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Panasonic

Panasonic LUMIX S5 Full Frame Mirrorless Camera, 4K 60P Video Recording with S 20-60mm F3.5-5.6 Lens Kit (DC-S5KK) + S 85mm F1.8 L Mount Interchangeable Lens (S-S85) Black

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Style: w/ S5 Lens Kit


Set: w/ 85mm F1.8


Features

  • A LIGHTWEIGHT, POWERFUL HYBRID CAMERA FOR VIBRANT STILL PHOTOGRAPHY AND CINEMATIC VIDEO: Realize your creative vision with extraordinary 4K 60p, 10-bit video, FHD 180fps Slow Motion option as well as 4:3 Anamorphic support.
  • DETAILED PHOTO AND VIDEO THAT WILL DELIGHT ENTHUSIASTS AND EXPERTS ALIKE: Capture content in impressive high quality with 96MP High Resolution mode, Dual Native ISO to minimize noise in high sensitivity and V-Log/V-Gamut with 14+ stop dynamic range.
  • IMPROVED, HIGH-PRECISION AUTOFOCUS AND POWERFUL IMAGE STABILIZATION: Improved autofocus includes detection of the head as well as eyes, face and body, to capture subjects with ease and precision. 5-axis Dual I.S. 2 enables 6.5-stop slower shutter speed.
  • WORKS WITH ALL L-MOUNT FULL-FRAME DIGITAL CAMERAS: L-Mount compatibility makes it an essential, hard-working lens across the LUMIX S series, and beyond.
  • LARGE APERTURE, PERFECT FOR PORTRAIT PHOTOGRAPHY: Lens provides wide range of creative choices for portraiture, including beautiful bokeh and smooth defocus gradation

Description

LUMIX S5 is a hybrid full-frame mirrorless camera that achieves both excellent performance in photo/video in a compact body designed for aspirational content creators. At the heart of the camera, the LUMIX S5 contains a 24.2-megapixel 35mm full-frame CMOS sensor that boasts a wide dynamic range and high sensitivity performance made possible by sufficient light condensation. The LUMIX S5 further realizes recording maximum ISO51200 crystal-clear high sensitivity video with the adoption of the Dual Native ISO technology. As a pioneer of photo/video hybrid mirrorless cameras, the LUMIX has the largest lineup of cameras that record 4K 10-bit video2. As the latest member of the family, the LUMIX S5 is capable of 4K 60p/50p 4:2:0 10-bit, and 4K 30p/25p 4:2:2 10-bit internal recording. It is also capable of 4K 60p/50p 4:2:2 10-bit HDMI output. For 4K 30p/25p 4:2:0 8-bit internal recording, there is no time limit. Panasonic’s exceptional heat dispersion technology realizes stable, long time video recording. The LUMIX S5 provides 14+ stops of dynamic range, which is as wide as those of cinema cameras, and V-Log / V-Gamut compatibility with popular colorimetry called “VariCam Look”. A variety of recording formats and modes including 4:3 Anamorphic mode, Slow & Quick Motion, 4K/60p interval shooting and 4K HDR are also provided. The LUMIX S5 boasts high-speed, high- precision AF in both photo shooting and video recording that are made possible with advanced deep-learning technology featuring real-time detection of the subject’s type and parts such as human eye, face, head and body. Combining the Body I.S. (5-axis) in the camera and the O.I.S. (Optical Image Stabilizer, 2-axis) in the LUMIX S Series lens, the 5-axis Dual I.S.2 compensates for blurring even powerfully, allowing the use of a 6.5-stop3 slower shutter speed. The splash/dust-resistant rugged design provides professional photographers with high reliability. To enhance the photographic experience, the 96-megapixel High Resolution Mode (JPEG/RAW), Live View Composite function and HLG Photo mode are available. Thanks to the high energy efficiency and a new 2,200mAh high-capacity battery, it can capture approximately 470 pictures (using the LVF) / 1,500 pictures (in Power Save LVF mode). It complies with a USB power charging and power supply. Double SD Card slot (UHS-IIx1 and UHS-I x1), 5GHz/2.4GHz Wi-Fi and Bluetooth 4.2 connectivity are also supported. The LUMIX S Series full-frame mirrorless camera system adopts the L-Mount system to provide users with a diverse and future-proof range of products from Panasonic, Leica Camera and Sigma. Panasonic now offers four innovative models in the LUMIX S Series of full-frame Digital Single Lens Mirrorless cameras – the S1R, the S1, the S1H, and the new S5. The LUMIX S1R is ideal for taking high-resolution pictures, the LUMIX S1 is an advanced hybrid camera for high- quality photos and videos, and the LUMIX S1H is designed and developed specifically for film production. The LUMIX S5 packs the essence of these conventional S Series cameras in a compact, lightweight body. With this lineup, Panasonic is committed to meeting the demands of all creators by challenging the constant evolution of the photo/video culture in today's new digital era. Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water. 2 Of mirrorless interchangeable lens cameras, as of 2 September, 2020. 3 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used. Firmware must be updated to the latest version.

Compatible Mountings: Micro Four Thirds


Aspect Ratio: 1.781


Photo Sensor Technology: CMOS


Supported File Format: JPEG


Image Stabilization: Optical


Maximum Focal Length: 60 Millimeters


Optical Zoom: 3 x


Maximum Aperture: 3.5 f


Expanded ISO Minimum: 100


Brand: Panasonic


Zoom: Digital Zoom


Maximum Focal Length: 60 Millimeters


Minimum Focal Length: 20 Millimeters


Optical Zoom: 3 x


Number of Diaphragm Blades: 9


Lens Type: Wide Angle


Night vision: No


Image Capture Type: Stills & Video


Movie Mode: Yes


Shooting Modes: Automatic


Digital-Still: Yes


Model Series: LUMIX


Built-In Media: Battery Charger, Battery Pack, USB Connection Cable, S-S85 Lens, S-R2060 Lens, Shoulder Strap, Digital Camera Body, Body Cap, Cover for the Battery Grip Connector, Hot Shoe Cover, AC Adaptor


UPC: 885170996038


Age Range Description: Adult


Model Name: LUMIX S5 4K Mirrorless Full-Frame Camera with S 20-60mm F3.5-5.6 Lens (DC-S5KK) with 85mm F1.8 L Mount Interchangeable Lens (S-S85)


Remote Included: No


Model Number: DC-S5KK85


Brand: Panasonic


Are Batteries Included: Yes


Display Type: LCD


Touch Screen Type: Capacitive


Screen Size: 3 Inches


Has Color Screen: Yes


Exposure Control: Manual


Autofocus: Yes


Focus Features: Hybrid


Focus Type: Auto Focus, Manual Focus


Auto Focus Technology: Contrast Detection


Aspect Ratio: 1.781


JPEG Quality Level: Basic, Fine, Normal


Total Still Resolution: 24.2 MP


Supported Image Format: JPEG


Bit Depth: 10 Bit


Effective Still Resolution: 24.2 MP


File Format: JPEG


Memory Slots Available: 2


Flash Memory Type: Micro SD


Total USB Ports: 1


Connectivity Technology: Bluetooth, Wi-Fi, USB, HDMI


Wireless Technology: Bluetooth, Wi-Fi


Video Output: HDMI


Crop Factor: 1.0


Photo Sensor Resolution: 24.2 MP


Has Image Stabilization: Yes


Item Weight: 2.4 Pounds


Sensor Type: CMOS


Minimum Aperture: 22 f


Viewfinder: Electronic


Expanded ISO Maximum: 51200


Flash Modes: Red Eye Reduction, Automatic


Frame Rate: 60 FPS


Expanded ISO Minimum: 100


Battery Cell Type: Lithium Ion


Continuous Shooting: 7 fps


Is Electric: Yes


Specific Uses For Product: photography


Image stabilization: Optical


Audio Recording: Yes


Maximum Shutter Speed: 30 seconds


Viewfinder Resolution: 2360000 Dots


Battery Weight: 1 Grams


Color: Black


Water Resistance Level: Not Water Resistant


Video Capture Format: MP4


Skill Level: Professional


Compatible Mountings: Micro Four Thirds


Video Resolution: 2160p


Camera Flash: Built-In


Minimum Shutter Speed: 1/8000 seconds


Number of Batteries: 1 Lithium Ion batteries required. (included)


Special Feature: Lightweight


Frequently asked questions

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Top Amazon Reviews

    • Excellent video, with minor issues
Style: Body only Set: Base
I have been using this for at least two years. The stand out features of this is the video quality, and IBIS. I primarily use this for video in 10 bit. The good I do not have overheating issues when shooting in 10 bit mode, though in 90F heat I do feel it get noticeably warm after an hour. I have not had it shut down on me. The battery is typically safe for 1:30 of 10 bit footage (1:45 or 1:50 total possibly) when using the LCD. Using 3rd party batteries there is at least 15% less run time on average. When comparing against the Sony A7, there is the light weight construction (sony is no different) control ergonomics (something sony lacks) and control options (way better than sony). The video quality is better than my D850. I have at least four video profiles set up on my camera depending on the situation, but you can have more under C3 by going through the menu. I have shot it in (almost) complete darkness and was able to get usable footage after some light cleaning (flat profile). For sound, the auto limit works and keeps things from clipping. The 20-60mm lens is pretty good as a kit video lens for most things. It has a sharpness falloff after 35mm or so, but most of my use is at 20mm. The LCD screen can be customized to your liking with multiple options. There are several profiles to choose from, and you can additionally tweak most of them. I use Cine-D for outside, Natural for indoors, Flat for low light and the last one is the 8 bit mode in 709 for long shooting. Lots of control here. No issues with Auto-focus when shooting pictures. Having the options to choose either e-shutter or mechanical is an advantage when you want to shoot silently. Fun with manual focus lenses with focus peaking enabled along with IBIS. The not so great Battery life indicator does not have % indication. This makes it difficult to tell if you have 5 more minites of video life left or 30 seconds, when running thr battery down. Though normally getting the battery that low to begin with is bad practice. The supplied charger is no good. It takes too long, costs too much and takes up more space than needed. I use the XTAR 4 bay charger to charge multiple batteries. So the auto focus can hunt some times, which typically happens when there is low light (when you're at iso 12800). This can happen with rapid subject changes too. This isn't news. It's typically not an issue most of the time in normal light with subject tracking enabled. The built in sound pre-amps are good enough, but external recorders will be cleaner. I never use the built-in microphones. When taking pictures, the D850 is clearly better. The Nikon has a better grip, even if bigger and heavier, for my hands. The grip on the S5 hurts my hand after extensive shooting. Buffer depth is not high enough on the S5 for my liking, though it's fine once you put a V90 card in. My biggest annoyance is that the Nikon gives me all of the options that I need to tune the Jpeg output where it's perfect out of the camera, but this isn't the case with the Panasonic. What the Panasonic is missing is a separate brightness option, that allows me to pull down shadows in a specific way while boosting highlights without clipping everything. In Raw, I more or less can get there - obviously slightly different due to being different brands. Exposure drift on static objects. When using auto-iso in video on a static scene the camera will sometimes start to overexpose by two stops for some reason. Switching to manual iso drops you all the way to the base, which ruins the footage. Dialing in exposure compensation while this starts to happen is an experience of chasing your own tail. This is with the latest firmware. The USB-C port on my camera does not work off external power when recording. I verified this with a USB power meter. I use a dummy battery with a USB-C connector in to a battery. This runs without issue except when the battery gets depleted, which causes an abrupt end to the video corrupting it - Panasonic provides a software tool to rescue your footage and it does work. Battery grip tax. Some brands charge obscene amounts of money for battery grips, which is mainly plastic and some wires, and Panasonic is no different. Other The electronic image stabilization can introduce artifacts in to your footage, but this is expected behavior. While the IBIS does work, it's not magic and shaky footage will still be ruined. I like controls to be lockable against accidental changes, this is a feature of typically expensive DSLRs for pro's. One thing that can happen is that the switches might move. The focus switch might get changed, or your burst mode selector type (leftmost dial) might switch to a different burst mode without realizing it. This is typically a risk when you have the camera hanging off while you walk around - from repeated brushing up against clothes. Versus the S5 II and X Looking at the specifications, the main stand out feature for me is the ability to record 10 bit without a time limit. I have lost some moments because I was not paying enough attention, granted that is ultimately my fault. The second attractive feature is the larger buffer for taking images. With this I would not need to keep V90 cards just for pictures and keep the large capacity V30 cards for video in the camera. The better auto focus comes with a cost, mainly reduced ability to pull up shadows due to banding. This S5 does not have banding. But I suspect for most this will be the main desired feature. ... show more
Reviewed in the United States on September 18, 2023 by Ecolometrics
    • Pro camera, consumer price
Style: Body only Set: Base
Review Image by Matthew Zilic Matthew Zilic
Review Image by Matthew Zilic Matthew Zilic
I used an S5 for a published shoot a couple years ago. And while my main workhorse camera for pro photo and video gigs has become my Fuji XH2, this camera was always a great camera to use. Great results etc. so when prime had a deal (I think it was one day) to get an s5 body for under $1,000 new… I jumped on the deal. I was looking for a basic, less expensive travel camera so I could leave my Fuji for work. If you’re a photographer/videographer that relies on the best auto focus or ai tools… this isn’t the camera for you. But for anyone who has used DSLRs and wants an updated camera for a very good price… this is great. It beats the z5 in lowlight and autofocus (based on my experience). And the video capabilities are fantastic. If you rely on the most advanced autofocus and ai tools, the Sony a7iv and a6700 are fantastic for those, and offer great video capabilities. If your looking for an 8k output from internal recording that from my experience outclasses the a7iv, and want amazing color and overall performance… grab an XH2 from Fuji. But if you’re looking for a great travel camera, or even pro camera and want to save a bit of money… the S5 is a great option. While Sony and Fuji beat it in continuous tracking autofocus, I’ve never had an issue get tack sharp focus on subjects at weddings, studio work, or just basic travel or vacation shots. In fact I have found it on par with Nikon z6ii and noticeably better than the Nikon z5. ... show more
Reviewed in the United States on July 27, 2024 by Matthew Zilic Matthew Zilic
    • Swiss Army knife Camera I've been waiting for
Style: w/ S5 Lens Kit Set: Base
I love my Gh5. It's made a lot of great videos and it's made me a LOT of money over the years. My only gripe was the M4/3 format for several reasons. This camera does everything the Gh5 did so well and so much more. Although I have many cameras for various situations, if you can only afford one camera, this would be a great choice for video and photo. PROS: -Full Frame + APS-C modes -96MP still images -24MP video images give you great image resolving -easy to use menu just like the Gh5 -in-camera time-lapse video creation is so great and builds on the Gh5 -the sigma EF adapter is perfect for all of my EF lenses -auto focus is greatly improved over other Panasonic cameras -Log film mode built-in -resolves clean blacks even at ISO 20,000 (can be cleaned up in post if ISO exceeds 20,000 -the lens it comes with is perfect for gimbal use although it's aperture-situation isn't ideal -6K recording coming soon -dual SD card slots -great battery life -uses XLR-1 -great dials -heavy duty construction -no moire filter, so it resolves the every last MP of imaging power while still adequately reducing moire CONS: -auto focus still lags behind Sony (but I almost never use it, so not a concern for me) - as many will be upgrading from Gh5 its a bummer it uses a different battery -viewfinder should have been upgraded, it's quality is now outdated -slow motion is in APS-C mode -10 bit mode is hard for editing software to process -no all intra ... show more
Reviewed in the United States on November 20, 2020 by Josh

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