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Fujifilm X-T2 Mirrorless Digital Camera, Black (Body Only)

  • Based on 218 reviews
Condition: Used - Very Good
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Features

  • 24.3MP X-Trans CMOS III APS-C sensor reduces moire and false colors to improve image quality and X-Processor Pro engine increases response times, achieves faster AF, lower noise and better color.
  • Dust and moisture-resistant body with approximately 63 points of weather sealing; Freeze resistance to 14 Degree Fahrenheit
  • High-precision 0.48-inch, 2.36 million dot OLED viewfinder featuring a magnification of 0.77x and Ultra-fast Real Time Viewfinder with a lag-time of 0.005sec
  • Full 4K 3840x2160 30P/25P/24P shooting (Using a card with the UHS Speed Class 3 or higher)
  • Tempered glass 1.04 million dot high-precision 3 tilting LCD monitor with three-directional tilt

Description

The FUJIFILM X-T2 is the ultimate mirrorless digital camera. The X-T2 is a splash-resistant premium interchangeable lens camera with a large OLED electronic viewfinder (EVF). The X-T2 houses the latest generation 24.3MP X-Trans CMOS III with an APS-C sensor with no low-pass filter, boasting the highest performance in the history of X Series. The new X-T2 produces crisp image resolution comparable to that of cameras equipped with larger sensors and higher pixel counts, all in a more compact and classically-designed body. And for the first time, the new FUJIFILM X-T2 now supports 4K video recording that can use each available Film Simulation mode, including ACROS, to easily produce premium-quality footage that is as unique as the photographer behind the viewfinder.

Compatible Mountings: Fujifilm X


Aspect Ratio: 169


Photo Sensor Technology: CMOS


Supported File Format: JPEG, RAW


Image Stabilization: Digital


Optical Zoom: 1 x


Maximum Aperture: 3.5 millimeters


Expanded ISO Minimum: 25600


Metering Description: Made in Japan Package Dimensions 10.0 L x 6.0 H x 8.0 W (inches) Package Weight 4.5 pounds Color Black See more


Brand: Fujifilm


Compatible Mountings: Fujifilm X


Aspect Ratio: 169


Sensor Type: CMOS


File Format: JPEG, RAW


Image stabilization: Digital


Maximum Aperture: 3.5 millimeters


Expanded ISO Minimum: 25600


Photo Sensor Resolution: 24.3 mp


Photo Sensor Size: APS-C


Maximum Shutter Speed: 30 seconds


Minimum Shutter Speed: 30 sec seconds


Exposure Control: Manual


Form Factor: Mirrorless


Effective Still Resolution: 24.3 mp


Special Feature: Brightness Control


Color: Black


Screen Size: 3 inches


Shooting Modes: Shutter Priority


Item Weight: 3.5 ounces


Video Resolution: 2160p


Viewfinder: Electronic


Flash Modes: Forced, Rear curtain sync, Slow sync, Suppressed


Camera Flash: Hotshoe


Skill Level: Amateur


Specific Uses For Product: Videography, Photography


Compatible Devices: Fujifilm X


Continuous Shooting: 30 frames_per_second


Aperture modes: Aperture Priority


Viewfinder Magnification: 0.77x


Video Capture Format: 4k


Connectivity Technology: HDMI, USB


Wireless Technology: BuiltIn; 802.11b/g/n


Video Output: HDMI


Total USB 3.0 Ports: 1


Total USB Ports: 1


Total Video Out Ports: 1


Hardware Interface: AV Port


HDMI Type: Type D Micro HDMI


Display Type: LCD


Dots Per Screen: 15988448


Display Fixture Type: Tilting


Display Maximum Resolution: 1040 x 780


Display Resolution Maximum: 4896 x 3264


Auto Focus Technology: Hybrid


Focus Features: Hybrid


Autofocus Points: 63


Focus Type: Auto Focus


Focus Mode: Single-Servo AF (AF-S)


JPEG Quality Level: Normal


Supported Image Format: Exif 2.3, JPEG, RAW


Bit Depth: 14 Bit


Total Still Resolution: 24.3 mp


Maximum Image Size: 4896 pixels


Optical Zoom: 1 x


Lens Type: Fixed


Zoom: UHS-II standard SD card


Minimum Focal Length: 45 millimeters


Real Angle Of View: 48.8 degrees


Focal Length Description: 3.5 millimeters


Number of Diaphragm Blades: 7


Metering Methods: Made in Japan Package Dimensions 10.0 L x 6.0 H x 8.0 W (inches) Package Weight 4.5 pounds Color Black


White Balance Settings: Auto


Self Timer: 10 seconds


Brand: Fujifilm


Model Name: X-T2 Body


Model Number: X-T2 Body


Model Series: X Series


Series Number: 2


Global Trade Identification Number: 99


Generation: 2


Number of Items: 1


UPC: 074101029499


Unit Count: 1 Count


Age Range Description: Adult


Manufacturer: Fujifilm


Manufacturer Part Number: X-T2 Body


Image Capture Type: Video


Flash Memory Type: UHS-II standard SD card


Memory Slots Available: 1


Write Speed: 200-300 MB/s


Flash Memory Speed Class: UHS-II


Flash Memory UHS Speed Class: 3


Flash Memory Video Speed Class: 30


Flash Memory Bus Interface Type: UHS-II


Compatible Flash Memory Type: SD


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Tuesday, Oct 20

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Top Amazon Reviews


  • Limit this to "Five Stars?" That's Absurd.
Set: Base
Sometimes I feel silly writing a review. This normally occurs when I want to review a product that already has so many other reviews previously posted, and/or that come to similar conclusions. This is one of those reviews, and on both counts. But I still wish to write this review, because the Fuji X-T2 is THAT good. I’m not a professional photographer in the strictest set of terms. I recently ran into a man in Paris who was shooting with a Hasselblad camera that he had purchased (body only) for seven thousand euros (about eight years ago; not including the lens). Of course, it’s not the CAMERA that makes him a professional: this is a freelancer who sells photos to newspapers and magazines across Europe, and if you spent time (which I did, some 30 minutes of it, or so) watching how he would size up a shot in his mind, take a long time to think about it, and then whip up the camera and take a shot almost without effort, you can tell you are looking at a professional. We had a nice talk and exchanged stories about cameras. With some Hasselblad backs selling for over 40,000 dollars, he still complimented my camera. What camera was it? A Fuji X-T2. I’m no professional, but I’ve been into photography for about 20 years. I’ve owned many many different cameras over that period, of all types, from diminutive little devices that fit into your front pocket, to DSLR’s that were so heavy you almost yearned for the end of a shoot. Most of them were advanced at the time, sporting one or more technological achievements never before present in a camera, and many of them immensely enjoyable to use. And many brands, too. Nikon. Canon. Sony. Fuji. And on and on. Let’s cut to the chase. The Fuji X-T2 is simply a flat-out amazing camera. It builds on all the advances of the X-T1, and, for the most part, very well, with improvements and tweaks that even people who loved the X-T1 wanted to see in the camera's next incarnation. It FEELS good to shoot with it. It produces REMARKABLE results, particularly when you are shooting with one of their succulent “XF” lenses (sorry, that's the word that comes to mind, and to any that have used the XF 23mm or the XF 56mm, you'll know what I mean). The Fuji X-T2 feels like the camera I’ve been waiting for all these years. It’s comfortable to hold. It’s fast. It’s highly customizable, yet will turn out fantastic shots in full auto mode. It opens you up to a series of Fuji lenses that are endlessly compared to Leica and Zeiss lenses at three times their price (or more). It’s made in Japan, and feels like it. (So are most of the "XF" lenses, by the way, with a couple of exceptions.) Why are the results of the X-T2 so good? It’s not because of its 24 mp rating. It’s because of the TYPE of sensor, the MANNER in which the sensor’s data output channel is handled by the camera’s processor, and because of the incredible OPTICS of the “XF” line of Fujinon lenses. Put another way, it’s the marriage of the sensor, the characteristics of the lenses, and the way the sensor output is handled once the shot is taken that make the X-T2 what it is. You can read all about the details of the camera’s specifications nearly anywhere (and be careful, information overload is a real danger here), but I won’t do that here. What I WILL do is tell you that this is a magnificent camera that can take amazing photos. Is it a full frame or a medium-format camera? No. But for someone like me, that does not matter. What DOES matter is that I can take photos with this camera that were never before possible, and that routinely possess the “wow factor." And there is plenty of room to tinker with those photos later on--even if shooting in jpg-- because of the high megapixel sensor, if you choose to do that. The Fuji X-T2 is a “photographer’s camera” because it lets you do just what you want to do: take pictures the way you envision them. It lets you do so smoothly and quickly, and offers so many opportunities for manipulation that it would take far too long to list them here. This camera feels good in the hand. It oozes quality. Is it the “poor man’s Leica?” Maybe so. It’s so pleasant to shoot with and the results are so good—color, saturation, headroom, detail, sharpness, clarity—that I don’t need to worry about saving for a Leica. Yes, I understand I am comparing apples and oranges, and it truly is a subjective view that I’m providing, but it’s a view that is shared by nearly everyone who has used either a Fuji X-T1, X-T2, X-Pro, or X-Pro2. Asked another way: How many NEGATIVE reviews have you seen on any of these cameras by those that have owned or used them? There are a few out there, but so very, very few; that all by itself speaks volumes. And the X-T2 may very well be the best of them all. The fact that it is still relatively light and comfortably small (as compared to a typical DSLR) is just icing on the cake. It’s a camera that nearly anyone can use to take great photos. Give it to a novice on AUTO, slap the kit lens on it (either the 18-55mm or the 18-135mm kit lens, it doesn’t matter) and turn them loose and see what they capture. It’s remarkable to see. And then, if one starts to learn more about photography (aperture, shutter speed, ISO, etc.), let them interact with the camera’s customizable settings. It’s amazing. I love being able to easily adjust settings with mechanical knobs at the top of the camera, but I just as much love being able to set things to AUTO and let the camera figure things out for me, usually with good result. Quiet operation (even a completely silent electronic shutter, if I want it). Comfortable grip. A truly tremendous set of lenses to select from. Customizable buttons (six of them, actually). A viewfinder that makes you think you are using a glass prism, but also includes all the shooting data I on it. This is what photography is all about. I am aware I’ve not in this review cited any specifications: these are available anywhere. What this review is just simply another person’s response to using this camera over a period of months. I just finished a three-week shoot in Paris with it. It’s obvious this camera is made by a company that understands photography. And understands it well. Just as my acquaintance above with the Hasselblad camera complemented my X-T2—a camera that cost one-tenth as much, or less—Fujifilm is onto something here. If you are a photographer, you owe it to yourself to look into this camera and its entire line of lenses, because if you do not, you’re missing out on what is potentially one of the most amazing lines of photographic equipment available for the non-rich. It’s not that the Fuji equipment is cheap, because it most certainly is not. But BY COMPARISON with its true competitors, it really is inexpensive. But all of that can be overlooked: just examine the shots you take with this camera and be amazed. Because that’s exactly what will happen. Note: I've uploaded a few sample shots. As anyone knows, these have been reduced and shrinked so much for use here that they do not show the ACTUAL photos. What they do, however, is provide a general feel for what can be done with X-T2. ... show more
Reviewed in the United States on February 19, 2017 by Ray

  • My absolute favorite camera (sorry, Canon)
Set: Base
First off, this is (according to my failing memory), the only Amazon review I've ever felt compelled to write, so that should give you a pretty good idea on just how amazing this camera is. Quick backstory: I've only been shooting for a couple of years. In 2014, I picked up my first DSLR, a Canon T3i. Within a few months I graduated to the Canon 6D, and a year or so later, the 5D Mark III. Canon has served me well over the years, and I've been fortunate enough to make a solid side-income from this hobby-turned-profession. I wouldn't be writing this review right now, let alone know what a mirrorless camera is, if it weren't for my friend, Jahns. We made plans to shoot some street photography one day and he showed up with a small little camera that looked more like a point-and-shoot rather than a DSLR. Turns out, it was neither. It was the Sony a7, and I quickly became enamored with its convenient portability and nifty features, like its electronic viewfinder, focus peaking, and advanced focus system. Suddenly it became clear: mirrorless was the future. I knew I had some research to do. I had my work cut out for me. There are plenty of mirrorless options on the market, so deciding which one I wanted proved to be a difficult task. Initially, I thought my choice was clear: The Sony a7rII. It boasted everything I would ever need in a camera. But the price tag ($3,198) was hefty, and I started to question whether I really needed all those megapixels. Surely, there was a more affordable alternative. Enter the Fuji XT-2. I'm actually not sure how I stumbled upon this marvel of a machine, but I'm so glad I did. After reading glowing review after glowing review about the X-series, it became obvious the XT-2 was for me. So I ordered it. Five Reasons Why I'm in Love with This Camera: 1) Portability This camera along with the 35mm f/2 (the only lens I have for it) weighs 1.5 pounds. That's including the battery and lens hood. The Canon 5D Mark III with the 85mm f/1.2 weighs well over three times that much. The difference in weight is not just noticeable, it's dramatic. You can wear it around your neck or slung over your shoulder and you'll barely feel it. 2) Superior focus system "Superior to what?" you might be asking. While I don't know if the XT-2's focus system beats out other mirrorless cameras (it might, I just haven't done the research), I can say with certainty that it's light years ahead of any DSLR I've shot with. DSLR cameras use what's called phase detection autofocus, while mirrorless systems use what's called contrast detection autofocus. What's the difference? Phase detection is generally a little faster, but it has one huge drawback: it can be pretty inaccurate. With contrast detection, on the other hand, the camera looks at the point on the sensor that's supposed to be in focus and adjusts the lens accordingly until everything looks sharp. Since getting the XT-2, my "throw-away" rate has been cut down significantly. So many images are in focus, and if they aren't, it's generally because I'm not shooting at a fast enough shutter speed. 3) Articulating Screen If you're a street photographer, you're going to be in absolute heaven. This camera is already discrete with its small form factor, but when you couple that with the ability to pull out the LCD screen, you have the superpower of going around virtually unnoticed. Using live view, I can look down at my camera's LCD screen that's flipped up and focus more on composing my shot rather than worrying about if people are noticing me. This means capturing more real-life moments and less time planning out *how* you're going to capture those moments. 4) Film Simulation The film simulations are a big part of what swayed me to Fuji instead of Sony. And they definitely do not disappoint. I'm particularly fond of the "Classic Chrome" simulation; its soft and muted tones makes images so pleasing to look at. I generally will color correct images on my own, but I've been surprised at how many images are shareable right out of the camera. Especially for random outings and trips, this is such a welcome feature. No longer do you have to spend hours culling and editing every individual shot. One other thing to note about the film simulations: they can be applied to video too, although I haven't thoroughly tested this yet. It's nice to know that you can choose to forgo color grading if you're happy with what the simulation gives you. (Fuji also has a flat video profile called F-log, though I think that can only be utilized when using an external 4k recorder.) 5) Sex Appeal Looks aren't everything, but they sure do help, and the XT-2 is a damn sexy beast. With its three dials on the top of the body, it deceives many into thinking it's a film camera. That is, until they see the LCD screen or hear the sound of its delicious (and silent!) mechanical shutter. The XT-2 is the perfect marriage of nostalgia and technology, and is sure to be a conversation piece among friends and strangers alike. The Bottom Line: No piece of gear will make you a better photographer on its own, but this camera certainly makes shooting hella fun. If you're considering making the leap from a DSLR to mirrorless, this is a fine choice. Get it! You won't regret it. :) I hope you all find this review helpful. Thanks for reading, and happy shooting! Kevin Kleitches Kevin Titus Photo ... show more
Reviewed in the United States on October 22, 2016 by Kevin Titus

  • Pure joy... I prefer it over the X-T20 and even my Nikon D750! Get the Body + 35mm f/2 lens!
Set: Base
The Fujifilm X-T2 Mirrorless Digital Camera is INSANELY good, blending an extremely responsive autofocusing system with Fuji's first-rate color and image processing, all squeezed into a brilliantly compact form factor. Paired with Fuji's outstanding 35mm f/2 XF lens, you end up with a light, portable powerhouse that can produce first-rate images and is simply a joy to shoot. At work, I use a Nikon D750 full frame DSLR. That camera is amazing and can virtually see in the dark when paired with Nikon's pro-grade lenses. However, it is also heavy and cumbersome. I don't mind toting it around for a couple of hours to grab photo/video content for marketing, but it's the kind of camera that never lets you forget you're "on the job," as you work around its intrusive size and heft. Past the two-hour mark, I also begin to tire quickly and it's a chore to press on much longer. By contrast, the Fuji X-T2 packs 95% of that capability into a form factor so much smaller and lighter that the camera virtually vanishes in the down-time between shots, whether slung around your neck or stowed in a bag or pack. This makes it a dream to use for travel and family photography. Truly, for the first time, I feel like I can have a zero-compromises camera that fits in with family time without getting in the way. (My previous camera for that role was the superb little Panasonic LX100, which is noticeably more compact than the X-T2 and even the X-T20, but its diminutive size and other qualities undermined some of the joy of shooting that I get from the Fuji cameras, which have a better build, larger sensor, and all-around better "feel".) Here's what I love about this camera that makes me prefer it by far over the LX100, X-T20, or D750: - SMALL, BUT NOT TOO SMALL: The X-T2 hits the ideal sweet spot for my medium-sized hands. It's small enough to eliminate considerable weight and bulk over the D750, but unlike my LX100 or the X-T20, it's not so small that my fingers feel crowded and fumbly on the controls (especially when trying to operate them without taking my eye away from the viewfinder). The grip could be larger for some tastes perhaps, but the size of the camera overall (the spread of the controls, the space for fingers to move around and on an attached lens, the space for putting an eye to the viewfinder) is the PERFECT compromise between uber-portability and comfortable usability. Ergonomics may sound like a minor issue to some people, but when it comes to the pleasure of the shooting experience, this was one of my biggest gripes about my capable little LX100. It was just too small, and that's a key reason I ruled out the nearly identically-sized X-T20. I wanted the bigger body of the X-T2, and while it indeed fits and feels as good as I hoped (and expected, having handled the X-T1), I am also delighted to find that it feels eminently portable. Frankly, between the X-T2 and X-T20, it's the lens you select, more than the body itself, that is going to make or break the comfort of carrying it around, but the X-T2 definitely beats the X-T20 in the ergonomics of its controls. (If you have small hands, you may disagree and find that the X-T20 feels fine. Try to get your hands on both if you're unsure about ergonomics, but for me the difference was noticeable.) - SUPERB FUJI IMAGE PROCESSING: The D750 is so powerful I can get it to make just about any image I need; however, virtually every image requires some post-processing in Lightroom/Photoshop to get it looking its best. That's not really a problem when I'm shooting a subject for a specific marketing purpose and effect, but when it comes to family photos (i.e., the gazillion candids I snap of our kids) it means I have to spend exponentially more time on post-processing/editing to get the images looking the way I like them. The X-T2 boats nearly the same degree of raw power (though its sensor is definitely weaker in very low light than the D750's full-frame sensor), yet its JPEGs often look stunning straight-out-of-camera (much better than the D750's do). I still shoot everything in RAW + JPEG to preserve the additional editing latitude that RAW allows; however, most of the time, no editing is required and I can simply delete the RAW file for "average" shots I'd like to keep but don't particularly love, and then keep the RAW files for the shots that look the best in case I want to edit them later. In other words, I can grab thousands of already-fantastic images of our kids at the press of the shutter (more than pleasing enough to drop into a slideshow, digital picture frame, or online album), and devote all of my editing attention to tweaking the nuances of only those few images that I like best, choose to push creatively, or want to prepare for large-scale, framed prints. Hallelujah! The joy of shooting is back, and I'm free of that photographic purgatory known as obligatory photo editing! - POWERFUL, WITH ROOM TO GROW: Given Fuji's superb track-record of supporting their cameras with multiple iterations of aggressive, feature-enhancing firmware updates, plus the fact that the X-T2 can be combined with a performance-boosting battery grip to significantly extend its feature set (not to mention the finer ergonomic feel I mentioned above), its "future proof" creative potential is quite a bit higher. Don't get me wrong: Better technology will undoubtedly come out in the next year or two, and I don't even intend to buy the XT-2's battery grip anytime soon; however, I don't upgrade my camera gear every year or two like some people do. I like to grow into a camera and build a relationship with it for years. So I decided it's worth it to me that, as I grow into the action shooting and video side of this camera, the available battery grip offers me the option to shoot at markedly higher frame capture rates (with faster autofocus and viewfinder refresh rates, as well) and to triple 4K video recording times (30 min. vs. the standard 10 min.) compared with its standard performance on a single-battery and the fixed limitations of the X-T20. Of course, with regard to the pleasure of the shooting experience, I also just knew that I wanted the larger EVF and the faster start-up time--not to mention the... WEATHER-SEALED BODY: Unlike the LX100 and X-T20, the X-T2 is weather-sealed, provided you mount a weather-sealed lens. In the past, I've had two relatively nice digital cameras fail me due to gradual moisture intrusion. To be clear, I've never left a camera in the rain; however, living in a very hot, humid place (Georgia) and going in and out of air-conditioned environments can take quite a toll on electronics. While my little LX100 is still going strong, I always take great care to keep it protected, including using a good case with a desiccant packet to absorb moisture. I don't intend to run my X-T2 in any rainstorms nor to neglect storing it carefully (I take good care of all my gear), but I like that its sealing means extra protection from moisture and dust, and thus, probably greater longevity. I intend to shoot with this camera for a very long time because, based on my experience, this is going to be one of those timeless cameras that is so good at what it needs to do, there won't be a compelling reason to upgrade for quite a long time (unless you are a tech-junkie, but that's not why I fell in love with the X-T2). If not for the autofocus issues on the X-T1, I would have jumped into the Fuji system a few years ago and probably would have been a perfectly happy X-T1 owner. When it comes to capturing candid images of my three little daredevil daughters (who are always in motion, it seems), however, the X-T2's added power finally transforms the otherwise-impressive X series into my ideal camera: Perfect for family and travel, yet powerful enough to serve in a professional role. (Frankly, the only hesitation I would have about using this camera professionally would be in very low-light and very fast-action roles, in which case the full-frame Nikon cameras and blazing-fast-autofocusing Canon cameras still have quite an edge.) It's a no-compromise camera that can capture first-rate images of my family, yet small enough to be unobtrusive, with ergonomics that not only facilitate easy, instantaneous operation, but enhance the sheer pleasure of the shooting experience. It's a camera so good that I love toting it everywhere I go. It never feels underpowered or slow so as to miss a great moment, nor is it so bulky as to feel laborious to lug around or steady, nor it it so small as to feel toy-like, cramped, or awkward, nor does it feel like the technology (menus, meters, motors, etc.) ever gets in the way. This is the kind of camera I yearn to carry around and shoot with, even for no other reason than the sheer pleasure of snapping photos. That is not something I could say about my LX100 due to its too-small form factor and the particular annoyance of its electronic zoom (I hate, hate, hate lever-actuated electronic zooms; they're just too slow). If affordability is priority one but you want the benefits of the Fuji X system, go with the X-T20. (If price and sheer portability are critical and you don't need all those megapixels or mind a tiny grip, you may even want to track down an LX100!) If affordability and ergonomics are critical, but you don't need the fast auto-focusing (i.e., you do mostly studio work or shoot fixed subjects), go with the X-T1, which can give you 80% of the performance, 95% of the ergonomics, and 99% of the image quality of the X-T2 (assuming you don't need the extra megapixels for added flexibility when cropping). But if top performance and superb ergonomics in a refreshingly portable package are your top criteria (and, like my children, your subjects tend always to be in motion), the X-T2 is hands down the best mirrorless camera in the world at this time. It's also powerful enough that you can grow into it for YEARS without feeling like you're bumping up against its limitations. (That is not something I could say about the X-T1 due to its autofocus limitations, which have been revolutionized in the X-T2.) A note on lenses: I passed on the non-weather-sealed 18-55mm lens. While it sounds like a fine lens, the images I reviewed from the 35mm just looked better to me and it offers a faster aperture and weather sealing. I was hesitant about switching to a prime, especially with only one lens as I switch to the Fuji system; however, after quite awhile, I have NEVER ONCE regretted this decision. The 35mm f/2 (~50mm equivalent) is remarkable versatile, and compared with the wider 23mm f/2 (which is also quite good, per images I reviewed) it never struggles to fill the frame with people if that's your goal. The 35mm can get good and close, yet is relatively easy to back up for wider shots that give a sense of place/environment. And it can even focus closely enough (about 10 inches) that you can get surprisingly sharp, close photos of flora and fauna, provided you have the right lighting and can get close. Not macro, mind you, but darn good close-ups that show amazing detail and textures. So, in my opinion, if you're on the fence as to whether you want the kit, I would say no. For the money, the performance of the unbelievably affordably priced 35mm f/2 is just TOO GOOD to pass up on. I think the better deal is to buy an X-T2 body plus the 35mm f/2 XF WR lens. You end up with a very portable powerhouse of a camera that is all I have needed to get outstanding variety and quality of images on family outings. That's my review and random thoughts as someone who has a D750 and lots of lenses for work, has used an LX100 for personal family shots for the past two years, and now owns an X-T2 with the 35mm f/2 lens. I hope this review was helpful! ... show more
Reviewed in the United States on May 30, 2017 by Candid Reviewer

  • X-T2 is fantastic and added some recent updates
Set: Base
This is a great camera. I've been following Fujifilm for some time and just knew this was the time to make the move (out of respect for the camera systems I've used before I won't mention them and they served me well in the past). Between the reasonably priced lenses, the great picture/image quality and finally the ease of use of this camera is just outstanding. The fact that I've been following photographers on instagram that are fujifilm users just solidified the X-T2 was the one to jump in with. And shooting both RAW and jpeg at the same time on two separate cards gives me some peace of mind that card failure won't lose all my photos (happened to me once and lost some great photos). I did not get the kit lens. I'm either wide angle landscape, street or close up action photography from a distance (think safari in Africa here where I can be easily a kilometer away from the animals I'm photographing). A couple of my notes. I need geo tagging of photographs so got the Fujifilm Camera Remote app for my Android and that seems to be working (update: nope, it only records initial position. Had to get another android app that records GPS and then integrate that into photos in LR. And even that is not accurate, sigh). The camera even flashes a red icon (had to look it up) that told me the geotagging data was stale (this was after getting home and downloading some photos). I also transferred a few photos to my Android for my wife (she needed some photos for a meeting) which was a total breeze. [edit Oct 18, 2016] I've since converted to using a gps logger app on my Android and marrying the track data to the photos in Lightroom. One annoyance was constantly hunting for the "wireless communications" setting (in order to use the Android app for geotagging) which was X-T2 menu button then left down down down then right down down down down down... you get the picture. I replaced the white balance function button to be wireless communication as my kind of photography doesn't mess with the white balance as much as I need geotagging. I put the phone into geotagging mode and I'm set. What I'm still not clear on is if I need to leave the app running on the phone. I do and I put the phone screen to sleep. Speaking of function buttons I love how these interact with the camera and can even override the manual dials (for like the AF setting). The various film modes is also nice and since I also do a lot of B&W the Archos setting is going to be a frequent switch for me. And it is fairly easy to switch button functions so I suspect I may be customizing the buttons as I gain more experience with the X-T2. I started with the 18-135mm lens. I'll probably get a couple of primes for street photography and landscapes then find something for truly long distance photography (definitely before my next safari trip). I'm also going to get the grip. When it comes to action/sports I can see having the extra boost in shots being a potential winner for me getting that one shot I need. And when I'm on an all day shoot it will certainly not hurt having the extra battery power in the grip. [Edit Oct 18, 2016 Got the grip and loving it. It does not come with batteries so order those too. But the grip makes this camera last longer too. I was surprised how quickly the camera ran out of battery juice just in a few hours of shooting]. The fact that AF can be locked and override autofocus was also a draw for me. [edit Oct 18, 2016 in AF+MF you can use the manual focus ring to adjust focus which is useful in macro mode if the camera is focusing on the wrong part of the frame. ] Operation wise this camera rocks. I have not noticed any lag in any operation I've played with (wireless seems a little slower than it should be but I don't know if that is the Android app or the X-T2 or the combination of the two). Auto focus is not only fast but the shutter button to photo is near instantaneous. And I love the electronic viewfinder. LCD panels on the back are all nice and fine up until I can't see diddly because the sun is in the wrong spot and no manner of mucking with the screen position helps me see what is in the viewfinder. Being able to put my eye (wearing my glasses) right up there and compose and shoot is priceless. The manual dial locks are great as I am the kind of photographer than spins dials unintentionally because I am clumsy. The one dial that doesn't lock I've already managed to turn from zero. The only thing I'm not thrilled with is the camera neck strap. I may reuse an older, longer strap as I like my camera to hang further down than my midsection. [edit ended up with BlackRapid R-sport strap] ... show more
Reviewed in the United States on September 19, 2016 by Alex P.

  • Beautiful Pictures and Lightweight
Set: Base
For years, my camera of choice has been a Canon 5D Mark II which is a great camera, but it is a bit heavy when you include all the accessory and lenses. As I got older, I began looking around at some alternatives in terms of weight and had seen good reviews of the new mirrorless cameras. Picture Quality Unbelievable is what I say. In some cases, I had to do a lot of tweaking to pictures with my previous camera; however, the picture quality was amazing right out of the gate. It was crisp and tight, and the color quality was near perfect as what I was seeing in reality. The soft focus elements when coupled with a longer lens are stunning. Any tweaks I needed to make to the pictures were to help with mood creation or match what my creative vision would be. Flip Out Screen The flip out screen was a nice addition to the camera that I did not have from my previous cameras. I found the flip out screen provided the ability leverage low angle shots, and see what I was shooting instead of guessing. This screen has enabled me to take some amazing low angle shots that I only dreamed out. Touch Screen The touch screen is easy to use, and I am still getting used using it versus all the normal menu items and arrow keys. I still use the physical buttons as that is what I am most comfortable with; however, the clarity of the touch screen (or screen in general) is really good. Weight The camera is lightweight and compact which is great. Even with a decent lens on the camera it is still lighter than most of their competitors. General Items In addition to the light weight of the camera, I love the old school feel of the dials and knobs on the camera. It brings me back to some of my first film cameras and the look is incredible. Whats under the hood is also amazing, but the look and feel of it is an added bonus. The SD media slots are great as you can have to two (2) SD cards and let them perform two different functions at the same time (photo and video). The RAW picture format is great and easily works with Adobe Lightroom for post production manipulation. Overall Overall, this camera is great and it has a great price point especially if you are looking to get into this market for a relatively affordable price point. If you are a Canon or Nikon user, just realize that you will probably need to buy new lenses for the camera unless you have third party lenses like Sigma. The camera supports a number of third party lenses, but double check before you buy them to ensure they are compatible with this camera. If you want the latest and greatest features you might want to check out the X-T3, but for me, since I was new to this line, I went with the more affordable solution. I now have to two (2) camera bodies exactly same for the same price as one (1) from its competitor. If you are looking for a change or certain factors like weight matter to you, check out the FujiFilm line up. You won't be disappointed. ... show more
Reviewed in the United States on March 28, 2020 by Dave Anthold

  • This Camera Is Going To Make A Lot Of People Switch To Fujifilm.
Set: Base
As a professional photographer by trade, and I have been using Fujifilm's X-T1 model daily for over a year now, since switching to mirrorless in 2014. Fujifilm's X-T1 has proven to be and excellent and reliable camera for nearly everything I shoot from portraiture, landscapes, and architectural interiors. Yesterday, I received the new X-T2 and the Vertical Booster Pack from Amazon and I immediately put Fuji's new flagship thorough it's paces testing every feature I could, and I can enthusiastically report that the X-T2 is a significant improvement over its very capable predecessor. Fujifilm's excellent management team is known for listening carefully to their customers needs and Fuji has significantly improved and refined this flagship model to the point where it can now "definitely" compete with any DSLR or mirrorless camera on the market today. For producing image quality and autofocus speed and accuracy the X-T2 is exceptional, and it does this for a lot less money than the competition. If you liked the X-T1 or you've been thinking of switching to the new mirrorless systems then you are going to absolutely love the X-T2, because the X-T2 is a very serious professional instrument and I can see many photo-enthusiasts and professional photographers making the jump to the mirrorless world via the X-T2 in the coming months. So now with the addition of the X-T2 and Fujifilm's amazing line of outstanding lenses Fuji customers finally have a mature and capable system that they can rely on for any type of photography. But aside from the beautiful image quality and the renowned Fuji Film colors and sharpness, one thing that really should be included here in this review is something that you will hear over and over again from the people who use and love their Fuji cameras, and that is, that when you first hold one in your hand you'll immediately appreciate the beautiful retro design and the unique feeling of total control that these cameras impart to their user. These cameras seem to literally pump life and excitement back into your photographic adventures and I honestly don't know of any other camera system out there that does this as well as the Fujifilm X System. After testing it and seeing the breathless images it produces, I can with confidence say that the new X-T2 is simply a masterpiece and Fujifilm's finest camera to date. Update 1/30/17 - Five month continuous use with my X-T2/Booster and the combo is working flawlessly. The X-T2 files are superior to my former X-T1 and the X-Trans III sensor in the X-T2 is working much better with Adobe Camera Raw in Photoshop and Lightroom than its predecessor. Over 90 full day shoots and zero problems to report and the camera's battery performance is still exceptional. Seriously, this camera is a dream to use and it's great knowing I have reliable tools when I show up for a shoot. All Fuji lenses working perfectly too. ... show more
Reviewed in the United States on September 14, 2016 by D'Artagnan

  • Love Hate Relationship with Fuji (Mostly Love)
Set: Base
I seriously jumped into the Fuji system head first and determined to make it the mirrorless system I would use. My gear includes the 18-55mm kit lens, 55-200mm, 10-24mm, and the 56mm 1.2. Soon I will be adding the 16mm 1.4. I have invested in this system. I am mostly happy with the results, and have chosen to take it with me instead of my full frame dslr (Nikon D610) everywhere I have went when I knew I’d be taking photos. I have shot mostly sports and indoor parties so far. My 18-55 and the 55-200 have received the most use. It is a great camera. I love the dials. They are a different, physical take on controlling the exposure triangle. The camera feels great in the hand and is easy to hold. It just looks beautiful too. Battery life has been better than what you read and hear about. I am getting over 400 shots out of one battery. The stories about Fuji's firmware updates are true. They even add features to old models! That Fuji 56mm does produce some incredible portraits. Having shot Nikon full frame DSLRs for 5 years, it has been a transition to go back to a crop sensor though. Here are some things to consider when making your decision. The Fuji jpegs are more hyperbole than reality. You will always get better results with RAW. So, take the reviews you hear on videos and read in reviews with a grain of salt. I have read all the online suggestions on how to tweak the Fujifilm Film Simulations. After trying everyone’s suggestions, I found myself reverting back to the out-of-the-box values for each of the settings (highlights, shadows, color, etc). The biggest problem with the jpegs are the waxy skin tones. Even with adjusting the noise reduction, I haven't been able to avoid the waxy look with the jpegs. Editing Fuji RAWs in Lightroom can be a challenge. It takes forever for Lightroom to import photos, and it seems to be even slower with Fuji photos. Add to that, I like to convert to DNG...it’s even slower. Lightroom recently increased the default sharpening value applied to every imported photo to 40. This caused the “Fuji worms” (when pixel-peeping zoomed in to 300%) that you may have heard about. I back off sharpening to somewhere around 20-25 and it dramatically improves the look of the files. 25 used to be the default anyway. I tried Capture One, and I am still trying to transition to it. On my most recent event (indoor birthday party at a rock climbing facility), the photos shot with the X-T2 actually rendered better in Lightroom than in Capture One. Capture One is supposed to be a much better with Fuji RAWs, but this time, that was not the case. I need to learn more about Capture One though. The biggest negative for shooting Fuji is the ISO performance and its effect on image quality. I say this from the perspective of having shot full frame for years. Shooting outdoor in bright sunlight isn’t much of an issue. I even shot a high school soccer game under the lights and was impressed at the performance at iso 6400. But that was under bright lights. Shooting at a indoor roller skating facility (non-professionally) was difficult with the 18-55 lens. I boosted the iso to 6400 and had pretty poor results. Most of the time, the lights were dimmed. Even at the indoor rock climbing facility, where there was good enough light, I felt like the iso had to be turned up too high. One thing to keep in mind, here is I set my shutter speed to 200 all the time. On my DSLRs, I set it to 250 to avoid hand shake with primes (no stabilization). It is a personal choice from my DSLR prime shooting in order to avoid hand shake. It is great that a lot of Fuji lenses have built in OIS (optical stabilization). With Fuji’s OIS, I have dropped the shutter to 200. I plan to start shooting at slower shutter speeds until I find the sweet spot where my hand shake does not affect the image. Overall, I would buy this camera again. Actually, at this point, I’d buy the X-T3 for a little bit more money. Like I said, I am happy with this camera, but in some ways, you just cannot beat full-frame for image quality. But, because it is a crop sensor, the cost of lenses are one of the factors that drew me to the system. In my move to mirrorless, it was simply easier to get a great set of lenses at less cost with the Fuji system than I could if I chose Sony (all of these decisions were made prior to Nikon announcing the Z7 and Z6...I got tired of waiting for Nikon). The handling of the X-T2 is great and the shooting experience is wonderful. Adjusting dials, once you adapt to the mindset, is very nice. The weight, size, and overall performance of the camera is great too, once you adjust your expectations (if you have any), and adapt to the camera. ... show more
Reviewed in the United States on November 19, 2018 by Jerry Palmerino

  • A solid improvement over the X-T1
Set: Base
Let me start by saying I have been a Fuji shooter for almost 4 years now. It started with the X100S which I absolutely loved! I then bought an X-T1 and a bunch of lenses and ditched my Canon gear. The X100S was replaced with an X100T, and two months ago the X-T2 was added to the stable. I still love the X-T1, but it has now been relegated to backup in case there is an issue with the X-T2 when shooting professionally. The good.... BUILD QUALITY The X-T1 compared to the X-T2 seems like a beta version of the camera, at least in terms of build quality. The build quality on the X-T2 is magnificent. The dials feel much more solid, and the fact that you can lock them down is a big improvement over the dials on the X-T1. Even the doors on the side for the card reader and the ports are more solid than the X-T1. DUAL CARD SLOT Hooray! Now I can shoot both RAW/JPEG, Continuous or backup. I shoot RAW and JPEG but it is nice to know if I wanted to shoot continuous I can fill one card before the camera starts writing to the other card. If I was only shooting RAW and needed a backup I am covered! Never had a card fail on me yet...but it is nice to know I am covered if one does fail. JOYSTICK The joystick is the single best feature Fuji has introduced. It took a while to get used to not hitting the directional pad to change the focus point. Once I got used to the joystick it has become a pleasure to use. If the X100F gets the joystick I may have to upgrade from the T. AUTOFOCUS The autofocus runs circles around the X-T1. The custom settings make shooting action a breeze! I am still astounded by how well the continuous auto focus performs. 5 STOP EXPOSURE COMPENSATION Set the exposure compensation to "C" and you can get two more stops than the X-T1. 2 STOP EXPOSURE BRACKETING Perfect for my needs. The X-T1 has 1 stop exposure bracketing which was pretty worthless for me when I shoot real estate. I prefer to shoot interiors with off camera lights. Expose for the windows and fill the room with artificial light. Some assignments there are too many reflective surfaces and exposure bracketing comes into play. In this scenario, for my needs, 2 stops works fine. MICRO USB CHARGING Love this feature on the X100T and it is welcome on the X-T2. When traveling I prefer to charge the battery in camera rather than bringing the charger along. I usually carry a few extra batteries with me...as long as I can charge one battery in camera at night I am good to go. 24MP X-Trans CMOS III sensor The new sensor is absolutely fantastic! 4K video I never shot video with any of my Fuji cameras. After testing out the 4K video capabilities that has changed. The video quality is perfect for my needs...quite stunning! The bad... So far my only complaint is the WIFI has been a bit spotty. I have had some trouble connecting the camera to my iPhone 6. I have never had a problem with the X-T1. I am not sure if this is an app issue, or perhaps a firmware fix. I have managed to connect my camera to phone every time, but more often than not is has taken me multiple attempts. That is really about it in terms of bad. If you are thinking about this camera, do not hesitate...buy it...it is FANTASTIC!!!!! ... show more
Reviewed in the United States on December 1, 2016 by noelty

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