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Canon

Canon 14mm F2.8 L II USM EF AF Lens

  • Based on 61 reviews
Condition: New
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Availability: Only 5 left in stock, order soon!
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Arrives Tuesday, Sep 9
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Features

  • Lens construction is 14 elements in 11 groups
  • Focal length is 14mm, maximum aperture is 1:2.8 and has gel filter holder at rear of lens
  • Closest focusing distance is 7.9 inches
  • Diagonal angle of view is 114 (on full-frame cameras)
  • Dust and moisture proof built in lens hood

Description

Overview_Ultra-wide angle lenses have always been in demand by architectural, corporate, and other top pro photographers. This new lens features completely redesigned optics including 2 high-precision Aspherical elements and two totally new UD-glass elements. The result is superior image quality: better contrast and sharpness at the outer edges, and a reduction in chromatic aberrations that can sometimes be seen with high- resolution digital SLRs. Its diagonal angle of view is an impressive 1_..._read more_larger would be a Fisheye lens. It has a built-in lens hood, and has been dust- and moisture- proofed. The lens uses a rear focusing system, high-speed CPU, and a powerful ring-type USM with revised electronics for faster, more responsive AF. This lens continues the proud tradition of superior clarity optics found in L-series Canon lenses._Main Unit Spec Focal Length & Maximum Aperture 14mm f/2.8 Lens Construction 14 elements in 11 groups Diagonal Angle of View 114° (on full-frame cameras) Focus Adjustment AF with full-time manual Closest Focusing Distance 7.9 in. / 0.2m Filter Size Gel filter holder at rear of lens Max. Diameter x Length, Weight 3.2 in. x 3.7 in. / 80mm x 94mm22.8 oz./645g (lens only)_Adapters, Chargers & Coupler Stations Mount Adapter EF-EOS R 0.71x Canon's innovative new EF - RF optical adapter, the Mount Adapter EF-EOS R 0.71x, converts light transmission from full-frame to the Super 35mm image format. It extends the angle of view and optical sensitivity, while seamlessly integrating with the camera's optical corrections. This unit greatly expands the list of compatible lenses by including Canon's renowned line of EF lenses. In addition to the flanges of the RF mount, four screws securely attach the adapter to the EOS C70 camera. Once mounted, the adapter maintains a similar angle of view of your full frame lenses on the Super 35mm sensor, while boosting the speed of the attached lens. The adapter also carries all EF information through to the RF contacts, so, on certain EF lenses, full DPAF and metadata will be available with EOS C70 camera, working much as they do on a native EF mount. As of September 25, 2020, the following lenses are compatible: the EF16-35mm f/2.8L III USM (released in October 2016), the EF24-70mm f/2.8L II USM (released in September 2012), the EF24-105mm f/4L IS II USM (released in November 2016). Canon plans to gradually expand the list of compatible lenses by providing free-of-charge firmware updates. EF lenses are still compatible with the camera, but Canon recommends that firmware updates be installed in order to effectively utilize functions which link the camera and lens. Read More revealReadMore('item5 span.long_desc');_Cases Lens Lens Case LP1016 Lens pouch cases and the zipper- type soft cases are compact, yet keep your lenses looking like new. MSRP: $35.00_Lens Caps LENS CAP 14/2.8L II Read More revealReadMore('item1 span.long_desc'); IN STOCKMSRP: $35.00Canon Store $28.00 ADD TO CART_Service Plans / Carepaks / Software / Books Lens: CarePAK PLUS (2YR) CarePAK PLUS offers protection from accidental damage such as drops, spills, power surges, and more, including normal wear and tear, beyond the standard warranty period. It also includes Image Recovery (included with Cameras, Camcorders, and Printers with a memory card slot only), priority repair service, free return shipping, $0 deductible, genuine Canon factory service with only genuine Canon parts, and is transferable if you sell or gift your product. With a CarePAK PLUS, a damaged product will be repaired to good working condition or replaced with an equivalent product. IN STOCK Canon Store $103.99 ADD TO CART Lens: CarePAK PLUS (3YR) CarePAK PLUS offers protection from accidental damage such as drops, spills, power surges, and more, including normal wear and tear, beyond the standard warranty period. It also includes Image Recovery (included with Cameras, Camcorders, and Printers with a memory card slot only), priority repair service, free return shipping, $0 deductible, genuine Canon factory service with only genuine Canon parts, and is transferable if you sell or gift your product. With a CarePAK PLUS, a damaged product will be repaired to good working condition or replaced with an equivalent product. IN STOCK Canon Store $141.99 ADD TO CART From the Manufacturer Designed primarily for discerning landscape and architectural photographers, the Canon EF14mm f2.8L II USM lens is ideally suited to the EOS-1Ds Mark III's full-frame capability. Measuring 3.7 inches in length and weighing in at under 23 ounces, this ultra-wide angle L-series prime lens is well corrected for rectilinear distortion, provides a 114-degree diagonal angle of view, and delivers high-speed autofocus with higher image quality overall including superior peripheral image quality, compared to its predecessor, the stalwart EF 14mm f2.8L USM lens. While its large diameter, high-precision aspherical and UD elements, optimized lens element positioning, and flare and ghost-reducing lens coating ensure that this lens delivers the top optical performance in its professional class, Canon has added other features photographers have been asking for--improved dust and water resistance incorporated around the mount, switch panel and focusing ring, and a round aperture that creates a nice background blur and makes it easier to recognize an out-of-focus scene in less than brightly lit conditions. Compatible with all EOS Digital SLR cameras. Redesigned optics including 2 high-precision Aspherical elements and 2 new UD-glass elements. Built-in lens hood; dust- and moisture-proof. 11-group, 14 element design. 114∫ diagonal view

Brand: Canon


Focal Length Description: 14 mm


Lens Type: Wide Angle


Compatible Mountings: Canon EF


Camera Lens Description: 4


Product Dimensions: 3.7 x 3.15 x 3.15 inches


Item Weight: 1.42 pounds


Item model number: 2045B002


Is Discontinued By Manufacturer: No


Date First Available: August 19, 2007


Manufacturer: Canon Cameras US


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Tuesday, Sep 9

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews

    • Unreal...really...
I bought this lens 2 days ago. I shoot Architecture and I'd had my eye on this thing for a while. I own a good number of L lenses at this point and I generally use either the 24mm TS-E or the 17mm TS-E for jobs such as the one I shot today. The 24 is fantastic...the 17 is less so but necessary in a pinch. I bought this lens because of the wider reach, reports of minimal barrel distortion and AF. It seemed like it might be a good option for interiors where I could square the lens to the wall and get a good wide view. Well, let me say...this thing is stunning...STUNNING!!!. Tonight I had to shoot the interior (lobby/bar area) of a large movie complex. The client (Architect) wanted beauty shots of their work with people milling around. Ordinarily I'd do this with one of my trusty TS-E lenses...set the shot up, manual focus..check it once or twice and then spend a few minutes at that spot shooting off frames before moving to the next spot. Tonight I needed to be quicker. The owner of the property had agreed to let me shoot for only about a half hour...not much time at all. So I elected to buy this in hopes that AF would speed things up...I did a few test shots at my studio before heading out. I set myself up with the camera (5d mk ii) on a medium sized tripod and this 14mm beauty...set to AF, with +/- f16 to be safe and I simply walked laps of the big space popping off shots (via pocket wizard) as people moved through the space. I occasionally stopped to make multiple exposures but mainly I was just shooting singles hoping I could patch it up in post. I never work this way...and the thoughts of using AF on an architectural shoot just seemed nuts.. In any event I got back to my studio and immediately I knew things had gone well. The images were tack sharp front to back and the color was perfect. Much more impressive was the degree to which the images were perfectly straight...no barrel distortion at all. Of the 24 images I just processed, only 3 of them had to be lens corrected and that was due to pilot error in the field..not because of the lens. My TS-E lenses are, from this point forward my exterior lenses. If you shoot Architecture you need this lens..It is pure magic...WOW!!!!! Ok..additional here 5 months later...still thrilled with this lens...have used it countless times on jobs and for fun..zero issues..Canon rumors noted today that Zeiss is releasing an 15mm f2.8...likely a stunning lens but I've no idea how it could possibly beat the canon 14... Update - likely 2+ years in at this point and I still love this lens, but I'll tamp down the exuberance in the initial review a tad. I still use me 24 and 17 TS-E lenses most of the time for interiors. The 14 comes out in especially tight scenarios or when the space seems to warrant a broad view (just used it yesterday for a movie theatre shoot). I remain deeply impressed with the lack of lens distortion and the amazingly crisp full field focus even at f-11/13 etc. It's an impressive lens. ... show more
Reviewed in the United States on October 14, 2011 by mucker
    • Not thrilled
I love how the lens looks. My customers love the shots I take with it. a fishee might have been better with lens correction software today the price of these lenses isn't really justified over cheaper glass.
Reviewed in the United States on April 24, 2013 by Shawn
    • Stunning rectilinear wide angle
This is an outstanding lens. A bit pricey... but nothing else really compares to it. This is a "rectilinear" wide angle lens. This means that horizontal and vertical lines in a photograph will remain straight, rather than curving as they would in a "curvilinear" (aka "fish-eye") lens. This is the widest rectilinear wide-angle lens made by Canon (one of the very widest on the market.) It creates stunning architectural or landscape photographs. If you want to see samples of images taken with this lens, flickr has a group dedicated to it (as they do for most lenses). Search Flickr for a group named "Canon EF 14mm f/2.8L II USM" The lens physically has excellent build quality. The tulip-style lens hood is metal and is a permanent part of the lens body. It is not removable (and it comes with a special lens cap designed to work with the tulip hood). There are no front filter threads (such is typical of very wide angle lenses like this one.) however there is a gel-style filter holder at the rear element (products such as Rosco Cinegel.) Unfortunately this means there are certain types of filters that are commonly desired for landscape photography such as polarizing filters or gradient neutral density filters which can't really be rear-element mounted since the point of the filter is to be able to control it's placement and orientation. I have not found a solution for this problem other than to get particularly large size filters plates (from companies such as Singh-Ray or Lee filters) and hand-hold them in front of the lens. As is common for "L" series lenses, this lens is weather-sealed against dust & drips. It also includes a Canon gray-suede soft-pouch. I consider this lens to be a one-of-a-kind -- nobody else really makes anything that does what it does or comes close to competing with it in terms of quality. I absolutely love my copy. My only real complaint is that the price is steep (I happened to buy mine when Canon was offering a rebate on it. Even with the rebate it's still a very expensive lens.) ... show more
Reviewed in the United States on March 15, 2011 by T. Campbell
    • One of Canon's best prime lenses
Excellent lens for ultra-wide angle photography on full frame sensors. I bought it for interior shots in buildings and for creative shots. I realized that sometimes my 17-40/4 is not wide enough to photograph rooms and architecture. The 3 mm wider of the 14/2.8 II make a huge difference, and the lens is an amazing piece of glass. Sharp and in-focus photos even at f/2.8 with nearly no distortions. Didn't see a lot of CA with this lens either so far - the tiny bit of CA can be easily removed in post-processing software. Flares and glares are no issue even outdoors with this lens! Protruding front lens element needs to be handled with care, but the lens cap works well to protect it. Filter is not necessary since the lens is coated in a way that colors don't fade and appear natural in outdoor shots. Only con is its price tag - try to find a good deal! ... show more
Reviewed in the United States on September 9, 2012 by Martin
    • Wrong Lens
Review Image by wes krisay wes krisay
I received a very used old generation lens.
Reviewed in the United States on November 29, 2017 by wes krisay wes krisay

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