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Fishman

Fishman TriplePlay Wireless MIDI Pickup

  • Based on 140 reviews
Condition: New
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Availability: Only 4 left in stock, order soon!
Fulfilled by Sweetwater Sound
Arrives Dec 27 – Dec 31
Order within 3 hours and 9 minutes
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Style: Wireless


Features

  • Wireless MIDI Guitar Pickup System f Electric Guitar with Hexaphonic Pickup
  • Software Bundle - macOS/Win
  • Wireless USB Receiver
  • Wireless Transmitter

Description

TriplePlay Wireless is the ultimate high-performance MIDI Guitar Controller that seamlessly connects to any device that accepts USB MIDI, including Mac and PC. With lightning-fast tracking, you’re free to make music without bulky cables and closed-system guitar synth pedals. Use Fishman’s advanced VST software to create and control your favorite virtual instruments, up to five simultaneous instruments, or split the instruments across the fretboard in limitless combinations. Connect your guitar’s output with an audio interface to blend amps and effects with virtual instruments while you play. Easily attach the TriplePlay Wireless controller to nearly any electric and acoustic steel string guitar and play MIDI-controlled synthesizers and virtual instruments, adding limitless control to your performance, on stage or in the studio.

Brand: Fishman


Connectivity Technology: USB


Special Feature: Lightweight, Velocity Sensitive Key


Model Name: {FEEDTITLE}


Size: small


Item Weight: 1.1 pounds


Product Dimensions: 0.5 x 2 x 3 inches


Item model number: PROTRP301


Batteries: 1 Lithium Ion batteries required. (included)


Is Discontinued By Manufacturer: No


Date First Available: January 1, 2012


Color Name: Black


Connector Type: USB


Guitar Pickup Configuration: MIDI


Hardware Interface: USB


Musical Style: Electronic


Size: small


Battery type: Lithium Ion


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Dec 27 – Dec 31

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews

    • Excellent
Style: Wireless
Very happy with this product and I'm amazed it only has a 3 1/2 star rating! From what I've read, people order it without realizing it won't fit on their guitar and have to return it OR they have trouble waiting for software to download. I had no trouble with either of these things, it fit perfectly on my stratocaster and I had no issues waiting for the software since I've purchased software online before and know how long downloading something takes. It took about 2 1/2 hours for all the software to fully download, although I understand it will vary drastically based on your internet speed. I started all the downloads and then watched a movie and it was done. Only 3 applications are required to run the official tripleplay software, Kontact, SampleTank and the TriplePlay software itself, although it can be used as a midi controller upon installation, no special software required. Activating the software was not a hassle, took about 15 minutes. Just leave the download on overnight and activate it in the morning. Bends, vibrato and such work perfectly, the one thing I must point out is that muted strums do not work. Overall this product has exceeded my expectations, the range is fantastic, the battery life is great, and most importantly, the tracking is excellent. Would highly recommend. ... show more
Reviewed in the United States on March 10, 2015 by Ryan
    • Absolutely horrid tracking.
Style: USB-C
Review Image by DECEMBER DECEMBER
Review Image by DECEMBER DECEMBER
Review Image by DECEMBER DECEMBER
Review Image by DECEMBER DECEMBER
First of all, it didn't fit on all 3 of my guitars. On a Gibson LP with Hipshot Tone-A-Matic bridge, it wouldn't fit between the bridge and pickup. On my PRS SE Mira and LTD Viper 201B baritone, it fit, but with it raised as high as possible, it was still far lower than it's supposed to be from the strings. It must be designed for Strats or Teles. So I jury-rigged a shim to be able to try it out... WOW... the tracking is unbelievably terrible! I played a slow, simple, 3-note riff into a DAW and it tracked as many as 24 different notes!!! (See pics. You can see which 3 notes were intentionally being played.) The software is terrible. It immediately crashed upon scanning my plugin folder during its first run (on a brand new PC w/96GB RAM and 14th Gen Intel i9 24-core CPU). It supposedly can send each string on a different MIDI channel, but I couldn't find any setting to accomplish this with. It does let you divide the fretboard into 4 quadrants that play different synths within the app, but there's no way to do this within the DAW, so what is the point if you can't actually do anything beyond playing around with it?! But even if all of that DID work, the tracking is SO bad, it's completely unusable. So I got the Behringer PP1 eurorack module (which requires a eurorack power supply module to use). This works SO much better at converting guitar to MIDI in realtime. The trick is to use the neck pickup and roll the tone all the way off to 0. I also have EMGs with a VMC variable mid control, and using that to further cut ~1kHz all the way, the PP1 actually tracks better than any other device or software I've used for this. It still gets a few stray or wrong notes, but not so many that can't quickly be edited. The problem with this is, you have to dial in the guitar to be completely muddy for it to track well enough, so you can't simultaneously play the guitar as a guitar thru an amp AND have it converting/sending MIDI to a synth. It's also monophonic. The TriplePlay is supposedly polyphonic, but it's SO BAD that it doesn't even matter... it's completely unusable. It's because it's taking a signal straight from the strings right next to the bridge, where a guitar is the most trebly and mid-forward. It NEEDS to hear ONLY the fundamental in order to track half decently. You have to use a neck pickup AND cut all the treble (and high-mids, if possible) in order to have ANY chance of a usable, reliable-enough, outcome. The PP1 can take a mic input and convert your voice (or anything you can mic) into MIDI. I haven't tried it yet. It also has CV and Gate outputs for integration with any modular synth devices. I've been underwhelmed, at best, by most Behringer products I've used, but the PP1 is the most usable realtime guitar -> MIDI converter I've used... The Fishman TriplePlay guitar MIDI pickup is the absolute worst guitar -> MIDI converter I've used. ... show more
Reviewed in the United States on December 10, 2024 by DECEMBER DECEMBER
    • It's amazing!
Style: Wireless
Review Image by Oliver Brown Oliver Brown
I bought this unit less than 2 weeks ago and it has quickly become my go-to controller! I have used the Roland GR-33 with a Roland-ready Strat for years now and the Fishman 3Play out performs it hands down. Tracking on the Fishman is so much faster than the GR-33. I have not tried the GR-55 which is supposed to have better tracking so I don't know how it compares. But for a songwriting live performer like myself, The Triple Play is worth every penny! Yes, there are setup pains though not nearly as bad as I have read. Yes it would be nice if Fishman would just provide the software instead of making you download it. I'm guessing it saves the company money. But if you have a pretty fast internet connection it will only take an hour or less to download everything you need. The pickup did not fit on my PRS Custom 24, Gibson ES-335 or Jackson. However, it fit like a glove on my Fender Showmaster! I also gotta mention that I love being able to control plug-ins that I already own and with this unit. The GR-33 would never quite do this for me. I'm still learning what this unit can do and that's part of the fun! If you're a songwriter who only plays guitar this is a game changer. And if you play live but can't afford to hire any more band members, this device will be your horns, keys, bass or whatever else you may need! Thank you Fishman! ... show more
Reviewed in the United States on December 29, 2014 by Oliver Brown Oliver Brown

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