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Arrow Video

An American Werewolf in London (Limited Edition) [4K Ultra HD]

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Format: Blu-ray March 15, 2022


Description

One of the greatest directors of the 1980s, John Landis, expertly combines macabre horror with dark humour in the lycanthropic classic, An American Werewolf in London.American tourists David and Jack are savaged by an unidentified vicious animal whilst hiking on the Yorkshire Moors. David awakes in a London hospital to find his friend dead and his life in disarray. Retiring to the home of a beautiful nurse to recuperate, he soon experiences disturbing changes to his mind and body, undergoing a full-moon transformation that will unleash terror on the streets of the capital...An American Werewolf in London had audiences howling with laughter and recoiling in terror upon its cinema release. Landis’ film has gone on to become one of the most important horror films of its decade, rightly lauded for its masterful set-pieces, uniquely unsettling atmosphere and Rick Baker’s truly ground-breaking, Oscar- winning special make-up effects. Now newly restored and presented with an abundance of extra features, this big beast of horror can be devoured as never before...4K ULTRA HD BLU-RAY LIMITED EDITION CONTENTSBrand new 4K restoration by Arrow Films from the original negative 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) Original uncompressed 1.0 mono and 5.1 DTS- HD Master Audio Optional English subtitles for the deaf and hard of hearing Commentary by Beware the Moon filmmaker Paul Davis Commentary by actors David Naughton and Griffin Dunne Mark of The Beast: The Legacy of the Universal Werewolf, feature-length documentary by filmmaker Daniel Griffith, with interviews with John Landis, David Naughton and more An American Filmmaker in London, interview with John Landis about British cinema and his time working in Britain I Think He’s a Jew: The Werewolf’s Secret, video essay by filmmaker Jon Spira about how Landis’ film explores Jewish identity The Werewolf’s Call, Corin Hardy, director of The Nun, chats with writer Simon Ward about their formative experiences with Landis’ film Wares of the Wolf, featurette in which SFX artist Dan Martin and Tim Lawes of Prop Store look at some of the costumes and special effects artefacts from the film Beware the Moon, Paul Davis’ acclaimed, feature-length exploration of Landis’ film which boasts extensive interviews An American Werewolf in Bob’s Basement and Causing a Disturbance: Piccadilly Revisited, two 2008 featurettes filmed by Paul Davis Making An American Werewolf in London, archival featurette on the film’s production An Interview with John Landis, archival interview with the director about the film Make-up Artist Rick Baker on An American Werewolf in London, the legendary make-up artist discusses his work on the film I Walked with a Werewolf, archival interview with Rick Baker about Universal horror and its legacy of Wolfman films Casting of the Hand, archival footage from Rick Baker’s workshop showing the casting of David Naughton’s hand Outtakes Storyboards featurette Original trailer and teaser plus TV and radio spots Extensive image gallery featuring over 200 stills, posters and other ephemera Reversible sleeve featuring original poster art and artwork by Graham Humphreys Double-sided fold-out poster Six double-sided, postcard-sized lobby card reproductions Limited edition 60-page, perfect-bound book featuring writing by Craig Ian Mann and Simon Ward, archival articles and reviews

Format: Anamorphic, NTSC, Surround Sound, Widescreen


Contributor: David Naughton, Griffin Dunne, Jenny Agutter, John Landis


Language: English


Runtime: 1 hour and 37 minutes


Manufacturer: Arrow Video


MPAA rating ‏ : ‎ R (Restricted)


Package Dimensions ‏ : ‎ 6.89 x 5.43 x 1.18 inches; 5.92 ounces


Director ‏ : ‎ John Landis


Media Format ‏ : ‎ Anamorphic, NTSC, Surround Sound, Widescreen


Run time ‏ : ‎ 1 hour and 37 minutes


Release date ‏ : ‎ March 15, 2022


Actors ‏ : ‎ David Naughton, Griffin Dunne, Jenny Agutter


Studio ‏ : ‎ Arrow Video


Best Sellers Rank: #1,088 in Movies & TV (See Top 100 in Movies & TV) #107 in Horror (Movies & TV)


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Top Amazon Reviews

    • An American Werewolf in London
A Howling Masterpiece of Horror and Dark Humor. An American Werewolf in London is one of those rare films that sinks its teeth into you and never really lets go. It’s a brilliant collision of bone-chilling horror and sharp, unexpected humor, crafted with a confidence that feels just as fresh today as it must have in 1981. What immediately stands out is the atmosphere. The film opens with an eerie quiet that slowly builds into a sense of dread, like something lurking just beyond the frame. Director John Landis balances tension and absurdity with surprising finesse. One moment you’re gripping the edge of your seat, the next you’re caught off guard by dark humor that somehow makes everything even more unsettling. Then there’s the transformation scene. Even decades later, it remains one of the most jaw-dropping practical effects sequences ever put to film. No shortcuts, no cheap tricks, just raw, physical, painful metamorphosis that feels disturbingly real. It’s not just a spectacle—it’s storytelling through sheer craftsmanship, and it still outclasses much of what CGI tries to accomplish today. David Naughton delivers a strong performance as David, grounding the film with a believable mix of vulnerability and confusion. His descent into something monstrous is both tragic and terrifying. Meanwhile, Griffin Dunne as Jack brings a strange, almost playful energy to the role of the undead companion, adding layers of dark comedy without ever undercutting the horror. The pacing is tight, never overstaying its welcome, and the use of music—especially the clever wolf-themed tracks—adds a unique personality that keeps the film from feeling like a standard creature feature. It’s stylish without being flashy, confident without being overindulgent. What really elevates the film is how it blends tones without collapsing under the weight of either. It’s funny, but never silly. It’s scary, but never hollow. It understands that horror works best when you care about what’s being lost. In the end, this isn’t just a werewolf movie—it’s a genre-defining experience. Brutal, witty, atmospheric, and unforgettable. A true classic that still prowls at the top of horror cinema. ... show more
Reviewed in the United States on May 6, 2026 by Benjamin
    • A Masterclass in Practical Effects and Dark Humor
Still the Gold Standard for Werewolf Movies If you just rented this on Prime Video, you’re in for a treat—though maybe don’t eat a heavy meal during the transformation scene. Even decades after its 1981 release, An American Werewolf in London remains a staggering achievement in horror-comedy that modern CGI still struggles to match. Why It Holds Up: • Rick Baker’s Practical Magic: There’s a reason this movie won the first-ever Academy Award for Best Makeup. The transformation sequence isn't just a visual trick; it’s visceral. You can practically feel the bones snapping and the skin stretching. It treats the change as a painful, agonizing process rather than a magical "poof," which makes it infinitely more terrifying. • The Tone: John Landis (fresh off Animal House and The Blues Brothers) manages a nearly impossible balancing act. One minute you’re laughing at the dry, dark wit of a decaying undead friend, and the next you’re genuinely tense during the iconic London Underground chase. • The Soundtrack: The clever use of "Moon" themed songs (Blue Moon, Bad Moon Rising, Moondance) adds a layer of ironic charm that perfectly complements the grisly subject matter. • The Setting: The transition from the eerie, foggy Yorkshire moors (and the "Slaughtered Lamb" pub) to the bustling, neon-lit chaos of Piccadilly Circus provides a fantastic sense of scale and isolation. Things to Look Out For: • The "Undead" Jack: Griffin Dunne is brilliant as David’s best friend. Watching him progressively decay through different stages of rot is both gruesome and hilarious—his casual attitude toward his own decomposition is a highlight of the script. • The Ending: Without spoilers, it’s abrupt. It doesn’t overstay its welcome or try to wrap everything up in a neat bow, which leaves you with a lingering sense of tragedy. Bottom Line: Whether you’re a horror buff or just looking for a classic movie night, this is essential viewing. It’s a reminder of a time when "movie magic" meant physical craft, patience, and a lot of latex. ... show more
Reviewed in the United States on May 3, 2026 by WildChild01
    • Best Looking Version!
Excellent Reissue! Another great Arrow release. This blue ray is preferred to the Arrow 4k which differs greatly in its color grading. This version American Werewolf In London looks best.
Reviewed in the United States on May 12, 2026 by D4-V3
    • A True Horror Classic
I ordered this movie the other day because it belongs in any horror fan's collection. I haven't received yet, so my review is simply about the movie (which I've seen a number of times). First and foremost, this movie is flat-out entertaining regardless of your preconceptions about werewolf movies. In reading a number of the negative reviews about this movie there are concerns about the special effects. There is no CGI in this movie. Everything is done with live actors, make-up, and mock-ups. These old-school effects are top notch, and were groundbreaking at the time. To me CGI has become rather commonplace. Unless it it very, very, VERY good (i.e. Golem in Lord of the Rings) it creates the same disappointment I feel when watching the cheesy animated fireside transformation in The Howling (Special Edition) (an otherwise excellent movie). If you simply must have CGI in your movie, don't bother to buy this one. Another objection is that the movie had a poor ending, or that the script didn't faithfully portray the werewolf legend. I take exception to both of these assessments. There are two basic types of werewolf movie in my opinion, the classic and the shapeshifter. What is the difference? The classic werewolf is a victim, and changes in accordance with the lunar cycle. These changes are painful, unavoidable, and result in a fugue period. After the transformation he is unaware of his rampage and horrified once he discovers it. The resulting inner turmoil is at the heart of the classic legend and the only release is death, hence the obligatory sad ending. As a viewer (or reader) we are supposed to feel sympathy for the werewolf. The shapeshifter is a different form of werewolf. These guys can change shape whenever they choose. In some stories they can only do this during the lunar cycle, but more often than not it truly is an "at will" transformation. They are usually happy with their lot, and relish the power it brings them. No one feels sympathy for this type of werewolf. They are generally (but not exclusively) little more than a common criminal in werewolf clothing, and usually are found in packs -- unlike their classic counterpart who is a loner. The Howling is one of these types of films, as is the follow up to this movie: An American Werewolf in Paris. Shapeshifters are very popular at the moment. An American Werewolf in London is a classic werewolf horror movie with some humor injected. Rather than detract, the humor actually highlights the underlying horror. It is like the uneasy laugh of a boy walking home though a graveyard at night. The script is good, the acting above average, and the special effects still hold up very well indeed. The story takes you from the moors of Yorkshire to Piccadilly Circus in London as you follow David in his journey through lycanthopy. There is plenty of blood, howling, romance, some nudity (another horror staple), and humor. I heartily recommend this movie if you like the classic werewolf and can live without CGI. ... show more
Reviewed in the United States on September 3, 2010 by L. McKelvy
    • Great Movie and Great Blu Ray from Arrow
***This review is only for the 2019 Arrow Blu Ray release*** I previously had the original Blu-ray release from 2009 (the Full Moon edition). Arrow’s 2019 Blu Ray is vastly superior in both video and audio and it’s not close. While I haven’t seen Arrow’s 4k release of this film (I’m generally not a big fan of older movies in 4k), it would be hard to imagine it’s too much better than this blu ray version. One of my favorite movies finally has the look (and sound) it deserves. Cheers! ... show more
Reviewed in the United States on August 5, 2026 by Andrew Brown
    • The greatest Werewolf film ever!
1981 was The Year of the Werewolves...the furry fiends leaped onto movie screens in three major films: "The Howling," "Wolfen," and the classic of the genre, "An American Werewolf in London." There has never been a greater werewolf film, there has never been a better transformation scene, and few horror movies can match the entertaining mixture of humor and scares that writer/direction John Landis ("Animal House," "The Blues Brothers") achieved here. Although there had been humor in horror films before this movie, "An American Werewolf in London" showed once and for all that having comedy in a horror film didn't mean that the film would lose out in the scare department. Landis makes it clear that the film is NOT a comedy -- the horror scenes are carried with dead-seriousness and shocking impact -- but there is so much quirky humor surrounding these scenes that the film becomes incredibly likable and buoyant. Most of the laughs come from seeing the old movie werewolf premise dropped into the modern day and watching the characters try to deal with it. Actors Griffin Dunne and David Naughton, neither of whom had been in a movie before, create a wonderful 'ordinary guy' feeling to their characters of two young American boys backpacking through Europe. In rural England, they have a nasty encounter with a legendary monster, and Naughton faces the consequences of being bitten when he returns to London and takes up living with a pretty nurse (Jenny Agutter). The transformation scene is justly famous and a milestone in visual effects. Make-up wizard Rick Baker lets the viewers watch a real-time twisting of a human body into a wolf shape: limbs stretch, snouts pop, hair grows, the body contorts...it's amazing to watch. (And on DVD, you can watch it over and over and over again). Even computer graphics can't achieve an effect as startling as this one. This DVD offers some nice extras. The image is good, and the 5.1 Surround Sound is decent (although there's not a lot of back speaker sound). Actors Naughton and Dunne do feature commentary on the film, and provide some interesting information and sound as if they were having a great time reliving the experience. I wish that Landis had been on the commentary as well, but you can hear his thoughts on the film in an 18-minute interview. Landis is an absolute hoot to listen to; the guy is as funny as his movie, and he absolutely bursts with ideas and observations. To go along with the Landis interview is an 11-minute interview with make-up maestro Rick Baker. He provides a fascinating look at crafting what he calls "the coolest werewolf film ever made." Also included is a vintage featurette on the making of the film, although it's only about five minutes long (but you get more of wise-cracking John Landis), ten minutes of archival footage of Baker making a cast of David Naughton's hand, and an assortment of storyboards, outtakes, and production photos. "An American Werewolf in London" is a major turning point in horror films and visual effects -- and even over twenty years later, it is still one of the most entertaining movies of its decade. It hasn't aged at all, and this DVD lets you experience it the way it should be seen (and in the company of wild-man John Landis!) ... show more
Reviewed in the United States on July 14, 2004 by Claude Avary
    • Maybe keep the bluray if you have it
Looks good on 4k, but I'm not sure if it's definitively better than bluray.
Reviewed in the United States on January 12, 2026 by Mitsuomi
    • This is the original of the two I love them both but start with this
This was a childhood favorite
Reviewed in the United States on June 14, 2026 by Jjsr

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