that I’d much rather check my photos on there, but a higher resolution and sharper LCD screen would be beneficial for those times I’m tilting the screen to get lower and higher vantage point shots or sharing photo playback with others. Speaking of LCD screens, it would also be useful if the screen popped out towards the left side for filming. I know a lot of vloggers would appreciate that and because I’m getting more into video, it’s something I’d like in the future. We’re still missing a front control dial that would sit nicely under the shutter button, similar to the a7 cameras. This is a great dial for controlling your aperture. Conclusion: I’ve only had this camera for a few days so my review may be pre-mature. But at the same time, a lot of this camera shares very similar, if not exact, attributes as the a6300 so I feel I have a pretty good grasp of it. I loved the previous models so I know I’ll love this camera, especially since a lot of what I felt was lacking in the a6300 has been addressed in the a6500. It’s shaping out to be one of the best compact cameras I’ve ever owned and while it has ticked all the major specs I need in order to be the ultimate travel camera, its also the ultimate companion to the a7R II. ... show more
Reviewed in the United States on December 4, 2016 by Mikee Catacutan Mikee Catacutan
    • Worth the investment.
Style: Body Only Set: Base
I purchased this camera as a replacement for my elderly A77. Having gone all in with the mirrorless when I purchased the A7II I wanted to still have an APSC camera for the crop and as a back up if the A7 failed. I also had a considerable collection of E mount lenses, which only helped to push the choice along. I did not want to be carrying two sets of lenses further burdening my back and bags. Most of the time I pair the A6500 with the E mount 90mm macro. I like this set up as it is a close as I can get with my old set up of the 100mm with the A77. It gives me an effective 135 mm macro which is nice, but not quite as nice as the old set up that gave me 150mm. But I do gain the silent shutter and IBIS which more than makes up for the slightly shorter lens. In shooting both macro mode and in more "normal" conditions I have found it to be a solid performer. I have shot with the Zeiss super-wide native lens and have found it to be not as wide as I liked. That 50% crop does get in the way when the shooting gets tight. It's here that one remembers that a 35mm is the "normal" focal length, not 50mm. I have yet to pair it with the 35mm 1.4 for street photography, but I can say paired with that lens it's a very good general purpose shooter. The fast 35 does diminish the stealth factor, the lens is a beast, but it's plenty fast, and plenty sharp. I have found this set up to be much faster than the 90mm, which has a propensity to hunt near its 1:1 limit. A word of two about the silent shutter, it works as advertised. The shutter is absolutely silent. I've tried it exactly once so can give no honest reports about rolling shutter. I can say even with the shutter in normal mode this camera is much quieter than the A7ii which sounds like a small explosion next to its more petite cousin. I do not fathom how a camera that does not suffer from mirror slap still manages to be so noisy when taking a shot, but the A7ii manages it. I will say that the A6500 does sound much like it's much older relative the A77, its a softer, higher pitch click that they both make. On the subject of ergonomics, it is Marmite, that much is true. You love it, or you hate it, no middle ground. For a guy i have rather smallish hands. My fingers go on forever though and that me a Large in glove, go figure. I have never had issues with how the a6500 fits in my hands. My long fingers wrap around it comfortably. With the a7ii I do use the battery grip, but this is more a function of the pathetic life span that the FP40s have on tap than anything else. Unfortunately, this camera does use those self-same FP40, which are good for maybe 240 shots on a really good day. I've manage to get much less on the a7ii mind you, so carry extras to be on the safe side. I've never managed to kill a battery on the a6500 but that is no indication as the a6500 is my specialty camera and the A7ii is my workhorse. I've often killed at least one FP40 and sometimes have succeeded in running the second into the yellow zone on the A7ii. One more time, bring extras. If the batteries have not been much to write home about, a really great improvement on the a6500 is the total overhaul of the menu system. In my review of the A7ii I ranted about the general awfulness of that camera's menu. Even after long acquaintance, it's still a bed of pain. I have read that Sony is about to unleash the A7iii on an unwary public, I hope that camera has the a6500 menu system. It's a quantum leap from the a7ii. It's still a bit confusing, but the color scheme and the organization is leaps and bounds above the A7ii. Sony has listened to the b*tching, moaning, groaning, and general whining and responded to it. The menu system no longer gets in your way the way it did in the past. Some small nits to pick. At nearly $1,300 I think Sony could have at least thrown in some more physical controls, like the Two-wheel adjustment scheme of A7 series. It does have IBIS which the a6300 lacks and the touch screen. But the touch screen is no never mind for me and I would gladly ditch it for the options the two wheel controls give me. I'm not very impressed by the onboard flash either, on a $1,300 machine it's actually a bit tacky. I'm willing to forgive such fripperies on a $600 A6000 but not on a camera costing twice as much. It's there, it's OK but I would rather it not be there as there is precious little real estate on the camera as it is and a tiny flash is a waste of that real estate. I would rather just carry a nice small speedlight and be done with it. That way I'm not draining that single FP40 any more than I have to. The other nit I have is the fit of the SD card into the slot offered by the camera. It's a bit tight in there, and not much fun to engage. Having both battery and SD under the same door can be frustrating as I have managed to drop the battery while fiddling with the SD card insertion. I understand this was the sacrifice needed to keep the camera small, and I am willing to live with it, but it does cause issues from time to time. Overall this is a wonderful camera. It punches way above its weight in image quality, ease of use, portability, and general fun factor. It's compact size makes carrying it about a joy, not a chore. The only camera that can really match it in the ease of use department are the Cybershots that use the 1in sensor. But those are point and shoots that have smaller sensors and fixed lenses. It's bigger brother is no match because it really does need a battery grip to achieve any kind of functionality, that kills the A7ii portability and fun factor. As far as the FP40 goes, the a6000 series are probably the best cameras for this underpowered battery. If you carry a second battery for the a6500 it should be all good, but best to get a third to be sure. With this body you get to use the full panoply of Sony and independent lenses. Often Independents will only make lenses for the APSC bodies and not the Full Frame. And no matte what lens you buy you do get the IBIS feature, which is worth about 3 stops of exposure. That opens up a whole world of hand-held images that is not available on a non-IBIS camera. Not a bad deal for the extra semolinas if you own a lot of non-native glass or older Minolta glass. As the most advanced of the 6000 series the 6500 is worth the investment. ... show more
Reviewed in the United States on June 25, 2017 by James S. Leseke

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