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Canon EF-S 17-55mm f/2.8 IS USM Lens for Canon DSLR Cameras, Black - 1242B002

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Availability: Only 3 left in stock, order soon!
Fulfilled by iPro Photo
Arrives Wednesday, Mar 11
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Features

  • 17-55mm wide-angle zoom lens with f/2.8 maximum aperture for Canon DSLR cameras
  • AD and aspherical elements deliver impressive image quality through entire zoom range, Closest focusing distance : 1.15 feet
  • Image Stabilizer lens groups shift to compensate for image shake even in dim lighting
  • Large circular aperture produces shallow depth of field; ring-type ultra-sonic monitor (USM)
  • Measures 3.3 inches in diameter and 4.4 inches long; weighs 22.8 ounces; 1-year warranty

Description

The Canon EF-S 17-55mm f/2.8 IS USM standard zoom lens has specially designed a new lens with a large aperture of f/2.8 for select Canon Digital SLR cameras to meet user demands for a fast EF-S zoom lens. The large circular aperture produces a shallow depth-of-field, creating background blur that draws attention to the photographic subject. The lens construction includes UD and a spherical elements, which deliver impressive image quality throughout the entire zoom range. Image Stabilizer lens groups shift to compensate for camera movement so that the image appears steady on the image plane, ensuring clear, crisp images, even in dim light. With a Ring-type USM, inner focusing and new AF algorithms, this lens achieves autofocus quickly and quietly, and with full-time mechanical manual focusing manually adjusting the focus is possible even in AF mode. From the Manufacturer Designed to meet consumer demands for a fast EF-S zoom lens, the EF-S 17-55mm offers image quality on par with Canon's highly regarded L-series lenses. The lens features a large circular aperture that produces a shallow depth of field, creating background blur that draws special attention to the photographic subject. The lens construction, meanwhile, includes UD and aspherical elements that deliver impressive image quality throughout the entire zoom range. And thanks to the Image Stabilizer lens groups--which shift to compensate for camera shake--the image appears crisp and clear on the image plane, eve in dim light. Finally, the lens offers a ring-type ultra-sonic monitor (USM), inner focusing, and new AF algorithms to help achieve autofocus quickly and quietly, along with full- time mechanical manual focusing that makes it possible to manually adjust the focus even in AF mode. As with all Canon lenses, this lens carries a one-year warranty. Focal length: 17-55mm Maximum aperture: f/2.8 Lens construction: 19 elements in 12 groups Diagonal angle of view: 78 degrees (at 30 feet) to 27 degrees (at 50 feet) Focus adjustment: AF with full-time manual Closest focusing distance: 1.15 feet Zoom system: 5-group helical zoom (front group moves 27mm) Filter size: 77mm Dimensions: 3.3 inches in diameter, 4.4 inches long Weight: 22.8 ounces The EF-S 17-55mm f2.8 IS USM offers image quality on a par with Canon's highly regarded L-series lenses. It has a large maximum aperture which, combined with higher shutter speeds, can minimize subject motion blur. Shallow depth-of-field separation of a subject from its background is much easier to achieve and the f2.8 maximum aperture allows a bright finder and extremely precise focusing with f2.8 compatible AF sensors. The internal stabilization has a sharpness benefit equivalent to a three-stop faster shutter speed, making this lens outstanding in low-light situations. Smaller and lighter than lenses of similar specifications, the EF-S 17-55 mm f2.8 IS USM lens has a 35mm equivalent focal length of 27-88mm and is compatible only with the EOS 30D, EOS 20D, EOS Digital Rebel XT, and EOS Digital Rebel SLRs. To meet user demands for a fast EF-S zoom lens, Canon has specially designed a new lens with a large aperture of f/2.8 for select Canon Digital SLR cameras. The large circular aperture produces a shallow depth-of- field, creating background blur that draws attention to the photographic subject. The lens construction includes UD and aspherical elements, which deliver impressive image quality throughout the entire zoom range. Image Stabilizer lens groups shift to compensate for camera movement so that the image appears steady on the image plane, ensuring clear, crisp images, even in dim light. With a Ring-type USM, inner focusing and new AF algorithms, this lens achieves autofocus quickly and quietly, and with full-time mechanical manual focusing, manually adjusting the focus is possible even in AF mode.

Brand: Canon


Focal Length Description: 17-55 lens


Lens Type: Wide Angle


Compatible Mountings: Canon EF


Camera Lens Description: Canon EF-S 17-55mm f/2.8 IS USM Lens for Canon DSLR Cameras, Black - 1242B002


Product Dimensions: 4.37 x 3.31 x 3.31 inches


Item Weight: 1.42 pounds


Item model number: 1242B002


Is Discontinued By Manufacturer: No


Date First Available: May 30, 2006


Manufacturer: Canon Cameras US


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Wednesday, Mar 11

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Top Amazon Reviews

    • Review from a long time user
Style: Lens Only
This lens has everything I want in a lens. 1. Good build quality Everything about this lens is quality. I could ask more from the zoom ring. It doesn't feel as good as it could at this price range. It does the job fine however. Everything else about this lens is the highest quality. I would not let this one minor thing stop you from buying it. 2. Image Stabilization (seem to work to at least 3 stops...maybe 4) 3. Large constant aperture (F/2.8 all the way through) 4. USM focus (quick and quiet. Does the job fine.) If you have a "kit" lens (18-55) and want your pictures to look WAY better, get this lens. You must consider two things before buying. Are you planning to move to a 5D MkII or another full frame body? (this lens does not fit full frame bodies.) Is your style of photography suited to the 17-55 range? (do you take most shots between 17 and 55mm....as most people do) If you meet these criteria.....you need this lens. You may need a long zoom to go with it, but don't think for one minute that you can get an 18-200 or 18-135 and still get the same image quality. I have the 18-135 and the 17-55 gives me FAR better image quality. If you need more zoom from time to time get this lens and a 55-250. The 55-250 is a good lens and gives you decent image quality at long ranges. It's only about 1/4 of what this lens costs but will cover you in long telephoto shots. The 17-55 will be great for most shots most people take. It took me a long time to realize that all I needed was a better lens. I didn't need more zoom. I finally got this and wish I had done it years ago. I have found this lens more than good in the month since I got it. It weighs a lot but I have taken hundreds of pictures and hundreds of videos with it and love it. If there was an "EF" alternative to this, I would have purchased it. There is no comparison to this lens in the "EF" line-up. Only this EF-S lens has a 2.8 aperture, image stabilization, and USM in this zoom range. All those EF lenses like the 24-70, 24-105, etc... are missing one thing or another. I looked into EF lenses first. If you want it all, this is your lens. There is no EF lens that has these features. I use it with a 7D and have had good, solid results. It will let you shoot with a "pro-caliber" lens. It should be an "L" lens and it should come with a hood. I gave it 4 stars at first because it's zoom mechanism was not as smooth as it could have been and it costs more than it should. Since then I have grown to like the zoom ring and the overall performance of the lens made me change to 5 stars. Update after 9 months : I have used this lens a lot in the past 9 months. I could not be any happier. The one issue I was concerned about was dust getting inside. I have not seen a problem with dust. I used a UV filter for about 4 months. I then took it off and still did not see any issue with dust getting inside. I live in a dry dusty area so I would have seen the problem if it were a problem. The IQ of this lens is great! The F/2.8 aperture all the wat through the zoom range has been the best however. Other companies make similar lenses as you might know. One or both of the major companies lenses have zoom mechanisms which turn the opposite of Canon lenses. That would not be easy to get used to...but it might save you some money. I decided to go with Canon because I knew it would be good quality and I am SO glad I did. After 9 months of heavy use I cannot say enough about the lens. From handling to IQ to size and weight it just satisfies me in every way. I also have a 24-105 F/4L I really like. If I could only choose 1 I don't know what I would do. Update 4/21/13 - I have now had this lens for about 3 years. I use it more than any other lens. I have a 24-105 F/4L which I love. The 17-55 wins out for everyday use because it can go so much wider at 17mm and it's constant F/2.8 aperture. I have had no problems with the lens. I kept a filter on for a while because of dust concerns. I have now used it for about 2 years mostly with no UV filter. I have seen no dust problems. The lens is overpriced. I think Canon should drop the price by at least $200 to be competitive with Sigma and Tamron who now have alternatives. With that said, the Canon is still the best option for the best results. Resale will be much better with the Canon should you ever decide to sell. I would highly recommend you buy this lens. With all it's features and resale value you simply can't loose. It's the best all around every day lens for a Canon EF-S mount for almost anything...including video. ... show more
Reviewed in the United States on September 5, 2010 by nate42nd
    • The best Lens for 1.6x Crop Canon DSLRs
Style: Lens Only
Review Image by Steven A. Hoagland Steven A. Hoagland
Review Image by Steven A. Hoagland Steven A. Hoagland
Review Image by Steven A. Hoagland Steven A. Hoagland
Review Image by Steven A. Hoagland Steven A. Hoagland
Review Image by Steven A. Hoagland Steven A. Hoagland
Review Image by Steven A. Hoagland Steven A. Hoagland
Review Image by Steven A. Hoagland Steven A. Hoagland
Review Image by Steven A. Hoagland Steven A. Hoagland
Review Image by Steven A. Hoagland Steven A. Hoagland
Review Image by Steven A. Hoagland Steven A. Hoagland
I received my Canon EF-S 17-55mm f/2.8 IS USM lens today (12/28/06). It feels heavier by far than the 18-55mm kit lens, but lighter than I expected. Feels good (well-balanced) cradling the lens in the left hand near the base of the lens when mounted to my Canon Digital Rebel XT. I put the lens on the camera right away in a manner that would limit the opportunity for dust to intrude on the back of the lens or into the camera, since I've read about this lens not being sealed as well as "L" series Canon lenses. I may never take it off. 8-) This lens focuses fast and sure--even in low light, no hunting around to lock onto a subject. Pictures taken with the camera hand-held at 1/10 to 1/15 sec shutter speeds inside with no flash were tack-sharp (Thanks to the IS). With F2.8 and IS, this lens opens up a whole new world of natural low-light photography. Not only are more inside shots possible, you also have the versatility to create gorgeous bokeh. You create these bokeh effects generally zoomed to 55mm (where the kit lens' max aperture is F5.6). Since the EF-S 17-55mm f/2.8 has a constant F2.8 max aperature, you don't have to worry about the depth of field increasing as you zoom. It is so confidence-inspiring to walk around and set your aperture where you want it to give you the depth of field you want, and not really worry about the shutter speed being too slow. Some of my outside dusk (low-light) shots at 1/6 sec shutter and F22 came out sharp (Thanks again to IS). I almost got vertigo when I first looked at my pics uploaded to my PC--they were so realistic. Images really pop! The decision to go with this lens instead of some of the "L" grade lenses involved the following criteria: 1. Focal Length Range. I wanted at least the range of the 18-55mm kit lens. 2. Max Aperture. I wanted f/2.8, since f/4 is too confining for low-light situations. Also, f/4 doesn't give you the depth of field limiting ability of f/2.8. Trade-off is size and weight (and price). 3. Constant Max Aperture. I wanted a constant max aperture throughout the zoom range. I don't want to set the aperture and have the camera stop it down due to the max aperture decreasing as you zoom in (as is the case with the kit lens). 4. USM. I wanted the Ultrasonic Motor (USM) feature, since this is known to be the fastest and quietest autofocus technology. 5. IS. I wanted Image Stabilization (IS), since this effectively makes your lens faster, because you can shoot in lower light at lower shutter speeds without fear of blur (provided the subject is still). Also, zoomed-into 55mm, camera shake can be more of a problem than at shorter focal lengths. IS has got you covered there as well. This lens only has one IS mode (no mode for panning). 6. Full Format or Crop-optimized. It is true that going with a full format lens would mean that you could use it on any DSLR (35mm film, APS-C DSLR, and Full Format DSLRs such as the 5D and 1Ds Mark II). However, full format lenses are not optimized for the 1.6x crop of the Canon DSLRs Rebel through 30D. The crop-optimized lenses (designated by the "EF-S" in the model name) are tailored to the smaller image sensors of the APS-C camera bodies. The lens elements and coatings are designed to minimize the ghosting and flare that can come from reflections off of the image sensors in digital cameras. Also, the crop-optimized lenses tend to be smaller, lighter and less expensive than otherwise identical full format lenses. I considered the EF 17-40mm f/4L, the EF 24-70mm f/2.8L and the EF 24-105mm f/4L. But, none of these had the focal length range I wanted, and two of them weren't fast enough (f/4), and the EF 24-70mm f/2.8L was very heavy (2.1 lbs). I determined there was no need to sacrifice performance now for some possible benefit later on if I purchase a full format camera. If I ever do, I would hope there would be full format lenses that have been designed to limit chromatic aberrations and introduce other digital optimizations currently provided by the crop-optimized APS-C format-only lenses. Besides, you can always continue to use your old camera and lens as a back-up, or you can sell them to help purchase the new ones. 7. Grade ("L" series or Advanced Amature). Of course, if all else is equal, take the "L" lens with the red stripe. But, all else is not equal. I'd rather have an optically superior lens that is well-built (although not as well as an "L" series) that meets all my other criteria, and just be careful to keep the dust out. The EF-S 17-55mm f/2.8 is expensive (I paid $[...] on [...]). But, I'm sure if there were an "L" series version of this lens, it would be even more expensive. Conclusion: This is one great lens! There's nothing else out there for 1.6x crop digital cameras that gives you the sweet spot of zoom range, low light capability, depth of field control, image stabilization, fast and quiet auto-focus, and superior image quality rivaling prime lenses. And to put the considerable weight (22.8 oz.) into perspective, it is still 3.8 oz. lighter than the very good digital-only Nikon 17-55mm f/2.8, and the Nikon does not even have image stabilization (and costs more to boot). Game, set and match! UPDATE 2/3/07: I've taken 1000+ pictures. I'm impressed with battery life given that I thought IS would use a lot of power. But, since flash is nearly never needed (due to f/2.8 and IS), battery life has seemingly been extended. I didn't realize how much I would grow to expect a stable image through the viewfinder until I looked through a viewfinder with a lens without IS and saw the image shaking. Note that cameras with built-in image sensors (such as Sony Alpha) don't stabilize the viewfinder. The EF-S 17-55mm f/2.8 IS USM autofocus locks-on amazingly fast even in low light. No apparent optical weak spots at any focal length or aperture. Lens hood (optional) eliminated most, but not all, flares from bright sun. I think this is the best, most versatile walk-around lens you can get. I wish Canon would make an EF-S 55-200mm f/2.8 IS USM lens to pair it with so I could zoom in closer on distant wildlife, etc. ... show more
Reviewed in the United States on December 29, 2006 by Steven A. Hoagland Steven A. Hoagland

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