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Availability:
Only 2 left in stock, order soon!
Arrives
Tuesday, Aug 19
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Style: 70-200mm f/2.8 VR S
Pattern: Single
Features
- Superb performance. Sharpness and contrast are exceptional throughout the frame. Focusing is smooth, fast, and silent
- Ready for video. Focus breathing is all but eliminated, and stable aperture control delivers natural exposure changes throughout the scene
- OLED lens information panel. Quickly confirm aperture, focus distance, exact focal length, ISO, and depth of field right on the lens
Description
The fast, full-frame NIKKOR Z 70–200mm f/2.8 VR S is the second lens in the Nikon mirrorless family to be released. Whether shooting sports, events, or reportage, this S-Line telephoto zoom lens covers all the bases for stills and video. Focusing is fast, smooth, and silent. Sharpness is outstanding throughout the frame—even when shooting at the widest aperture. When shooting video, focus breathing is all but eliminated.
Brand: Nikon
Focal Length Description: 70-200mm f/2.8
Lens Type: Telephoto
Compatible Mountings: Nikon F
Camera Lens Description: 70-200 mm
Product Dimensions: 3.94 x 3.94 x 3.94 inches
Item Weight: 3.08 pounds
Item model number: JMA709DA
Batteries: 1 12V batteries required.
Date First Available: January 8, 2020
Manufacturer: Nikon
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Tuesday, Aug 19
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
Style: 24-70mm f/2.8 S
Pattern: Single
I bought a Nikon Z7 in a bundle that included the 24-70mm f/4.0 lens. I thought this lens was a somewhat expensive upgrade to that bundled lens, but since I was taking a trip that would offer many opportunities for photos, I decided to splurge. Having now finished that trip and downloaded the photos, I am quite impressed with the output of this lens. There were definitely some lower light shots that were made possible by this lens that the f/4.0 could not have captured, as well as some shots where I really shortened the field depth and allowed the background to bokeh beautifully. While this lens is noticeably heavier than f/4.0 lens in the bundle, that is unavoidable due to marked increase in the optics of the lens. Moreover, compared to other f/2.8 lenses, it is fairly compact at 89x126mm and among the lightest in the category with a weight of 805g. I thought the weight difference between the f/4.0 and the f/2.8 might be a problem by upsetting the balance of the camera, but that never emerged. I initially noted the extra weight compared to the f/4.0, but within minutes, I got used to the camera's new feel. I never felt out of balance, and enjoyed the experience of shooting with the new lens immediately. Beyond the actual photographic output of the lens, from a usage standpoint, I was most impressed with the focusing. The lens has two synchronized AF drive units, and it enables the lens to focus very quickly and with impressive accuracy. I found this to be most helpful when shooting video because a moving subject could stay in focus without effort, however even for photos when I was not focusing manually, I noted how quickly it focused. It's noticeably faster than the f/4.0. While this lens is certainly an investment, I think its performance justifies its cost. I am happy I bought it. I think for a professional, this f/2.8 is an essential workhorse. However, even if you are an amateur who likes to have top-notch tools, this lens is remarkable, and it's an incredible upgrade from the f/4.0.
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Reviewed in the United States on September 8, 2020 by Tech Sponge
Style: 24-70mm f/2.8 S
Pattern: Single
About me: I primarily shoot video. When I am doing photography, I am usually shooting product, cityscape, nightscape, or night sky. I was skeptical of the new Z-mount. When I bought the Z 6, I was hopeful to use autofocus with video. At first, I was content to keep using my F-mount glass through the adapter. Two things changed my mind: 1) the awful noise of F-mount glass when doing video AF 2) I felt that the focus breathing was distracting from the subject. So, I purchased the Z-mount 24-70mm 2.8 S. After a month of use; I can say that this lens is incredible! The focus is silent and fast for video AF. Additionally, Nikon advertised that they worked on focus breathing for this lens and it performs amazingly. There is one item that has been a little frustrating, and that is the aperture ring. I frequently use my pinky there to help balance heavier lenses. I find myself changing the aperture accidentally when using this lens. I believe there is a way to turn this off in-camera and that may make this a non-issue for me. I will explore and report back. The attributes that would cause me to recommend this lens 1) extra stops of VR compared to using and adapted F-Mount lens 2) Silent & Fast video AF 3) Lack of Focus breathing 4) sharpness (it is brilliant, really it is) 5) quality build (ring operation is smooth and a metallic body that looks and feels great!) I have never owned the 24-70 f4 S. For those debating between the two, I have been told that they are very similar in performance and that the main difference is weight/size and maximum aperture. Most of my shooting is in low light, which is why I opted for the f2.8. If you consider your needs, I don't think there is a wrong answer between the two.
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Reviewed in the United States on May 29, 2019 by Spencer
Style: 24-70mm f/2.8 S
Pattern: Single
This is the best 24-70 I’ve ever used. The image quality, sharpness, contrast, color is better than my f-mount Nikon primes. Since buying this lens, I’ve sold my Nikon 85mm 1.8 G, Sigma 35mm 1.4 Art, and the Nikon 24-70 F4 Z mount kit lens, simply because they became obsolete the moment I put this lens (24-70 f2.8 S) on my Z 6 and Z 6ii. In my opinion it’s far better than the 24-70 f4 S kit lens. The f4 kit lens seems clinical and has a mundane-fine quality to the images... where the 24-70 2.8 S has a beautiful artful rendering quality to the images. I’ve stayed away from 24-70 lenses in the past because this focal range is just so standard and boring... but this lens has converted me.
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Reviewed in the United States on January 16, 2021 by Michael
Style: 24-70mm f/2.8 S
Pattern: Single
This is the best lens I've ever owned. As a semi pro photographer for over 17 years, I've owned a lot of glass. This is without a doubt the best glass I've ever owned. Sharp from edge to edge and perfect in the center. Completely silent and fast autofocus. If I could only have one lens, this would be it.
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Reviewed in the United States on June 3, 2021 by Egglan Egglan
Style: 24-70mm f/2.8 S
Pattern: Single
I go to a lot of conventions, and have been taking pictures for years. I finally switched into using the Nikon Z 7ii camera, and ended up buying several lenses, along with a couple of adapters that will let me use my Canon or older Nikon lenses. I tested the adapters just to make sure it worked, but for now I'm mainly sticking with the Z lenses. Because taking pictures of people at conventions has varying distances between me and the subject, I like to zoom in or out. I also have quit using flash for most of the pictures, where previously I always used flash. I have found this lens easy to use, and haven't so far needed to switch it out. There were times when I thought a bigger zoom would be better for stage pictures, but the pictures I took were still very usable. I will be wanting to add a 2.8 lens with bigger zoom one of these days.
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Reviewed in the United States on November 7, 2023 by Kerry