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Sennheiser

Sennheiser Pro Audio e 845-S Supercardioid Dynamic Vocal Microphone with On/Off Switch

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Availability: In Stock.
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Arrives Saturday, Oct 10
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Style: e845-S


Features

  • Smooth Warm Tonal Response
  • Full Dynamic range with presence lift for vocal clarity and projection
  • Consistent on/off axis and proximity response maintain quality while moving
  • Full metal construction and extensive suspension and shock mounting minimize noise and interference
  • Frequency response 40-16,000 Hz, Impedence 350 Ohms

Description

The Sennheiser e845s Dynamic Vocal Microphone is a great stage vocal mic with the convenience of an on/off switch! This super-cardioid, pressure gradient vocal mic features increased output level so it cuts through high on-stage sound levels, making it easy to mix. Low feedback and high SPL (>150dB) make it ideal for any stage application. Also, consistent on/off axis and proximity response and frequency response of 40Hz - 16kHz. Includes carry pouch and mic clip. Breakthrough. High output performance microphone, offering power, clarity and projection. Extended high frequency response and supercardioid pick-up pattern for higher signal output, cuts through high on- stage sound levels. Smooth warm tonal response and full dynamic range, with presence lift for vocal clarity and projection. Consistent on/off axis and proximity response maintain sound quality while moving, providing greater on- stage freedom. Full metal construction and extensive suspension and shock- mounting minimize handling noise and signal interference. High output performance microphone, offering power, clarity and projection. From the Manufacturer Extended high frequency response and super-cardioid pick-up pattern with noiseless on/off switch for higher signal output, cuts through high on-stage sound levels. Smooth warm tonal response and full dynamic range, with presence lift for vocal clarity and projection. Consistent on/off axis and proximity response maintain sound quality while moving, providing greater on-stage freedom. Full metal construction and extensive suspension and shock- mounting minimize handling noise and signal interference. High output performance microphone, offering power, clarity and projection. Features: Rugged all metal body Exceptional feedback rejection Full dynamic range and smooth frequency response for excellent signal quality Consistent on-/off-axis and proximity response Very good rejection of handling noise Hum compensating coil Delivery Includes: e 845-S, Microphone clip, Carrying pouch

Connectivity Technology: Wired, Wireless


Connector Type: XLR


Special Feature: Clip


Compatible Devices: Amplifier


Polar Pattern: Super Cardioid


Audio Sensitivity: 150 db


Microphone Form Factor: Microphone Only


Power Source: Corded Electric


Number of Batteries: 1 Lithium Ion batteries required.


Signal-to-Noise Ratio: 25 db


Number of Channels: 1


Frequency Response: 16 KHz


Audible Noise: 150 db


Color: Charcoal


Enclosure Material: Metal


Item Weight: 11.6 ounces


Item Dimensions: 2.32 x 2.32 x 2.32 inches


Antenna Location: Singing


Brand: Sennheiser


Model Name: E845-S


Model Number: 004516


Built-In Media: 1 e 845|1 microphone clip|1 pouch


Unit Count: 1 Count


Global Trade Identification Number: 63, 69


Manufacturer: Sennheiser


Number of Items: 1


UPC: 615104045163


Item Type Name: Dynamic Microphone


Mfr Part Number: MICE845S


Warranty Description: 10 year manufacturer.


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Saturday, Oct 10

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

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View our full returns policy here.

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Similar Products

Top Amazon Reviews

    • Great Microphone, A Little Prone To Feedback
Style: e845
So I previously had the benchmark for live sound, Shure SM 58. It was destroyed by some ham fisted movers a few years ago. I mostly was doing the karaoke thing in my home studio and didn't realize I bought an SM 48 as a replacement. I recently joined a band again and they were commenting that they could not hear me through the mix. I realized the mic was not a 58. I researched and was going to buy another 58 but the reviews were a little better on this one and I also got $20 off for a Warehouse Deal (used, but likely just a return). Anyway, this is a fantastic mic and a lot more clear than the 48. Is it better than the 58? Can't say, but I like it and am glad I purchased it. ... show more
Reviewed in the United States on January 13, 2023 by Look585
    • Love It, Best Ever
Style: e845-S
For the money this is the best wired microphone i ever owned. The quality is excellent, sound quality is awesome. If you are a singer or a public speaker this is the best microphone ever.
Reviewed in the United States on June 18, 2023 by AmazonCustomer David T
    • Excellent for the money!!!
Trust me, I'm not a company salesman, or connected at all to the seller nor Sennheiser. However, I think Sennheiser mics are one of the best mics for singing pop music. They have this bright, crispy sound that you can't get on a SM58 without eq-ing. They cut through the song like diamond dust and glitter (yeah, how do you express sound into image?) I researched about mics, and a friend of mine had Shure SM58's which are still used as backing vocal mics. Those mics give a good mid range, but aren't good for cutting in a song where a lot of piano or electric guitar is used. The Sennheiser E-series cut through like butter. Enough bottom end, not overly mid-range-ey, and a tad of brightness. No sharpness to the sound. It's the mic, how I always have imagined a good mic to sound. Works excellent with older sound systems. The problem with older sound systems is, that they usually use Shure SM58's, that are by nature more mid range-ey, and the speakers often lack bass, or treble. The Sennheiser does well in straightening that curve somewhat, to not let the voices sound too mid ranged, with having only ample brightness, or low end. For me it was clear I wanted a Sennheiser mic. Only which one? Sennheiser had 3 vocal mics that where entry mics, sounding so much better than 2x $$$ the pro mics of 5 to 10 years ago! I read some reviews, and basically the entry mics where dull (SM58) sounding. The mid class was by some people's words, a bit too bright. The top series of the E-series mics (the 800 series) seemed to have the right balance of brightness and warmth. In my case I needed a stage mic, where feedback was imminent. This mic has a Anti-feedback mechanism. It's better not to have this for studio, but for live, where feedback can disturb the atmosphere from time to time, it's really necessary to have. It makes this mic the best of all sound wise, as well as more focused towards the live singer! On top of that the -S on the back indicates it has a much desired on-off switch. All you could want in a live, on stage mic! My advise? If you're a singer, you should have at least one Sennheiser E-845 mic, as well as one Shure SM-58 mic in your arsenal. The shure mic might sound better for backing vocals. But this mic just sounds wonderful, and cuts through the band wonderfully well, in a way that the shure doesn't. So get both! ... show more
Reviewed in the United States on March 15, 2014 by H B
    • Best Least Expensive Dynamic Microphone
Style: e845
OMG!!! I have been singing on and off stage for over 15 years. I have been using many other people's equipment cause I never found that I needed to buy a microphone (never really sang INTO(ATE) the microphone, so I never worried about health concerns). Anyway, recently being in a cover band, I needed my own microphone. I purchased one not too long ago from a reputable brand and the microphone is good, just not for my vocals (Male Tenor I). I then searched high and low and remembered using a Senny e935 a while back that worked well but not well enough. I went on line and checked out one video of a guy using the e845 to record vocals and I was absolutely stunned. The crispness and clarity that comes from this microphone is unbelievable, I actually think it sounds better than the e935 (that is just my two cents). To end this review, I used this microphone last night in a practice environment where I had to strain my vocals with the previous microphone (unable to push the gain on that one). This microphone had me doubting, at first, if the rest of the band was playing loud enough. My vocals cut through the instruments without even the slightest strain. All the members were able to make out every last syllable; and even when I had to push the gain and volume up (for the harder rock tunes) this microphone was able to handle beyond most other microphones I have used in the past. If you are looking for a less expensive, but AMAZING microphone, the e845 is it. I haven't tried the e945, but I have tried the e935 and this beats it hands down. ... show more
Reviewed in the United States on July 17, 2012 by G. L.
    • Amazing microphone
Style: e845-S
I got this for my girlfriend who is a solo singer/guitarist. She had to turn the gain down on everything she owned because the power of this microphone made every thing clip leaving settings the same from her Shure SM58. The amount of "out of cone" noise cancellation is extremely impressive. I was recording my girlfriend with a cheapish studio Condenser microphone (MXL V67G), but I have since started recording her with this instead. The sound is very transparent, as it doesn't seem to emphasize the mid or upper tones like a lot of live microphones seem to do. I was thinking about a preamp as a gift, but don't think I need to as of now. She uses the switch, so it was a worthwhile $20 upgrade. I've not heard a pop from the switch, so it is a very nice quality feature. It's large and has a fair amount of resistance, so I don't think it would accidentally toggle. My girlfriend uses the microphone on a tripod, so this wouldn't be a decent measure of how easily it would accidentally "turn off". I highly recommend this for a single singer, but not a shared microphone; the out of cone noise cancellation is uncanny. ... show more
Reviewed in the United States on April 24, 2017 by Matthew R. Lilly

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