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Nikon

Nikon D750 FX-Format Digital SLR Camera Body

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Availability: Only 6 left in stock, order soon!
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Arrives Thursday, Oct 15
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Features

  • Full frame 243 megapixel CMOS image sensor and expeed 4 image processor
  • Full HD 60/50/30/25/24p video
  • Built in Wi-Fi connectivity and compatibility with the WT 5a plus UT 1 communication unit
  • Shoot up to 65 fps at full resolution frame size (pixels): 1920 x 1080
  • Pro video feature set including: Simultaneously record uncompressed and compressed, manually control ISO, shutter speed and aperture while recording even use power aperture control for smooth iris transitions and auto ISO for smooth exposure transitions
  • Compact, lightweight and slim unibody (monocoque) body design with tilting Vari angle LCD display

Description

Style: Body Only | Configuration: Base Ignite your creative desires A serious tool for serious shooters The D750 has a feature set unlike full-frame D-SLRs its size. It uses the same autofocus and metering technology as the D4S and the D810—Nikon's powerful 51-point AF system with 15 cross-type sensors and 3D Color Matrix Metering III with a 91,000-pixel RGB sensor. It's fast and responsive; shoot 6.5 fps at full resolution. And it's endlessly versatile; shoot stills in multiple formats, video with enhanced definition, smooth time-lapse sequences up to 9,999 shots in-camera and more—all with stunning sharpness and rich tonality. Open new compositional possibilities with its 3.2-inch 1,229k dot tilting Vari-angle LCD display, or use a compatible smartphone or tablet as a remote monitor for Live View shooting. From the Manufacturer Bring your vision to life with Nikon's first full-frame D-SLR to feature a tilting Vari-angle display and built-in Wi-Fi connectivity. With pro-caliber video features inspired by the D810, the same autofocus and metering system used in the D4S and D810, a newly designed 24.3MP FX-format CMOS image sensor and exceed 4 image processor, the D750 delivers a feature set unlike D-SLRs its size. A monologue design keeps the camera remarkably slim, compact and lightweight, and a control layout based on Nikon's flagship cameras makes for comfortable, intuitive handling. The D750 will deliver superb performance. Full-frame freedom, outstanding agility and the convenience of built-in Wi-Fi. For those who find inspiration everywhere, who switch between stills and video without missing a beat, who want the look only a full-frame D-SLR can achieve and who love sharing their shots, the D750 is the tool to unleash your artistry. With features inspired by D4S and D810, the D750 brings dazzling image quality, cinematic video capabilities and pro- inspired handling in a nimble design with a tilting Vari-angle LCD and built- in Wi-Fi connectivity. Enthusiasts upgrading from a DX-format D-SLR will marvel at the D750's full-frame performance. Pros seeking a primary or secondary camera for fast-paced shoots will appreciate the D750's familiar handling and speed. And filmmakers looking for a compact D-SLR to bring a production to life or to capture B-Roll will find the D750 a perfect fit. The D750 is a thrilling centerpiece of an exceptional imaging system. Ignite your creative desires A serious tool for serious shooters The D750 has a feature set unlike full-frame D-SLRs its size. It uses the same autofocus and metering technology as the D4S and the D810—Nikon's powerful 51-point AF system with 15 cross-type sensors and 3D Color Matrix Metering III with a 91,000-pixel RGB sensor. It's fast and responsive; shoot 6.5 fps at full resolution. And it's endlessly versatile; shoot stills in multiple formats, video with enhanced definition, smooth time-lapse sequences up to 9,999 shots in-camera and more—all with stunning sharpness and rich tonality. Open new compositional possibilities with its 3.2-inch 1,229k dot tilting Vari-angle LCD display, or use a compatible smartphone or tablet as a remote monitor for Live View shooting. Take your passion to the next level 24.3MP FX-format sensor and EXPEED 4 Like every Nikon full-frame D-SLR, the D750 achieves a level of image quality few other manufacturers can match. Its newly designed 24.3MP FX-format CMOS image sensor is paired with EXPEED 4 image processing for fast frame rates, a low noise, wide ISO range of 100 to 12,800 (expandable up to ISO 51,200), Full HD video with enhanced definition and reduced noise at high ISO sensitivities, minimal moiré, jaggies and false colors and a Nikon first—autofocus performance down to -3EV. Paired with the versatile array of full-frame or DX-format NIKKOR lenses, the D750 is capable of telling any story you can imagine. Shoot cinematically Cutting edge HD video capabilities With professional video capabilities inspired by the D810 and an array of inputs and outputs, the D750 is as well-suited for recording daily life and events as it is for filmmaking and videography. Simultaneously record uncompressed and compressed Full HD 1080 footage at 60/50/30/25/24p. Manually control ISO, shutter speed and aperture while recording—even use Power Aperture control for smooth iris transitions and Auto ISO for smooth exposure transitions. Use Highlight Display with zebra stripes to confirm exposure, apply Flat Picture Control for easier color grading in post and record at low and high angles with the 3.2-inch tilting Vari-angle LCD. Stay connected Built-in Wi-Fi sharing and remote control Sharing and transferring your favorite D750 photos is fast, easy and fun. Wirelessly connect to the D750 with a compatible smartphone or tablet, browse the camera's memory card, download your favorite shots and then email them, text them or upload them to your favorite website. You can also use your smart device as a remote monitor and control for the D750—see what the camera sees and fire the shutter. For faster wireless transfers, transmit images over FTP using the WT-5A Wireless Transmitter + UT-1 Communication Unit. (Advanced shooters can use a web browser on a smartphone or tablet in HTTP mode to operate camera controls and begin Live View shooting.) Enjoy the view A first for a Nikon full-frame D-SLR, the D750 features a 3.2-inch 1,229 dot tilting Vari-angle LCD display. It has RGBW alignment and color balance customization, so it can be matched to an external monitor. Use it to shoot from high and low angles, to spot-select white balance during Live View shooting, to access the intuitively redesigned Info. Display or to change settings quickly from the separate Photo Shooting and Movie Shooting menus. Match your view and your vision with the 100% coverage optical viewfinder, which has a bright, clear organic EL display system for making adjustments without taking your eye off the action. Supplied Accessories D750 Body Only EN-EL15 Rechargeable Li-ion Battery MH-25A Battery Charger UC-E17 USB Cable AN-DC14 Strap BF-1B Body Cap DK-5 Eyepiece Cap DK-21 Rubber Eyecup Nikon View NX2 CD ROM Download the user manual. Bring your vision to life with Nikon's first full-frame D-SLR to feature a tilting Vari- angle display and built-in Wi-Fi� connectivity. With pro-caliber video features inspired by the D810, the same autofocus and metering system used in the D4S and D810, a newly designed 24.3MP FX-format CMOS image sensor and EXPEED 4 image processor, the D750 delivers a feature set unlike D-SLRs its size. A monocoque design keeps the camera remarkably slim, compact and lightweight, and a control layout based on Nikon's flagship cameras makes for comfortable, intuitive handling. The D750 will deliver superb performance. For those who find inspiration everywhere, who switch between stills and video without missing a beat, who want the look only a full-frame D-SLR can achieve and who love sharing their shots, the D750 is the tool to unleash your artistry. With features inspired by D4S and D810, the D750 brings dazzling image quality, cinematic video capabilities and pro-inspired handling in a nimble design with a tilting Vari-angle LCD and built-in Wi-Fi connectivity. Enthusiasts upgrading from a DX-format D-SLR will marvel at the D750's full- frame performance. Pros seeking a primary or secondary camera for fast-paced shoots will appreciate the D750's familiar handling and speed. And filmmakers looking for a compact D-SLR to bring a production to life or to capture B-Roll will find the D750 a perfect fit. The D750 is a thrilling centerpiece of an exceptional imaging system. The D750 has a feature set unlike full-frame D-SLRs its size. It uses the same autofocus and metering technology as the D4S and the D810—Nikon's powerful 51-point AF system with 15 cross-type sensors and 3D Color Matrix Metering III with a 91,000-pixel RGB sensor. It's fast and responsive; shoot 6.5 fps at full resolution. And it's endlessly versatile; shoot stills in multiple formats, video with enhanced definition, smooth time- lapse sequences up to 9,999 shots in-camera and more—all with stunning sharpness and rich tonality. Open new compositional possibilities with its 3.2-inch 1,229k dot tilting Vari-angle LCD display, or use a compatible smartphone or tablet as a remote monitor for Live View shooting. Like every Nikon full-frame D-SLR, the D750 achieves a level of image quality few other manufacturers can match. Its newly designed 24.3MP FX-format CMOS image sensor is paired with EXPEED 4 image processing for fast frame rates, a low noise, wide ISO range of 100 to 12,800 (expandable up to ISO 51,200), Full HD video with enhanced definition and reduced noise at high ISO sensitivities, minimal moiré, jaggies and false colors and a Nikon first—autofocus performance down to -3EV. Paired with the versatile array of full-frame or DX-format NIKKOR lenses, the D750 is capable of telling any story you can imagine. With professional video capabilities inspired by the D810 and an array of inputs and outputs, the D750 is as well-suited for recording daily life and events as it is for filmmaking and videography. Simultaneously record uncompressed and compressed Full HD 1080 footage at 60/50/30/25/24p. Manually control ISO, shutter speed and aperture while recording—even use Power Aperture control for smooth iris transitions and Auto ISO for smooth exposure transitions. Use Highlight Display with zebra stripes to confirm exposure, apply Flat Picture Control for easier color grading in post and record at low and high angles with the 3.2-inch tilting Vari-angle LCD. Sharing and transferring your favorite D750 photos is fast, easy and fun. Wirelessly connect to the D750 with a compatible smartphone or tablet, browse the camera's memory card, download your favorite shots and then email them, text them or upload them to your favorite website. You can also use your smart device as a remote monitor and control for the D750—see what the camera sees and fire the shutter. For faster wireless transfers, transmit images over FTP using the WT-5A Wireless Transmitter + UT-1 Communication Unit. (Advanced shooters can use a web browser on a smartphone or tablet in HTTP mode to operate camera controls and begin Live View shooting.) A first for a Nikon full-frame D-SLR, the D750 features a 3.2-inch 1,229 dot tilting Vari-angle LCD display. It has RGBW alignment and color balance customization, so it can be matched to an external monitor. Use it to shoot from high and low angles, to spot-select white balance during Live View shooting, to access the intuitively redesigned Info. Display or to change settings quickly from the separate Photo Shooting and Movie Shooting menus. Match your view and your vision with the 100% coverage optical viewfinder, which has a bright, clear organic EL display system for making adjustments without taking your eye off the action.

Compatible Mountings: Nikon F (FX)


Aspect Ratio: 32


Photo Sensor Technology: CMOS


Supported File Format: JPEG, Raw (NEF, lossless compressed, compressed 12 or 14 bit)


Image Stabilization: No


Optical Zoom: 1 x


Expanded ISO Minimum: 50


Metering Description: Multi, Center-weighted, Highlight-weighted, Spot


Brand: Nikon


Model Name: Nikon D750


Compatible Mountings: Nikon F (FX)


Aspect Ratio: 32


Sensor Type: CMOS


File Format: JPEG, Raw (NEF, lossless compressed, compressed 12 or 14 bit)


Image stabilization: No


Expanded ISO Minimum: 50


Photo Sensor Resolution: 24.3 mp


Photo Sensor Size: Full Frame (35mm)


Maximum Shutter Speed: 1/4000 seconds


Minimum Shutter Speed: 30 seconds


Exposure Control: Aperture priority, Manual, Program, Shutter priority


Form Factor: Mid-size SLR


Effective Still Resolution: 24.3 mp


Special Feature: Brightness Control


Color: Black


Screen Size: 3.2 inches


Shooting Modes: Movie mode, burst mode, manual mode


Item Weight: 1.7 pounds


Video Resolution: FHD 1080p


Viewfinder: Optical


Flash Modes: Auto, Auto/Red-Eye Reduction, Fill Flash, Hi-Speed Sync, Off, Rear Curtain/Slow Sync, Rear Sync, Red-Eye Reduction, Slow Sync, Slow Sync/Red-Eye Reduction


Camera Flash: Hotshoe


Skill Level: Professional


Specific Uses For Product: Photography, Videography


Compatible Devices: Nikon F (FX) mount lenses


Continuous Shooting: 6.5 frames_per_second


Aperture modes: F2.8-F22


Viewfinder Magnification: 0.70x


Flash Sync Speed: 1/200 sec


Video Capture Format: MPEG-4, H.264


Connectivity Technology: HDMI, USB


Wireless Technology: BuiltIn


Video Output: Mini-HDMI


Total USB 3.0 Ports: 1


Total USB Ports: 1


Total Video Out Ports: 1


Total USB 2.0 Ports: 1


Hardware Interface: AV Port


HDMI Type: Type C Mini HDMI


Display Type: LED


Dots Per Screen: 1,229,000


Display Fixture Type: Tilting


Display Maximum Resolution: 1,229,000 dots


Display Resolution Maximum: 1229000


Auto Focus Technology: Center, Continuous, Contrast Detection, Face Detection, Live View, Multi-area, Phase Detection, Selective single-point, Single, Tracking


Focus Features: Multi-CAM 3500FX autofocus sensor module with TTL phase detection


Autofocus Points: 51


Focus Type: Manual Focus


Focus Mode: Automatic AF (AF-A), Continuous-Servo AF (AF-C), Manual Focus (MF), Single-Servo AF (AF-S)


Phase Detection Sensor Points: 15


JPEG Quality Level: Fine


Supported Image Format: MPEG-4


Bit Depth: 14 Bit


Total Still Resolution: 24.3 mp


Maximum Image Size: 6016 pixels


Optical Zoom: 1 x


Lens Type: Close-Up


Zoom: Digital Zoom, Optical Zoom


Camera Lens: Nikon F-mount lens


Minimum Focal Length: 18 millimeters


Real Angle Of View: 43.3 degrees


Focal Length Description: 24-120mm


Lens Construction: 18-70mm


Metering Methods: Multi, Center-weighted, Highlight-weighted, Spot


White Balance Settings: Auto


Self Timer: 20 seconds


Brand: Nikon


Model Name: Nikon D750


Built-In Media: BF-1B Body Cap, Camera Body Only, DK-21 Rubber Eyecup, DK-5 Eyepiece Cap, EN-EL15 Rechargeable Li-ion Battery, MH-25a Battery Charger, UC-E17 USB Cable AN-DC14 Strap, ViewNX 2 CD-ROM


Model Number: 1543


Model Series: D750


Series Number: 750


Number of Packs: 1


Global Trade Identification Number: 36


Generation: 1


Number of Items: 1


UPC: 018208015436 018208940325 628804146078 017893649230


Unit Count: 1 Count


Age Range Description: Adult


Manufacturer: Nikon


Manufacturer Part Number: 1543


Warranty Description: 1 year coverage for labor, 1 year coverage for parts, This warranty doesn't apply to the batteries and software driver that accompany this product


Image Capture Type: Stills & Video


Flash Memory Type: SD/SDHC/SDXC (dual slots)


Recording Capacity: 30 minutes


Write Speed: 6.5 fps


Flash Memory Speed Class: C2, C4, C6, or C10


Flash Memory Video Speed Class: V30


Flash Memory Bus Interface Type: SD


Compatible Flash Memory Type: SD, SDHC, SDXC


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Thursday, Oct 15

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews

    • If you shoot in low-light and high ISO, and can afford it, BUY IT
Color: Black
Let me start off by saying that I am not a pro photographer, meaning I haven't ventured into "selling" my work. I would consider myself an enthusiast instead; I understand the basics of photography and read about the technology that drives the equipment. I don't take a purely artistic/creative approach, instead I like to see my photography as somewhere between documentary/event and photo-journalistic. These days, most of my photography takes place indoors, mostly in the evening hours, in poor lighting (probably the three least conducive variables to capturing light.) The lenses I've used to take such photographs consist of the Nikon 70-200 f2.8 VRII, Nikon FX 50 & 35 f1.8, and Sigma 18-35 f1.8. The photographs consist of portrait style, and group/candid shots. The other half of my photographs are of a similar style, but the subjects are hardly static (think action sports; actually I'll just tell you: indoor rock climbing.) I was using a D7200 with the above lenses and was getting mostly great results; depending on how poor the lighting was, my biggest obstacles were accurately attaining and maintaining focus and keeping high ISO noise to a minimum while freezing the action. For example, the candid and portrait shots I could shoot between f1.8-f2.8, 1/60-1/125s and stay at around ISO800-1600. For the action shots, I would have to be shooting f2.8-f4 at 1/200-1/250s with VR-ON (slows down focus acquisition, especially during bursts) and anywhere from ISO1600-6400 (in 1/3 steps), though I think most of those shots fell at 3200 and higher. At this point the noise would start to creep in and while I could apply NR in post, I would lose lots of fine detail in cleaning up the image. Since I do not get paid for my time, I shoot mostly in JPEG and strive to get correct exposure and WB in-camera. I do not have time to mess around in LR6 editing each RAW file (tangent: I started this hobby taking lots of pictures of my baby daughter and after 6 months or so, I have over 3,000 RAW files, mainly of my daughter, taking up over 92gb of hard drive space. Probably only 10% of those pictures would benefit from RAW post processing and in retrospect I would have saved a lot of time and space shooting in JPEG). This is where the D750 eliminates most of my problems. I had read lots of reviews and when the latest, hyped cameras come out, sometimes the reviewers can make some pretty lofty statements (forgive them, if you were a camera geek you'd be pretty stoked too). I also looked at the "scientific" performance of the camera, and while I am NOT a pixel peeper, nor a Brick Wall Analyst, the results I obtained from using the D750 and high quality glass had me doing double-takes. What I mean is, this camera did AMAZING things when it came to my two primary concerns: focussing action in low-light and high ISO/low-light noise management. I was zooming in to my photographs because I was so blown away by how well this camera performed compared to the D7200, and I just couldn't believe it. I have straight-out-of-camera shots (albeit, of my wife in our dim fluorescent lit living room) taken at ISO12,800 (Fine, JPG, High ISO NR-Normal, ADL-Auto) with my 50 f1.8 and they look FANTASTIC. Speaking from memory --so this could be a bit hyperbolic-- the shots taken on the D750 at ISO12,800 look just as good (if not better) as shots I've taken at ISO6400 on the D7200 (same settings and lens). From this, you can extrapolate that if you shoot mostly in outdoor/good light, or don't need high ISOs, your pictures will be EVEN BETTER. I somewhat regret not buying the D750 before the D7200 because while the D7200 is a great camera, and does really well in High ISO situations, the online reviews were just not able to articulate the difference in High ISO performance between the two cameras (while at the same time praising how well the D7200 performs in low-light) when I was deciding which camera to purchase so now I have to sell it for a loss. Other benefits I have noticed over the D7200 (or FX vs DX): - the bokeh (subject isolation) is appreciably better on the D750. - the ergonomics of the D750 are quite similar to the D7200, but a few rearranged/shifted buttons here, thicker grip there, all lead to a more comfortable experience. I use Back-button focussing for action, and although they shifted the AE/AF-L button a few mm to the left, I find this more comfortable than it's placement on the D7200. I am 5'4" with rock climber hands (still size small in blue nitrile gloves, though) and I found the D750 grip to be much more comfortable than the D7200. Folks with larger hands will probably find the same to be true. The D7200 was comfortable only if I slapped on the extended grip, because I would finally have room for my right pinky finger. The weight isn't really an issue; I use a nice strap (OP/Tech or Joby, depending on the lens.) - the tilting screen seems nice, though I have not found myself needing it so I taped the bottom of it to the camera body so that it would not accidentally open. To me, it's just another point of possible mechanical failure. - video capabilites: haven't used them, and don't know much (nor care) about what it offers, but Nikon seems to be pushing this feature-set. - quality of the rear LCD: same as the D7200, as far as I can tell. It's got 1200k dot resolution as compared to the 921k resolution of the D610 and lesser DX (and older FX) bodies. Bottom line - it's sharp and I like it. To summarize: If you shoot primarily indoors, or in low-light, or need to freeze action indoors and in low-light, and have good glass (f1.8-f4 max. aperture) GET this camera if you can afford it (the D610 I've read also performs similarly, however I like the ergonomic/button feature-set the D750 adopted from the D7100 and D800) If you shoot outdoors, in good light, still, landscape or street photography, and don't make a living with it, you can save yourself a lot of money by not getting this camera, and instead getting the D7100, D7200, or an even less expensive DX body and using the savings on better glass (any of the Sigma Art primes, or the Sigma 18-35 which I am very upset that I will have to sell since it's a DX lens.) ... show more
Reviewed in the United States on June 29, 2015 by JT
    • Well worth the investment and the wait!
Color: Black
I have owned a number of SLR and D-SLR cameras and have found a perfect match to my needs in the Nikon D750. I won't get into a comparison of brands - each brand has its merits. I chose the Nikon family because many of my original film SLRs were Nikon and I wanted to get even more use out of my lenses. My first Nikon D-SLR was the D90, followed by the D7100. I loved both, the D7100 even more so (which is fair, given that it had several upgrades to the D90). The D750 is everything I've been waiting for. For a full-frame camera, it is very reasonably-priced. The photo quality is excellent - with good lenses, the images are sharp and the colours are beautiful and accurate. Low-light photography is amazing - I am continually stunned at how sensitive the sensor is and how minimal the noise is at high ISOs. I've used the camera for everything from fast-moving action shots (sports, auto-racing) to meteor showers and everything in between, including portraits and nature photography. Images enlarged to poster size retain their sharpness and detail. I have greatly enjoyed the photo quality of the D7100 - it's a great DX camera that I highly recommend if you're looking for DX. Sorry, you can't have mine because I'm keeping it!:) I was eager to do some side-by-side comparisons with the D750. Using the same lens, I took photos with each camera and, while pleased with the results of each, the photos from the D750 were exceptional. Much of the difference is likely due to the full-frame sensor and simply having so much more image to work with, but I was also impressed with the outstanding clarity in low-light conditions which is surely a result of the updated CMOS. I took some ambient outdoor photos during the last full moon using a tripod and was stunned by the detail in the D750 images. And the photos of the full moon itself were astounding - they were so clear and detailed, I wouldn't have been surprised to see an astronaut waving to me. :) The D750 has many features I've been longing for. - the tilt LCD is fantastic. I sometimes shoot using a monopod to get an angle above people's heads and the tilt LCD allows me to see what I'm getting. I recommend a wireless remote (Nikon or the AmazonBasics) or Nikon MC-DC2 remote release cord. - the built-in Wi-Fi has made it infinitely easier to go from camera to smartphone/tablet without needing to pull SD cards out of the camera and use a computer. With the Nikon WMU app on your smartphone or tablet, it takes only seconds to transfer images that you can then further proof, email, or post to social media. I've transferred images in 1-2 seconds each. You can also take photos on the D750 from your smartphone or tablet. (Be sure you have a fully charged battery to get the most out of the experience so you can have Live View appear on your device.) I recently shot photos for a competitive event and people were amazed at both the quality and the speed of the photos I was posting to Twitter. Within seconds of taking a photo on the D750, I could have the image posted to social media. - Speed! 6.5 fps can capture a lot of action, especially combined with the advanced auto focus features. I've been able to capture some amazing moments. - Face recognition - HD video is really fun and the quality is amazing! Even though the camera has reasonably good autofocus for video, I do recommend using manual focus if only to avoid the noise form the auto-focus (if you're using an external microphone, which I recommend, this isn't as much of a consideration). Most of the video I've taken has been in inherently noisy locations, so the autofocus noise is barely discernible and can be easily removed in post-processing if desired. - Dual memory card slots are super convenient! I got spoiled by this feature in the D7100 and love that I can set it up so that raw goes on one card and JPEG on the other, or have an automatic backup, or even set it up for overflow so I never have to worry about filling up a card right before that vital shot. ~ A couple of additional notes ~ LENSES: Like many photographers, I tend to find that lenses can have a greater impact on the quality of my photographs than the camera itself. It had been my intention to purchase a full-frame camera ultimately, so I ensured that my lenses were FX, even when I had DX cameras. This made the eventual upgrade to FX a much easier transition because I had lenses to choose from. (The DX lenses will work on the FX cameras, but the sensor will only shoot as though it were DX, so it's not taking full advantage of the FX sensor. The FX lenses work on the DX cameras, so it's a good long-term strategy to invest in FX lenses even if you have DX bodies.) Invest in the best possible lens you can afford, even if it may mean waiting to get a better camera body later. RAW/NEF: the raw (NEF) format has been updated, so you'll need to get an update to your image-processing software. (I use Adobe Photoshop CC and the current update is able to correctly process the NEF format.) MEMORY CARDS: Be sure to get high quality memory cards that have a Class 10 rating. This is the write speed. Given how fast you can take photos and video with this camera, you'll appreciate having memory card that keep up. My personal favourites are SanDisk Extreme Pro (32GB or 64GB) that have a write speed of 95MB/s. They are also shockproof and waterproof. "FLARE" - you may have seen reviews where people mention a problem with flare. Although this seems to have affected a very, very small percentage of the original D750 and only under very specific conditions, Nikon has made a correction, so any D750 you buy now will not have an issue. If you happen across an older one, Nikon will fix it. ... show more
Reviewed in the United States on April 25, 2015 by BostwickBooks
    • Light and compact for a full-frame camera. Puts powerful features and function in reach of semi-pros and enthusiasts.
Color: Black
I have owned the D300S for several years and would categorize myself as an enthusiast. I had been looking out for a some time to upgrade to the FX format... the D750 finally opened that opportunity up for me. I decided that the features of the D750 were a big enough step up from the D300S at a good price, which made it easy for me to take the leap. My DX lenses still work on the D750 (the viewfinder shows the cropped image), so I can slowly upgrade my lenses to FX over time. The first thing I noticed about the D750 was how trim and light it is compared to D300S. The D750 at first felt almost toy-like since it does't have the heft of the D300S, but the build does feel tight and sturdy. Other items compared to the D300S: The focus is much snappier, smarter, and accurate; my pictures are more clear and vivid (the FX format does not disappoint!); the flash seems to fill in a lot better; the LCD screen on the D750 angles for better creative and hard-to get shots; and the video-taking features are much more robust. I have not tried out the WiFi features yet, but will update the review once I do. Nighttime shots are much improved over the D300S, as are indoor darker shots. Sunset shots were also much truer in color than the D300S. I tried several shots at ISO 6400 and higher with very good results results. Very little graininess compared to the D300S at high ISO. Shot with a 50 mm 1.8 FX primary lens. I find that I carry this camera with me a lot more than I did the D300S. It is quite compact and light, especially with a small prime lens on it. I bought an ApeCase Plus which fits this camera very well with either the prime lens or the Nikkor 24-70mm 2.8 lens. And, by the way, this camera and the 24-70m 2.8 Nikkor are an amazing pair! VERY fast focus, and the images are extremely sharp. I continue to be very happy with this upgrade, particularly at this price! Of course, moving to the D750 will mean most of my legacy accessories will need to be retired. The MB-10 battery grip, extra batteries, etc. don't transfer over. The lenses do, however. I had always thought that I would have to shell out another $1,000 and go up in camera weight and size to get a pro/semi-pro FX camera. The D750 has put a lot of great functionality within reach for a lot of people. If you're considering the step up from DX, this is a great camera to do just that. ... show more
Reviewed in the United States on September 28, 2014 by Koda
    • Finally can let the light in.
Color: Black
Looks and functions like NEW. Moving up from a D7000. Much more premium. Dials turn smoothly and are chunky rubber. Will take some time to get comfortable with the slight change in button layout. The jump in image quality is quite noticeable. My D7000 does not handle even slightly low light environments very well. ISO gets very rough at only 400 or so. The D750 is lightyears better. This will greatly open up creative possibilities and opportunities. I can’t wait to dive in. I’ve wanted this camera since its release. I’m so happy to finally own it. ... show more
Reviewed in the United States on March 28, 2026 by Big36Kid
    • D750 vs D700 vs D7100.
Color: Black
I have been a Nikon shooter for the past 4 years. My previous experience includes a Nikon D3000, D700, D7100, and now the Nikon D750. I have always been impressed with Nikon picture quality, build quality and ergonomics, and this camera is no different! It truly is wonderful in so many respects. I am a wedding and event photographer, and my D700 has served as my main camera throughout my career. Some will argue that this is not a true replacement of the D700, and I will agree with them on some levels, but when it comes down to photo quality, this camera is indeed better. IQ, High ISO performance, and Dynamic range are all much improved from the D700. Autofocus is extremely fast and accurate, and will nearly shoot in the dark. Additionally, with some post processing, I can deliver usable photos up to 10,000 ISO. AMAZING! Where this camera from the D700, is the way it feels. It is considerably lighter (which is a good thing in my opinion), but lacks the weight and durable feel of the D700. Since I normally carry my camera for hours over my shoulder, I will take the lighter body almost every time. This camera also lacks the dedicated buttons for ISO, WB, and QUAL, but certainly not a deal breaker. The last noticeable difference is the shutter speed difference (1/8000 from the D700, and only 1/4000 from the D750. For bird photographers, this is a deal breaker. Compared to the D7100, this camera is nearly identical. Controls are 99% the same, as well as weight and ergonomics. The D7100 and D750 are a wonderful combination as a backup and main camera. The D750 high ISO performance is almost 2 stops better than the D7100. Otherwise, IQ, and controls are very much the same. The D750 buffer seems appropriate for what it is designed for, filling after a few second, but still getting off around 10-15 before it slows down. WB seems accurate (but if you shoot in RAW, this doesnt matter anyway). When you pick up the camera for the first time, you will say WOW! this handle feels so different! It may take some time to get used to, but I find it balances the weight of the camera better than the fatter handles. All in All, the camera for the price gets a 5/5. No problems with it yet, every function works as described, it is saving me some shoulder pain, and makes wonderful photos just like my other Nikons. You will enjoy, I promise! ... show more
Reviewed in the United States on May 7, 2015 by Chris
    • In my humble opinion the D750 is Nikons best full-frame camera for the price. Highly recommended!
Color: Black
So far I have zero complaints. The processor is extremely fast and the auto-focus is to die for. I shoot commercially for a living and the D750 fits the bill perfectly. Finally we have the new Lightroom 5.7 update and we can shoot tethered as well now. I sold my D610 because it was not able to focus on dimly lit studio products. For one of my clients I shoot their modern stainless steel lighting fixtures, and the D610 always had issues obtaining focus on the smooth finish....not the D750. It just locks right on. For a family portrait session with the D750, I had zero difficulty following focus on the running kids. Out of 700 captures, only 3 were a tad soft. And this was with the Nikkor 24-120 f/4 VRII. Focus might have been 100% perfect with the 24-70 f/2.8 or 70-200 f/2.8 (slightly faster motors). I always use AF-S mode for action. This includes weddings, fashion, portraits, or anything that moves. I had good results with the D610 using this method. Out of 1200 wedding images, maybe 10 were soft. The D610 always took a moment to lock focus in VERY dark churches, BUT with the D750 focus it is instant, even in very dim lighting conditions. As far as high ISO, for weddings I would be comfortable shooting up to 6400 withe the D750. I took a few sample shots at 12,800 and they looked excellent if processed carefully in Lightroom 5 with "25 noise reduction" and then sharpened with NIK Sharpener Pro. Video finally works in the D750 and looks excellent. The moire and softness in the D610 video made it utterly unusable for me. Battery life is improved 25% over the D610. The grip is much better than the D610....and we have a stronger chassis and better weather sealing. The only con I have is that the MB-D16 battery grip is priced a ridiculous $370...Nikon Tax. And it is back-ordered everywhere. In my humble opinion the D750 is Nikons best full-frame camera for the price. Highly recommended! UPDATE: The "Camera Portrait" calibration window in Lightroom v5.7 is a really nice setting for beautiful creamy & natural skintones when shooting portraits. 1) If you somehow managed to overexpose the image, first try the "Camera Flat" profile in LR 5.7. The D750 fantastic dynamic range will pull it right back in. 2) For product work I usually use the "Adobe Standard" profile. 3) X-Rite ColorChecker Passport makes custom camera profiles which are GREAT for dual illuminant scenes such as weddings. I created a "dual illuminant profile" that uses tungsten & daylight and it is perfect for those indoor/outdoor wedding lighting situations. Shoot in RAW and you will not be disappointed :) ... show more
Reviewed in the United States on November 20, 2014 by Thorsten
    • Love my new D750
Color: Black
Great camera with an exhaustive list of useful features. Outstanding image quality. I have had a chance to use my D750 in a variety of light and subject situations and it always seems to have a way to take a great picture. Update after 4 months of use: I ordered my D750 through Amazon (fulfilled by OneCall) as soon as it was available last September, so mine is pretty early production. I have taken thousands of pictures since then and I am very pleased with the results. What I think has amazed me the most is the ability to take interior shots in low light situations with incredible results. Even after several months I still find myself shaking my head and marveling at what this camera will do with limited ambient light. Museums with no-flash rules and historical sites with limited interior lighting are just not a problem any more. Crisp well exposed hand held shots that I would not have thought possible are now routine. And that is using a zoom lens with f/3.5-5.6, not exactly the fastest lens to work with. The rich color and wide dynamic range is a delight and the resolution adds crispness and depth. After thousands of exposures in a wide range of shooting conditions, including very bright daylight, sunsets, well lit and poorly lit interiors, night cityscape photography with street light hot spots, I have never noticed the flare issue that has been causing a lot of chatter. I was suspecting that my particular D750 was one that was not going to need the adjustment that Nikon is offering to make. Out of curiousity I went to the Nikon web site where they have a serial number look up, and low and behold mine came up with a recommendation to have the adjustment made. I am not sure I would ever have know that without looking it up. I have never seen this in any of the pictures I have shot so far. For me the bottom line is that the Nikon D750 is a remarkable camera that has extended what I can shoot far beyond what I could in the past, and even after 4 months I am pretty sure I have hardly scratched the surface of what this camera can do. I am starting to plot photo shoots that I never would have bothered with before, and I can see a lot more fun coming in the future as I push the limits of this camera. ... show more
Reviewed in the United States on November 2, 2014 by D. Janson
    • You will love it as a new camera, not so different from D610 as to justify a replacement purchase.
Color: Black
Already received it and here's my initial take on it. Basically it IS a D610 with a new name and a handful of refinements. It has a new Expeed 4 processor in it which is supposed to be faster than the D610, however I see no differences in start up, menu response time, or menu navigation improvements. So the faster CPU isn't impacting the user-experience with the software in the camera. The Tilt screen is nice, but there is no LCD protective cover included with the camera. This is my first Nikon that did not include one. Maybe due to the design of the flippy LCD? I think this could be an issue down the road unless the type of glass covering the LCD is made out of diamond or similar. <g> The Focus points are better but are clustered together in the middle of the screen just like (but not as tight as) the D600/D610 and your average DX camera. This is very odd and probably done on purpose to put us in our place. The grip is new. It is deeper and I like it a lot. I grabbed my D610 and D90 to compare and the D750 grip was the best of them. Although there are some more angular corners on parts of it that some may not enjoy, but other previous sharp points on the camera (from the D610) have been rounded nicely. [UPDATE: The more I use it, the more I dislike the part of the grip under the heal of the thumb--it is part of the SD card door and really "sticks out" compared to prior Nikon models--a bit too pointy in my opinion.] There is no little plastic cover for the "hot shoe" that has been in every camera I've ever owned. This one is either missing or they just don't offer it. So I pulled the one from the D90 and will use it. [UPDATE: The hot shoe cover is not included for some dumb reason.] [UPDATE: The menu system is similar to D6xx however, the Timelapse option is moved to the new MOVIE menu. In addition the name of Movie files (at least the prefix of them) has an option to change the first 3 letters. So I tried to change it to VID instead of DSC and was able to type in the VID letters however the "geniuses" at Nikon did not include a way to actually save that change, so it always reverts back to DSC. [UPDATE: I have detected no fewer than 3 software issues which will need to be corrected via Firmware update when Nikon realizes and fixes these issues. I've spoke with Nikon on them. Those three software defects are: (1) as mentioned above, the naming on the Video files reverts back to the DSC prefix. (2) The camera needed the have the battery removed to power it off after leaving sit for a lengthy duration (about 40+ minutes) of non-use. (3) The message when an SD card is locked and can't be used by the camera is ambiguous at best. NONE OF THESE are show-stoppers and shouldn't influence your decision making. ] [UPDATE: I shot a dozen pictures of my wife on Ch (continuous high 6.5 fps) as she walked down the stairs at home. I used the Nikon 50mm f1.8 lens. Of the 12 shots, 4 were in focus. So the new AF wile "new" isn't much better than what you had with the D610. Just marketing BS. [UPDATE: I took it out in "my" environment and shot several nature photos. The autofocus was very accurate, more so than those I shot indoors. In fact, sandhill cranes taking off were continuously in focus. The pixel-peeper 100% zoom in on photos as higher ISO setting (about 640) do not have noise at all, but instead the "noise" pixels seem to be white. My wife commented that the photos at 100% zoom looked "dusty" but you don't publish 100% zoom typically. I'm not sure if I like this or not, but it may just be that it is different (from the D610 that I also own).] Oh, and the photos look great right out of the box, maybe a subjective tad better than the D610 but I can't be sure, but certainly not enough to warrant a D750 over the D610. [UPDATE: Test shots taken with my D610 and D750 using the same lens (Nikkor 50mm 1.4G) same camera setting and same everything showed the following: Focus on D750 was MUCH more accurate than D610. Colors on D750 were brighter due to D750 seeming to always shooting brighter images (this seems to always happen with new nikons until the first firmware update). The detail at 100% zoom/crop was subjectively different. The D750 showed more detail near the focus area than D610. But again, that "dusty" look is new for me. Perhaps someone with more experience can clarify what this may be. It could just be a perspective issue.] Bottom line: If you have a D610, enjoy it, this is pretty much the same thing but with a few refinements and a flippy LCD. If you are considering this vs D610, get the D750. If you're thinking about a D7100 vs D750, get this. It is a great camera, great quality but does have some (in my view) missing pieces. [UPDATE: My recommendation to get the D750 hasn't changed, so those who replied to this review with an attitudes that my recommendation was to the contrary, apparently can't read.] UPDATE: 26 March 2015: I have a "camera lockup" issue with the D750 and sent it to Nikon. Unfortunately for me, this was during the "Lens Flare" issue product recall period. My camera did not have the lens flare issue, however Nikon service performed the lens flare service request. Okay, fine... no harm. But (A) They did not resolve the lockup issue and (B) the splashed something on the lens causing at least a half dozen spots to appear (even at wider apertures). So I had to send it in a 2nd time. That time they did nothing but "clean the sensor" and return it. however, the spots remained. A 3rd trip to Nikon Service and a dozen or so emails and phone calls finally got them to restore the camera to "new working order' (i.e., "no spots") Again these were caused by something splashing on the sensor during the Lens Flare service, an issue I did not have with my camera. Bottom line, I'm very happy to have the camera back--I've been using other cameras and while the format is nicer (smaller) there is nothing quite as good as the D750 with good glass. ... show more
Reviewed in the United States on September 26, 2014 by Robert Cozzi

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