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M-Audio

M-Audio AIR 192x14 - USB Audio Interface for Studio Recording with 8 In and 4 Out, MIDI Connectivity, and Software from MPC Beats and Aleton Live Lite

  • Based on 4,243 reviews
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Availability: In Stock.
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Arrives Wednesday, May 21
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Size: Air 192|14


Style: Interface only


Features

  • Capture Every Detail - Premium component selection and 24-bit/192kHz resolution for professional recording and monitoring to your Mac / PC;
  • Low Latency - Hi-Speed USB / USB-C circuitry gives you the fastest connection, with a class-leading round trip latency of only 2.59ms; USB and USB-C connection cables included
  • Pristine Studio Grade Capture - Transparent Crystal preamps and ultra-pristine A/D converters for unsurpassed audio recording quality
  • Connectivity - 4 XLR+14" TRS combo inputs, 2 14 instrument inputs and 2 14 line inputs; Stereo 14 outputs with direct mono/stereo switch; 2 14 assignable auxiliary outs; 2 14 headphone outputs
  • Unite Your MIDI Gear - 5-pin MIDI In / Out connections for connecting synths, sequencers and other external MIDI gear
  • Feature Packed - Rugged metal chassis, large central volume control, VU LED meters and USB/Direct knob for zero latency monitoring
  • Pro Software - MPC Beats, Ableton Live Lite, Touch Loops, plus the Creative FX Collection, Xpand!2, Mini Grand, DB33, Strike, Hybrid3, and Revalver

Description

Conquer any recording session with professional studio quality and features! With the AIR 192|14, you can create 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. Boasting an elegant pro- grade metal chassis with a large central volume knob, the AIR 192|14 features our exclusive Crystal™ low-noise pre-amps and pristine A/D converters that deliver the highest audio performance in its class. The AIR 192|14 features (4) XLR+¼” TRS combo inputs, (2) ¼” line inputs and (2) all-new ¼” instrument inputs that have a specially designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface. The AIR 192|14 has as a stereo pair of ¼” main outputs, and (2) ¼” assignable outputs. Two musicians can have their own separate mixes while recording using the (2) ¼” headphone outputs with independent source and level controls. The AIR 192|14 connects to your Mac or PC via a standard USB or USB-C port using one of the two included cables. This premium Hi-Speed USB connection enables you to have zero latency monitoring of your inputs, making the recording process easier than ever. The overall combination of professional audio performance, easy-to-use features, and the included AIR Series software bundle make the AIR 192|14 an amazingly versatile, high- performance audio interface that will conquer any recording session with ease. Premium Software Suite Included The AIR 192|14 comes complete with a software package that has everything to get you started including AKAI Professional's MPC Beats, Ableton Live Lite, AIR’s Creative FX Collection, Touch Loops, Xpand!2, Mini Grand, DB33, Strike, Hybrid 3 and Revalver.


Item Weight: 3.97 pounds


Product Dimensions: 7.32 x 10.2 x 3.6 inches


Country of Origin: Taiwan


Item model number: AIR 192|14


Is Discontinued By Manufacturer: No


Date First Available: November 2, 2019


Compatible Devices: Personal Computer


Hardware Interface: USB


Supported Software: MPC Beats, Ableton Live Lite, Touch Loops, plus the Creative FX Collection, Xpand!2, Mini Grand, DB33, Strike, Hybrid3, and Revalver


Size: Air 192|14


Voltage: 5 Volts


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Wednesday, May 21

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews

    • Excellent Project Studio Interface
Size: Air 192|14 Style: Interface only
Really great lay out and set up. If you have a Mac you don’t need any drivers and on PC the drivers install without any issues. I have a 16 channel Mixer in the two line in inputs and I’m able to record a full band rehearsal with a drum downmix to the DAW. M-Audio have always made great stuff for the money. I highly recommend this for your home project studio or even for your rehearsal space to tack ideas ... show more
Reviewed in the United States 🇺🇸 on December 10, 2022 by BittenHand19
    • Everything I wanted
Size: Air 192|14 Style: Interface only
Review Image by James Langston James Langston
I used to use an M-Audio Profire 610 from ~2009 and it still works to this day. However, in that time I have transitioned from a mac user to a Windows user, and having only firewire connectivity is limiting for me. Since my Profire has served me so well for so long, I wanted to stick with M-Audio instead of jumping on tp similar Focusrite products. Some of the reviews here were a tad limited or negative from my perspective as a potential customer, but I still thought it was worth a try to see how M-Audio's quality has stood the test of time. So right off the bat, I was all excited to start using it and in a rush I downloaded the 192 | 4 driver instead of the 192 | 14 driver like a dumb muppet, and was wondering why the app said no hardware was connected. After I got that sorted, everything else integrated smoothly. I like how the headphone outputs can drive my 300 ohm Sennheiser HD 800s with ease. If you turn the knob to 3 o'clock, it's loud enough that you'll feel your hair follicles vibrating. The mic quality and latency is sublime with my MXL 990 condenser. While the VU meters do work well indicating the volume levels of my turntable, I found that they are not very helpful when plugging in my mic. It's better to rely on your DAW in this case. I am very happy with the guitar inputs and really enjoyed noodling around with Guitar Rig and experimenting with different audio formats and sample rates. I suppose that thing that stood out to me about this device is how much it can do. I can route my vinyl to it, use a mic, have my monitors bumping, plug in two sets of headphones, jam along with my guitar, poke notes on my midi keyboard with my nose, all while listening for any notifications that may come through on my computer. I like that. One thing I miss that the Profire 610 had was a more robust computer interface. I could name my tracks for inputs and outputs, and I could control it on my computer. However, that device only had two gain knobs, two headphone audio knobs, and a master knob. I suppose it's nice to have a more physical interface and it takes me back to my guitar pedal collector days. As far as build and feel go, I am pretty happy. It looks very appealing and the metal chassis seems indestructible. My two slight complaints would be that I wish the main volume potentiometer had a little more resistance when I am turning it. It is super smooth. Also, the right side where the power goes in can get quite hot. I found that at a 192000 kHz sample rate it was much hotter than at 44.1 kHz and it kinda worried me about the longevity of the device if I were to be always running it that hot. When it comes to using it as a media device, I have been using it in conjunction with Voicemeeter Banana and Light Host. This allows me to have a lot of control over the inputs and outputs and I can also patch in VSTs if desired. All in all, I suppose my needs are a little odd, but this does the job at a reasonable price. Hopefully, this M-Audio interface will last me 11+ years as well. ... show more
Reviewed in the United States 🇺🇸 on June 14, 2020 by James Langston James Langston
    • Not perfect for using in a work from home setup
Size: Air 192|4 Style: Interface only
I purchased this interface in preparation for getting into podcasting / streaming. As I'm not quite at the point of entering that arena, I'm working from home and figured this would be a good setup for meetings over MS Teams and Zoom calls. Using a Windows 10 workstation with MS Teams and a FiFine Dynamic microphone, I could not get the audio working properly. Phantom power was turned off, since the FiFine microphone is dynamic. Colleagues constantly made me aware that my audio would suddenly drop off. I would then have to revert back to using my Fifine mic connected through USB and the problem went away. I then purchased a Marantz condenser microphone and still had the same issues; phantom power turned on with the condenser mic. M-Audio tech support had me reinstall drivers and that did not resolve the issue. Not wanting to chance repeating the same issue through replacement of this interface, I opted to purchase another interface. That interface, coupled with the Marantz microphone and did not have an issue. I've even purchased a new MXL 990 condenser microphone and continue to have successful usage with MS Teams. ... show more
Reviewed in the United States 🇺🇸 on December 27, 2022 by marlowe lofton
    • Works great, love the form factor
Size: Air 192|6 Style: Interface only
This thing has flat out worked and done everything I've asked of it perfectly. I has all the features I want for a small interface. -2 mic pre-amps so duets can be recorded simultaneously -MIDI in/out for inputting virtual instruments/drums using my old MIDI keyboard -low noise floor for clean recording -adequate gain for gain hungry mics (Shure SB7-B) -very low latency I love the form factor. It's not tiny. But that means I get big knobs on the top of the interface that are easy to adjust accurately. No tiny knobs on the front of a tiny interface that almost require tweezers to adjust. I use this interface on my desk and it mostly stays on my desk. If you constantly move your interface, there are smaller ones available. But I still like the features and ease of use of this form factor so would move this slightly bigger interface. I like the VU LED meters with multiple levels. Much preferred over just "Signal" and "Clip" indicators. I can more easily tell when my gain levels are where I want them to be. I love the USB/Direct knob for mixing how much direct (zero latency) sound feed and how much USB sound feed you get back from your computer. It helps to nail vocal takes while still being able to hear the track you are building on from your DAW. Much better than a switch between 100% direct or 100% USB like others interfaces have. As for 'popping' and noise mentioned in other reviews, I've not experienced this at all... EXCEPT when someone used a low quality mic or instrument cable. Good cables and solid connections gave perfect pop free sound every time. I use Reaper as my DAW so had no need for the 'lite' versions of DAWs that came with the interface. But those DAWs could certainly get you started. But Reaper @ $60 is almost free and it's way better than what's included in the box. (Even the Reaper "demo" is a fully functional version you can use as long as you wish... although they will nag you to buy.) Included are some really good VST FX plugins that can be used in most DAWs. There are also some great virtual instruments and drum machine plugins. Plus 2GB of samples and loop tracks. All these are worth the price you pay for the whole interface. If I had any wishes, it would be for 'pad' switches on the channels to drop down the input level of hot instruments, but this can be handled easily enough with the gain knobs. I highly recommend this interface. ... show more
Reviewed in the United States 🇺🇸 on December 30, 2020 by C. Pearson

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