Buy Now, Pay Later
As low as
$41.66
/ mo
Learn more
- – 6-month term
- – No impact on credit
- – Instant approval decision
- – Secure and straightforward checkout
Ready to go? Add this product to your cart and select a plan during checkout.
Payment plans are offered through our trusted finance partners Klarna, PayTomorrow, Affirm, Afterpay, Apple Pay, and PayPal. No-credit-needed leasing options through Acima may also be available at checkout.
Learn more about financing & leasing here.
Free shipping on this product
30-day returns
Learn more
This item is eligible for return within 30 days of receipt
To qualify for a full refund, items must be returned in their original, unused condition. If an item is returned in a used, damaged, or materially different state, you may be granted a partial refund.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
Availability:
Only 2 left in stock, order soon!
Arrives
Wednesday, Sep 10
Recently Viewed
Features
- Three custom condenser capsules and four different polar pattern settings: Cardioid, Stereo, Bidirectional and Omnidirectional
- Cutting-edge A-D converter chip and separate analog circuit path for use with professional studio mixers and preamps
- Built-in headphone amplifier for zero-latency monitoring, and direct controls for headphone volume, pattern selection, mute, and microphone gain
- 15 Hz - 22 kHz frequency response. Headphone Amplifier: Signal to Noise 114dB. Yeti Pro is not capable of simultaneous analog and digital operation. To ensure proper operation, only connect the digital (USB) or analog (XLR) connectors at any given time. In the event Yeti Pro becomes unresponsive, simply unplug all connections for 10 seconds and re-connect your Yeti Pro with the desired output cable.
- 192 kHz/24 bit Sample/Word. Proprietary capsule design to capture sounds with detail and articulation
Recommended Uses For Product: Streaming
Brand: Logitech for Creators
Connectivity Technology: USB
Connector Type: USB, XLR
Special Feature: The Blue Yeti Pro USB & XLR Microphone is a versatile and flexible microphone designed to handle the gamut of recording tasks in studios, at home or in remote locations. The Yeti Pro features both XLR and USB outputs for use with standard analog microphone preamps, or direct integration with computer software (PC & Mac compatible). A professional A-D converter chip produces 24-Bit / 192kHz resolution. The Yeti's unique, tri-capsule array features cardioid, omnidirectional and figure 8 po See more
Compatible Devices: Amplifier, Headphone, Personal Computer, Headphone
Color: Silver
Included Components: Yeti Pro USB mic, 3m USB cable, 12” XLR breakout Y-cable
Polar Pattern: Multipattern
Audio Sensitivity: 4.5 dB
Item Weight: 0.004 ounces
Product Dimensions: 5.98 x 5.98 x 12.01 inches
Item model number: 988-000092
Batteries: 1 Lithium Ion batteries required.
Is Discontinued By Manufacturer: No
Date First Available: January 27, 2011
Color Name: Silver
Compatible Devices: Amplifier, Headphone, Personal Computer, Headphone
Computer Platform: Mac/PC
Connector Type: USB, XLR
Hardware Interface: USB
Output Wattage: 130 Watts
Color Screen: No
Hardware Platform: PC
Power Source: Corded Electric
Standing screen display size: 12 Inches
Voltage: 240 Volts
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Wednesday, Sep 10
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
- Klarna Financing
- Affirm Pay in 4
- Affirm Financing
- Afterpay Financing
- PayTomorrow Financing
- Financing through Apple Pay
Learn more about financing & leasing here.
Similar Products
Top Amazon Reviews
Style: Microphone
I'm writing this to help save time for those looking to get a pro level USB mic as I spent quite a bit of time reading reviews (amazon and pro music reviews) listening to mic shootouts and leg work on USB microphones so I though I would see if I can help others save some time. I'm a bit retentive when it comes to my audio gear. I spent 10 years looking for the perfect studio monitors and finally found a slice of heaven in the ADAM s3A's. Beware the negative reviews as it looks as though they could be user error. Im using on a mac and both mics were flawlessly plug and record nothing to do at all. I have a professional recording studio and consider my 20 years of listening experience worthwhile in doing an unbiased review. My goal was to find a usb microphone able to perfectly capture vocals and instruments without adding color (anything but the pure sound) to use with my ipad for audio work. Microphones and monitors are very subjective in my opinion . Different people like the way different gear sounds. I was simply looking for sonic clarity and depth. I settled on the Blue Yeti Pro and the MXL 009 and bought them both. I surmised these were the two top picks (based on user and pro reviews) out of the 5 or so at the top including the non pro yeti. This is my first time owning a blue or MXL mic. I have a couple of Shure ksm44's and a few Neumanns I ran a series of comparisons between the Yeti Pro, THe MXL 009 and my goto in the studio which is the ksm44 running through an Avalon ad2022 pre through an RME Fireface UFX into an 2011 Imac. I used two sets of headphones and my monitors to listen to the audio recorded. As set of audio technica m50s, and a pair of Sony MDR7509's and the s3a's. I recorded vocals, shakers and tuning forks at both 48k 16bit and 24bit 96k sample rates to see if it made a difference. It does make a difference but its slight and if you were making a song you probably couldn't tell in the mix. If you were doing a podcast or talkshow you woud notice slightly richer deeper clarity with the 96k 24bit setting. The results were very surprising to me mostly because I was blown away that a $300 microphone can compete with 7K in studio gear. I think I need to tell Toto were not in Kansas anymore. Rating scale 10 = amazing 1=Sucks The Yeti Pro - If you are looking to get just one mic then this is your pick because of its feature set. Its built like a tank. Has the 4 different switching options which is very useful for getting different sounds. You could put it on a table for an interview and hear both people as an example. Also has standard xlr out, could be nice if you want to use it with standard gear. The stereo out is a nice feature (unless you want mono). Features = 10 Easy of Use = 10 quick adjustments of gain and are forgiving if your not spot on. Set up = 10 ( I literally just plugged it in and selected it in logic pro used to record the audio) Sound Quality = 8 The MXL009 was a bit more transparent and honest with the sound. Accessories = 9 desk stand is rock solid and cool looking Look and Feel = 8 Very nice looking and solid feeling but kinda bulky. Sexy sitting on the desk if you care. They get -2 points as the Blue logo was slightly off level which most people probably would not or could not notice. (retentive) The MXL 009 - If you want the best sounding Mic and dont care about the rest this is your mic. Features = 7 (lack of traditional xlr out limits to digital use) Easy of Use = 7 You need to get your gain levels set prior to using or you will get pops and clicks in your audio. This could be a bummer if you just did a big long take and now have to edit to remove a few clicks. Set your gains and you will be without issue. ( would be nice if they had a clipping indicator on the mic since this is such a big issue). Maybe they will correct it with a soft or firmware update. Set up = 10 ( I literally just plugged it in and selected it in logic pro - used to record the audio) Sound Quality = 10 The MXL009 was a bit more transparent and honest with the sound. It is really a beautifully accurate mic. Accessories = 9 desk stand is rock solid but not as cool looking as the yeti. Its a basic stand. It comes with a cool metal case if you travel with your mics. Look and Feel = 9 Very nice looking and solid feeling. The blue led is a nice touch to show its connected The verdict is that they all sound amazing. If you were not doing a sise by side A/B you would miss the subtle differences. The Shure has a slight lead for overall sound but the MXL009 is not far behind and the Yeti pro is right up there with them. Its not quite as good sonically but as far as getting bang for your buck the yeti pro is an amazing choice for everything you get for less than $300. Unbelievable! My hats off to both companies for such great products. I am keeping them both unfortunately as they are that great for different reasons.
...
show more
Reviewed in the United States on April 1, 2012 by Starfire
Style: Microphone
The Yeti Pro is a competent microphone and versatile, but as a large-diapghram condenser, it is not necessarily the best tool for any one job. If you want to start on USB and upgrade to XLR later, the Samson Q2U, Q9U, or Shure MV7 are dynamic microphones and isolate your voice better. If you only want USB, then don't get this microphone obviously. Still, it's not a bad choice. I have gotten good results out of mine and I think it looks cool (kind of "recognizable" due to popularity). It's just that I wouldn't replace it if it broke - I've learned enough about other microphones to know what better tools are. Use case #1: Talking straight into a camera 3/5 - As a condenser, you do have some working distance to get it away from your face, but not enough to go completely off-camera (my preference) like a shotgun or pencil condenser microphone. Use case #2: Streaming or Desktop Recording: 4/5 - Here you often crop the camera to just show face so there's more of your computer application (ex games) or other overlays (ex talk shows). Cropping gets it off camera or close enough, and here the extra working distance compared to a dynamic may make a difference. Use case #3: Music 2.5/5 - This can get decent results for vocals and a variety of instruments, but a dynamic will always sound better if the space isn't sound-treated (wall foam). If you do have a treated space, you probably also have the knowledge to pick more specialized microphones. As others mention, a shock mount and arm are necessary to position the microphone well and get it away from your keyboard noise. I recommend placing it off center so that it doesn't obstruct your face, and can be hidden when cropping. The Yeti is too big to place in front of your face unless you're recording music. When using it off-center, a pop filter is unnecessary (pop filters are to control B/P blowing sounds, or "plosives"). I would only recommend a pop filter if singing - otherwise save your money and keep it clean on-camera.
...
show more
Reviewed in the United States on December 31, 2020 by Alexander Haibel
Style: Microphone
(edit) Alright, about 2 weeks later and the original review, which I have left attached, still stands with some fixes. I messed around with my setup and figured out that the feedback (the static issue) that I was having a problem with, while playing on my Xbox one, was caused by my controller being plugged in with the provided usb cable that comes included with the controller. To describe this better the controller comes with a usb cable to allow the controller to be directly plugged into the xbox for a quicker input as opposed to relying on the bluetooth connection. I still leave this at a 4 because that feedback that is there while wanting no delay in my gaming is very, very, very bothersome. So in order to use this mic and play with it plugged into my xbox one I have to have the controller unplugged. As for a PS4 setup and I am unsure because I do not own one. (original)This is a great mic. I can plug the mic into my chrome book and my 7 yo satellite Toshiba laptop with no issues. For the first couple of days on my Xbox my mic worked great, but now I am having a static issue. When I plug the mic into my Xbox one the same way as day one it is now having a static issue with my chat. The setup I am using is Blue Yeti pro plugged via USB into Xbox One, then like all required setups, 3.5 mm headphone cable > 3.5mm 4 pin to 3 pin headset splitter adapter > Xbox One stereo adapter > Xbox One controller. To describe the issue, it is a constant static hum for both me and all that are on the chat. I can turn the gain all the way down and the hum continues at its same level. So at the moment until I can come across a solution, I highly recommend buying this mic for any other application except for the Xbox One.
...
show more
Reviewed in the United States on April 20, 2017 by BMD