JOYO Fuzz Pedal Multiple Fuzz Effects Guitar Pedal for Electric Guitar from Modern to Vintage Classical Tone True Bypass (HOT WITCH R-25)
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Availability:
Only 10 left in stock, order soon!
Arrives
Sunday, Aug 3
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Style: Multiple Fuzz
Color: Aluminum
Features
- Deliver 2 modes fuzz effects guitar pedal from smooth & modern to fierce & vintage tone for solo electric guitarist.
- Control knobs: Level/Sustain/Tone knobs and Vintage & Modern fuzz mode toggle switch.
- Innovative JOYO R Series ambience LED lights delivers more charming feeling. Metal alloy case and high quality precision components makes it solid and durable.
- JOYO 9V DC pedal power supply is recommended ( NOT included), adopting noise reduction technology, an incompatible power supply may cause the Noise or Damage.
Brand: JOYO
Style: Multiple Fuzz
Color: Aluminum
Product Dimensions: 2.83"L x 1.89"W x 4.29"H
Item Weight: 240 Grams
Item Weight: 8.5 ounces
Product Dimensions: 4.29 x 1.89 x 2.64 inches
Country of Origin: China
Item model number: Manufacturer-JOYO-R25-0010
Date First Available: March 29, 2023
Color Name: Aluminum
Compatible Devices: Effect Pedals, Guiatr Combo, Pedal Controller, Electric Guitar, Guitar Amplifier
Connector Type: 1/4-Inch Straight
Hardware Interface: 1/4-inch Audio
Signal Format: Analog
Material Type: Alloy
Musical Style: pop,rock,metal
Power Source: Corded Electric
Voltage: 9 Volts (DC)
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Sunday, Aug 3
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
Style: Compressor
Color: Silver
Good luck finding a compressor with these features at this price point. This mostly transparent sounding pedal is really great. The gain reduction meter is really helpful in dialing in your attack and release settings. I find that attack is fairly easy to set by ear on bass but setting the release benefits a lot by having a GR meter. I wanted a compressor with adjustable attack because the low B on a 5-string doesn't always work well with compressors. Adjustable release was a bonus for me. The GR meter was probably the biggest feature that drew me to this pedal considering most pedals with this feature are 2-3x the cost. The Avallon compressor also handled the very hot output of my active 5-string bass with ease. To achieve unity gain for me required the Input gain very low, about 8-9 o’clock, amd the Output very high, about 3 o’clock. For transparent compression on bass, I liked the ratio at about 6:1. This had the GR meter bouncing down to the middle of its range. Oddly enough, I returned this pedal. This was a seriously difficult decision to make. I loved the way this pedal evened out my bass playing at home! Sounded so much more professional and steady! So why the return? When I went to band rehearsal it seemed like my bass just got lost in the mix. I was losing some definition that was making it difficult to discern my notes. It dawned on me that I prefer to have parallel compression for bass. The one feature this pedal does not have that I want is a blend or dry mix. I considered purchasing a couple of ABY pedals to work this in, but the cost of 2 ABYs + this pedal would push into the price range of a lot of other pedal options. Build quality was impeccable. Lovely paint finish and clear screen printing. Knobs did not look cheap and had respectable resistance to rotation that left me confident settings would stay where they should. Housing, switch, and in/out jacks were all secure. The bypass switch is soft (no click) and the unit powers up in the baypassed state regardless the state it was when powered off. Active light is a bright green of the same hue as the chassis light feature. GR LEDs are soft white (slightly yellowish), bright but not blinding. The GR meter was fast and appeared to track accurately. Though I think it skipped a couple of notes when playing very fast (the lights not the compression). I’m not confident of the scale of the lights though. They are marked -1 at least reduction and -30 at greatest but the LED values inbetween are not identified. I don’t think the range is linear and I’m not confident that the furthest value is -30 dB. In the middle does not sound like -15 dB gain reduction to me, nor does maxing out sound like -30 dB. Maybe the values are not dB at all. I don’t know and the manual nor website define the value. I think you get what you need from the meter regardless what each LED value indicates. The Release knob operated counter to what I expected. Considering that the Ratio increased as turned clockwise and the Attack time likewise increased clockwise. But the Release must be from slow (large time) to fast (small time). Neither the Attack or Release knob ranges are marked or explained in the included pamphlet. Similarly, the Input and Output level knobs have no range identified. I’m not confident that the ratio values are correct either as the minimum setting did not sound like 4:1 compression to me. Regardless the accuracy of the markings, you should have no problem dialing in your preferred amount of compression. I would call the knobs an Input gain and an Output level. The reason is because the Output knob appears to be primarily an attenuator with little gain. This is to be expected as there is no threshold knob. Which means the threshold is internally fixed and you increase the Input gain to push the signal above the threshold. This method is common to many compression pedals. For guitars and passive basses increasing the input gain moderately is needed to exceed the threshold. But for hot signaled active basses not much gain is needed to reach threshold. I was pleased to find that some gain was necessary for my active bass, meaning the direct signal did not go way above threshold. The Input gain is also an attenuator as the pedal is muted at its minimum setting (fully counter-clockwise). One last thing to note is that this pedal requires 120 mA which is clear in the description but I had overlooked before purchase. It still worked on a 100 mA output from my power brick, but I did end up moving it to one of the 300 mA jacks (thinking low power may have caused the missed GR metering on fast notes). I’ve since returned the power brick I had and ordered one with all 300 mA outputs because a lot of the pedals I’m interesred in draw more than 100 mA. IMO, JOYO could add two more features to this pedal and double the price tag and it would blow all competitors away. A blend knob and a high-mid emphasis knob. I guy can dream, right?
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Reviewed in the United States on August 27, 2022 by I. Beckley
Style: Distortion,Amp Sim
Color: Purple
I just plugged it in, set it up and played it through the back of my amp. Depending on what guitar you're going to use and it's pick ups, this pedal is a monster. If you have after market pick ups made in china; as a couple of mine have, the noise gate on this pedal is a must. It will let you know which are wax potted and which are not. This pedal has massive high gain. So don't sit too close to your amp during practice. Each guitar I plugged into it offers you a different tone. Mostly very good tones. The cab sim makes a huge difference when shaping the tone. The boost button makes it thick, and that's not bad depending on the guitar. Since I have 11 electric guitars, each one sounds unique, when I keep the pedal on the setting I created for me, each guitar has a distinct tone. For the buck, it is a fine replacement for my now dead Johnson J-Station. I needed something that could give me the metal tones of my Johnson, and this fits the bill. In my opinion, this pedal reminds me of a cross between a Ibanez tube screamer and a Boss Metal Zone MT-2 put together with a built in noise gate and cab sim. Both pedals that I used to have so, win win. In the front of my amp, wow, just... wow. I wasn't sure if it could be a good sound unit on the front side but it does the trick nicely. I have no regrets about this purchase so far. JOYO is new to me even though I have been aware that they've been around for quite some time. Without any other effects in my chain, this pedal just kicks you in the teeth. I can't wait to try it with delay and chorus and what have you. I plan on having some real fun with this one. One other thing, My Digitech Element allowed for me to run a stereo line out to two amps in the back, this JOYO pedal does not do that. I wish it did but you can't always get what you want, but if you can get what you need then it's all good. Since I don't do gigs, and the pedal will pretty much be in one place at all times, I don't have to worry about breaking it. The look of this pedal is very cool. I love the LED lighting on it, even though I don't need it... it's still nice to see. The stomp buttons are very smooth and not at all hard to push. The case is pretty solid. As for blues, it's real dirty and it makes my Fender wanna be, sing real nice on the neck pickup. This pedal is very versatile for my needs. I can get classic rock, hard rock, heavy metal, thrash metal and blues. Totally lovin' this pedal. Bottom line... it's worth it. If you want metal on a budget, then this pedal will deliver. It has a tube vibe to it and that's a good thing to have when your are using a solid state amp.
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Reviewed in the United States on January 5, 2023 by Fred Hill
Style: Distortion,Overdrive
Color: Orange
Takes some time learn just like the pedals they are cloning , which I’ve owned most and still have a few …. And they are discontinued , but are really genius by a genius innovator I used the classic way back . To the point of this Oxford , T first I was not happy with noise on the high eq , but like the others I need to cut it for real clean or darker preferred sounds in the high gain territory .and always keep it cut a bit … The control of voice gain and high and level are interactive and have to be adjusted to understand the interrelated effects , just like their predecessors. But what I discovered before I was going to send it back is it really does offer a nice range of eq amp sound that are tonefull in a clean and slightly gritty way . I used a Firebird thru strymon big sky and boss re 20’space echo , Lesley comp plus and some overdrive stacking but it sounds good on its own with that slightly gritty sound and does saturate pretty well … I’m impressed for the price , question how long will the innards last and the pedal before it goes south in anyway …, I dunno but it was cheap ! I. Bought the Cali and I’m go test it out now !!! I will say the eq on my blonde and Leeds are a cut above but these clones are pretty cool s far … worth owning from first impression esp for the price !
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Reviewed in the United States on April 10, 2023 by james muckleroy