TC Helicon GoXLR MINI Online Broadcast Mixer with USB/Audio Interface and Midas Preamp, Officially Supported on Windows
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Availability:
Only 2 left in stock, order soon!
Arrives
Thursday, Sep 10
Pattern Name: Mixer
Style: GoXLR MINI
Features
- Go live desktop rig for online broadcasters gives you instant control over your audio
- Flexible and intuitive USB-based mixing for all of your audio - simple, easy-to-use controls get you up and running quickly
- Studio quality MIDAS preamp with EQ, compression, and gating to help your voice sound its best
- GoXLR Windows app: PC app lets you control and recall all of your favorite settings. App required for functionality.
- Officially supported on Windows 7, 8, 10, 11. No official Linux support. No macOS support.
Description
GoXLR mini is an intuitive all-in-one audio interface for live streamers and content creators. Designed specifically for an online creator’s workflow, GoXLR mini establishes multiple USB Audio devices in Windows so you can control your app volumes individually. Our award-winning Midas preamps are quiet and versatile, perfect for any voice and microphone. Whether you’re an established creator with a multi-packs setup, or just getting started, GoXLR mini has all the inputs and outputs to grow with you.
Brand: TC Helicon
Number of Channels: 1
Product Dimensions: 5.2"D x 6.61"W x 2.76"H
Item Weight: 730 g
Connectivity Technology: 1x USB 2.0, type B
Number of Channels: 1
Connectivity Technology: 1x USB 2.0, type B
Power Source: Battery Powered
Frequency: 10 hertz
Output Connector Type: USB Type B
Audio Input: XLR
Voltage: 220 volts
Item Dimensions D x W x H: 5.2"D x 6.61"W x 2.76"H
Item Weight: 730 g
Brand Name: TC Helicon
Number of Items: 1
Manufacturer: Music Tribe US
UPC: 653341336538
Global Trade Identification Number: 38
Unit Count: 1 Count
Item Type Name: GoXLR MINI Online Broadcast Mixer with USB/Audio Interface and Midas Preamp
Model Number: GOXLRMINI
Manufacturer Part Number: GOXLRMINI
Warranty Description: 3 year manufacturer.
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Thursday, Sep 10
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
Pattern Name: Mixer
Style: GoXLR MINI
After a year of experience, I have edited my review to share my observations, and why I still would justify buying the GO XLR mini over the other options I tried (like Blue Yeti X with Logitech G-Hub or Voicemeeter or M-Audio or MOTU M2). -The preamp is loud and has a superior tone compared to other preamps I have used. I don’t have a great voice, and this makes me sound good on any mic, which says a lot. It’s full, warm, and balanced and retains a lot of coloration and character in my recordings. The noise is not loud at all. I've had quieter self noise on the MOTU M2, but it makes my voice sound a tad muffled. I find the GOXLR Midas preamps have the best balance and sound quality. -EQ, compressor, noise gate, and mix: The EQ, compressor, and noise gate is just minimum customization for pre-processing. It allows for just enough, but it felt limited. In a sense, it’s better that way because if I just customize minimally, I can avoid over-processing and sounding unnatural. It also means that it’s a little easy to over-process if settings are too high. -EQ works great. I found that my settings with different mics are fairly consistent with my surroundings and my voice. Was able to tame some of the annoying clicks, sibilance, room reverb, boom/rumble a tad while retaining the high/mids/lows I need. The GOXLR mini only has 6 frequencies to EQ, so it does feel a tad limited, but at least can do the minimum I require. The normal GOXLR has more options (but bigger and more expensive). -The compressor is so strong it’s too easy to screw it up. I had my attack too low and release too high with not enough make-up gain for the longest time that sometimes it produced a pumping noise. I found out that the attack and release has to be closer to the lower middle end, with a tad higher make-up gain for best results. For low compression, I found 2.5:1 works quite naturally. For higher compression, 4:1 works best overall. Just real sweet without distracting booms. -The noise gate settings are strong, but if slightly adjusted, works great without sounding distracting or taking away from my voice. It’s so strong in fact that I leave it in the minimum settings and it does a great job. Any higher will ruin the quality. -Mixing: Sometimes I have music streaming from my phone in the background. It’s cool to adjust once in awhile for effect. Usually keep it at 35%. -Live monitoring/Playback: The preamp hiss is so loud, I had to buy a 3.5mm filter to get more accurate live monitoring/playback. And it can get LOUD. If not careful, the live monitoring can get so loud it can create an echo or feedback on the mic, or worse yet, hurt my ears. Gotta keep it turned down. Gotta have the filter to cut down the hissing noise. Just to be clear, the hiss is not recorded. -Interface/Menu/Sliders: The software menu isn’t too confusing. It can be used to customize LED settings or save other mic profiles. Using the sliders is fairly straightforward. I find the soft buttons of the mute and bleep to be pleasing to the touch. The Go XLR menu interface is great because it’s not a resource hog, but rather a control center with minimum resource drain because the actual processing is done onboard the Go XLR mini itself, which also makes for smoother output. -Build: It feels sturdy but like all interfaces, it’s a bit clunky and can be awkward to place on a desk. The GOXLR mini is just slightly bigger than the other 2 audio interfaces I used. For $200, the GOXLR is a better deal than all other audio interface and processor combos. High quality audio and pre-processing all in one package. The ONLY issue some people may have with it that I can think of, is that there is only 1 mic XLR input. If you want to podcast with multiple people on one device, this would be a hard no. For my usage scenario: 10/10 - I do not need any other device.
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Reviewed in the United States on July 14, 2021 by BK
Pattern Name: Mixer
Style: GoXLR MINI
This is an utterly fantastic device. If you are a streamer, this will seriously up your stream quality when paired with a quality mic. Background: I'm a semi-regular Twitch streamer and also a software engineer and digital recording nerd. I have high standards for digital audio equipment. In the past, I've used Presonus, Alesis, and Focusrite USB and firewire audio interfaces, the dbx 286s processor that everybody uses, Behringer X AIR mixers, and even a full size X32 mixer for a few days until I realized what overkill that was for producing a stream :-P My GoXLR Mini is replacing about 3x its dollar value in high-quality preamps, outboard processors, and interfaces, and I couldn't be happier with it. The built-in preamp is high quality and has more then enough gain for my PR40 without needing a Cloudlifter. The included gate, compressor, and EQ help make your voice clear, clean, and consistent. And, although it looks like you only get 4 inputs due to the 4 faders, you actually get quite a bit more I/O than it appears - the GoXLR Mini adds 5 virtual output devices, plus the hardware mic in, line in, and optical in, and you can flexibly route all of these and re-map the faders in the GoXLR app however you like. I'm appreciative of the ability to configure the lights to act as meters, and the full audio engineer-level control over parameters like compression ratio and gate attack & release timing. They also thoughtfully beat me to a feature request by allowing you to map the headphone output level as a fader, even though it's an output and not an input. I have a few niggles / feature requests, many of which were acknowledged by TC on their Discord server and are planned soon: 1) StreamDeck integration - natural pairing for a device like this. ** UPDATE: This is available now. ** 2) Making the 'cough' button a toggle instead of a momentary switch. ** UPDATE: This is available now. ** 3) Visual cues when configuring the gate and compressor to see when they're kicking in. No ETA but acknowledged by TC. 4) The app is helpful and the ability to mix ALL of the inputs and outputs in one place is great. However, there's no minimal 'mixer only' view in the app, so if you want to keep the mixer handy, you have to also waste screen space showing the profile load/save and a picture of the device itself. At $500, the GoXLR was expensive and had features that were cool as a novelty but unnecessary. At $250, TC has hit this offering out of the park.
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Reviewed in the United States on November 27, 2019 by Tim
Pattern Name: Mixer
Style: GoXLR MINI
I don’t know how I’ve gone my entire content creator life without this. I was always getting overwhelmed. Y watching videos of people using it. Just kept. Rushing it off thinking I didn’t need it. When I got a second computer for streaming and recording purposes and I needed to connect both my gaming and streaming pc this GOxlr mini made everything easy. I couldn’t picture my life without this in it now. It makes controlling two pcs extremely easy. Even if you just use one PC it lets you control everything from music to gaming sounds and just about anything you customize it to control. Long gone are the days of tabbing out and opening mixer to control volumes separate when I can do it right from the GOxlr. There’s free mixers out there that anyone can use. But for me ever since I made the change to physical mixer vs a free digital one it’s made my experience with streaming and recording videos extremely enjoyable and easy. If I could give it 10 stars I would. It was a little complicated and overwhelming at first to learn how to route different sounds to different locations on the mixer and to the computer. But after watching a few YouTube videos and learning how routing worked it worked exactly like what I needed it to. Highly recommend it if you do any kind of content creation if it’s streaming or recording or just need easier way to control multiple computers!
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Reviewed in the United States on March 17, 2025 by Fellipe
Pattern Name: Mixer
Style: GoXLR MINI
Top quality materials, sound quality, and functionality. If you want the ability to adjust individual audio sources on the fly there is no substitute. “You can do that with many audio mixers”. You can, but the beauty is in the software. And the software is exclusive. It can be a little confusing at first but if you break it down and learn the basics you can do so much with it. Like iOS makes the iPhone what it is, this software is a great compliment to this high quality mixer. Complaints: - Bigger than I thought. The top side with the volume adjusters seems pretty standard. Could be condensed but not a big deal. The fact that it’s around 2.5” high makes it a little overly cumbersome. - power doesn’t shut off when you turn off your pc, you need to set a sleep mode and turn off all the lights. If your power resets for whatever reason it goes into a default state with lights shining bright. - the bottom left button could easily be customizable in the software as opposed to strictly an audio censorship sound. - why is the headphone jack on the front?? -$250 is steep. No better quality in the class but the price is definitely a slight drawback imo.
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Reviewed in the United States on June 19, 2021 by NotXilent
Pattern Name: Mixer
Style: GoXLR MINI
Overall: Sound quality is far beyond the Astro Mixamp I am trying to retire, except that there are intermittent dropouts and pops. I have a support case open and will update once I have a resolution. This is the only reason for the low score on sound quality. ETA: The dropouts and pops have been resolved by removing my second GPU, which I was only using for PhysX and RTX Voice processing anyway. It is strange to me that something like this would adversely affect a hybrid hardware/software DAC/mixer. My impression so far is that the GoXLR may make you want a better headset and mic, or could just help you get better quality out of what you already have. The good: Zero-latency monitoring with the mic you want to use. I'm constantly in meetings and this matters a lot. This will drive an A40 TR headset to much higher volume than the Mixamp, and clarity is better. With volume at max and no sound being output, there is absolutely no sound in the headset versus the Mixamp which has a very noticeable background hiss past half volume. Initial feedback from participants in meetings is that it sounds fine, but I'm taking this with a grain of salt given what 2020 has conditioned people to put up with when it comes to meeting audio. Lighting customization is good enough to let me do exactly what I want. I don't have everything completely off, but you could if you wanted. Noise gate, EQ, and compression for the mic input. Four custom-assignable physical faders with their own mute buttons. The not so good: The aforementioned dropouts and pops. This is an issue others have experienced, and solutions seem to have ranged from motherboard replacement to simple software fixes, and in between occasionally an add-in USB card does the trick. There's obviously a not-uncommon problem here that TC-Helicon are handling on a case by case basis. There is zero function without the app, a stark contrast to the Mixamp which is self-contained. Documentation and support is aimed at streamers and gamers. You're going to be funneled to Youtube and Discord, though there is still a web-based support portal. No EQ for sound sources. I can use Peace for this, but given the price and the fact the GoXLR app is running anyway, this should be included. People who don't add an EQ are stuck with whatever their headset gives them, which is a shame because they may be blaming the GoXLR for that lack of quality. Monitoring doesn't seem to accurately represent what's being output, mainly with regard to volume level. The top plate has a glossy finish. I don't care so much about the fingerprints, but you may find yourself fiddling with device placement to avoid glare from it. I guess the typical streamer is supposed to work in a dimly lite cave?
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Reviewed in the United States on May 25, 2021 by J. Spears
Pattern Name: Mixer
Style: GoXLR MINI
I love this thing. I hate having to go into individual applications to adjust my game chat and music/game sounds. This takes the all the burden off and gives me easy to adjust volume controls within arms reach. I don't think I could ever go back. The GOXLR App is also easy to configure and has a nice, clean layout. I use the Mic/Headphone Jack Input have not had any issues with sound quality. Definitely would recommend this if you spend a lot of time online gaming with friends and mixing between music, game volume, and voice chat. Little on the pricey side but definitely worth it. No regrets.
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Reviewed in the United States on February 28, 2021 by Kurtis
Pattern Name: Mixer
Style: GoXLR MINI
This mixer only needs few words. It’s functional and well built for its price, RGB customization is a bonus point. Plus, the software is well optimized for daily use without issues and is super configurable with routing. My personal favorite is its ability to apply real-time microphone configuration such as compression, noise gate, and equalization. Is able to drive dynamic mics, and condensers are pristinely quite from static noise thanks to the onboard studio grade preamp chip. I would give this 5stars if it wasn’t for the odd high pitch whining that occasionally happens through my microphone output. I have plenty of mics I tested and can say it’s the Goxlr mini. But it’s minuscule and thanks to the nose gate, it just a snuffs it out. Sometimes it’s not even there. But would I recommend this? Absolutely, worth the investment. Definitely a better long term solution for those who aren’t absolute audiophiles but care about mic quality. Even if you don’t understand that kind of stuff.
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Reviewed in the United States on August 26, 2021 by Joel Smith
Pattern Name: Mixer
Style: GoXLR MINI
I'm giving this product three stars because it's so close to be being great, but has so many problems that I can't quite bring myself to give it more. I would love to be able to give it five stars. I've had it for a year now and have been through the ringer trying to keep it dialed in. Pros: - It's very easy to setup and get going - It has a very easy to understand and navigate use interface - There are a lot of instructional videos online from the company - The mini reduces cost by eliminating voice change controls, sound effects, and motorized level slides Cons: - No de-esser. I didn't realize that from some of the video I researched before purchase. There is a EQ method to come close to de-essing, but it isn't as effective as a dedicated de-esser band - The application is in the audio path and is required to be running - For the rest of the cons, I'll assume you can easily find them with a simple search online, won't write a novel here. The thing I like least is the support method. No phone number, no email, no place to open a ticket. Just a discord chat board. And if you offend anyone of the moderators, you are banned. So you can no longer receive any support or access things like specific drivers you might want to download. Very poor setup in my opinion. I would not buy this product right now if I knew what I know now. When the product works, it is super. As many others have said, I really want to like this. That means, I really want it to be a set it and forget it configuration. Not a set, check, reset, check, reboot, reset, uninstall/reinstall, and so on. I would not recommend to anyone. For ~$340 you can go with a SBX 286s, Focustrite Solo, 1/4 inch TRS patch cable, and be way better off. Don't use any of the processing on the DBX. Just use the noise gate. Put the gain at just enough to light the first LED green up, keep the output gain at 0, set the Focusrite gain to hit -18 to -12 db on your DAW, and you're good. The small difference in cost is worth it a thousand times over for the hassle you will avoid.
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Reviewed in the United States on February 23, 2020 by NR