Sony a7 III ILCE7M3/B Full-Frame Mirrorless Interchangeable-Lens Camera with 3-Inch LCD, Black with Sony 16-35mm Vario-Tessar T FE F4 ZA OSS E-Mount Lens
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Style: w/ 16-35mm Zeiss
Configuration: w/ 16-35mm Zeiss
Features
- Advanced 24.2MP BSI Full frame Image Sensor w/ 1.8X readout speed Advanced 24.2MP Back Illuminated 35 millimeter Full frame Image Sensor
- 15 stop dynamic range, 14 bit uncompressed RAW, ISO 50 to 204,800. Compatible with Sony E mount lenses. Can be connected via Bluetooth with smartphones featuring (as of the date of release)- Android (Android 5.0 or later, Bluetooth 4.0 or later), iOS (Bluetooth 4.0 or later)
- Up to 10fps Silent or Mechanical Shutter with AE/AF tracking. Battery Life (Still Images): Approx. 610 shots (Viewfinder) / approx. 710 shots (LCD monitor), Battery Life (Movie, continuous recording): Approx. 200 min (Viewfinder) / Approx. 210 min (LCD monitor)
- Ideal for landscapes and the a7 series of full frame cameras, ZEISS T (T star) coating to reduce flare and ghosting
- Minimum Focus Distance : 0.92 ft (0.28 m), Maximum Magnification ratio : 0.19x, Focal-Length : 5/8 - 1-3/8 Inches
- Three ED glass elements to suppress chromatic distortion, constant F4 maximum aperture throughout the zoom range
Date First Available: July 16, 2020
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Top Amazon Reviews
Style: Body Only
Configuration: Base
I have only had it for 6 days and, as a lifelong Canon shooter, am still on the learning curve, but so far, I love what this camera can do. Perhaps the biggest surprise so far, is that my Canon glass with the MC11 adapter performs better with the Sony. Case in point is my Canon 70-200 F2.8. On my 7D, this lens only got sharp at around f4.5 in spite of tweaking the focus. With the Sony, the darn thing is now sharp at f2.8 - that's huge for me as I was getting ready to sell this lens and upgrade to the Tamron when they offer their native Sony glass. Aside from lens performance, high ISO shots are simply amazing - even at 12,800, they are better than 1600 on my 7D - changes everything for me based on what and how I shoot. Though getting used to controls and functions will take a while, I love the customization that is possible and have already tweaked it with the controls I think I will need. Tons of videos out there on how to set it up - take the time to watch a few and it will save you tons of time. Also, don't forget to set up a control button to turn on the APS-C crop, instantly provides 50% more reach at the expense of about 30% reduction in resolution but it beats post processing cropping. After 8 days in Sedona and the Grand Canyon, I am even more impressed. I exposed almost every shot for the highlights trusting I would be able to bring out the shadows with no noise, I was not disappointed. I have attached an example where the shadows looked black in the viewfinder. So here we are four years later and based on what I've read about the A7IV, unless you need more resolution, there really is no reason to upgrade as in almost every situation, the III shoots as well, and in some instances, better than the IV. Still a great choice!
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Reviewed in the United States on April 23, 2018 by DVAB DVAB
Style: Body Only
Configuration: Base
Best camera on the market right now. Ive been shooting sony since the 1st gen a7 series, going from an a7<a7s<a7ii<a7rii & now the a7iii. Between the first 2 generations there were limitations that i felt yearning for such as longer battery life, dual card slots & better autofocusing in challenging light etc. The a7rii did so much for me & was way ahead of its time but those departments i mentioned were still lacking & i had hopes of them being filled when gen 3 would be released. When the a9 and a7riii released i was excited to know that they implemented those changes but my pockets weren't deep enough to budget for either of those 2. I stayed more focus on the rumors & hopes of an a7iii announcement not nearly expecting as much as what was to come. Sony hit it out of the park and released a camera that blows all the competition away, somewhat cannibalizing their higher end sales, this camera fills in every space i ever wanted in a camera. Granted theres some things that could be done differently, such as better touch implementation & making both sd slots UHS-2, however those may be wants for others but i have no gripe with either of them. For the large majority of people this camera can do it all at a much more (still high) affordable price point. Unless you have the need for 42mp or 20fps than this is the sony camera to get. It has placed my a7rii as my backup camera & am using the a7iii even over it for landscapes and portraits because the color rendition & joy to use has been improved. I can ramble on all day about all the tech features etc, but if you are looking at this camera & on the fence about it, you will not be disappointed. Pros: -amazing autofocus that covers almost entire frame -large battery -improved color over previous gen -amazing lowlight performance, better than a9 & a7riii, about as good or better than a7sii in certain modes -improved ergonomics -improved menu -touchscreen focusing Cons: -touchscreen limitations, can only be used for focusing -only one uhs-2 slot I have attached some images i have recently taken with the camera as well.
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Reviewed in the United States on April 26, 2018 by Zachariah Morales Zachariah Morales
Style: Body Only
Configuration: Base
Before getting into the details, I'll just get the summary out of the way: This camera is fantastic. It is replacing my aging Canon 5D Mark III, and it does that job well. The biggest benefit for me is the in-body stabilization (SteadyShot), which works perfectly for legacy and other non-stabilized lenses. Sony calls this a "basic" model, but it is far beyond what I would consider to be basic. Now, on to some of the negatives: The menu system is an improvement, in much the same way that a coyote attack is an improvement over a grizzly bear attack. It takes a while to slog through the menus and set the function and custom settings to make sure you never have to open the menu again. One thing I love about Fuji cameras is the plentiful dials and knobs set to one—and only one—setting. The a7III has two dials that change according to the mode. Living between Aperture and Manual, the switches take some getting used to. This issue is not unique to the a7III, just something I wish was addressed. Since I am primarily a Canon shooter, and Sony lenses are about as affordable as a kidney on the black market, I adapted my Canon lenses to the a7III. While non-stabilized lenses uses SteadyShot by default, my stabilized Canon L lenses prevent me from using SteadyShot, even when optical stabilization on the lens is turned off. While I understand that I'm complaining about a minor use case related to Canon lenses on a Sony camera, I shoot often in dark environements and cannot always bring a tripod. Try as I may, I cannot think of any other reasons not to buy this camera without getting into detailed technical specs. The biggest issue I've had with Sony cameras up to this point was the star eater debacle, which does not seem to be impacting the a7III. If you've got $2k buried in the couch cushions and need an entry level professional camera, you can't go wrong with the a7III.
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Reviewed in the United States on April 26, 2018 by Kirill Makarenko