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Availability:
Only 6 left in stock, order soon!
Arrives
Monday, Oct 19
Recently Viewed
Color: Black/Black
Features
- 55 200mm focal length, Minimum focus distance 1.10m/43.41 inch
- 83 300mm equivalent focal length on APS C cameras
- F3.5 4.8 maximum aperture; F22 minimum, Stepper type AF motor
- Image stabilization (4.5 stops claimed), 62mm filters. Batteries are not included since batteries are not required
- Fujifilm X mounts for X series interchangeable lens cameras
Description
The all new FUJINON XF55-200mm lens gives users a fast F3.5-4.8 lens that produces sharp images across its entire zoom range, from edge-to-edge. Its image stabilization function enables the use of shutter speeds up to 4.5 stops slower, preventing camera shake even when shooting hand-held in low-light situations, or when shooting at a stopped down aperture. The XF55-200mm lens includes two linear motors for high-speed AF of 0.28 seconds 2 to quickly focus on your subject. Together with its high quality metal design, the XF55-200mm lens delivers an easy-to-transport lens with a large maximum aperture for outstanding mobility and performance. The FUJINON XF55-200mm (83-300mm1) F3.5-F4.8 R LM OIS lens features:, An advanced optical design to cover the mid-telephoto (83mm) to telephoto (300mm), Image stabilization for shutter speeds up to 4.5 stops slower, Two linear motors for high-speed AF and quiet operation, Two ED lens elements and one Super ED lens element for increased performance and effective control against chromatic aberrations, FUJINON's proprietary HT-EBC coating on the entire lens surface to effectively prevent reflections, and control flare and ghosting, Minimum focal distance of 1.1m across the entire zoom range to enable telephoto close-ups , A 1/3EV step aperture ring for users to easily adjust the aperture while holding the camera up to their eye, High quality, metal construction focus ring and aperture ring. Note: This lens has a switch on the side of lens to activate image stabilization.
Brand: Fujifilm
Focal Length Description: 200
Lens Type: Telephoto
Compatible Mountings: Fujifilm
Camera Lens Description: Fujifilm X
Focal Length Description: 200
Lens: Telephoto
Compatible Camera Mount: Fujifilm
Maximum Focal Length: 20 centimeters
Minimum Focal Length: 5.5 centimeters
Lens Design: Standard to Telephoto Zoom
Focus Type: Manual Focus
Lens Fixed Focal Length: 35 millimeters
Lens Coating Description: Standard to Telephoto Zoom
Zoom Ratio: 3.641
Image stabilization: Optical
Real Angle Of View: 8.1 degrees
Maximum Aperture: 3.5 f_stop
Minimum Aperture: 22 f_stop
Number of Diaphragm Blades: 7
Compatible Camera Models: Fujifilm X series cameras
Photo Filter Size: 6.2 centimeters
Lens Mount: Fujifilm X
Screen Size: 11.8 centimeters
Color: Black/Black
Compatible Devices: Action Camera
Exposure Control Type: Automatic
Maximum Shutter Speed: 12.5 seconds
Media Type: ProductImage
Water Resistance Level: Not Water Resistant
Video Capture Format: MP4
Brand: Fujifilm
Camera Lens: Fujifilm X
Model Name: XF55-200mm
Item Highlight: Linear motor with OIS and F3.5-4.8 aperture for portraits, landscapes and sports
UPC: 074101021950
Number of Items: 1
Manufacturer Part Number: 16384941
Global Trade Identification Number: 50
Unit Count: 1 Count
Built-In Media: lens
Item Weight: 580 g
Manufacturer: Fujifilm
Warranty Description: 1 year coverage for labor, 1 year coverage for parts, This warranty doesn’t cover accessories not made by the manufacturer, batteries, or flash equipment
Model Number: XF55-200mm
Model Series: XF
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Monday, Oct 19
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To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
Color: Black/Black
This medium zoom lens for the X-mount system (Fuji) demonstrates just what's possible when a camera company really puts their mind to it. I had been reading a number of reviews of the Fuji X-mount system for some time, but it was only this past month that I started using the system myself, and I have to say that my own experience has certainly validated what I'd read so many others say: the Fuji X-mount system, in spite of its smaller format, rivals the best of Canon and Nikon's popular models, and some even claim that the Fuji's perform up to Leica and (real) Zeiss levels. I hate to keep repeating myself, but, Wow. This medium zoom range lens starts at 55mm and goes up to 200mm. It's not a particularly fast lens (it's aperture only opens to F/3.5 at the wide end), but that misses the point entirely. With the insanely good high ISO performance that most Fuji X-mount cameras exhibit, it simply becomes less and less of an issue that you can only work within F/3.5 - 4.5. You can ramp the ISO level up to 1600 and even 3200 and almost not notice it at all, and just read what many others have said about this to see if what I'm saying is repeated elsewhere. For me, its absolutely been the case. But back to this lens. The image quality produced by this lens across its focal range almost makes you think you're shooting with a prime. That's a tad of an exaggeration, but not much. Images are sharp, colorful, and detailed. The images remind me of my favorite Zeiss lenses, but then, when I shot with those, ISO was a factor even at 800. Coupled with your favorite Fuji X camera (take your pick of model), you'll be able to knock off quality shots that are sometimes simply amazing. Drawbacks? There is one. The weight and size of this lens is not exactly in line with the diminutive Fuji X cameras, which tend to be light and small. This means that you are in a bit of an off-balanced situation, because at some 560g, the weight will now be to the FRONT of your camera, and you'll have to adjust your shooting grip accordingly. (Most of the Fuji X lenses, including the spectacular 14mm and the 35mm models, are extremely light). So, you have to understand this going into this lens. But, once you do, and you start looking at your images, you may no longer be as "put off" by the lens' much heavier weight than its lighter brothers. Just adjust your shooting technique. The optical image stabilization on this lens works very well. (You can also turn it off with a mechanical switch on the lens). And the lens also has dedicated aperture and manual focus rings, so if you like to shoot without auto functionality, you can do it easily. The mechanical build quality of the lens is good to very-good, with a nearly all-metal construction, tight fit and finish. Unfortunately, no case is provided with the lens, which, at this cost, would have been a nice touch. And, like many lens "systems," there is not perfect uniformity of filter size from lens to lens. But taken as a whole, when you consider the image quality, the build quality, and, yes, the price, this is a fantastic lens that most any Fuji owner will enjoy. It's great to see a camera company moving forward with technology and not rest on old technology barriers until they are completely exhausted. If you have not looked into the Fuji X system yet, start reading the reviews posted on many professional camera review sites, and compare them with the reviews of Fuji owners here on Amazon and other sellers. This lens is an easy five star recommendation, in spite of its weight and somewhat high price. Update after two months of shooting ... After using this lens for the past month in northern and central France, I can report again: WOW. The quality of the images this lens is capable of is truly superb. You have to work around the lens' limitations: it starts at a pretty narrow 55mm, and the physical weight is much greater than many of the Fuji X-mount lenses. But the images the lens can produce are simply stellar. Sharp, sharp, sharp. Beautiful color. The image stabilization on this lens is much better than those I've seen on other lenses. The ability to flip off stabilization with a mechanical switch is a real plus, too, as is the ability to switch to manual aperture with a physical switch and also to manually focus with a dedicated focus ring all are "gravy" on top. But the image quality of images produced with the lens is simply stellar, in my mind arguably putting it in a league with far more expensive lenses (some compare it to Leica professional lenses). Fuji is now (January, 2014) promising at least 10 new X-mount lenses in the near future, but this 55-200mm XF lens is not to be missed while we are waiting for those, and, assuming the lens is in the range (55-200mm) you require, you'll want it regardless of any new lenses that are to be produced in the future. It's performance really make up for any weight and aperture limitations. Update after Three YEARS of Shooting Well, I have to say, over these three years, Fuji has put out some remarkable lenses. The XF 16mm, the new XF 35mm and XF 23mm, and, of course, the superlative XF 23mm, XF 56mm, and XF 90mm are all "best in class" lenses by nearly any standard. Funny, though, how this XF 55-200mm lens, while not ever denigrated, doesn't seem to get mentioned much. I say "funny," because this lens is still a favorite of mine after all these years. There is something to the way the photos from this lens look that makes it stand out: simultaneously sharp and smooth (I know that sounds contradictory), some of the photos that I receive the most compliments for were shot with this lens. And at a normal price of only nearly 1/2 of many of Fuji's "top" lenses, it's a bargain, too. I can't recommend this lens highly enough, particularly if you are new to the Fuji "X" line and just want to start building your lens set. It takes astounding pictures that have beautiful "presence" (I don't know what other word to use), and its image stabilization works shockingly well. (If you are using the new Fuji X-H1 camera, which has built-in image stabilization, that doesn't matter, but for all the other Fuji cameras, it does.) Don't let the price fool you. It's a TERRIFIC lens. And, while I am thinking of it, don't let the price of Fuji's newest, cheapest lens, the new XC 15-45mm lens Fujinon XC15-45mmF3.5-5.6 OIS PZ Lens - Black which is only $299 and is not even an "XF" model, fool you either. It takes remarkable pictures. Don't overlook either of these two lenses because of price!
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Reviewed in the United States on November 17, 2013 by Ray
Color: Black/Black
This is a review of the new Fuji 55-200 for my XE1. Let me start out by saying this is a superb piece of glass and if this is a focal length you want or need, then Fuji blows the competition away in almost every area. Below is a review from someone that has owned a Nikon 70-200 f/2.8 VR I lens since 2005. For my Fuji I also have the 18-55 zoom (slightly better than my old Nikon 17-55 f/2.8 and 16-85 VR). Also, for my XE1 I use the Fuji 14mm f/2.8 (superb glass) a Rokinon 8mm fisheye for Fuji mount, and Tamron 90mm f/2.8 adaptall manual macro. Optics: Outstanding!!! Both at the short and long end, wide open, and in corners. It gets better when stopped down a bit but there are no week areas, especially at the long end which is common for lenses of this range. I would put this lens as at least as sharp as the Fuji 18-55 f/4, and very definitely sharper at 55mm than the Fuji 18-55 zoom, which is no ordinary kit lens. So at 55mm the long zoom might be better choice and it is also slight faster, f/3.5 vs f/4 which makes it slightly better, but much bigger, for head shots to get more blur in the background. Also, I tested my Nikon 70-200 f/2.8 VR I, tripod mounted, on my XE1 with an adapter at the sweet spot, f/5.6, against the Fuji 55-200 at the long end. It was a dead tie at f/5.6 for Nikon (2 stops closed) vs. f/7.1 on the Fuji sweet spot (about 1+ stops closed). Sold my Nikon long zoom (and as of this update sold off all my Nikon equipment with no regrets). Hot Spots: None!!! By hot spots I am referring to using this lens with an infrared filter like a Hoya R72. I have tested this filter and there are No hot spots at any aperture or focal length making this lens great for IR filter work. On the fuji 18-55 zoom, hot spots are an issue at all focal lengths. They manifest as a light colored circle in the center which gets smaller and brighter as you stop down. So the fuji long zoom, and the fuji 35mm prime, are excellent for this type of work. Bokeh: smooth and beautiful. Nothing harsh here but remember, this is a relatively slow lens so do not expect the same blur of a f/2.8 at f/4.8 - of course the Sony is f/6.3 so even less blur potential. The best blur will be at the long end since the FOV is most narrow and that will smooth out busy backgrounds, especially if the background is not close behing the subject. OIS: Best I ever used. It is possible to shoot at 200mm and 1/20 second with good breathing technique and get sharp results. This, along with the high ISO of the camera, is a game changer. I can't possibly do that with my Nikon 70-200 f/2.8 VR but then again the lack of mirror slap vibration, which can cause slight blurring at 1/8 - 1/60 sec, is not a factor for a mirrorless body. Just do not breath heavily, be like a sniper, shoot between breaths and roll your finger over the shutter instead of pressing down. OIS is great but only when combined with good technique. Build: Same as the 18-55 except the zoom ring is rubber. Balance: The lens balances surprisingly well and the greater weight of this lens vs the slower competition is not a concern. It is easy to hold for long periods without fatigue and it looks solid, not like a cheap toy. I noticed that the Fuji neck strap is not ideal for long walks with this lens, like an hour or more before it begins to get uncomfortable. So perhaps a wider neck strap will help. I used thick Op/Tec Pro neck straps on my Nikons which are great. The included strap is not bad and perfect for everything else, but if you carry the lens around for long periods a wider or cushioned strap will make life a bit easier. Focus: Mediocre. This is the weak link of the system, not the lens. I suspect this will improve with future bodies using different focus technology. Anyone that knows the Fuji X-system knows it is a fantastic camera to shoot stills, not action. This lens will perform great when taking your time, not point and shoot quickly. Focus is accurate, but not fast, the opposite of DSLRs which are fast but not always accurate. Focus Tips: If you are having trouble try these 3 tips. 1) Change the size of the focus box. Generally larger is best for good light, while smaller is better in poor light. 2) Switch focus mode to C on the body. This trick also works on the 18-55. It is for Continuous focusing for moving subjects, but that application works poorly, yet C mode can make the difference between getting focus and hunting. Try it, you might be surprised how well this can work. 3) Set the camera to M mode. Press the AF button on the back which will AF on whatever the focus sensor is on. Then Manually turn the focus ring to fine tune. This is great of your subject makes for a poor AF target and there is a good target close to the subject. Also, when in M mode if you press the thumbwheel down it magnifies the image in the EVF or LCD 3x so you can see what you are doing. This is extremely useful when using Manual lenses. So aside from slow focus this is an outstanding lens - but if you are looking to shoot action then this is the wrong system for you, period. Fuji is no stranger to making great glass and, along with Canon, are the two major manufacturers of motion picture lenses in the world. Fuji glass it up pretty much up there with Zeiss (the new Zeiss 12 and 32mm lenses compared very well with the Fuji 14 and 35) and a hair below Leica. Their lenses are more expensive than the other non-Leica mirrorless competitors, but less expensive than the top shelf brands of Zeiss and Leica. That makes Fuji lenses some of the best value around and the lens is critical at bringing out the best in a sensor - the rest is up to the photographer. This lens should be great for landscape and works well with filters, 62mm ring. I have step up rings so am using a 67mm CPL filter on this and my other lenses with step-up rings. Bottom line: Excellent, Best in class glass. Highly recommended!!!
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Reviewed in the United States on June 13, 2013 by Albert J. Valentino
Color: Black/Black
Updated: 5/3/2015 Well, ,so far so darn good! I've used this lens pretty regularly and it has not disappointed. Yes, it does fail to acquire focus at times, but hey, so DID THE 56 1.2 that wound up returning to Amazon. That sucked big time. I've also added a few of the images taken over the holidays; some handheld, some tripod, but you can see the quality, Oh, and three of these are for sale on two different stock sites... If that tells you something. I'm very happy with the lens and feel I made an excellent choice in my decision to select this 55-200 over the 50-140 just for weight alone. The whole purpose of the Fuji system for me was excellent image quality: CHECK. The ability to print to 24 x 18" without photoshop tricks such as image resizing: CHECK. Light weight: CHECK. Mission Accomplished Fuji! I received this lens today. It was a difficult choice deciding between this, and the new 50-140 F2.8. This lens won out by a long shot mostly because I didn't want to be burdened with the weight and size of the 50-140 even though all the reviews are so very positive. Since I already have the 18-55, 35 1.4, and the Zeiss 12mm I went with the 55-200 as my choice for telephoto. I opened the box, slapped it on my X-T1, and my first image was a 1/7th at 172mm shot inside the house; All I can say is WOW! The OIS works amazing, couple that with the perfect sharpness -- even at ISO 2500, And I am completely blown away! Now, I can safely sell my Nikon 70-200 F2.8 (in itself an incredible lens). I'm slowly trying to move away from my Nikon gear and this is just another stepping stone on my journey there. The lens feel super solid! I just love the feel. Hard to describe. The zoom ring is tight, I like it that way. The balance on the X-T1 is also great. On a side note, I have a metal grip for my right hand on the X-T1. But, regardless, it is a beautiful piece of glass. I do wish it were water resistant but I can live without it. I will say I've taken my 18-55 out in freezing rain, and snow, with no adverse effects so I'm not too worried. The price here on Amazon was solid; I couldn't be happier that I selected this instead of the 50-140 beast.
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Reviewed in the United States on December 15, 2014 by J. Moro
Color: Black/Black
I'm using this on an XP-1. The most similar lens I have used on the XP1 would be my 80-200 Vario Sonnar (Contax mount). This is optically very similar—I will do a few direct tests (haven't yet). Seems to be strongest at the shorter end of the zoom range. No distortions that I've noticed at all. (I also used to use a Canon 70 -200 f4, which was probably the best L glass I had. I'd say this is maybe a bit better, but that may also be the resolution and tonality of the X sensor v the original 5D sensor.) The OIS is just great—easily 4 full stops. Bokeh is also good—again, not in the same league as the 35 or 60mm, but still more on the dreamy than nervous side of things. The color rendition and and micro contrast are also quite convincing. Aurto focus is so-so. Don't think I should fault the lens for this; I assume that the motor is up to snuff, and it's more the engine in the camera bodies. Manual focus is quite good; still a bit of a "by wire" feel to is, but minimal. I'm glad I have an extra grip on the XPro body, otherwise this would be a bit off balance. Zooming is smooth, the aperture dial has good resistance (I may have been lucky with my lens). I do get some zoom creep, which does bother me; all in all, I really prefer zooms that are all internal, but do like the fact that I can just squeeze this into my Hubba Hubba Hiney case with my body and two other lenses—something I wouldn't be able to do with an internal zoom lens. The lens feels solid, and I think will stay that way, but only time will tell. It's a good bargain, as are the other lenses in the line so far. I think they all easily compete with lenses that sell for 1.5 to 2 times as much, which is pretty remarkable. I've been enjoying the "prime only" (for the most part) style of shooting with the XPro, and in ways the zoom makes me feel a bit lazy. I'm really looking forward to the ultra wide zoom though...
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Reviewed in the United States on July 18, 2013 by Alan Wolf
Color: Black/Black
I bought this lens a couple of months for a two week photography trip to Mongolia. I have a Fuji X-E1 (a most excellent camera!), with the stock 18-55mm zoom, this 55-200mm zoom, and the 35mm F1.4 lens. I bought the latter for low light work, and for when size is a consideration; it works very well and is fast and very sharp. The stock 18-55mm zoom is also very good. Any complaints about "how slow the X series cameras are to focus" should be referred to the Fujifilm.com support section (upgrade your firmware!!). Now to this lens. It is great. No complaints. From my perspective, it is the big brother to the 18-55mm. It is not heavy, focuses quickly, has excellent auto stabilization, and produces very sharp, crisp images, with very good color. This lens outperformed 300mm Canon and Nikon lens on full-frame cameras in terms of speed and image quality, hands down. At least two people with high-end Nikon full-frame cameras were going to buy Fuji X-E1s when they returned home. I did not have a problem with this lens' focal range. I generally take pictures of people and things (often animals) within 40 meters, or over 100 meters away. The 18-55mm is good for the former, and this 55-200mm is excellent for the latter. I generally went to this lens when I couldn't get "close enough" by combining the 18-55mm with my "foot zoom." For example, I have some excellent pictures of an Ibex (mountain antelope) from 400 meters. I can see where having a 25-90mm lens would be handy. However, there isn't one available, and I will likely not buy one when they come out; changing the lens is not a problem. A full lens swap takes under a minute, and that includes swapping the back lens caps and putting on/removing the lens shades. The only drawback the lens has is a minimum focus range of 1.1 meters.
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Reviewed in the United States on September 3, 2013 by Tim G.
Color: Black/Black
A solid and well built lens, the 55-200 also takes great images. Used on X-Pro1, X-E2, X-T2. Focus is swift and I rarely find that it hunts. That said, these three cameras also represent three different generations of camera processor, so 'swift' is relative to each body. I do wish it was a weather resistant lens, after all this lens length begs to be used outdoors. Though if I'm honest, at this price point I struggle to figure out how much more I'd be willing to pay for the WR designation. I find that handheld at 200mm I often get less than sharp detail even with IS on. While I use good holding and bracing techniques, the 300mm crop sensor equivalent length is a challenge. The reciprocal shutter speed rule of (1/lens length) I find works better on APS-C as (1/lens length X 1.5). I've set one of the camera's auto ISO modes to use 1/320 minimum speed, 200 ISO base and 3200 ISO max for use with this lens. We'll see if this helps! As you would assume, on the X-Pro body I have to use the electronic finder with this lens, and when attached to the X-E2 it is massively front heavy. However that doesn't make the lens unusable for either body style, in fact I've used it a lot on the X-E2 and appreciated the performance. On any camera but especially the smaller XE series, hand holding with both hands is required, better still use the eye level finder for even more stability. The Fuji 55-200 is a fantastic lens that I highly recommend.
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Reviewed in the United States on October 6, 2018 by StuE
Color: Black/Black
I went on a hike through a local trail and snapped some pics of the local fauna. With only an hour under my belt operating this lens, I'm already blown away by just how well these critter shots came out. Fujifilm's color science never fails to impress me and this lens allows me to get "up close & personal" with some of the more skittish little guys. The lens itself is of quite sound construction with a metal body, aperture ring & toggles. The zoom is smooth and glides with just the right amount of tension. The image stabilization is pretty good, I'd rate it as slightly better than the Kit 18-55 OIS on the count that it does a great job steadying shots at full zoom. The lens is a bit on the heavier side, so plan accordingly if you only want to bring along one or two lenses on an extended trek. With the addition of this lens, I had to change up the configuration in my go-to camera bag (Mirrorless Mover 20) to accommodate it along with my 18-55, 12mm & X-T3. Overall, I'm quite happy with the lens and look forward to getting more familiar with it and learning its ins & outs.
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Reviewed in the United States on March 15, 2022 by Minhaj A.
Color: Black/Black
I use this lens predominantly for outdoor action shots. It is well made, operates smoothly and takes clear sharp photos. It being all metal construction ( as all XF lenses are) it's a little heavy. But I'll take that trade off for the quality of the lens. It focuses fast and has little trouble with focusing through things. Mine came with a lens hood that is well suited to the lens. The only issue is, if you shoot with a polarizer you can't adjust it with the hood on. On that note, though, the lens doesn't rotate when it focuses, so you don't have to keep resetting your polarizer. This one doesn't have the low aperature that the 16-140 has which is a bummer, but it fits into the range focal lenghths I already have. And, with the sensitivity of the xtrans sensor, I haven't had any trouble with the F stop.
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Reviewed in the United States on August 18, 2019 by Slowleadmccey