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THE COMIC READER AND ON THE DRAWING BOARD BY DR. JERRY BAILS: THE FIRST 25 ISSUES

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Description

THE COMIC READER and ON THE DRAWING BOARD 1 to 25 by Dr. Jerry Bails is an absolutely essential part of the library of every comic book fan, collector, and convention goer -- regardless of age. In the Spring of 1961, Dr. Bails penned a fateful column named ON THE DRAWING BOARD within the pages of his ground-breaking fanzine ALTER-EGO 1. In the same way that TV GUIDE provided previews for its readers of what was up-and-coming on their TV screens, ON THE DRAWING BOARD provided previews for comic readers about what comic books were up-and-coming to their local newsstands. His column was an immediate hit that inspired a second installment in ALTER-EGO 2, a third in THE COMICOLLECTOR 1, and the column earned the distinction of its own standalone newsletter with 4. By issue 8, the publication was re-named THE COMIC READER, the name it was best known by through the 1960s, the 1970s, the 1980s, and, even to this day, in posterity. Now, for the first time, these first twenty-five issues of ON THE DRAWING BOARD and THE COMIC READER are reprinted in one volume. Courtesy of Dr. Jerry Bails’ widow, Mrs. Jean Bails, and the Estate of Dr. Jerry G. Bails, all twenty-five issues are reprinted in their entirety, which represents the complete run published by Dr. Bails from 1961 to 1964, at which time he turned his editorship over to Glen Johnson with 26. As an added bonus, and little-known among collectors, Dr. Bails also published special “extra” editions of THE COMIC READER within the pages of other fanzines such as SUPER-HERO, MASQUERADER, THE ROCKET’S BLAST, and THE COMICOLLECTOR, and these eight special editions, each with all-new (at the time) content are also included in this book, bringing the total number of installments published by Dr. Bails to thirty-three, all of which are reprinted here. Each issue was selected from the best-known available copies from the meticulously-assembled archives of collector J. Ballmann, who has performed extensive restoration of the pages and who has written relevant commentary for all thirty-three issues that provides historical context to what was going on in the world of comic collecting at the time. These rare and now impossible-to-find publications are filled with letters by such luminaries as Stan Lee, Gardner Fox, Julius Schwartz, Roy Thomas, Bill Harris, Joe Kubert, Marv Wolfman, and include perhaps the only published letter by Marvel Secretary Judy Walsh, who announced in 1962 the upcoming arrival of Iron Man to the world for the first time. Also included are the first reviews of such iconic comics as FANTASTIC FOUR 1, THE INCREDIBLE HULK 1, X-MEN 1, and so many more, reviews that were untainted by nostalgia (since the characters were brand new) and with absolutely no idea of just how popular these characters would become. Equally as fascinating are the many ads by the dealers and collectors of the early 1960s, including ads by a young high school student named Howard Rogofsky who was selling comics such as AMAZING SPIDER-MAN 1 and FANTASTIC FOUR 1 for just $1.00 each! Dr. Bails’ super-heroic run of THE COMIC READER is a breathtaking time capsule that transports readers into the nascent world of comic collecting as it was just beginning -- and as it was happening -- and produces a narrative from the thoughts and words of that very first generation of comic book fans as they discuss the indexing and pricing of comic books, as they search out those hard-to-find issues and try to complete their collections, as they successfully persuade comic companies to return Hawkman and Captain America to the newsstands, as they brainstorm ways to stage the first comic book convention, and, most importantly, as they get to know one another. With this book, the opportunity has now arrived for the latest generation of comic book fans to get to know that very first generation of fans who started it all, and, especially, the leader of those fans: the venerable Dr. Jerry Bails! Read more

Publisher ‏ : ‎ Independently published (June 11, 2022)


Language ‏ : ‎ English


Paperback ‏ : ‎ 242 pages


ISBN-13 ‏ : ‎ 51


Item Weight ‏ : ‎ 1.43 pounds


Dimensions ‏ : ‎ 8.5 x 0.55 x 11 inches


Best Sellers Rank: #775,853 in Books (See Top 100 in Books) #10,726 in Superhero Comics & Graphic Novels


#10,726 in Superhero Comics & Graphic Novels:


Customer Reviews: 5.0 5.0 out of 5 stars 6 ratings


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Top Amazon Reviews


  • Great omnibus collection!
Very interesting to those who were there in the early 60's and the birth of comics fandom. The issues are reproduced from the originals ,which were for the most part mimeos. The images are boosted and are very readable. Valuable resource fore study of fandom history.
Reviewed in the United States on July 15, 2022 by Gordon G Green

  • Like Finding a Lost Library!
If you collect comics, that is, if you are serious about the hobby, then you really have no excuse to not know of Jerry Bails. The beginnings of silverage comic fandom owe a great deal to Bails’ near constant letter writing to National Periodicals, particularly Julius Schwartz and Gardner Fox, but even more so to Bails’ publications. While Jerry Bails didn’t invent comic fanzines nor was it he who shifted comics related content to a medium which was best known in the world of science fiction fandom, it was Jerry who introduced the Comics Code era generation to serious fan scholarship of the comics we love so much. I first “met” Jerry in around 1975, when I started to publish my own comic book and science fiction fanzine. I was lucky in that I had access to all sorts of printing equipment in the graphic arts classroom at Ben Franklin Junior High in Fargo, North Dakota. I settled on the relatively new device, the photo copier, to produce my ‘zines. Actually, I never met Jerry in person but we corresponded. A friend from the Fargo-Moorhead Association of Science Fiction, Comic, and Film Fans, which met at the Moorhead, Minnesota, public library, suggested I send my fanzines to Jerry Bails for critique. It might have been because he was tired of my frankly amateurish efforts and wanted to deflect my attention elsewhere but I did as he suggested. I don’t recall how I got Jerry’s address, but I sent off a packet with the five or six fanzines I had published to that point. Remarkably, Jerry answered my letter and offered me suggestions. He was very kind to a young teen just embarking on a journey in comics which shows every sign of lasting a lifetime. After that, every fanzine I published made its way to Jerry Bails. At one point in the 1980s we discussed that Jerry had a more complete set of my publications than I did myself. When he originally wrote me back, Jerry was already one of the giants of comic fandom. I’m honored that he bothered with me but then he was, by all reports, a good guy. Which brings me to this volume, “The Comic Reader and On the Drawing Board,” which I’ll probably forever call the Ballmann compilation. What we have here is a collection of Jerry’s comic book reviews and synopses from a variety of early fanzines which would be difficult for the average collector to access if they had not been reprinted. “On the Drawing Board” started in 1961 as a column in “Alter-Ego,” continued briefly in “The Comicollector,” became a fanzine in its own right, and finally morphed into “The Comic Reader.” If you could find the original mimeographed versions, I dare say they would set you back a hundred bucks or more each and finding them would be a big “if.” This Ballmann compilation gives you the full text of the original Jerry Bails issues from 1961 to 1964 including various special issues. They are cleaned up and easy to read which is a real plus although I must admit I miss the varying colors and quality of the originals just a little. While I do have a full set of the Bails issues of “Alter-Ego” in my collection, I must admit I don’t have any of the other materials included here. It’s a real nostalgic rush to read Jerry’s comments on the height of the silverage and to think he was commenting before most of us even had a chance to pick the books up on the newsstand. Comic which are now “keys” and eagerly sought collectors items were then entertainment intended to be read. The commentary here is an important primary source. In short, I’m delighted this book exists and I wish I’d published it. Heck, it is even indexed! Anyone serious about the history of our hobby should have a copy. Is it perfect? No. There are a few typos, at least I presume they are typos and not usage errors, which a good copy editor would have fixed in minutes and the design of the volume is serviceable but not inspired. Really though, these are very minor complaints compared to the massive historic value of what J. Ballmann has preserved here for our easy access. ... show more
Reviewed in the United States on August 21, 2022 by Matthew Gore Matthew Gore

  • Sage of the Silver Age
I approached the TCR book this way: it was helpful news and reactions of the fans of the day, in the early ‘60s, experiencing those comics for the first time. As a bonus, a historical record for us sixty years later. But...it was considerably more. It wasn't solely advance news of what would be appearing on the spinner rack. It was quite a number of things. Naming and supporting other fanzine publishers as well as encouraging fan contact, whether by letters, a “comicircuit” drive (across state lines), hosting numerous fans (Alley Tally gathering) or encouraging others to finally attempt a comic book convention. So, lots of movement in supportive directions by Jerry Bails. In reading the book, I suspect fans will each take something different away, in reference to which of his many projects and accomplishments they find most vital. And initiating it himself rather than waiting for others to establish a trend. Even when he left a project, to devote his time to other comics goals, he tried to ensure it was being passed along into good hands. In reading the book, it looked as if Jerry was striving for good will, cooperation and building upon common goals. Unification rather than contention. Making a positive difference, then developing it. So, numerous projects with established and sustained forward motion. He saw where fandom was lacking, or could be improved, and acted on it. Though TCR, initially, focused on DC news, that didn't last long. He was soon in contact with numerous publishers. Or accepting news from people who were. What was nice is he always listed his helpers and contributors. Or superlative efforts, as with the Alley awards and fanzine reviews. Jerry wasn't stoic. His messages had an excitement to them. Or, as with Hulk, X-Men and Strange Tales #114, a certain disappointment. But, for him, positive opinions far outweighed the candidly dismissive. Helpful in J. Ballmann’s presentation were photos and additional information. That improved rather than undercut anything. You still had the complete run and eight extras unaltered. As for Jerry's photos, one inside was serious. The others were him, unapologetically, having a good time. Thought they were fun. The others in the volume simply gave faces to various names we might not have known or remembered. Some laughs: The key Marvels, in ads, for a dollar or less! Books from the '40s with change back from your $20.00. I broke up the Marvel news into two groups: First, helpful early notices and clarifications. They announced the then-upcoming debuts of Ant Man, Thor, Iron Man and Daredevil. Probably very much appreciated were notices about the Hulk being discontinued or the Spider-Man story (AF #15) being a "trial run" and his being missing for a bit until reaction arrives. Sure beats hitting every drug store in town, certain you've missed it. If not for her being listed, would we even know the name Judy Walsh today? Would we know Dr. Strange was originally dubbed Mr. Strange or that it was Steve Ditko who initiated the character? Secondly - and my favorite category - news items that didn't come to pass. Ideas that didn't go quite as planned. Marvel Stories is one. It may simply have morphed into Marvel Tales. But one item said it might contain new characters, too. That didn't happen. It was reprints. Steve didn't change Iron Man's armor in the Melter story when he took over. It was in the next issue. Same for Namor and the Hulk fighting the Avengers in #2. That was in #3, instead, after the Hulk had angrily quit the team. George Tuska was said to be taking over the solo Torch strip in Strange Tales #125. What would have happened had he succeeded and turned sales upwards? Would we have had no need for Nick Fury, Agent of SHIELD ten issues later? Most surprising to me was the notion of Spider-Man meeting Namor in an early issue. Anyway, a terrific book. Both fun and educational. It's history as it happened, for those who were there to relive and the rest of us, finally, to vicariously experience. ... show more
Reviewed in the United States on June 25, 2022 by Joe Frank

  • History and Nostalgia
THE COMIC READER AND ON THE DRAWING BOARD BY DR. JERRY BAILS: THE FIRST 25 ISSUES is a wonderful combination of history and nostalgia: the history of emerging comic book fandom and nostalgia for the classic comic book titles these old news stories, commentaries, and parodies evoke. The digital restoration of these 60 year old mimeographed 'zines is first rate and the accompanying introductory and background information on the people behind them is brief but thorough. ... show more
Reviewed in the United States on August 31, 2022 by Paul H. Kupperberg

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