OM SYSTEM Olympus M.Zuiko Digital ED 12-40mm F2.8 Pro Lens, for Micro Four Thirds Cameras
Condition: Used - Very Good
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Availability:
Only 1 left in stock, order soon!
Arrives
Friday, Oct 23
Style: Base
Features
- Constant f2.8 maximum aperture
- Focal length: 12 to 40 millimeter, minimum focus distance 7.87 inches (20 centimeter )
- Drip proof; Dust proof, splash proof, and freeze proof construction. Lens construction: 14 elements in 9 groups (Aspherical ED lens, 2 Aspherical lenses, DSA lens, 2 ED lenses, HD lens, 2 HR lense)
- Includes lens hood and pouch, filter size 62 millimeter, equipped with manual focus clutch mechanism
- Compatible with Olympus and Panasonic cameras
- Focal length: 12 to 40 millimeter, minimum focus distance 7.87 inches (20 centimeter)
Description
This large-aperture 3.3X zoom lens is the first in the newly created “M.ZUIKO PRO” category. Covering a 35mm equivalent focal length of 24-80mm, this lens features all metallic construction and makes extensive use of high grade optical components including dual aspherical, high refractive and ED lens elements configured in 9 groups to assure the highest level of reproduction. A fast maximum aperture of f2.8 throughout the zoom range, a manual focus clutch as well as Splash-proof, Dust-proof and Freeze-proof construction make it suitable for the most demanding professionals and enthusiasts. An “MSC” (movie and still compatible) AF lens drive system ensures fast and quiet auto- focusing – especially important when shooting HD movies. A seven blade circular aperture produces pleasing background defocusing effects. Included accessories are LH-66 petal type hood, LC-62D aluminum protective lens cap, LR-2 rear lens cap, LSC 0918 lens pouch and one year world-wide warranty.
Brand: Olympus
Focal Length Description: 20cm (7.87 in) 7cm ~ macro 7 cm ( around 2.5in)
Lens Type: Wide Angle
Compatible Mountings: Four Thirds
Camera Lens Description: OM SYSTEM OLYMPUS M.Zuiko Digital ED 12-40mm F2.8 Pro Lens, for Micro Four Thirds Cameras
Focal Length Description: 20cm (7.87 in) 7cm ~ macro 7 cm ( around 2.5in)
Lens: Wide Angle
Compatible Camera Mount: Four Thirds
Maximum Focal Length: 40 millimeters
Minimum Focal Length: 12 millimeters
Lens Design: Zoom
Focus Type: Auto/Manual
Lens Fixed Focal Length: 40 millimeters
Lens Coating Description: HD Coating
Zoom Ratio: 3.33x
Image stabilization: digital,optical
Maximum Aperture: 2.8 millimeters
Minimum Aperture: 22
Number of Diaphragm Blades: 7
Compatible Camera Models: Olympus and Panasonic cameras
Photo Filter Size: 6.2 centimeters
Lens Mount: Micro Four Thirds
Screen Size: 8.4 centimeters
Color: Black
Exposure Control Type: Automatic, Manual
Light Sensitivity: High
Maximum Shutter Speed: 30 seconds
Media Type: ProductImage
Shooting Modes: Manual, Automatic, Landscape, Portrait, Sports, Night
Viewfinder Type: Optical viewfinder
Water Resistance Level: Water Resistant
Video Capture Resolution: 1080p
Brand: Olympus
Camera Lens: OM SYSTEM OLYMPUS M.Zuiko Digital ED 12-40mm F2.8 Pro Lens, for Micro Four Thirds Cameras
Model Name: OM-D E-M1
UPC: 050332186835 888253024642
Number of Items: 1
Manufacturer Part Number: 12-40mm F2.8 PRO
Global Trade Identification Number: 42, 87
Unit Count: 1 Count
Built-In Media: LENS
Item Weight: 382 g
Manufacturer: Olympus
Warranty Description: 1 year coverage for labor, 1 year coverage for parts
Model Number: V314060BU000
Model Series: M.ZUIKO PRO
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Friday, Oct 23
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
Style: Base
Yes, it is expensive. This lens starts at a very respectable 12mm, which is pretty wide compared to most lenses and zooms to 40mm, which is only so-so. Nevertheless, this range may very well be the range that many of us shoot the majority of our pictures. Now, let’s just say this right up front as a person who has experience with almost every lens that FUJI makes, this Olympus lens is maybe only a tad below the Fuji lenses as far as build quality is concerned. And even that may not be an accurate statement, because I am basing it on the FEEL of the zoom as you twist the barrel. It’s simply not as smooth as Fuji’s best lenses, but it is smooth. The lens itself just oozes quality, and in this respect, it really is like a hi-end Fuji XF lens. Now, it SHOULD be, because of it’s price. But not everything we pay high prices for is worth the price. But in this case, it is, particularly if you can get it on sale. One thing I have noticed about Olympus lenses is that they have this weird thing going on where some of their cheapest lenses that look and feel like junk still take really good pictures. For example, I have the cheapo 40 - 150 mm lens for which I believe I paid $99, and every time you twist the zoom barrel, it reminds you of fine grit sandpaper and it rattles with looseness and you feel the grit with the twist. But I have to tell you, for $99, this cheapo lens knocks off pictures that are sometimes astonishing considering its price point. And mind you, at that price point, you’re not getting all of the fancy lens coating, special glass, etc. What I’m trying to say, and many people I believe will agree with this, is that Olympus is really turning out a wonderful set of lenses at all price points. Even the “low-end” lenses can take very good pictures. So, this lens, being one of the "PRO" models, is at the high-end of the price range, but it shows both in its mechanical construction, it’s appearance, and most importantly, it’s photographic output. It is extremely sharp, fast focusing, not terribly heavy, and has a smooth zoom mechanism. It employs the same mechanism as Fuji for entering manual focusing: you simply pull the ring on the lens barrel towards you, and the distance marking appears and your immediately in manual focus mode. Push the ring back (away from you) and you're immediately back in auto-focus. It's a really nice design. The lens is not optically stabilized, so if you’re shooting with a camera that does not have built-in image stabilization keep that in mind before making this purchase. But it is a CONSTANT F/2.8, which means that all the way through the zoom range you can shoot at F/2.8, making the optical stabilization less of an issue and making the lens suited for shooting in darker areas. I am very impressed with this lens and look forward to testing and experimenting with it more, but from my initial examinations and tests, it looks like a keeper to me. Five stars. P.S. Amazingly, this lens comes with a very nice lens case. Fuji, ARE YOU LISTENING? What’s with all these high-end, expensive lenses NOT coming with beautifully branded lens cases that would only cost $10 to make and that people would gladly pay that extra $10 to have a special lens case included with the lens they purchase? Olympus did it with this one, and that’s the way it should be. I know I’m on a hobbyhorse, but if you think about it, this omission of custom cases for expensive lenses is really stupid for a number of reasons. These camera manufacturers that are making such gorgeous lenses, such as Fuji, whose lenses are frequently compared to lenses three times their price, do not come with a beautiful lens case that says “Fuji” all over it. Really dumb move.
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Reviewed in the United States on July 5, 2019 by Ray
Style: Base
Honestly, what can I say about this lens that hasn't been already said? This lens has become for many reviewers and bloggers, either the Lens of the year or runner up. This lens has pro level IQ, amazingly fast AF and one of the most useful all around focal range for photography today. at 2x crop factor on m4/3 it behaves like a 24-80mm. It has nice bokeh and the ability to for decent subject isolation (shallow Depth-of-field) at 35mm+ (70mm) and very sharp at 12mm (24mm) wide angle. Some sites have said that the 12mm f2 lens is slightly sharper but to me it's negligible. PLUS you get all this IQ and focal range in a weatherproof package! Pair that up with the OM-D EM-1 and you have an adventure waiting to happen! Another question that pops up frequently on blog pages and review sites is the question between this and the high quality prime lenses out there for the m4/3 format. My opinion (just my 2 cents) is if you plan on shooting on nice bright days and don't want the hassle of changing lenses, then bottom line, this is your lens. On sunny/bright days you will end up stopping down the prime lenses anyway so you will get just the same amazing results especially if you pair this with an Olympus OM-D that adds in-body 5-point IS and Chromatic fixes in the software for this specific lens. On the other hand, if you like to shoot in low light, have no problem switching lenses, and generally want the ability for a very shallow DOF (depth of field) and subject isolation you can get on the m/43 format, stick with primes. Though to be fair, the bokeh is perfectly fine for my taste on this lens. One detail that is often overlooked with this lens is it has an amazingly short focusing distance. This means you can get pretty darn close to your subject which is like having a sudo-macro function for this lens. This just adds to the incredible diversity of this lens. If you are concerned with price, you shouldn't be. A lens of this quality at this price is an amazing deal. Here is my cost comparison/value break down: If you bought the 12mm F2 and 45mm F1.8 you would be $200 above the cost of this lens (all brand new) and only have 2 focal lengths. The equivalent price in primes would be the 17mm f1.8 and the 45mm f1.8 but you lose the nice wide angle 12mm focal length and gain possibly the "best portrait lens" for m4/3 cameras with nice creamy bokeh and sharp IQ. To me the ideal prime set is the 12mm f2, 25mm f1.4 (Panasonic) and 45mm f1.8 which puts you at roughly $1800 give or take. A nice f2.8 combo would be this lens (12-40mm f2.8 Pro) and the 60mm f2.8 macro giving you a fully capable system of varied focal lengths plus macro and medium telephoto capabilities all for about $1400. Pros: Extremely Sharp IQ corner to corner Super-fast AF (I think faster then my L series lens tbh) The best and most versatile focal lengths for everyday photography Ability to get very close to subjects. Just a few inches in fact Large Aperture for decent bokeh and good subject isolation at the higher focal lengths Weather-proof! All metal construction MF 'choke' design for quick switching to Manual Focus mode Includes a customizable L-FN button on lens for additional functionality. Cons: Big and somewhat heavy (though half the size of lets say the Canon 24-70mm f.28 L) - The size doesn't bother me in the least I have to add. Makes the E-M1 look pretty awesome. Tube Extends during Zooming (would have liked the elements to stay within the lens, thought this would probably double the price) Not the smoothest zoom and focus ring on the market. The other primes I have are way smoother. In fact there is small 'tap-like vibrations' when zooming. After speaking with Olympus directly they informed me this is normal operation. Loses almost 2 stops compared to the primes available today for m4/3 format cameras. I'm happy to answer questions posted here in Amazon. Good luck!
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Reviewed in the United States on January 14, 2014 by DigitalDave
Style: Base
I sold several Olympus primes and cheaper zooms to afford this lens, and I honestly don't miss any of them except the 60mm macro. It's sharp. Of course it's sharp. But the contrast is honestly better than the Olympus 45mm f/1.8. I always felt the other lenses had a bit of a hazy look. I really thought it was just a quirk of the Olympus cameras, but it's gone with this lens. I thought I'd find f/2.8 limiting, but I always found that opening up to 1.8 was a great way to get pictures that weren't quite in focus, or just too little was in focus. I was always stopping down anyways. Even at 2.8, I generally prefer to be able to shoot at f/4 unless I'm intentionally trying to blur the background. That really depends on what kind of photographer you are. Still, the 45/1.8 did have creamier out of focus areas. That might have just been because of the wider aperture, but I feel like it just rendered out of focus areas a bit better. Still, this lens isn't terrible at it. Busy backgrounds tend to stay busy, though. It's sharp enough that you can get away without too much sharpening. That helps a lot when you have to boost the ISO. The close focusing distance really surprised me. I mostly keep a decent camera for product photography (and basically upgraded to an E-M5 II for it's high res mode). I was afraid selling the macro lens would be a mistake, you can get pretty close. Closeups of things like flowers are no problem. Real macro stuff will still require a proper macro lens, though. Autofocus is as quick as I've seen with Micro 4/3. I mean, it should be quick. It struggles more in low light than the primes did, likely just because of the smaller aperture. It's a rare issue, but it's worth noting. It's heavy. It's not huge, really. No longer Olympus' cheap 45-150, but a big bigger around. But it's heavy. It does kinda change the balance of the E-M5II. I found myself holding it by the lens instead of the camera. It's not bad, but it's different than the super light primes/zooms I used to have. It feels fantastic to hold, though. Everything you actually touch is metal. The zoom and focus rings have a lot more resistance than I was used to. At first I didn't like it. Now everything else feels loose and sloppy. It's just what you get used to, I guess. But it's smooth. The manual focus clutch is a fantastic feature. I still haven't found a use for the lens fn button, but then I never really needed as many function buttons as the E-M5II has. It's still a nice touch. One issue I've had is that the lens hood seems to occasionally fall off. It clicks on tight. And I can't just pull it off. I think the release button gets bumped sometimes. It only actually locks on one side, and I feel like the issue would be fixed if it locked on both. It's a small issue, but it's happened to me several times. Some people complain about the lens cap. These people should not be allowed in public unsupervised.
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Reviewed in the United States on July 4, 2017 by Nuclear Powered Finger Puppet
Style: Base
I was on the preorder list for this here on Amazon, so I got one of the earliest copies that Olympus released. The construction is very solid and the weight is slightly high for an M4/3 lens, but nothing to worry about. I find the slight heft to lend itself nicely to the feel and perceived durability of the optic. The only problem I've had with this lens was on the first copy I received. Within 20 minutes of general us - I was actually photographing something for online auction - the lens inexplicably locked itself out at the max zoom. I got nervous. In 15 years of pro shooting I've never had a lens lock up on me like that. Not Nikon, not Canon, not Fuji, not Tamron, not Panasonic, not Olympus. The quality of the lens ushered in even more surprise as it doesn't feel cheep or poorly designed. I finally managed to get it to back in by applying slight pressure to the front element while rotating the zoom ring. It did it a few more times over a 24 hour period. I sent it back to Amazon for an exchange, which took several days to get in obviously, because of the early demand. Since getting the new copy I've had no issues. I've only been shooting M4/3 for a few months now, but I really am enjoying it. The Olympus E-M1 is literally the funnest camera I've ever used (review coming once I do a few more tests) and this is the camera I've used to test this lens. As I've mentioned, this lens has a wonderful weight and design and the quality is top shelf. When I was looking for a lighter/smaller, general shooting/international travel kit I first went with the Fuji X system after offing my secondary full frame DSLR and lenses. This isn't a Fuji review, but the gear was mostly aces except for the plastic, flat X-E1/2 bodies. The lenses, however, have a VERY solid and esthetically pleasing designs (though some, like the 23mm 1.4 have terribly slow AF) and this 12-40 is reminiscent of that. To me, this Olympus lens feels more solid, despite it's smaller size overall. If you've used to or are familiar with the Fuji X lenses, this Olympus will feel akin to that class of optic. Performance is very solid with quick and quiet AF. The AF is very accurate and really isn't fooled easily. Yes, the camera plays a role in all of this, but the partnership is excellent. I also found it quiet in continuous AF while shooting video as long as you're letting the camera acquire the focus. Pressing the shutter half way will generate gear noise as it realigns the optics to a great degree. The manual focus sift ring - also very similar to the newer Fuji X series - is a nice touch and works well. The lens is pretty sharp even wide open and does well stopped down a bit. I'm not a pixel peeper at the corners by any stretch, but nothing I've taken stood out to me because of negative attributes. I've been shooting Nikon FF with pro optics most recently (and still do for work) and the biggest hurdle I've had to overcome in moving to M4/3 for personal work is the inherent resolution/noise limitations of sensors by comparison. However, for practical purposes, it's not much of a problem. I say that to argue that if I'm not seeing red flags going up when reviewing my images, this lens is more than doing it's job. I've not put this under a running faucet to test it's splashproofness, but I've seen videos of others doing it with splendid results. I have, however, had it out in mist, light rain, sleet and snow with zero complications. I've not done a freeze test either, but it performed admirably in snow in temps in the mid to lower 20s. As far as dustproofness, well I can't attest to that as deeply yet, but I have used it on the beach with flying sand shooting an athletic event and no grains seems to get inside the body. Yes, grains are bigger than fine dust, but it's the best testament I can give right now. I was able to blow grains off the camera/lens with no complications. This will be in my travel kit to Africa this summer and that will be excellent testing grounds for this area as I usually have to clean my cameras and optics a few times a week because the orange dust begins to layer up on them. I'll follow up toward the fall if anything changes or to give added testimony. Overall, it's very hard to fault this lens. The stuck zoom aside on the first draft, I find this lens to be stellar, even for the money. An optic of similar performance on a traditional DSLR will easily run you close to double or at least a few hundred dollars more. Even the Tamron equivalent is $300 or so more, but it does include vibration control. Olympus leaves that up to the camera body and the 5-axis system in the E-M1 is the best I've ever experienced, even versus optically controlled systems. So, in a nutshell, it's no MORE expensive than any quality 2.8 of this range on the market. It's a 24-80 focal length equiv, so you do get a bit more reach, and what it might lack in, say, optical stabilization, it makes up for in exceptional environmental sealing. You won't see too many folks put their Canon or Nikon's under the faucet :) I have NOT used the supposedly excellent Panasonic 12-35 2.8 lens, so I can't compare them. I know that the Panny is also supposed to be dust and splash proof and does have the built in OIS, but it's over $100 more as well. In a nutshell this 12-40 2.8 Oly performs very well and it's added durability and looks make it a winner in my book and a welcome addition to the ever-expanding M4/3 lens arena. If you require faster optics in a zoom lens, this is a very good option in my opinion. Oly's claims about it's capabilities are certainly holding up for me so far and I'll easily change my rating in the future if I find that it comes up short in the field. With the (currently) available rebates that Oly has set in place it becomes an even better option. I purchased this with the E-M1 body and the pair qualified for a $200 mail-in rebate on the lens - making it $800, which is a bargain for this quality of lens. I'm highly looking forward to the upcoming 40-150 2.8 that will fall in this same class. This lens has easily met my expectations and I have no hesitations in highly recommending it to anyone seeking its performance level. BONUS: You actually get a freak'n lens hood with it! I guess Olympus decided to make the concessions with the zooms because their prime certainly don't come with them. Rediculous...
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Reviewed in the United States on February 8, 2014 by One Degree Life
Style: Base
This is my first review of this lens and I intend to do follow-ups. I used this lens as my main lens on a recent trip to San Francisco on vacation. We visited many of your typical tourist areas and I tested the lens in a variety of situations. First, I should also report I used this lens on an Olympus E-Pl9. From other reviews I gleaned many people say the lens is too big for a Pen. This was not my perception. I found it to be large, but manageable, and in fact enjoyable to use. I simply cupped the bottom of the lens in my left hand and used my right to do everything else. It felt fine and for those concerned with aesthetics, it looks very cool on the Pen. Regarding the quality of the images, the lens came into focus quickly and produced nice sharp images. My only concern is that in most situations the sunny blue sky looked a bit dull and not very blue. My iPhone 10 did a much better job. That makes me raise an eyebrow. In all fairness, I suspect I need to learn a little bit more about maximizing this lens with my camera. The iPhone is basically a point and shoot, while my Olympus Pen and lens combo is not. Is this lens a keeper? Yes. However, I will update this report again after I use the camera/lens combo a few more times.
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Reviewed in the United States on October 8, 2019 by MarkM007
Style: Base
I've owned Olympus' OM-D E-M5 camera body since Christmas 2012. Using the kit 12-50mm and the 40-150mm (24-100mm and 80-300mm 35mm equivalent) lenses I've had a fun year capturing photos. The camera has been everything I wanted it to be, with the exception of being just average tracking kids playing soccer. But the 12-40mm f/2.8 lens takes the camera to a different level. I thought I was getting decent performance from the 12-50mm lens -- and I thought wrong. It's okay, for what it is, but it's slow (f/6.3 at 50mm) and just average in sharpness. With nothing to compare to, I didn't realize how it was holding back the E-M5's potential. The 12-40 is truly top caliber. Sharp from corner to corner. Chromatic aberration cannot be found. Fast for extending the E-M5's low light capabilities at modest ISOs (I can gain nearly three stops from the 12-50mm in many situations). On the PC I'll zoom in on shots and be astonished by the crispness that simply didn't exist before. Having never owned an expensive DSLR (I had a decent Nikon FE2 film body and some Vivitar Series I lenses in the 80's, however), I'd been lulled into thinking the images I was capturing were simply all that such a camera was capable of. The E-M5 is a very good micro four thirds body, after only the new E-M1. What difference could one lens make? Well, as it turns out, a great deal. The 12-50mm has a smooth motor drive mode for video (which I rarely shoot) and a dedicated macro mode, which is nice. But the 12-40mm, while not being optimized for macro, turns out to be a fully capable macro lens as well, better than the 12-50, IMHO, because of its superior resolution and significantly faster performance and ability to isolate at f/2.8. The only step up for close up photography being to a dedicated macro lens. (And yes, I know that with regards to depth of field it is twice that of a full frame sensor. But f-stop is dimensionless, and with regards to light-gathering-per-sensor-size/exposure/ISO, f/2.8 is f/2.8 is f/2.8, whether it be APS, M43, full frame or a large format camera.) The only thing I don't like is the price. $1,000 was a big chunk. But the way it has changed the performance of the E-M5 is truly revelatory. There really is a significant optical difference between a decent mainstream consumer lens and a pro level lens. The 12-40 lives on my camera now, and the 12-50 is going to end up on eBay. If you've got the E-M5 or M1 and can afford it, this lens is a no brainer and will not dissappoint. Since the long end is only 80mm equivalent, I think even Lumix body owners can enjoy it's benefits despite not having the in-camera stabilization that Olympus bodies have.
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Reviewed in the United States on January 1, 2014 by M. Gotts
Style: Base
Many others have covered the excellent qualities of this lens in detail, and I second many of these comments - outstanding build quality, sharp as a tack across the zoom range, elegant to operate, extends the UI of your camera with another Fn button. So, I'll spend a little more time two points of my personal experience: 1) the way in which this critically extends the flexibility and convenience of a m4/3rds body like the OMD's and 2) the many lenses I will now replace with the 12-40. Regarding the enhanced flexibility this lens brings, it honestly surprised me a bit, but in retrospect, makes sense. Adding 1-2 stops of speed across this zoom range vs. options like the 12-50 kit lens makes a night and day difference for my everyday shooting, while the convenience to frame via zoom vs. primes has always been a strong preference of mine going back to film days, and now I can do so without compromise as function of focal length. Cool! Indoors, I get way more flexibility in shutter speed (isolate action, avoid blur) and/or ISO (reduce noise). Outdoors, I can play with DOF more without resorting to primes, and can shoot at really low ISO for lowest possible noise. While I knew intellectually that this would be the case, the *degree* to which this lens opens the operating window of my OMD under a wide range of shooting conditions is just remarkable. It's like I was sitting on the head of a pin with some of the other lenses I own, without much room to move before making a big compromise in image quality (e.g., too slow shutter, too high ISO). I'm using my OMD more a result, and having more fun to boot! Regarding lenses I'll now sell as a result of this purchase, here is the low down: Selling my Sigma 19mm f2.8, Sigma 30mm f2.8 (both very nice primes), the Oly 12-50 kit lens, and perhaps even my Oly 9-18mm wide angle zoom. Will keep my long zooms, the Oly 14-150 and 75-300 for those occasions when long zoom is needed, and my Pany 14mm f2.5 as my most compact option for those times when total size of camera+lens matters. The one other purchase I am still considering is Oly's new compact zoom, for street shooting and vacation photos in bright light. Net, this is my single best lens purchase yet, makes the most difference to me in the real world. Highly recommended!
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Reviewed in the United States on April 11, 2014 by Robbster
Style: Base
Without a doubt a pro level lens that is dustproof and splash proof. The 12-40 lens is a little larger around and about the same length as the Olympus 12-50mm lens. Image quality stands with the best of zoom lenses in this range and surprisingly is its best at 12mm and wide open. Close focusing ability is awesome with a maximum .6X magnification. Focuses quickly even in low light. The included lens hood is easy to put on, locks in place, and has a push button lock need to remove the hood which can also be reversed for storage. The lens also comes with a unique aluminum front pinch type lens cap, a back cap, and a cloth stroage bag. The lens feels substantial and has controls for manual focus, zoom and a L-Fn function button that can be programmed on the EM-1 for any one of 25 different functions. The very comfortable knurling on the focus and zoom rings are different so you can tell by size and feel which ring you have control of. You can switch to manual focus simply by pulling back on the ring and turn the very smooth and precise operating focus ring. I'd call the zoom ring smooth and like the feel. This is an all manual zoom lens and when zooming from 12mm to 40mm there is a little more resistance at around 21mm and again at about 27-30mm. Functions very well and the resistance allows to me easily control how much or how little I want to move the zoom setting. The front lens does not rotate when focusing or zooming so filter use requires no extra handling. The lens extends as it is zoomed and extends about 2/3 the length of the lens and does not automatically retract.
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Reviewed in the United States on November 29, 2013 by Clint