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Nikon AF-S FX NIKKOR 200-500mm f/5.6E ED Vibration Reduction Zoom Lens with Auto Focus for Nikon DSLR Cameras

  • Based on 1,260 reviews
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Availability: In Stock.
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Arrives May 29 – May 31
Order within 4 hours and 23 minutes
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Style: Lens Only


Features

  • Compact super telephoto zoom lens for birding, wildlife, motorsports, events and more
  • 500 millimeter of zoom power on fx format DSLR; 750 millimeter equivalent on dx format DSLRs, minimum focus distance: 7.2 feet ( 2.2 meter), focal length range: 200 500 millimeter
  • Fast f/5.6 constant aperture for beautiful out of focus backgrounds and low light performance
  • 4.5 stops of vibration reduction with sports mode. Approx. Weight 81.2 ounce. Approx. Dimensions (diameter x length) 4.2 inch x 10.5 inch( based on CIPA guidelines)
  • Af compatible with optional TC 14e series tele converters and DSLRs that offer f/8 support. Mount type: Nikon f bayonet

Description

Wherever your passion lies, the Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR outstanding super telephoto zoom can bring it into focus. Capture and share stunning views of birds, wildlife, motor sports, athletes, performers, landmarks and other faraway subjects. A fast f/5.6 constant aperture gives your shots beautifully out-of-focus backgrounds across the entire zoom range and a super integrated coating has been applied to lens elements to lessen flare and ghosting for improved contrast and clarity. A silent Wave Motor AF system produces fast, near-silent focusing performance that suits both stills shooting and movie recording which can instantly be manually overridden by simply turning the manual focus ring.&Nbsp; turn fast- moving action into dazzling photo sequences— the electromagnetic diaphragm operates in sync for the fastest subjects and shutter speeds while vibration Reduction image stabilization keeps your shots sharp and steady. And in the rare cases when additional reach is needed, you can increase the AF-S NIKKOR 200-500mm f/5.6E ED vr's zoom power with an optional Nikon 1.4x, 1.7x or 2x tele converter. Features: Lightweight, compact super telephoto zoom - whether your subject is far in the distance or close, fast or slow, you can land the shot. On FX-format cameras, 500mm brings distant birds, wildlife, athletes, performers, landmarks and more into tight focus. Dx-format cameras add an additional 1.5x zoom effect for an angle of view equivalent to a whopping 750mm! And despite that extreme power, you can also focus on subjects As close as 7.2 feet away for detail rich close-ups. 4.5 stops of vibration Reduction - at super telephoto distances, The smallest camera movements can cause image blur. Vibration Reduction image stabilization counteracts camera shake up to ~4.5 stops for sharp photos and steady videos. You also can shoot at slower shutter speeds in low light— great for those magic moments at dawn and dusk. Sports mode is optimized. Accepts Filter Type - Screw-on. From the Manufacturer Astounding views, comfortably in reach.Wherever your passion lies, this outstanding super telephoto zoom lens can bring it into focus. Capture and share stunning views of birds, wildlife, motorsports, athletes, performers, landmarks and other faraway subjects. A fast f/5.6 constant aperture gives your shots beautifully out-of-focus backgrounds across the entire zoom range. Turn fast-moving action into dazzling photo sequences-- the electromagnetic diaphragm operates in sync for the fastest subjects and shutter speeds while Vibration Reduction image stabilization keeps your shots sharp and steady. And in the rare cases when additional reach is needed, you can increase the AF-S NIKKOR 200-500mm f/5.6E ED VR's zoom power with an optional Nikon 1.4x, 1.7x or 2x teleconverter.Compatible with TC-14E series teleconverters (AF is only available when used with DSLR cameras that offer f/8 support. These include: D4, D4S, Df, D600, D610, D750, D800, D800E, D810, D7100, D7200). Compatible with TC-17E and TC-20E series teleconverters (AF not possible).Conquer distanceLightweight, compact super telephoto zoomWhether your subject is far in the distance or close, fast or slow, you can land the shot. On FX-format cameras, 500mm brings distant birds, wildlife, athletes, performers, landmarks and more into tight focus. DX-format cameras add an additional 1.5x zoom effect for an angle of view equivalent to a whopping 750mm! And despite that extreme power, you can also focus on subjects as close as 7.2 feet away for detail rich close-ups.Sharpen your vision~4.5 stops of Vibration ReductionAt super telephoto distances, the smallest camera movements can cause image blur. Vibration Reduction image stabilization counteracts camera shake up to ~4.5 stops for sharp photos and steady videos. You also can shoot at slower shutter speeds in low light--great for those magic moments at dawn and dusk. Sports Mode is optimized for camera pans and other movements common when shooting fast action.Based on CIPA Standard. This value is achieved when: FX-format compatible lenses are attached to an FX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.Dazzling performanceAdvanced Nikon lens technologyExtra-low Dispersion (ED) glass cuts through the glare of bright sunlight. Silent Wave Motor (SWM) powers ultra-fast, near-silent autofocusing with seamless manual override. The Electromagnetic diaphragm (E) operates in sync with the fastest shutter speeds and frame rates, even when using an optional teleconverter. Always bring home views that amaze.Set Contains: AF-S NIKKOR 200-500mm f/5.6E ED VR LC-95 95mm Snap-On Front Lens Cap HB-71 Bayonet Hood LF-4 Rear Lens Cap CL-1434 Semi-Soft CaseWarranty Card

Brand: Nikon


Focal Length Description: 200-500


Lens Type: Telephoto


Compatible Mountings: HB-71


Camera Lens Description: 4


Product Dimensions: 7.48 x 7.48 x 17.2 inches


Item Weight: 5.07 pounds


Item model number: AFSVR200-500E


Is Discontinued By Manufacturer: No


Date First Available: August 2, 2015


Manufacturer: Nikon


Country of Origin: China


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: May 29 – May 31

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews


  • An Incredible Lens at an Incredible Price
*: Black
I've been researching telephoto zooms here for a while as I was trying to decide which one to get. I narrowed it down to the Tamron 150-600, Sigma 150-600 and this lens the Nikon 200-500. After reading/watching a bunch of reviews and comparisons of the lenses I decided to go with the Nikon, mainly because of it's sharpness throughout all focal lengths but also because of it's incredible VR (Vibration Reduction). Apart from being a great quality lens it's also affordable. For what you are getting it's a steal! Compared the it's Big Brother the Nikon 500m f4 Prime it's about 9 grand less and produces just about the same amazing quality. The lens itself is fairly new, it was released in 2015 I believe and because of that there isn't a whole of info out there like there is for other lenses. As of writing this review there is still no DXO Mark score which really bothers me, but hopefully they will get it up at some point. The real beauty of this lens is it's VR, it's Nikons latest generation of Vibration Reduction and it's incredible! It's really quite amazing how low you can drop the shutter speeds. I posted some pics with my review that hopefully help give some ideas as to what to expect with this lens. One of the pics was taken at 1/8th a second at 500mm handheld, that's just insane! Obviously you wouldn't want to be shooting at that speed if you don't have to, I just wanted to test the capabilities. At 1/8th I couldn't land a super tack sharp pic, but scaled down to any reasonable size it then looks totally sharp. In general I was able to land tack sharp images at 1/25h and lower, and 1/100 to 1/300 gave me super sharp images almost every time, even at 500mm focus. The bokeh on this thing is impeccable, blowing out the backgrounds is a snap with this lens. Colors are also deep and saturated with good contrast. Chromatic Aberration isn't a problem either, however I've noticed a very slight hint of CA on a few images, though I am talking about a very minimal amount, if you weren't pixel peeping you would never see it, and even then you might still might miss it. Focusing isn't as snappy as the 500mm f4 prime, but at 1/10th the cost the focusing works pretty darn good. Once you get used to it and know how much time you need to adjust you will get the hang of controlling the focus properly. The zoom wheel also requires a bit too much turn to go from 200-500, you won't be able to make a full transition in a single hand turn which is a bit of a bummer especially if your starting at 200 and zooming is as your tracking your subject, but again this will improve over time once you practice with it. My only other criticism thus far is the weight. It's definitely light enough to hand hold, but holding it up to track a bird or take a series of pics can get tiresome pretty quickly. However, this too will get better with practice as you build up some muscles. All in all I would say this is one of the best telephoto zooms to date, if not the best if you take the price into consideration. This is about as good as it gets at this price range, you really won't find a better lens. It's extremely versatile, you can focus close enough to take some macro shots as well (a few included in my review), you can use this lens for tight portraits, candid shots, birding, macro, and even landscapes to a lesser extent. ... show more
Reviewed in the United States on February 15, 2018 by Robert Proctor Robert Proctor

  • Image degradation with the TC-14E III teleconverter
*: Black
With a Nikon D7100, this lens produces beautiful results at f/5.6 and f/8 and 500mm, the only parameter values at which I have checked it. Color rendition is attractive as is contrast. This lens-camera combination is acceptably quick to reach focus when initially fully defocused but no speed races will be won with it. When the lens begins close to exact focus, focusing is very snappy with the D7100 set as indicated. When using a 500mm or other long telephoto lens, the photographer often wants to crop the photo to bring out a target of interest that does not fill the frame, a bird for example. A reasonable amount of cropping, say 50% produces attractive results, but as the cropping becomes more extreme, the results become less attractive. This is no surprise. One apparent way around this is to increase the focal length with a Nikon teleconverter such as the TC-14E III. Attached to this lens and mounted on the D7100 the TC-14E III produces an f/8 lens-teleconverter combination which will autofocus with speeds quite like the speeds achieved in the absence of the teleconverter. The addition of the teleconverter produces some image degradation, which becomes more and more apparent as the crop percentage increases. Again, this is no surprise, but those photographers who wish to crop photos thus produced should keep in mind that the sharpness reduction caused by the teleconverter becomes more and more apparent as the crop percentage increases. Based on photos I have taken of outdoors scenes with and without this teleconverter, I suggest that those who wish to use a high crop percentage, forget the teleconverter and crop images taken with the lens alone rather than cropping images taken with the lens-teleconverter combination. This seems a bit counterintuitive because the crop percentage needed with the teleconverter in place is significantly less than the crop percentage without it when the target of interest is the same size in both cropped photos. With this lens at 500mm on a D7100 use of a teleconverter degrades photos made from highly cropped images noticeably more than does the more severe cropping used with images made without the teleconverter. When photographing shy birds in the wild, it is often necessary to shoot from long distances, sometimes hundreds of yards. My own tests were at 400 yards and I conclude that the sharpness of the final photo made from a cropped image will be better without the teleconverter than with it. The majority of wildlife photographers want the greatest possible sharpness in their final cropped images and the way to get it with this lens on a D7100 is to leave the TC-14E III in your camera bag. Inasmuch as the image degradation has nothing to do with the camera, I suspect that similar results would be obtained regardless of the Nikon camera body used with this lens. Not having tested a full frame body I will not speculate unduly on what the degradation would be like with a FX sensor. But I will go so far as to say that the sharpness difference between the lens-teleconverter combination compared with the lens without teleconverter on an FX camera would be less noticeable simply because the DX sensor subtends less of the circle of illumination that the FX sensor does. ... show more
Reviewed in the United States on February 13, 2016 by Robert Schlenker

  • Happy so far
*: Black
So far this has been a great lens. Comparing it to Nikkor 70-300 lens, this lens is heavy. Not sure it’s one I would want to take on a long hike unless carrying it in a backpack. It’s also a huge lens, but for the $$, I’m satisfied so far. I purchased it used and the lens was like new. Using it with a Nikon D3300. ... show more
Reviewed in the United States on January 14, 2024 by Doug Parrish Doug Parrish

  • A good value for a long telephoto... just understand the limitations.
*: Black
I purchased this lens during the last sale. I previously owned the Tamron 150-600 (g1) for Nikon F, and a Panasonic 100-300 for micro 4/3rds. I have paired this lens with the Nikon Z7 and so far I am happy with the results. I find the best results when keeping the lens under 450mm. I am still getting used to the combo, but I am pretty happy with the results. You won't get images as sharp as with a $5000 prime lens, and the 5.6 aperture is obviously not as flexible as an f/4 or f/2.8 lens. When using the vr along with the Nikon Z7 ibis, the lens provides a very stable image and can capture sharp still subjects at 1/200 sec at full zoom. Tracking with the Z7 has been a mixed bag... I am still getting used to the Z7 and its various tracking modes, but I think the f5.6 aperture can be a limiting factor. I would recommend this lens to wildlife shooters working with decent lighting conditions. It probably isn't great for indoor low light sports. It is a big and fairly heavy lens, and may be easier to handle with a monopod. All of the photos I have attached were shot handheld. I have been using the tripod mount as a handle to carry the lens with the camera attached, but you can save a little bit of weight if you remove the mount. The lens has compromises, but is a good value when on sale... 5 stars for value, since I knew the limitations before purchasing. ... show more
Reviewed in the United States on November 3, 2022 by Sean Sean

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