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Oculus (Blu-ray)

  • Based on 3,727 reviews
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Arrives Wednesday, Jun 18
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Description

OCULUS DESCRIPTION SPECIAL FEATURES - Deleted scenes with Optional commentary - Inside the Mirror: Creating Oculus - Original 32 minute Oculus Short Film with optional commentary The twenty-one-year-old Timothy "Tim" Allen Russell is discharged from a mental institution by his psychiatric Dr. Shawn Graham completely healed from a childhood trauma where his father purportedly tortured and killed his mother before being killed himself by Tim. His sister Kaylie welcomes him in the parking area and brings him home. Then she tells that they need to destroy an ancient mirror that she has found through working at an auction house. She then steals the mirror and the reluctant Tim follows his sister and has fragmented recollections from their childhood, going back to when his father Alan buys a mirror for the home office of their new family home. Kaylie and Tim see a woman with their father in his office and the behaviors of Alan and Marie change, ending in a family tragedy. Kaylie blames the mirror and now she wants to destroy it with Tim. Will they succeed?

Genre: Horror, Mystery & Thrillers


Format: Subtitled, NTSC, Color, Widescreen


Contributor: Annalise Basso, Trevor Macy, Karen Gillan, Rory Cochrane, Mike Flanagan, Brenton Thwaites, Marc D. Evans, Katee Sackhoff See more


Language: English, French


Runtime: 104 minutes


Aspect Ratio ‏ : ‎ 2.401


Is Discontinued By Manufacturer ‏ : ‎ No


MPAA rating ‏ : ‎ PG-13 (Parents Strongly Cautioned)


Package Dimensions ‏ : ‎ 7.1 x 5.42 x 0.58 inches; 2.4 ounces


Director ‏ : ‎ Mike Flanagan


Media Format ‏ : ‎ Subtitled, NTSC, Color, Widescreen


Run time ‏ : ‎ 104 minutes


Actors ‏ : ‎ Karen Gillan, Brenton Thwaites, Katee Sackhoff, Rory Cochrane, Annalise Basso


Subtitles: ‏ ‎ Spanish


Producers ‏ : ‎ Marc D. Evans, Trevor Macy


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Top Amazon Reviews

    • With a fresh take on an old story, OCULUS reflects dark excellence.
At first glance, director Mike Flanagan's OCULUS looks like a pretty standard haunted house-type film. A young man and woman, brother and sister, revisit their childhood home where they believe a mirror is responsible for the deaths of their parents. That does sound like pretty standard fare. But once Flanagan, his stars Karen Gillan, Brenton Thwaites, Katee Sackhoff, Rory Cochrane, and co-screenwriter Jeff Howard get the story kicked off, all your preconceptions are thrown out the window with clever, creepy direction and editing, a really smart and moody script and some excellent and brave performances. Kaylie and Tim Russell (played as adults by Gillan and Thwaites, and as children by Annalise Basso and Garrett Ryan respectively)had a very normal childhood, until their father Alan (Cochrane), with the support of his loving wife Marie (Sackhoff), starts his own software business out of his home office where they have a lovely antique mirror placed. Things are normal enough for a bit, but suddenly, all hell breaks loose; Alan murders Marie and Tim is placed in a psychiatric ward after he shot Alan. The film opens just as Tim is being released on his 21st birthday and seems to have completely recovered from his trauma, believing that everything that happened were tragic acts of desperate and delusional people rather than there being any supernatural phenomena. However, Kaylie has grown into her adulthood and still is firmly convinced that the mirror, an antique known as the Lasser Glass, is not only the cause of the murders in their home, but of many others throughout time. Through her work at an antiques auction house, she is able to abscond with the mirror and bring it and Tim to their childhood home with the intention of initially proving it has supernatural powers, but also to destroy it. Brother and sister are initially in conflict as Kaylie desperately tries to tear down the psychic walls Tim has built up for himself to guide him through his childhood trauma, and Tim desperately tries to convince Kaylie that everything that happened had a rational explanation despite how horrific it all was. And soon, the mirror does indeed start fighting back against their attempts to weaken it, and once again, their childhood home is filled with terrors. Again, even the description I just gave seems pretty rudimentary and feels like well-covered territory. What really makes it work is how Flanagan disrupts the viewers by shifting back and forth in time to the past and present, and as the film reaches its climax, how the two time periods begin to collide. Not only is it an incredibly effective storytelling technique, it's a very disorienting bit of cinematic trickery that throws the audience off their center, and it becomes hard to know what exactly might be going on. Now this technique has been the source of some complaint about this film, but that's expected. Once you tread off the beaten path of the horror genre, some fans become irate because all of their sweet spots weren't hit. But that disorientation is part of the whole experience. The filmmakers are trying to replicate the experiences of the protagonists in the viewer's mind as well. How can we be expected to always know what's happening if the characters we're following don't always know what's happening? It is purposefully confusing and that works to the film's advantage rather than a detriment. Story-wise, there are some plot points that are extremely nit-picky (When did she get all this equipment installed? Has she been working at the auction house just to get access to the Lasser Glass? How has she been able to do this without her fiance's knowledge?), but it's very negligable. While Gillen and Cochrane stand out amongst the adults, the real show-stealers are Basso and Ryan as the young Kaylie and Tim. They're marvelous and incredibly brave young performers that hopefully have a strong future ahead of them. Also standing out is Flanagan, who made some rumbles with his 2011 horror ABSENTIA, has really crafted a new take on a very old horror trope of the cursed or haunted object. Wisely, he also doesn't overdo it with CGI creep. There are certainly some well-crafted CG effects here, but for the most part, it's shot using good old-fashioned practical effects, which seem to be making something of a comeback, which is great for the genre. He also doesn't cheat when he takes the story of the film to its logical and tragic conclusion, which is nihilistic and incredibly disturbing, but also not terribly shocking. One of the best compliments I can give is that it reminded me of some of my favorite episodes of THE TWILIGHT ZONE. OCULUS is an intense piece of horror cinema and is probably my favorite of the genre since THE CONJURING. 4.5 out of 5 Stars. ... show more
Reviewed in the United States on August 21, 2014 by The Blue Thunder Bomb
    • Dvd purchased
Love this movie great scary movie I purchased the DVD it works great and case in in great condition
Reviewed in the United States on May 5, 2024 by Colie
    • Unexpectedly Timely
My first impression of this film was that it was a well-done little indie chiller. A quality film of little significance. A day or two later, though, I realized what Oculus is really about. That's when I realized how timely it is. Without going into spoilers, Oculus is a film about how your perceptions can be turned against you. On its face, the idea of a haunted mirror seems absurd. That absurdity is part of what makes the film so effective. Kaylie blames a malign force inside that mirror for what appears to be a brutal but ordinary American tragedy. The idea seems mad. So does she. It's not giving away much here, though, to say that she's right. The film, then, is less about what the force is and more about how deeply we are shaped by denial even when the evidence is right there "looking us in the face." The film's performances are solid. The gore is minimal but effective, especially in one scene that caused this hardened horror fan to briefly glance away from an injury that seemed too real for comfort. Pacing is measured but not draggy. It's that theme, though, of being deceived by appearances that stuck with me. Released in 2013, Oculus has grown more relevant and disturbing with age. This isn't a slam-bang fright-fest. It's an eerie creeper that's probably more effective if you're old enough to notice how unnerving its implications are. Though initially underwhelmed, I found this to be a film whose aftershocks are more fascinating than the initial impact. Oculus challenges us to examine our perceptions, and does not offer comforting answers about what we might find when we do. ... show more
Reviewed in the United States on October 5, 2022 by Cedar Blake
    • I love it
I love love love this movie. It's so amazing, scary, and really messes with your head.
Reviewed in the United States on May 6, 2024 by Xander McLaughlin
    • Thrillerrrrrrr
Spoiler alert: it's going to shock TF out of you !
Reviewed in the United States on May 8, 2024 by Getty WINSLO
    • Ignore "Amazon Customer" Review (although the movie really is meh)
First and foremost, ignore any reviewer, such as "Amazon Customer," that doesn't warn you they're giving spoilers in the review. That's just bad form. If you had any commitment to the art, you would warn a person. This review is spoiler free, as is my way. The movie is meh, at best. I'm feeling generous tonight. Katie Sackhoff doesn't have much going on these days. The issue at hand is that it wants to be one of those movies that makes you wonder, "is this psychological or is it supernatural?" but it doesn't thread that needle successfully. To be fair, most attempts in the genre fail. One of the reasons I didn't give this 1 star. It's a hard feat to accomplish and this isn't the worst example of it, so not a 1 star. With the baseline thus being a 2, you will be asking why I gave a 3. My rationale is the acting and not relying on special effects. It's a fairly low budge flick but it still does its thing effectively. I never thought, "this would be better if they spent another $50 million." It lets the story and the characters carry the day. Sometimes it works, sometimes it doesn't. Regardless, it's respectable. However, I would still pass on this. It was a cheap enough movie to produce, and it recouped its costs by a factor of 9, but it never bore a sequel for a reason. ... show more
Reviewed in the United States on July 16, 2022 by Alex Smith
    • Great movie
Really good movie. I hated the ending but it's worth it. Wondering if there is a part two
Reviewed in the United States on April 22, 2024 by K
    • It's AUTOGRAPHED??? EEEEEEE!!!!!!!!
I had no idea this was autographed by Mike Flanagan and the star! I was excited just to find a copy of this version of Oculus, but I'm SO HAPPY to get this one!!!!!
Reviewed in the United States on April 10, 2024 by A Girl is No One

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