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Canon

Canon EF 70-200mm f/2.8L USM Telephoto Zoom Lens for SLR Cameras

  • Based on 624 reviews
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Availability: In Stock.
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Arrives Monday, Jun 30
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Features

  • EF mount, telephoto zoom lens
  • Ultra-low Dispersion glass, inner focusing, full-time manual focus
  • 70-200Mm focal length, Closest focusing distance: 4.9 feet
  • F2.8 constant maximum aperture
  • Ultrasonic motor (USM). Compatible with extender EF 1. 4x II and 2x II

Description

The Canon EF 70-200mm f/2.8L USM telephoto zoom lens is one of the finest telephoto zoom lenses in the EF line, comparable to a single focal length Lens. It has four ud-glass elements to correct chromatic aberrations. Its constant f/2.8 maximum aperture and superb image quality make it one of the most popular professional SLR Lenses in the world. Compatible with extender EF 1.4x II and 2x II. Features: EF mount, telephoto zoom lens ultra-low dispersion glass, inner focusing, full-time manual focus 70-200mm focal length F2.8 constant maximum apertureultrasonic motor (USM). Diagonal Angle of View: 34 - 12 degrees, Filter size: 77 mm, Closest Focusing Distance: 4.9 feet. One of the finest telephoto zoom lenses in Canon's EF line, this 70-200mm f/2.8 lens offers comparable optics to a single focal-length lens. The lens employs four UD-glass elements to minimize chromatic aberrations, creating sharp, high-quality images regardless of the application. The constant f/2.8 maximum aperture, meanwhile, makes the lens extremely popular among professionals. Other features include an inner focusing system with an Ultra Sonic Motor (USM), a 4.9-foot close focusing distance, and a 77mm filter size. The lens which is compatible with EF 1.4x II and 2x II extenders-- carries a 1 year warranty. Specifications One of the finest telephoto zoom lenses in Canon's EF line, this 70-200mm f/2.8 lens offers comparable optics to a single focal-length lens. The lens employs four UD-glass elements to minimize chromatic aberrations, creating sharp, high-quality images regardless of the application. The constant f/2.8 maximum aperture, meanwhile, makes the lens extremely popular among professionals. Other features include an inner focusing system with an Ultra Sonic Motor (USM), a 4.9-foot close focusing distance, and a 77mm filter size. The lens--which is compatible with EF 1.4x II and 2x II extenders--carries a one-year warranty. Specifications From the Manufacturer One of the finest telephoto zoom lenses in Canon's EF line, this 70-200mm f/2.8 lens offers comparable optics to a single focal-length lens. The lens employs four UD-glass elements to minimize chromatic aberrations, creating sharp, high-quality images regardless of the application. The constant f/2.8 maximum aperture, meanwhile, makes the lens extremely popular among professionals. Other features include an inner focusing system with an Ultra Sonic Motor (USM), a 4.9-foot close focusing distance, and a 77mm filter size. The lens--which is compatible with EF 1.4x II and 2x II extenders-- carries a one-year warranty. Specifications Focal length: 70-200mm Maximum aperture: f/2.8 Lens construction: 18 elements in 15 groups Diagonal angle of view: 34 to 12 degrees Focus adjustment: Inner focusing system with USM Zoom system: Rotating type Closest focusing distance: 4.9 feet Filter size: 77mm Dimensions: 3.3 inches in diameter and 7.6 inches long Weight: 2.9 pounds Warranty: 1 year

Brand: Canon


Focal Length Description: 70-200 lens


Lens Type: Telephoto


Compatible Mountings: Canon EF


Camera Lens Description: EF 70-200mm f/2.8L USM Telephoto Zoomfor SLR Cameras


Product Dimensions: 7.64 x 3.35 x 3.35 inches


Item Weight: 2.9 pounds


Item model number: 2569A004


Is Discontinued By Manufacturer: No


Date First Available: September 22, 2002


Manufacturer: Canon Cameras US


Country of Origin: Japan


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Monday, Jun 30

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

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Top Amazon Reviews

    • Users of newer Canon bodies, look no further
Product Packaging: Standard Packaging
I'm not a professional photographer in that I don't make money doing photography. However, I believe I know a thing or two about the subject that has been a passion of mine since I was first introduced in middle school (yes, we used darkrooms) and many classes/books later. I'm a dad who wants to take pics of my little boys, some family events, and vacations - and I want those pics to be phenomenal. If you're reading this, I assume you've already learned the basics of this lens and where it fits in the overall Canon L-series lineup. So, as you already know, this lens is absolutely brilliant for portraits and sports, especially indoor sports and even weddings. I also assume that you are struggling between this and the 40% more pricey version with IS. But prior to getting my new bodies, I'd never been tempted to write a review being that so much has already been said. So what can I add? Short answer is I can "shed some light" (sorry) on why IS is less necessary on the newer bodies. I can say (having owned/owning earlier generation Canon bodies) that between this and the more expensive II IS version, that now more than ever before, the additional cost of the IS version is more superflous than ever on the newer Canon bodies. For reference I own a 70D and 6D, and also my older 5DMark II and 40D. In upgrading, I elected against the 5D Mark III because of the lack of Wifi/GPS (remember why I shoot), and some other nits, but that's another review altogether. I also elected against the IS version of this lens a while back previously because I felt I didn't need it - I often turn it off on other lenses to eek out that slightly last bit of, admittedly subjective, focus "oopmh" and "sharpness". To be honest, I can't think of when I ever actually turn it on. Cost was not a consideration whatsoever, for me at least. It just seemed like a pointless "feature" that would add unnecessary heft and slightly soften images. However, with the revised Mark II version of this lense, I began to read that maybe the image quality of the II IS version was a smidge better - and that's what I'll open up the wallet for. So, before selling my non-IS version on eBay, I decided to try it out on the newer bodies and I must say that - THIS IS NOW THE BEST VALUE/MOST USEFUL CANON ZOOM LENS PERIOD. FULL STOP!!! Shhhhh don't tell to many people before the price skyrockets or Canon stops making these puppies!! Remember, IS doesn't stop "shake." If your hands are shaky, all the IS in the world won't help you. IS is to assist in reducing motion blur which usually results from a shutter that is open too long. I don't mean to insult most of you who already know this or to portray myself as an "expert." How does one avoid using a slower shutter? Increase light. Enter the newer bodies. The 6D, for example, is able to autofocus in super low light conditions (down to -3 EV for those interested. 5DMarkIII is a full stop higher FYI). This is a gamechanger because the low-light stability that the IS offers is even less of an issue now. These newer bodies also have a phenomenal ISO range, with much-improved lower-noise/higher ISOs. I never had a problem with this lens before, particularly with sports and well lit indoor events. But now, I'm increasingly confident using this lens in lower-light situations with outstanding results and without a tripod/monopod (of course especially with a monopod, this lens is actually slightly sharper than the IS version, but again, others have noted that). But with the 70D, I think this lens really goes to a level to where I feel that, at current prices, buying this lens is robbery. Like, I feel that someone at Canon is asleep at the pricing wheel. This lens is a gift!! First, there's the 1.6 crop factor which extend the focal length of this camera to 112-320mm. Folks, that's a pretty darn useful range to capture at f2.8!! And you get the same high quality/low-noise ISO technology. An ISO of 1600 is actually quite reasonable "low noise" ISO on the 70D - above that, for me at least, is meh. But at two stops of light above 400, you can imagine what options this gives you for lower light settings without a speedlite! More light equals faster speeds equals less room for "shake." Now add the 7fps continuous shooting and the fast autofocus (a smaller factor to reduce shake) and you have a monster here. So, to be fully candid, the only situations now that one would need the IS are situations where you are likely to need a tripod/monopod anyway, thus rendering the IS totally moot. This is such a great lens. And it bears repeating, but you already know, the bokeh is out of this world wide open. But drop down a stop and you get exquisitely sharp images. What more can you ask for???!! So if you've come this far, do not think twice about buying this lens, especially if you have a newer body (although, I still think this was my best lens on the prior bodies). It's a NO-BRAINER over the IS version where the IS feature is the driver. I cannot speak extensively on the purported image quality improvement in the Mark II version - I haven't had the motivation to try because my images are killer with this lens. So if that's your motivation, perhaps you should test that out. FYI Other lenses: 24-105mm 4.0-5.6 IS 85mm 1.2 17-55mm EFS IS lens (another star, FYI) 100-400mm 4.0-5.6 IS ... show more
Reviewed in the United States on November 7, 2013 by L.O.O.
    • Great Lens!!!
Product Packaging: Standard Packaging
Great Lens! I’ve only used it once, but so far so good. I love it!
Reviewed in the United States on June 23, 2025 by B.Robbins
    • Buy it!!
Product Packaging: Standard Packaging
Review Image by W. Rinhart Jr. W. Rinhart Jr.
Review Image by W. Rinhart Jr. W. Rinhart Jr.
Review Image by W. Rinhart Jr. W. Rinhart Jr.
Review Image by W. Rinhart Jr. W. Rinhart Jr.
I had been approached to photograph ladies high school soccer. The games are JV at 5 - 7PM and Varsity from 7 - 9PM. Lighting goes from GREAT to WTF over that time frame. Our stadium lighting is great as that goes, but as always, poses a problem. Other stadiums can be more problematic, so I feel blessed. Parents look forward to seeing quality photos of their athletes and it's my every intention of giving that to them. Ladies are very underrepresented IMHO. I've read a lot of reviews and went ahead and purchased the best friend a Canon photographer could have! The question was..to IS or not to IS? I went with "to not to." The more than obvious reason was because of my budget. The second obvious reason was because of the research I had done outside of Amazon. I asked myself what the pro sports photo guys and gals used. There were different schools of thought. Most said "to not to." Some said that they notice a trade off of to acquire the subject being longer with IS for a negligible difference. In many cases the IS's were not as sharp. My suggestion to you is to definitely google it yourself. MY results were phenomenal! I am VERY happy that I made the leap! ...AND not to the highest cost. I totally traded up! I can only refer to MY experiences and not tell you what to do, but I have found that the EF 70-200mm f/2.8 (non-IS) has worked out fabulous for me. My results speak for themselves. That said, I continually seek new and better ways to improve my skills. This lens helped in that effort. I no longer feel "as" restricted having stepped up to the L glass. The upside is that I have sold more photos this year than I have in the past...due in combination of marketing myself better and great action shots. If you have the funds, pick one up. I am happy that I did. I have a several photos that give you an idea of the results I was able to achieve as part of this review. Bottom line: ~ Crystal clear images ~ Better night action shooting ~ I also picked up the "NEW Photography & Cinema pistol grip handle FOR Digital DSLR Cameras" through Amazon to help with keeping more stable. It was like $15. I developed a method for using it that helps me to manage the weight and zooming. I would consider it or something like it for yourselves. The EF 70-200mm is kind of heavy as lenses go. I used a monopod a couple of times for a couple of minutes, but feel somewhat restricted because of how I shoot. The grip helped a lot. ... show more
Reviewed in the United States on February 19, 2015 by W. Rinhart Jr. W. Rinhart Jr.

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