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Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens For Nikon Digital SLR Cameras (New, White box)

Based on 606 reviews
Condition: Used - Good
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Arrives Thursday, Nov 5
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At a glance

Condition
Used - Good
Weight
1540 g
Color
Black
Lens Type
Telephoto
Compatible Mountings
Nikon F
Lens Design
Prime
Focus Type
Auto/Manual
Warranty
1 year coverage for labor, 1 year coverage for parts, This warranty doesn't apply to the batteries and software driver that accompany this product
Works with
DSLR Camera

Features 5

  • Type of lens: G-type AF-S Zoom-NIKKOR lens with built-in CPU and Nikon bayonet mount
  • Focal Length Range : 70 -200 mm, Minimum Focus Distance- 4.6 ft.(1.4 m)
  • Dimensions: Approx. 87 mm dia. x 205.5 mm extension from the cameras lens-mount flange
  • Weight: Approx. 1,540 g (3.4 lb)

Description

B002JCSV8U From the Manufacturer This fast f/2.8 Zoom- Nikkor lens is perfect for sports, photojournalism and wildlife photography. Nikon VR II (Vibration Reduction) image stabilization Vibration Reduction, engineered specifically for each VR Nikkor lens, enables handheld shooting at up to 4 shutter speeds slower than would otherwise be possible, assuring dramatically sharper images. 7 Extra-low Dispersion (ED) elements Offers superior sharpness and color correction by effectively minimizing chromatic aberration, even at the widest aperture settings. Nano Crystal Coat Further reduces ghosting and flare for even greater image clarity. Nikon Super Integrated Coating (SIC) Enhances light transmission and offers superior color consistency and reduced flare. Exclusive Nikon Silent Wave Motor (SWM) Enables fast, accurate, and quiet autofocus. Rounded 9-blade diaphragm Renders more natural appearance of out-of-focus image elements. Internal Focus (IF) Provides fast and quiet autofocus without changing the length of the lens, retaining subjectworking distance through the focus range. Focuses to 4.6 feet Close focusing provided throughout the entire zoom range for extended versatility. M/A focus mode switch Enables quick response to changing situations between manual and autofocus operation. Flower-shaped lens hood Included HB-48 lens hood--shades the objective from unwanted, image-degrading light.

Specs 39

Brand Nikon
Focal Length Description 70-200 mm
Lens Type Telephoto
Compatible Mountings Nikon F
Camera Lens Description Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens For Nikon Digital SLR Cameras (New, White box)
Lens Telephoto
Compatible Camera Mount Nikon F
Maximum Focal Length 200

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Top Amazon Reviews

My Precious
Color: Black
Nikon 70-200mm f/2.8 VR ii - ah this is one fine lens indeed, talking about the build, speed, the clarity and definitely the quality of the imagery that this baby delivers. Truly a Nikon Legendary Lens. Since, I am not very knowledgable on the technical tic tack talk about this lens - I will stay away from those topics and (Good for you) give a more everyday words description for this Jewel. Getting excited? I am just by thinking about shooting this lens again. Pros: What has not been said about this lens? It looks pretty cute? Solid feel, Strong in my hands (you will not crush this with your hands), produces good enough (kidding there) insanely great photos, this Professional Grade lens - when handled correctly will produce photos that are sharper and clearer (insert more adjectives for that). Right off the box, after you open the box, you would already feel the Aura that this Jewel has- one touch and you know that it is not your give-away kit lens. Love the f/2.8 - as I recently understood how to use it and how to use it for the good of photography. The price is not a con, even though it really hurts my pocket to say it - the price is actually a plus - this way only the Professional, only the Serious and only those that can save money - are the only ones to purchase such a glass of this caliber, thus giving it the respect that it deserves. I would love it if more people get to use this glass, but sometimes, people are just not ready to use this yet. There is a learning curve, and I may say I have not gone through the whole of it yet. Even in that state of knowledge and lack thereof, this lens focuses faster than any lens I have and gives me that buttery-creamy Bokeh, that never ceases to give me and my clients the chills. The lens has some weight on it, must be all that metal thing that is found around the glass and stuff, this means your lens is very well protected from the elements, it is made from ... which country again... doesn't matter, what matters is by the feel of it, this is a serious gear, not a flimsy flamsy - I do not know why people consider this as a con? Truly - you are here because you are possibly looking for a way to produce the best possible imagery with no less than the best possible camera gear (the funds will allow). Of course the best photos need the best sacrifice sometimes, and that is what it is. Many "photographers" and "enthusiasts" out there and here in Amazon, want the best but are not willing to shell out the big bucks nor the physical sacrifice for high quality imagery that they seek, and that my friends is quite sad. Photography is not about convenience - it is about (insert what photography means for you)... Of course talent plays a part as well, do not forget however that we have the technology now, we have the good technology and we have the not so good, what you are looking at today is the best technology and it is at the tip of your fingers, come and get it! CLICK ADD TO CART NOW. Cons: huh? (other reviewers say price, weight, and some abnormal aberrations) - I do not believe that those are too bad. (read the Pro statements above) - the negatives that people talk about is actually about themselves. Lens too heavy? go work out! lens too pricey, save up for it! some kind of a technical mumby jumby i dont understand non- normal word usage jargon - i refer you to 1-800-Geek squad, and you can talk to them who has a what and a what. Thing is, there is a con for everything - it is up to YOU my online reader to figure a way around it. Do no be a stick in the mud (Stuck and will not budge). You are better than that my online reviewer... so go on and read some more. Reviewer: Josh - I am an amateur photographer - I work full time as something that does boring things, I do however - shoot business portfolios, engagements sessions and wedding days - Yes, am getting paid to do it as well. I would not call myself a Professional as I am not being paid as much as my boring job. Obviously, I shoot with Nikon DSLRs - (D80, D2Xs & D7000), thinking maybe time to move to Full (FX) cameras huh? I appreciate testing new products (rental or actually buying to own). Oh yeah, I do not work with NIKON or any of its affiliates ever in the past or present (I wish however that they send me the newest stuff to try out). If anyone can get me in touch with their group, pls leave a comment. Thank you in advance. I have actually gotten the chance (prior to my purchase of this lens from Amazon), to rent this lens from a popular camera gear rental online company - I used it for a few days and I liked it, it is a solid work horse that looks good and feels good to use. After a few days, I used this for a Wedding Gig and I was very impressed by how fast I was able to work with it, wondering what I was using and thinking on the prior weddings that I shot. The reception was at a penthouse of this hotel and as the sun went down, there goes our natural light - we had to depend on the speed of the lens and technical know-how. This baby delivers! ( the 70-200mm f/2.8 was attached to a D7000 and I had another D7000 with a 17-55mm f/2.8). Yes, after sometime at that very evening my body (my ankles and lower back) was feeling the weight of all these wonderful gear hugging my body comfortably as a run and chase the excited bride and groom of this day, I started working out more. A day after the shoot - I went and upload the photos from the 32 Gig memory cards to my Mac - I shot about 3,100 ++ photos. The first thing that popped in my mind... awesome photos Josh - are you sure you shot these? Yes! That is a wonderful shot, aah I got the shot, Yes, this is the one, we can put this on the cover and such. After an hour I knew that I must buy this lens (70-200mm), we wants it, we needs it, we must not be separated anymore, My Precious (sorry creepy moment there). Recommendation: Please, if you have the means, and I mean by means, is funds. If you have the funds - I urge you, actually I implore you to go ahead and take the plunge and purchase this lens. I use the word please to imply the importance in a little more subtle way. If you are like me, want to shoot with the best of what the creators of Nikon & Nikkor gear can come up with and want to create the best humanly possible imagery that your senses + your camera gear + your computer = can produce - come and get this precious, I mean lens. Something worth noting is that there are cheaper alternatives out there (Tokina, Tamron, or instagram) I will not be recommending any of those (3rd party) brand as I have 0 knowledge about them other than the fact that they exist. I will however recommend this lens again to you, my good online reader friend - I will recommend this to a friend, I would recommend this to an enemy, I would even recommend it to rival wedding photographers who shoot with Nikon bodies. Yeah, it's that good. What else can I say to make you buy this precious, I mean lens. I thank you for your time in reading this - and I do hope that this review helps you make your purchase/review. Pls click the thingy if you think this review helped you out (so that other seekers will be able to find) Please feel free to leave any cool comments or any rocking questions - ~ Josh ... show more
Reviewed in the United States on September 1, 2012 by TOYOKANIN theyoutuber
This Lens Makes Great Desktop Wallpapers! :D
Color: Black
Update at bottom. I take photos for fun, mostly at zoos to make my own desktop wallpapers and wall art. I got my first impression of this lens when I rented it. At the time, I was using an 18-200mm lens (lol). I was heartbroken when I had to send this lens back after the rental period ended. This lens spoiled me, and could no longer tolerate my 18-200 lens. Before buying this lens, I kept asking myself why I needed to spend so much money on just a lens when all I do is take pics of animals at zoos. I think my heart skipped a beat when I hit the "purchase" button. But over a year later, I'm still so glad that I bought it. This lens solved several problems for me that I was having with my 18-200 lens, which were soft focus, chromatic aberration, faster autofocus, edge-to-edge sharpness, and edge-to-edge brightness; and at f2.8, allows faster shutter speeds in lower light. I've also used this lens on a D800E that I rented. Upon careful inspection in Lightroom, I could see a very small amount of light fall-off around the edges. So slight, that it's easy to miss and even easier to correct in software. I was tempted to buy the 70-200 f4, but decided against it because I would lose a stop of light. Sure the f4 version supposedly has better VR, but what if you don't need VR? You're still stuck at f4. With all this said, this lens is big and heavy. It's not a casual lens. You'll be the one accommodating this lens, not the other way around. It took me a few months to become fully comfortable using it and carrying it. I use a BlackRapid Strap (BlackRapid RRS-1BB Sport (RS-Sport) (Black)) to dangle the camera body and lens at my right side, lens pointing straight down. Some side notes: From my experience, this lens is waterPROOF, and so is the D7100. I got caught in a downpour here in Florida and the body and lens got drenched. The lens fogged up, the camera's viewfinder filled with water. I put the lens and camera in airtight containers with dehydrated rice for a few days and all the moisture was absorbed and both worked like new! I've used this lens with and without an expensive clear filter. No difference in quality, so I leave it on. I'd rather have light "cleaning scratches" on the filter than on my expensive lens. Without the filter, I would have to resort to my cleaning kit and spend a lot of time carefully cleaning the bare lens. With the filter, I use my shirt! For best auto-focus results, half-press the shutter button for a few seconds before taking the photo. This gives the VR time to counter the type of vibration it's experiencing in that particular situation. It’s now 2020. Since buying it in 2013, I’ve taken tens-of thousands of pictures and I’m still so glad I bought it. I’ve since dropped the lens onto concrete and it still works just fine. 2023: Still using it, and have dropped it onto concrete twice. I still use a BlackRapid strap which dangles the lens downward. The first time I dropped it, the screw on the camera for the strap to connect to, unscrewed while walking, breaking the lens hood, it leaving the lens with scuff blemishes on the metro part of the clear filter. The second time, the hook from the BlackRapid strap simply wore out. I wasn’t using a lens hood, so the force was enough to shatter my clear lens filter. But the lens mostly survived. Everything works, but now the autofocus sounds different. The metal of the filter is now so severely bent that I can’t unscrew it. After causing my camera to drop twice because of physical failures, I bought a new BlackRapid strap which seems much more secure than 9 years ago. I’m still so glad that I bought this lens so long ago, expensive as it was. It’s one of very few things I still have and still use regularly. ... show more
Reviewed in the United States on November 21, 2014 by Customer
Perfect for Low Light Indoor Sports
Color: Black
First of all, I'm a guy that loves taking photographs. While not a professional, I'm becoming much more critical of my work and demanding higher quality. As a result, I'm finding myself looking at prosumer equipment to feed the need. Now that I've gotten the fact that I'm a wannabe photographer out of the way let's get on with the review, one that won't repeat the technical specifications that can be found under the, wait for it, technical specifications section of this page. A while back I wrote a review for the Nikon 70-300mm lens. While I love the lens for outdoor sports it left a lot to be desired for indoor sports photography. As such, I started the research process for a lens that would without breaking the bank. It didn't take long to see that the Nikon 70-200mm F2.8 lens came highly recommended. While much more than I wanted to originally spend, I figured I'd take the plunge and start saving for it. After collecting from football parents and saving for a few months I ordered the lens. Upon delivery the first thing I noticed was the size of the box. After the unboxing ceremony I noticed how the lens dwarfed my 70-300mm lens. Not only did it dwarf it, it outweighed it. But the weight was a good weight, if that makes any sense. The build of this lens screams quality and the golden band confirms it! The only plastic you'll find on this lens is on the lens caps, front and back and the lens hood. The zoom and focus rings are made of a rubber material that doesn't cheapen the look of the lens. The recurring theme for this lens is metal, metal and metal. After a quick inspection for defects I slapped on the B+W UV filter and attached the lens to the camera, a Nikon D7000. Hey, I'm saving for an FX variant as I type this review. With the lens attached and firmly in hand the first impression was how will I shoot a venue with this behemoth around my neck? After powering up the camera, I threw her in manual mode and pressed the shutter release button with the lens cap on. The lens flew through the focal lengths. For comparison I placed the 70-300mm lens on and repeated the process. While the 70-300mm lens performed adequately, there was no comparison between the two. The 70-200mm lens stole the show. I then removed the lens cap, found a few subjects and shot away. After downloading the photos to my computer for evaluation I was pleasantly surprised. But come to think of it I should not have been. After all, the reviews I read earlier should have primed me for the performance of the lens. I was satisfied with 85% of the shots I took. The 15% that didn't make the cut were not due to the lens. It was a result of poor composition, blah subjects, etc. The past few months since purchasing have been spent really learning the lens. To get the most out of it and minimize editing, I've modified my camera's presets to produce a more vivid photo straight from the camera. Once the sweet spot is found, the shooting experience is enhanced. Colors pop and the contrast brings a natural sense of complexity and depth to photos. Since purchasing the lens I've taken photographs of a youth basketball team and my son's wrestling team. Some gyms were well lit and other's not so much. With my camera's shutter firing at 1/400 an ISO of 2500 and an aperture of F2.8, I'm getting many more keepers. However, I have noticed that if I'm shooting basketball from the sidelines the lens can be a little long on a DX camera. While I may not capture as much of the scene as I would with my 50mm 1.8G or a wider angle lens, my next purchase, what you do capture will be razor sharp and crystal clear. Bottom line, if you're looking for a fast lens that allows you to shoot in low light environments pick this one up. I'm a happy camper and so are my customers. She's definitely a keeper. Oh, by the way, I've gotten over the weight. ... show more
Reviewed in the United States on March 21, 2014 by Cary
Another let down from Nikon
Color: Black
Let me just start off by saying Amazon is doing a wonderful job of taking care of this issue. Just wanted to let everyone know that I received a lens that malfunctioned a few days out of the box. The AF crapped out on me, it wouldn't work with any camera body, happened when I was wrapping up an engagement session. I went home decided to give it a wipe down and cleaning, it worked again for some reason. I figured I may have fixed the problem then, how naive of me, but it sure did have the same issue once again. This time it happened during a wedding, but thank goodness once again it was towards the end of the event. I don't understand what I could of possibly done to of caused this issue and have come to the conclusion that it's just a faulty AF motor. Amazon Customer Service is sending me a replacement swap, so I won't go no days without one, but i'll have to Manual focus until then, which is not hell but it's not convenient for my work either. Once again thank you Amazon Customer Support, you have exceeded my expectations. Nikon on the other hand, that's 2/3 strikes, with the first being the D600 dust issues. UPDATE 07.31.13 Well, I haven't had any problems since the first lens I received and can conclude it must have just been a bad case of luck. The lens I currently have is outstanding and can't imagine not having this lens in my bag. I love the focal length and the sharpness of the image, even while shooting in hand. ... show more
Reviewed in the United States on April 6, 2013 by edgar delagarza
It's not cheap, but it is incredible
Color: Black
Having just lost my Nikon D90 (stolen) and replaced it with a spanking new D700, I needed to go lens shopping. As an avowed fan of Sigma lenses, I had trouble parting with the coin to get this Nikon lens. However, neither Sigma nor anyone else has released a 70-200mm fast lens for the FX sensor on my new camera, at least not one with vibration reduction. I researched the resale value on this lens and its predecessor, looked at the specs for the upcoming Sigma lens, and decided to take the plunge. I don't want to repeat what the other top reviews on this lens are just for the sake of creating a helpful review, so here quickly is what I would say to anyone thinking of this lens: 1. If you have a DX sized sensor, like on the D90, D300, etceteras, I don't feel it's necessary to spend the money on this lens. You won't be sorry about the quality or the image, but there are other lenses out there that can more than adequately handle the job on an FX sensor. Look at the Sigma 18-200, which I also own and have reviewed separately. Sigma AF 18-200mm f/3.5-6.3 DC OS (Optical Stabilizer) Zoom Lens for Nikon Digital SLR Cameras 2. However, if you have an FX sensor, like on the D700 and the D3, I don't think you will find a zoom that produces results that match this lens. I am absolutely thrilled with the quality of the images I'm getting. The Sigma mentioned above crops on an FX sensor, obviating much of the benefit of the full size sensor. Of course, you still get the benefit of the three extra stops worth of sensitivity afforded by the larger sensor, but this on its own just isn't enough to justify not stepping up. 3. The weight and size of this lens is quite substantial. It's bigger than it looks, and heavier than you expect it to be. On a D700, the balance is reasonable, because the D700 is itself a hefty camera. When attached, if you set the assembly on a flat surface, it actually balances perfectly on the tripod mount, which is how I store it most of the time. When you walk around with the assembled camera/lens on your shoulder, it LOOKS and FEELS like you're a pro, whether you are or not. Portability was definitely not on the mind of Nikon designers when they created the lens. 4. Having said the above relative to size, it is important to bear in mind that all zoom movement is contained inside the lens, so there is no external length change as the lens is focused or zoomed. This is a very nice benefit; clearly an advantage compared to my Sigma lenses. I also have the Sigma 150-500 Sigma 150-500mm f/5-6.3 AF APO DG OS HSM Telephoto Zoom Lens for Nikon Digital SLR Cameras, which stretches to double its length at full zoom. It looks quite ridiculous when fully extended, to be perfectly honest. I'm keeping that lens though, because unlike the 18-200, it projects an uncropped, full size, extremely crisp image on the FX sensor. 5. Also impressive is the focus. Once focused, this lens will zoom from 70mm all the way to 200mm without ANY change in focus. This is different from my experience with any other zoom lens I've used, and it's VERY impressive. 6. The speed and silence of the focus is equally impressive. This is a professional level lens and it shows here. Obviously, when you pay for a lens this expensive, you expect the performance to be great. But it's my opinion that this lens delivers every penny's worth. I honestly expected to be at least a little disappointed; some bit of buyer's remorse. I have none. Other reviewers have noted that the previous version of this same lens allowed closer focus than this new rev. I didn't have the previous version so I can't comment on that; I have no doubt that it's true. But I have not found the focus minimum distance to be an issue at all. As such, I have not one negative comment to offer. It's incredibly fast (and I've taken a number of shots at the f/2.8 aperture to confirm) with outstanding results and a gorgeous bokeh (the blurred background appearance that I personally adore in my portraits). The bottom line: I think you can use this lens, and this lens only, for focal lengths between 70mm and 200mm without needing to own or carry any prime lenses between these two distances. Given that level of excellence, the lens is worth it, and then some. I canceled my order for the 135mm prime Nikon I had intended to add, because I just can't see any real benefit to owning it on top of this. I use my 50mm f/1.4 for wider angles, a Sigma 10-20mm for wide angle, and the 150-500mm for the long telephoto. I don't think I'll be buying any more lenses for a long, long time. Questions and comments welcome. ... show more
Reviewed in the United States on May 14, 2010 by Earl E. A. Dopter
Good Buy but had some issues.
Color: Black
Love this lens. Glass is high quality. Zoom is perfect. My go to lens. My only issue is that it locked up on me just after the warranty period. An internal screw came loose. Again, I love this lens and could be just a mass produced issue. That's why the three stars.
Reviewed in the United States on September 9, 2025 by Eric Shannon
Beast, but a refined one at that.
Color: Black
Most would agree that it is indeed expensive so the only real question is if it is worth the investment. This is my take on it. First Impression: When the lens arrived and I opened the box I was surprised at its size and weight. I knew it was big but actually seeing and handling it seemed to drive home the point. This is not a comfortable lens to go puddle jumping and mountain climbing with. I do allot of travel photography and its portability (or lack thereof) immediately worried me. Build: The build feels amazing. Everything seems a perfect fit. Great attention to detail, excellent machining and raw materials are to thank (I am an engineer and tend to notice these things). The lens focuses very quickly and very silently. There is a focus limit switch that allows it to focus even faster. There is the normal Vibration Reduction On/Off switch and the Active/Normal switch. It also includes the Atuo Focus switch giving you the option of Automatic with a tougher manual override or Automatic with an easy manual override as well as the pure manual switch. Picture: As I took it out and began taking some test shots indoors (it was pouring down rain) I quickly forgot about the size and weight of the lens and was marveling at its speed (f2.8 is a godsend when lighting is poor). This beast handles light in a very refined manner. The bokeh is breath taking and image quality is beyond what I considered possible. I was unable to notice any distortion or vignetting (I was using a DX body so I cannot speak for an image shot on a FX body). When do I see the benefit of this lens? When shooting my family and I want the artistic nuance of an even bokeh. When I want that extra range to be able to zoom into my kids sports. When the sun begins to set and the f2.8 becomes needed. When I want to shoot wildlife that do not know how to model and I dare not venture close enough to teach them. When I want to shoot ANYTHING indoors short of a greenhouse. Overall: What this lens brings you is some additional tools for the photographer to use. I have a few lenses all of which cost less then this one does but almost all of them limit what I can do. That is to say that as light begins to wane I quickly have to resort to exceptional tools to get the shot including ISO, flash and tripod with longer shutter speeds. This lens allows me to forego those exceptional means for a little longer. This has given me more creative license and has allowed me to capture images that I would have otherwise miss with a quality of image that is beyond fantastic. What this lens is not is a easy travel partner. Photojournalism (I use this term to refer to people shots in and around a city) would be a challenge with this lens. You can see this thing from a mile away and everyone begins getting self conscience about it. On the other hand a simple 50mm 1.8 or 1.4 is my preferred lens for that kind of photography and it does not give me the flexible zoom range that this one does. Conclusion: This is the best lens I own. I will indeed take it traveling with me as the size and weight are a small price to pay for such a lens. There is a special feeling that I get when I focus in on a great shot opportunity with this lens and I KNOW that the picture will be excellent. With this lens on any camera and you run out of excuses for not shooting a great picture. As an unexpected bonus...it makes me want to take more pictures! Is that worth USD 2,300....simply put...yes. ... show more
Reviewed in the United States on January 1, 2011 by Patrick G.
Great lens but heavy and expensive
Color: Black
I compared Tamron and this lens. You pay a good bit more for this one but it is better in every way. Higher quality build, better focusing, better mechanical sounds. IQ is about 10 to 20% better in my estimation depending on the scene. The lens is heavy and fairly large though. I have a Gitzo GM3551 mono-pod and other than the fact it makes it easier to hold the lens for extended periods (e.g., during a game on the sideline), it is not necessary for image quality. VRII allows handheld even at full zoom at lower shudder speeds. You pay the price but you get the quality is what it comes down to. I'm using it with a Nikon D600 and also used it with a D7000 and it worked well on both. You'll want some other lenses for lighter carrying for example the 50mm f/1.8. This lens is great but it requires some heft and care that can make it a bit of a chore for extended shoots and if you have to travel or walk much. But still it's great, it delivers. Once you get some other lenses (gets expensive) you'll handle every situation with aplomb and minimize effort toting a lot of lenses around. You'll bring the lens that's right for what you need to do. When it comes to lens speed and focal length, there's no one or two do-it-all lenses even though a zoom might suggest that to the casual user. I don't shoot with a flash thus I need a couple or three fast but heavy lenses. You have to decide if you can shell-out for the nice zoom (and the 24-70mm) which do allow great flexibility and several primes. Primes usually weigh a lot less and cost somewhat less but you lose zoom capability. This is a great state-of-the-art lens. Almost forget to mention it has several options. One of the best is you tell it what your expected focus range is: all ranges (0 to infinity) or 5M to infinity. Most of the time with this lens I use it outdoors so the latter setting allows it to focus much quicker. Nice. It has a three-way option Autofocus, Manual focus, and Auto manual focus. You might use those sometimes even though you can focus manually in Autofocus. Auto Manual just makes it a little easier to go to manual. Good luck if you buy. Many of the reviews say it costs dearly but once they got it decided it was well worth it. That's the bottom line. ... show more
Reviewed in the United States on November 9, 2012 by David B.
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