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Sony 35mm F2.8 Sonnar T FE ZA Full Frame Prime Fixed Lens

  • Based on 181 reviews
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Arrives Thursday, May 23
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Style: Lens Only


Features

  • Features a bright maximum aperture of F2.8, compact dimensions and outstanding optical performance in a versatile 35mm focal length; Minimum Aperture (F): 22
  • Minimum Focus Distance : 1.15 ft (0.35 m), Maximum Magnification ratio : 0.12x
  • Carl Zeiss E-mount full-frame lens for Alpha a7 Series full frame camera bodies.Lens groups / elements-5/7
  • Dust and moisture resistant design. Filter diameter- 49 mm. Angle of view- 44o (APS-C)63o (35 mm Full Frame). 35 mm equivalent focal length (APS-C)" and "Angle of View (APS-C)" are with interchangeable lens digital camera incorporating APS-C type image sensors
  • Lens not Zoomable

Description

Sony Camera Lenses SEL35F28Z The small size, versatile 35mm focal length, and outstanding overall performance of this Carl Zeiss Sonnar T lens make it an ideal match for compact 35mm full frame format E-mount bodies. Although the optical design is state-of-the-art, this superb wide angle lens remains true to the original Sonnar concept with a bright F2.8 maximum aperture (“Sonne” means “sun” in German). Three double-sided aspherical elements minimize aberration so that stunning contrast and resolution are maintained right out to the image edges at all apertures. The renowned T lens coating contributes to natural color reproduction as well. When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. Coated optics were pioneered by Carl Zeiss - and this superb lens features the Carl Zeiss T (T-Star) coating that virtually eliminates lens flare, internal reflection and light scattering that can otherwise occur at glass-to-air surfaces. The T coating contributes to outstanding image quality, with high contrast and uniformly excellent resolution right out to the image edges. Not simply applied to any lens - the T symbol only appears on multi-element lenses in which the required performance has been achieved throughout the entire optical path, therefore guaranteeing the highest quality. Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. The dust and moisture resistance design makes this lens appropriate for heavy- duty outdoor use, especially when combined with a camera that employs weather resistant measures. 2014 Sony Electronics All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. All rights reserved. Sony, the Sony logo, (alpha) logo, and SteadyShot are trademarks of Sony. Carl ZEISS and ZEISS is a trademark of Carl Zeiss and Sony Corporation. All other trademarks are trademarks of their respective owners. From the Manufacturer Sonnar T FE 35mm F2.8 ZA Full-frame E-mount Prime LensThe small size, versatile 35mm focal length, and outstanding overall performance of this Carl Zeiss Sonnar T lens make it an ideal match for compact 35mm full frame format E-mount bodies. Although the optical design is state-of-the-art, this superb wide angle lens remains true to the original Sonnar concept with a bright F2.8 maximum aperture (“Sonne” means “sun” in German). Three double-sided aspherical elements minimize aberration so that stunning contrast and resolution are maintained right out to the image edges at all apertures. The renowned T lens coating contributes to natural color reproduction as well. TechnologyCircular ApertureWhen changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.Aspherical lens elementsAspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality.Carl Zeiss T (T-star) coatingCoated optics were pioneered by Carl Zeiss - and this superb lens features the Carl Zeiss T (T-Star) coating that virtually eliminates lens flare, internal reflection and light scattering that can otherwise occur at glass-to-air surfaces. The T coating contributes to outstanding image quality, with high contrast and uniformly excellent resolution right out to the image edges. Not simply applied to any lens - the T symbol only appears on multi-element lenses in which the required performance has been achieved throughout the entire optical path, therefore guaranteeing the highest quality. Additional FeaturesInternal focusingOnly the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.Dust and Moisture ResistantThe dust and moisture resistance design makes this lens appropriate for heavy-duty outdoor use, especially when combined with a camera that employs weather resistant measures. 2014 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice.All rights reserved. Sony, the Sony logo, (alpha) logo, and SteadyShot are trademarks of Sony. Carl ZEISS and ZEISS is a trademark of Carl Zeiss and Sony Corporation. All other trademarks are trademarks of their respective owners.


Brand: Sony


Focal Length Description: 35 mm


Lens Type: Wide Angle


Compatible Mountings: Sony E


Camera Lens Description: 7


Product Dimensions: 1.46 x 2.44 x 2.44 inches


Item Weight: 4.2 ounces


Item model number: SEL35F28Z


Is Discontinued By Manufacturer: No


Date First Available: October 15, 2013


Manufacturer: Sony


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Thursday, May 23

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

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Top Amazon Reviews


  • Amazing!
Style: Lens Only
The quality of this lens on our Sony a7c is unbelievable. Highly recommmend!
Reviewed in the United States on October 10, 2023 by Ericgon

  • Zeiss. What was the question again?
Style: Lens Only
This lens is exactly the type of thing I was looking for. Compact. Ridiculously sharp. Micro-contrast that puts Nikon and Canon glass to shame. Really. If you are looking, you probably suspect it is work spending a little extra for this lens. It is. Just buy it.
Reviewed in the United States on September 12, 2023 by I. Withheldit

  • Excellent performer with some caveats
Style: Lens Only
Using this lens on an A7 camera. This is an initial assessment, as I've only owned the lens/camera combo for a few days now. But I feel I've taken enough shots to give a reasonable first impression. First, I find the build quality quite high. The lens feels sturdy, and has a good build quality. The fact that it's weather sealed is a bonus that cannot be ignored in this area as well. The focusing ring moves smoothly, and is just shy of being too stiff, which is to say the action is very good but not excellent (for me). Lens hood is well-designed, and its diminutive size keeps you from ever wanting to remove it. On the A7, this lens is extremely compact, and the couple compares favorably to say, an Olympus E-M1 with the 17mm f1.8 lens. Given this fact, I don't mind that the widest aperture is only 2.8. The autofocus of the lens is quite fast. While I don't have anything to compare it to on the A7, I will say that in congress, the couple makes quite the speedy pair, especially in good light. When things get dim, it tends to hunt just a bit more, but really not too much. Compared to an Oly E-M5 with the 17mm 1.8, the combo is a bit slow, but not so much that I'm particularly worried about it. I find the resolution of the lens to be excellent. The center is already very, very good from 2.8, and stopping down to f4 brings it tack sharp. The edges are slightly behind, but not by much, and stopping down will yield very sharp images across the frame. The vignetting characteristic of the lens is a little on the high side at f2.8 for a lens in this category for this cost, but this doesn't really bother me much, as it is easily corrected in post, and if you stop down the problem is significantly decreased by f4, and is no longer an issue at all by 5.6. Overall, I would probably have considered giving this lens 5 stars were it not for a couple of things. One is the price. I think it's a little high for this type of lens. If this were a 1.4, or even a 1.8, then I could stomach it a little easier. As it is, I'm certainly not sad I bought it because of this fact. The other is that there is an issue with color shifting on this lens. It doesn't happen in every situation, and I have only experienced it a couple of times. This is not the same as normal CA, as it shows up as a larger swath, if you will. From what I can tell, it's a bit like a rainbow effect you might see in a water droplet. For me it showed up on the edges of some fluorescent lighting under which I was shooting. It's hard to explain, but I will try to update with more info as time goes on. If you are interested in more information about the issue, leica-boss.com has a short article discussing the issue, which is where I first learned about it, and then I noticed the issue in some of the shots I took today. NOW, this issue does not really affect me, as I am almost strictly a b&w shooter. However, this could be a HUGE issue for someone shooting in color (and honestly could cause issues with b&w conversion, if you raise saturation on a particular color type for your photographs), so I highly recommend looking up the issue before you buy. Since the lens has this issue, there is no way in good conscience I could give it 5 stars. Realistically, I think if I didn't shoot strictly b&w, this would be a much larger issue for me and I might even drop the lens to 3 stars. So be aware! Who knows if this is something that can be fixed with firmware, or if (god forbid) this is an issue with the sensor itself (which would suck). In the end, for me, this is a 4 star lens from which I have already gotten some stellar images. Coupled with the A7, it creates a compact street photography monster, with incredible resolution and, I think, a wonderful character, along with being just an incredibly small and light kit (just astonishing that a ff cam/lens combo can be this small and light). Thanks for reading! ... show more
Reviewed in the United States on December 11, 2013 by Z. Wagner

  • I LOVE the camera and the lens
Style: Lens Only
I have the Sony a7ii E-mount Camera with Full Frame Sensor and the Sonnar® T* FE 55 mm F1.8 ZA lens. I LOVE the camera and the lens. I take mostly portraits or people shots of some sort so it's a perfect combination. I sometimes need a little wider angle for a picture so I debated over the Sony 35mm F2.8 Sonnar T* FE ZA and the newer, much more expensive, Distagon T* FE 35 mm F1.4 ZA. I read SO many reviews about both. I am not a pro or a perfectionist, but I take lots of photos and I want great quality and beautiful results. I finally decided on the 2.8 because of price (I got it brand new for $698 when it was on sale recently) and size. I am so happy with this lens!! It is small and light. I drag my camera around with me everywhere and I get GREAT photos with it. I capture natural, everyday human shots with it. I don't know if the lens is perfect or not. I don't care. When I look out into the world, I don't check to see if it's the absolute perfect time of day for a photo or the child's clothes match or the fence post is straight or the sky is the perfect color blue. In the real world, when I'm just looking, my eyes don't search for perfection so I don't examine my photos for technical perfection. This is a very nice lens. I will never know how much better the 1.4 is or how it compares to the 2.8 because I am completely satisfied with the beautiful photos I get with this lens. ... show more
Reviewed in the United States on September 2, 2015 by k

  • Good Lens
Style: Lens Only
Review is for this lens with Sony's A7R. Plus. I have taken some good pictures with this lens, some that arguably needed no post processing to be acceptable. The lens is sharp, focuses reasonably fast, and is very nice "considering it's very compact size". Which takes us to the Cons. Cons. I feel frustrated as an owner of this lens in a few ways. I believe concessions were made to the overall performance of this lens to ensure that it was extremely compact. As this lens was, and still is as of 4/2014, the only native FE, autofocus, 35mm lens available for the A7R, and was literally the only FE lens available at launch, this begs the question "How much better could this lens have been if it were developed for maximum performance instead of a small form factor?". I believe that question is answered by the vastly superior performance of the Zeiss 55mm F/1.8 (SEL55F18Z) which is in the same league as the Zeiss Otus 55 F/1.8. In conclusion, I now feel compelled to buy the Zeiss 55mm F/1.8 and similarly feel, as a not-wealthy person, that buying this lens may have been somewhat of a waste. Please take this review with a grain of salt as I am not a professional photographer. I just really, really like to take pictures and read. I use dxomark.com, flickr.com, dpreview.com and some others as a reference for cameras and lenses, especially when planning a purchase. ... show more
Reviewed in the United States on April 2, 2014 by tomthebomb

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