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Fujifilm

Fujifilm GFX100 II Mirrorless Medium Format Camera Body

  • Based on 12 reviews
Condition: New
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$7,499.95 Why this price?
Memorial Day Sale · 0% off was $7,503.94

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Features

  • GFX100 IIs new 102MP sensor and X-Processor 5 combination deliver astounding performance when it is needed most. Enhancements to autofocus algorithms allow photographers and filmmakers to accurately track moving subjects and create 102MP images at up to 8fps using the cameras high-speed mechanical shutter, or to record 4K/60p video at the full width of GFX100 IIs massive 55mm1 imaging sensor. A new 9.44M dot EVF with 120fps live view and 5.3fps of blackout-free, continuous shutter use, (IBIS) provides up to 8-stops of stability. 1 GFX100 II image sensor measuring 55mm diagonally (43.8mm x 32.9mm), which provides an area approximately 1.7 times that of a 35mm full-frame sensor.
  • Internally record 4:2:2, 10-bit Apple ProRes, or use HDMI to record 12-bit 4:2:2 Apple ProRes RAW or Blackmagic RAW in resolutions of up to 8K/30p, or, at the full width of GFX100 IIs massive 55mm1 sensor, at 4K/60p. Accelerate a projects delivery to color grading workflows in Da Vinci Resolve or Adobe Premiere Pro without any need to transcode Original Camera Files (OCF) before editing. And thanks to Fujifilm's one-of-a-kind color science; photographers and filmmakers can take advantage of exclusive film simulation modes directly within GFX100 II, which now includes REALA ACE mode, a film simulation mode that delivers neutral color reproduction with high-contrast tonal gradations.
  • GFX100 II provides specified crops and aspect ratios for multiple cinema formats, which includes full-width GF Format, FUJINON PREMISTA (Vista Vision), and 35mm. With a basic GF to PL adapter, cinematographers anywhere can now use GFX100 IIs 55mm large format imaging sensor with some of the worlds most legendary cinema optics, including Fujifilms collection of FUJINON PREMISTA and CABRIO Zoom Lenses. For storytellers with wider aspirations, GFX100 II offers two different high resolution 35mm Anamorphic recording modes that provide various de-squeeze monitoring options in-camera.
  • Embrace cloud-first workflows and open lines of collaboration with GFX100 IIs World First, accessory-free integration for Frame.io Camera to Cloud, and deliver photos or video straight to the cloud moments after they are created. Utilize the cameras built-in Wi-Fi or Ethernet LAN connection to connect to Frame.io and deliver hi-res RAW or JPEG images, send h.264 video proxies, or upload 8K ProRes Video securely for immediate project team review and consideration.
  • Native video functions like object priority AF, waveform and vector scope monitoring, a prominent recording flag that is visible around the live view area, and direct-to-SSD recording, native integration with Atomos AirGlu BT2, brings timecode synchronization3 to a GFX System camera for the first time and IDT Support for the Academy Color Encoding System (ACES)4 brings the GFX System offerings into the world of motion production. 2 Atomos AirGlu BT uses Bluetooth technology to wirelessly synchronize timecode with the GFX100 II when in close proximity. 3 Timecode synchronization provided through AirGlu BT can be affected by a frame delay of at least 1 frame when syncing with multiple devices.

Description

GFX100 II brings a new, blazingly fast 102-megapixel large-format sensor to deliver up to 8fps in high-speed continuous mode, surgically accurate subject detection and tracking AF, and advanced video features that have never existed in any previous GFX System or X Series camera. Upgraded AI-developed autofocus algorithms and a new 9.44-million dot EVF bring the action accurately into view for photographers, while full-width 4K/60p, 4:2:2 ProRes video and accessory-free delivery of files to Frame.io directly from the camera, give filmmakers access to new streamlined workflows and the ability to immediately collaborate with project team members.

Compatible Mountings: Fujifilm X


Aspect Ratio: 169


Photo Sensor Technology: CMOS


Supported File Format: RAW, JPEG


Image Stabilization: In-Body Image Stabilization


Optical Zoom: 1 x


Expanded ISO Minimum: 100


Metering Description: Multi-Zone, Center Weighted, Spot


Brand: Fujifilm


Model Name: GFX100II Body


Brand: Fujifilm


Model Name: GFX100II Body


Age Range Description: Adult


Built-In Media: Camera Body & Accessories


Are Batteries Included: Yes


Model Number: GFX100 II


Remote Included: No


Model Series: GFX


Series Number: 100


UPC: 074101209129


Item Height: 4.62 inches


Manufacturer: Fujifilm


Connectivity Technology: Bluetooth, Wi-Fi, USB, Ethernet, HDMI


Wireless Technology: Bluetooth, Wi-Fi


Video Output: HDMI


Total USB Ports: 1


Total Video Out Ports: 1


Shooting Modes: Automatic


Digital Scene Transition: false


Digital-Still: No


Movie Mode: Yes


Image Capture Type: Video


Night vision: No


Compatible Mountings: Fujifilm X


Sensor Type: CMOS


Image stabilization: In-Body Image Stabilization


Expanded ISO Minimum: 100


Photo Sensor Resolution: 102 MP


Photo Sensor Size: Medium Format (>35mm)


Maximum Shutter Speed: 1/8000 seconds


Minimum Shutter Speed: 1/8000 seconds


Form Factor: Mirrorless


Color: Black


Item Weight: 948 Grams


Video Resolution: 4320p


Viewfinder: Electronic


Flash Modes: Auto, On, Off


Camera Flash: no flash


Skill Level: Amateur


Specific Uses For Product: Photography, Videography


Compatible Devices: Fujifilm X series cameras, devices with Fujinon PREMISTA and CABRIO Zoom Lenses


Continuous Shooting: 8 fps


Aperture modes: F2.8-F5.6


Viewfinder Magnification: 0.77x


Audio Input: 3.5mm microphone jack


Flash Sync Speed: 1/250


Video Capture Format: 4k


Expanded ISO Maximum: 25600


Battery Weight: 80 Grams


Audio Output Type: HDMI, Bluetooth


Battery Cell Type: Lithium Ion


Guide Number: 60


Battery Type: Lithium Ion


Aspect Ratio: 169


File Format: RAW, JPEG


Effective Still Resolution: 102 MP


JPEG Quality Level: Fine


Supported Image Format: JPEG, RAW, 4k


Maximum Image Size: 102 MP


Total Still Resolution: 102 MP


Optical Zoom: 1 x


Lens Type: Wide Angle


Zoom: Optical Zoom


Camera Lens: This digital camera features a high-resolution medium format lens with interchangeable options, supporting various aspect ratios and cinema formats. The camera is compatible with FUJINON PREMISTA and CABRIO Zoom Lenses, offering excellent low light performance, image stabilization, and a wide focal length range.


Lens Construction: 11 elements in 8 groups


Metering Methods: Multi-Zone, Center Weighted, Spot


Exposure Control: Automatic


Crop Mode: GF Format


Screen Size: 3.2 Inches


Display Type: LCD


Dots Per Screen: 98552


Touch Screen Type: Capacitive


Has Color Screen: Yes


Write Speed: 8K/30p write speed or 4K/60p write speed


Flash Memory Speed Class: UHS-II or higher


Flash Memory UHS Speed Class: UHS-II


Flash Memory Bus Interface Type: UHS-II


Auto Focus Technology: Phase Detection, Contra, Multi area, sensor


Focus Features: Phase Detection Autofocus


Autofocus Points: 425


Focus Type: Auto Focus


Focus Mode: Continuous-Servo AF (AF-C)


Autofocus: Yes


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: within 30 days

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews

    • It's a beast
Some background: I've shot exclusively on Canon for the past 5 years and, for the most part, will continue to do so. I'm immensely pleased with the R5 and R3's ability to become a sort of transparent bridge between me and my subject. I like to not think too hard about my camera when I'm taking pictures and Canon excels at creating that intuitive experience. With that in mind, I've always enjoyed Fujifilm cameras for the opposite reason. Used at a casual, leisurely pace, I get a great deal of joy from both their modern and retro-style bodies and connecting with the camera in an analog way. But not all of that is fun and games and Fuji has consistently suffered from little quirks that break my immersion from taking photos and make me focus too much on the camera itself. Whether it's the awful shutter lag with the X-pro3, the not-so-great AF and slow UI of older models, or poorly-built bodies (to name a few)... Fujifilm has always delivered brilliant images through bodies that (for me) just can't quite keep up with the competition for serious work. But when I rented the GFX100S last year, I knew they were getting close. I thought, "If Fuji made something a little bit faster, I'd buy one today." Well, a year later, Fujifilm did that, and I bought it. For me, Fujifilm IQ and the advantages of medium format are self-explanatory, so I will skip over a lot of what this system has going for it and just say that this is the first medium format camera that I will comfortably use alongside my full-frame Canon systems. It is fast enough, the autofocus is good enough, and the high-ISO performance is clean enough. Is it class-leading in the MF world? Yes. Does it keep up with the full-frame competition? Not really, but it's close enough for me. In terms of speed, it's a lot like using the live view mode of a DSLR. There are still a few Fujifilm oddities, such as contrast-shifts when focusing during AF-C, inconsistent color between the rear LCD and the (otherwise industry-leading) viewfinder, etc. But all-in-all, the bottom line for me is that medium format is worth it if it can keep up, and this camera (mostly) can. Pared with the Fringer adapter, it also makes a nice Full Frame system, if you have EF glass to spare. I find that the biggest thing going against its overall speed is the sensor readout time. In Single Drive Mode, the sensor blacks out for about 1/3 to 1/2 a second per exposure, which sucks if you like to fire off a few shots in succession and want the full 16 bit resolution. To avoid this, you can switch over to CL or CH modes and get a near-instant readout, but realize that you will drop down to 14 bit in doing so. Realistically, this has no real-world bearing on IQ, but it's worth noting. I have a lot of expectations for any camera that costs $7500 and Fuji has mostly satisfied them. My go-to setup right now is the GFX 100 II for the big money shots and the R3 when I need to be nimble. The two are very opposite in terms of their intended functions and thus compliment each other quite well. If you are looking to compliment your full-frame or APS-C setup with something genuinely new, then the GFX 100 II is a great option. ... show more
Reviewed in the United States on December 27, 2023 by John
    • Amazing Camera - Wedding Photographer.
I love this camera. I owned the GFX 100s for two years and photographed over 150 sessions with it. I have owned this camera since the day it was released I've enjoyed the improved AF, Amazing EVF, and better buffer.
Reviewed in the United States on June 29, 2024 by Ely
    • Excellent successor
This is an excellent upgrade to the GFX 100. The autofocus and ibis are with it just by itself. Evf and speed as well as so many other things are icing.
Reviewed in the United States on September 30, 2023 by Juan Stevens
    • Crippled remote release port.
This is a fabulous update to the original GFX 100. BUT…. for some of us landscape photographers Fuji pulled a bone headed move with the remote release port.. Why-O-Why did you think moving the remote release port “back” to the left side of the camera was a good idea? Don’t you realize the GREAT thing you did with the GFX 100, and the X-H cameras by putting it on the right side? Was that an accident? Still photographers, especially those doing serious landscape and other tripod mounted work, often use Arca Swiss compatible “L-Plates” that go across the bottom of the camera an up the left side so that the camera may be oriented either horizontally in clamp, or vertically. The left side of such plates blocks the port hatch, making access to the remote port impossible. Stupid stupid stupid. And, by the way, if one does use the left side port for remote release, the whole hatch has to be open, exposing the other connections to the elements completely unnecessarily. Dumb move Fuji. ... show more
Reviewed in the United States on September 29, 2023 by R. S. Adams

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